BEGIN:VCALENDAR
VERSION:2.0
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CALSCALE:GREGORIAN
METHOD:PUBLISH
DESCRIPTION:Discovered and maintained by CalDiscovery (https://caldiscover
 y.com). Event details belong to their publishers. Contains information fro
 m CalDiscovery\, which is made available under the ODbL 1.0.
SOURCE:https://caldiscovery.com/st-louis-mo/src-5646.ics
X-PUBLISHED-TTL:PT1H
X-WR-CALDESC:Discovered and maintained by CalDiscovery (https://caldiscove
 ry.com). Event details belong to their publishers. Contains information fr
 om CalDiscovery\, which is made available under the ODbL 1.0.
X-WR-CALNAME:CalDiscovery - st-louis-mo
BEGIN:VEVENT
SUMMARY:JEREMIAH ALLEN AND FRIENDS
DTSTART:20260907T000000Z
DTEND:20260907T020000Z
DTSTAMP:20260815T000054Z
UID:10002264-1788721200-1788721200@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Get your R&B groove on with Jeremiah and some of the best musi
 cians in St. Louis
LAST-MODIFIED:20260815T000054Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/jeremiah-allen-and-friends/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:THE SECRET SHOW
DTSTART:20260907T020000Z
DTEND:20260907T040000Z
DTSTAMP:20260830T181627Z
UID:10002268-1788728400-1788728400@blueberryhill.com
CATEGORIES:comedy
DESCRIPTION:New lineup of comics from across the country every month! \n\n
 \n\nBrought to you by Rafe Epstein & Bri Minnich
LAST-MODIFIED:20260830T181627Z
LOCATION:Blueberry Hill Elvis Room\, 6504 Delmar Blvd\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/the-secret-show-2/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Tuesday Trivia in the Dart Room
DTSTART:20260909T000000Z
DTEND:20260909T020000Z
DTSTAMP:20260902T001755Z
UID:10001845-1788894000-1788894000@blueberryhill.com
CATEGORIES:community
DESCRIPTION:Every Tuesday! Bring your squad\, grab a drink\, and get ready
  to flex your trivia knowledge. Prizes include gift cards to Blueberry Hil
 l and free drinks. \n\n\n\nSee you there! This is one of the most fun triv
 ia nights in St. Louis!  \n\n\n\nFree to play!
LAST-MODIFIED:20260902T001755Z
LOCATION:Blueberry Hill Dart Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/tuesday-trivia-in-the-dart-room-2/2026
 -09-08/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Unsane
DTSTART:20260909T010000Z
DTEND:20260909T040000Z
DTSTAMP:20260729T182041Z
UID:10002251-1788897600-1788908400@blueberryhill.com
CATEGORIES:film
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees.
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/unsane/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:The Barbarians of California
DTSTART:20260910T010000Z
DTEND:20260910T040000Z
DTSTAMP:20260729T182041Z
UID:10002162-1788984000-1788994800@blueberryhill.com
CATEGORIES:music
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/the-barbarians-of-california/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Canaan Cox
DTSTART:20260911T010000Z
DTEND:20260911T040000Z
DTSTAMP:20260729T182041Z
UID:10002107-1789070400-1789081200@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees.
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/canaan-cox/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:54th Annual Blueberry Hill Open Dart Tournament
DTSTART:20260911T230000Z
DTEND:20260913T210000Z
DTSTAMP:20260729T182041Z
UID:10000797-1789149600-1789315200@blueberryhill.com
CATEGORIES:community,sports
DESCRIPTION:The largest and oldest pub dart tournament in North America! S
 ince 1973! \n\n\n\n$10\,710 in prize money \n\n\n\n\n\nPresented by Schlaf
 ly Beer \n\n\n\n\n7 men’s and 7 women’s events\n\n\n\nADO Sanctioned E
 vent\n\n\n\nAll finals best 3 of 5\n\n\n\nSingles 301 winners get their ph
 oto on the celebrated Wall of Fame in Blueberry Hill’s Dart Room\n\n\n\n
 21 dart boards\n\n\n\nIn a one-of-a-kind pub\n\n\n\nThis tournament is fu
 n!\n\n\n\nIt’s the 50th Anniversary of this beloved pub tournament!\n\n\
 n\nSet in the one and only Blueberry Hill Restaurant & Music Club\n\n\n\nI
 n the Delmar Loop\, the most vibrant arts and entertainment district in St
 . Louis\, “One of the 10 Great Streets in America” –American Plannin
 g Assn.
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill – throughout multiple rooms\, 6504 Delmar Blvd\,
  St. Louis\, MO\, 63130\, United States
URL:https://blueberryhill.com/event/annual-blueberry-hill-open-dart-tourna
 ment/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Biita Houdei
DTSTART:20260912T010000Z
DTEND:20260912T040000Z
DTSTAMP:20260813T181909Z
UID:10002263-1789156800-1789167600@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 About Biita Houdei\n\n\n\nBased in New York’s Catskill Mountains\, Biita
  Houdei (FKA LéPonds) makes folk music that feels both earthy and transpo
 rtive\, blending psychedelic textures with intimate reflections on love\, 
 heritage\, chance\, and the natural world. On This Bed Was Made For Me\, h
 er first release under a familial gifted name that means “unique” in F
 arsi\, those qualities come into sharp focus. Recorded over ten immersive 
 days with longtime friend and collaborator Haley Heynderickx and engineer 
 Sahil Ansari\, the album carries a rare sense of warmth and communion\, so
 ngs shaped by trust\, patience\, and deep listening. The result is a lumin
 ous\, deeply lived-in collection that feels less like a set of recordings 
 than a gathering of stories\, memories\, and shared histories.
LAST-MODIFIED:20260813T181909Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/biita-houdei/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Gimme Gimme Disco
DTSTART:20260913T010000Z
DTEND:20260913T040000Z
DTSTAMP:20260729T182041Z
UID:10002252-1789243200-1789254000@blueberryhill.com
CATEGORIES:dance,music
DESCRIPTION:18+ with valid I.D. \n\n\n\n\n\n\n\n\n\n18+ with valid I.D. \n
 \n\n\nTickets for this event\, if purchased with cash at Blueberry Hill\, 
 are discounted to face value – without extra ticket fees. \n\n\n\nIf you
  can’t get enough of ABBA\, boy do we have THE dance party for you! We a
 re a DJ based dance party playing all your favorite ABBA tracks\, plus ple
 nty of other disco hits from the 70s & 80’s like The Bee Gees\, Donna Su
 mmer\, Cher\, & so much more. So honey honey\, take-a-chance and you’ll 
 be dancing all night long. Grab tickets\, put on your best disco attire\, 
 bring your friends\, and have the best night of your life!  \n\n\n\n🪩
 🎤✨🕺💃❤️🫶
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/gimme-gimme-disco/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:MOONY'S WILLIAM TRIMTOE TOUR
DTSTART:20260919T010000Z
DTEND:20260919T030000Z
DTSTAMP:20260825T182144Z
UID:10002266-1789761600-1789761600@blueberryhill.com
CATEGORIES:music
DESCRIPTION:moony presents his new album William Trimtoe live in concert w
 ith a full band on September 18th in St. Louis\, MO at Duck Room at Bluebe
 rry Hill. \n\n\n\nWilliam Trimtoe is a 19th century Scotch-Irish folktale 
 turned children’s folk rhyme turned moony’s sophomore album\, a journe
 y deep into consciousness and the metaphysical battle of reality that fuel
 s the entropy of our fragile existence amidst all of its pain\, fear\, con
 fusion\, beauty\, love\, and wonder. A no holds barred expression of the d
 eepest parts of himself\, moony goes for broke and delivers his self-produ
 ced masterpiece. Bold\, brash\, and at times chaotic yet surprisingly palp
 able\, William Trimtoe is an hour long fever dream of alternative rock-cen
 tric songs that dip their multi-genre toes into hardcore\, psychedelic\, e
 lectronic\, singer-songwriter\, indie\, and even Gaelic folk. \n\n\n\nAfte
 r releasing and touring his debut album WARNING HIGH CUBE (Full Lunar Cycl
 e) from 2024-2025\, Singapore-raised now Nashville-based Seth Findley (moo
 ny) established himself as a creative force to be reckoned with in the ind
 ependent alternative rock scene of Nashville. His ever-growing cult-like f
 anbase of self-deemed “moonies” bonds over rich visuals\, dense lore\,
  singable anthems\, and captivating live shows in the “moonyverse” –
  a hidden pocket of Earth where all are welcome but only the brave and cur
 ious have entered. \n\n\n\nmoony is the life and death of Seth Findley unf
 olded in an uncanny array of sights and sounds inscribed by a 187-year-old
  octopus.
LAST-MODIFIED:20260825T182144Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/moonys-william-trimtoe-tour/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:FREE DIRT
DTSTART:20260920T010000Z
DTEND:20260920T030000Z
DTSTAMP:20260729T182041Z
UID:10002242-1789848000-1789848000@blueberryhill.com
CATEGORIES:music
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Elvis Room\, 6504 Delmar Blvd\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/free-dirt/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:The Steel Wheels
DTSTART:20260920T010000Z
DTEND:20260920T040000Z
DTSTAMP:20260729T182041Z
UID:10002239-1789848000-1789858800@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 About The Steel Wheels\n\n\n\n20 years is a long time to spend doing anyth
 ing at all. It’s an age for any group of people to sustain a collective 
 effort. For a band on the road\, 20 years can be more than a lifetime. Yet
 \, after 2 decades of making music together in living rooms\, listening ro
 oms\, clubs\, theaters\, and festival stages\, The Steel Wheels are still 
 growing\, still pushing\, still at it\, and they’re marking the occasion
  with the release of their 9th studio album\, “The Steel Wheels”. \n\n
 \n\nFollowing the release of “Sideways” in 2024\, their 3rd record wit
 h producer Sam Kassier at his Great North Sound Society studio in interior
  Maine\, the band felt it was time for a change of scene. \n\n\n\nAs the g
 roup began to select songs for a new album\, they also had to find an answ
 er to the question of where they would get down to the work of record-maki
 ng. They didn’t know that answer was going to knock on their back door. 
 \n\n\n\nAt the band’s 2024 Red Wing Roots festival\, held each summer ne
 ar the group’s home base of Harrisonburg\, VA\, banjo player and songwri
 ter Trent Wagler spied producer and engineer D. James Goodwin (Goose\, Bon
 ny Light Horseman\, I’m With Her) in the crowd and later reached out to 
 learn what he was doing so far from his home turf of New York. It happened
  that Goodwin\, who mixed the band’s 2019 album “Over The Trees”\, h
 ad just pulled up stakes for the Shenandoah Valley and was setting up a ne
 w studio on the band’s doorstep. Several months and one video call later
 \, Wagler\, fiddler Eric Brubaker\, multi-instrumentalist Jay Lapp\, drumm
 er/percussionist Kevin Garcia\, and bass player Jeremy Darrow gathered in 
 the new space\, The Isokon\, snug against the snowy Virginia winter\, to b
 egin recording their next album. \n\n\n\nThe process that Goodwin cultivat
 ed was fluid and swift. Demo listening in the morning flowed into tracking
  the whole band live in one room. The session was punctuated by peals of l
 aughter and occasional tears as the group kept themselves in the moment\, 
 leaning in to every emotion and embracing that vulnerability. As they work
 ed\, the music took shape in the moment\, right in front of the microphone
 s\, each participant listening and responding as the songs flickered to li
 fe. By dinner time the songs of the day were complete and talk moved to th
 e next day’s work. \n\n\n\nThe album that resulted from this process cap
 tures the multifaceted band in full-flight\, pivoting effortlessly between
  the folk rock band they’ve grown into over 20 years\, and the harmony-c
 entric acoustic ensemble that they’ve been since the beginning. The band
  puts their impressive range on display throughout “The Steel Wheels”\
 ; energy\, insight\, and humor\, balance with tender\, highly personal mom
 ents of masterful restraint and expression as the album unfolds. As ever\,
  the band challenges themselves to find new ways through the music\, using
  space and\, at moments\, reinventing their approach to the string band fo
 rmat. \n\n\n\nAs usual\, Wagler’s keen lyrics provide insight by posing 
 big questions. At first blush “Easy” sounds like the song of the summe
 r\, but a deeper listen asks the audience to consider whether it’s worth
  the cost to have the world waiting for us on the other side of our screen
 s. “Everything is easy\, but is it really? \n\n\n\nBeyond our glowing de
 vices “Go Back” studies the complexity of our relationships and the ti
 me we spend with those close to us. It’s easy to say that we must take t
 he bad with the good\, it’s a challenge to seek to understand how our jo
 y and sadness are entwined\; that they are not opposing feelings\, but sib
 ling emotions. \n\n\n\n“Keep On Dancing” offers the listener a greater
  challenge\; to take a step back from distraction and our self-imposed tas
 ks\, to look beyond the static of the day\, and to see the beauty all arou
 nd us. The song gently implores us to take a breath and be still so that w
 e can glimpse the things that are actually important. \n\n\n\nThe Steel Wh
 eels have kept their stride for longer than most bands survive. After 20 y
 ears hard at work The Steel Wheels is an album of creative maturity with a
  restless sense of adventure. Here’s to 20 more.
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/the-steel-wheels/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:The 4411
DTSTART:20260921T010000Z
DTEND:20260921T040000Z
DTSTAMP:20260729T182041Z
UID:10002167-1789934400-1789945200@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 The 4411 is an Austin\, Texas–based alternative rock band formed by life
 long friends Tomas Gerlach (drums) and Cogan McBride (vocals). What began 
 as a shared love of music growing up quickly turned into writing songs tog
 ether and releasing their first single “Candy Heart\,” landing on a Sp
 otify editorial playlist and reaching new listeners. \n\n\n\nWhile living 
 together in college\, the duo released “As You Please” and expanded in
 to a four-piece with guitarist Alan Holmquist and bassist Nick Speer. Thei
 r debut EP\, We Killed the Sun\, arrived in June 2024 and launched their f
 irst tour\, ending in a sold-out headlining show. \n\n\n\nSince then\, The
  4411 has toured nationally\, selling over 5\,000 headline tickets and pla
 ying tons of sold-out shows across the U.S. Now in 2026 the band has relea
 sed a handful of singles gearing up for their second EP and plans to be to
 uring much more.
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/the-4411/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Son Little
DTSTART:20260922T010000Z
DTEND:20260922T043000Z
DTSTAMP:20260729T182041Z
UID:10002169-1790020800-1790033400@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees.
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/son-little/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Brown Horse
DTSTART:20260923T010000Z
DTEND:20260923T040000Z
DTSTAMP:20260729T182041Z
UID:10002171-1790107200-1790118000@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 Brown Horse make twangy and thoughtful indie rock\, delicately arranged\, 
 but unafraid of building a yowling wall of guitars\, accordion\, banjo and
  pedal steel. Distorted\, teary-eyed and country-tinged\, this is music fo
 r long lonely drives and late\, late nights in strange places. After signi
 ng with legendary label Loose Music (The Felice Brothers\, Hurray for the 
 Riff Raff\, Courtney Marie Andrews)\, their debut album\, Reservoir\, was 
 released in January 2024 to wide critical acclaim. The band followed the r
 elease with a multi-month international tour and a packed festival season.
  \n\n\n\nBrown Horse released their second album\, ‘All The Right Weakne
 sses’\, on April 4th 2025 on Loose Music. The group returned to Sickroom
  Studios in Norfolk following a multi-month European tour. As a whole\, 
 ‘All the Right Weaknesses’ touches on what being a band is all about. 
 The tone of ‘Reservoir’ was described as an “unvarnished sound”. B
 rown Horse record quickly\, and mostly with live\, full-band takes. This c
 reates moments of unpredictability and excitement that feel candid and sin
 gular. The thrill of listening to ‘All the Right Weaknesses’ is about 
 this snapshot of a moment in time with six musicians playing together at o
 nce.
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/brown-horse/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:The Appleseed Cast & The Casket Lottery
DTSTART:20260924T010000Z
DTEND:20260924T040000Z
DTSTAMP:20260729T182041Z
UID:10002182-1790193600-1790204400@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees.
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/tac-tcl/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Nep
DTSTART:20260929T010000Z
DTEND:20260929T040000Z
DTSTAMP:20260831T181910Z
UID:10002191-1790625600-1790636400@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 The story of Nep begins in Daytona\, Florida\, a place of endless motorcyc
 le rallies\, stickysummers\, and the kind of small-town culture she always
  knew she’d leave behind. It’s that pushand pull that fuels her debut 
 album\, Noelle – an album that feels both diaristic and cinematic:raw ex
 perience refracted through sharp\, infectious indie-pop. \n\n\n\nNep has b
 een building an audience for years\, long before any records were even fin
 ished. Shortclips and demos posted to TikTok racked up over 5 million like
 s\, drawing fans to her mix ofsardonic humor\, brutal honesty\, and a quir
 ky charm that makes even her darkest songs feeloddly uplifting. She quickl
 y translated that online energy to the stage\, selling out early headlines
 hows in Los Angeles\, New York City\, and Chicago\, and touring alongside 
 Ricky Montgomery\,mxmtoon\, and Grent Perez. With the release of Noelle\, 
 Nep is not just putting out an album\;she’s leaving Florida behind. Afte
 r years of translating Daytona’s beaches\, bike rallies\, andheartbreak 
 into song\, she’s moving to Los Angeles\, a new chapter\, a new landscap
 e. \n\n\n\nNoelle is both an origin story and an emancipation. It document
 s the mess of youth and thecatharsis of finally walking away. In Nep’s w
 orld\, scars become anthems\, heartbreak becomespunchlines\, and growing u
 p in Daytona becomes the stuff of unforgettable songs.
LAST-MODIFIED:20260831T181910Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/nep/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:The Dream Syndicate
DTSTART:20261002T010000Z
DTEND:20261002T040000Z
DTSTAMP:20260729T182041Z
UID:10002164-1790884800-1790895600@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 The Dream Syndicate will perform their visceral 1984 album Medicine Show o
 n tour in the US and Europe beginning in November 2025 and carrying throug
 h March of 2026. The tour will sync with a reissue of Medicine Show (now e
 xpanded into a 4-CD set of 42 songs\, 29 unreleased performances [live and
  studio] from 1983-84) and a vinyl LP on the band’s own Down There label
 \, distributed by Fire Records. \n\n\n\nIt will be the first time the band
  has played Medicine Show in its entirety and comes fresh on the heels of 
 a similar and successful tour for The Days of Wine and Roses in 2022. \n\n
 \n\nThe band will open each evening with a set of new material\, drawn fro
 m the four reunion albums they have made since 2017\, take a short break a
 nd then switch over to Medicine Show – heralded as one of the 40 best ro
 ck albums ever by the London Guardian. It has been out of print in every f
 ormat for decades. \n\n\n\nThe reissue comes on the heels of an intense an
 d lengthy legal battle that ended with the band winning the rights to the 
 album which they’ll be signing every evening at the merch table after th
 e show. \n\n\n\nThe Dream Syndicate burst onto the LA scene at the beginni
 ng of 1982 as the leaders of the Paisley Underground movement — becoming
  one of the leading lights of the American Indie scene that was brewing af
 ter the birth of punk and new wave. Four albums and countless tours follow
 ed before The Dream Syndicate disbanded in 1988\, then reuniting in 2012. 
 The core band of Steve Wynn\, Dennis Duck and Mark Walton from the first i
 ncarnation was joined by Steve Wynn & the Miracle 3 guitarist Jason Victor
  and eventually Green on Red keyboardist Chris Cacavas\, the lineup that e
 ndures to this day.
LAST-MODIFIED:20260729T182041Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/the-dream-syndicate/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:AJJ
DTSTART:20261003T010000Z
DTEND:20261003T040000Z
DTSTAMP:20260805T180512Z
UID:10002258-1790971200-1790982000@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 Ever since Sean Bonnette and Ben Gallaty formed AJJ back in 2004\, it’s 
 felt like the world has been playing catch-up. That’s because the band
 —completed these days by guitarist/keyboard player Preston Bryant\, cell
 ist Mark Glick and (relatively) new drummer Kevin Higuchi—has always wov
 en apocalyptic themes and imagery into many of its songs and lyrics. They 
 even self-released a record called Good Luck Everybody in January 2020\, a
 s if they knew what was coming. Now though\, in 2023\, with their eighth s
 tudio record and debut on Hopeless Records\, Disposable Everything\, it fe
 els like the world is finally aligned with AJJ’s doom-laden prophecies 
 – albeit one that still shimmers with hope. \n\n\n\nFor singer Sean Bonn
 ette\, the record is less a prophesizing mirror held to a burning world th
 an one inspired by personal grief. In fact\, for him\, this record is abou
 t what happens after the collapse—on both an intimately personal level a
 nd a much broader scale. “A large part of Disposable Everything is the t
 errible thing I’ve been imagining finally happened\,” he explains. “
 A big theme is my mom’s death\, which is something I think everyone live
 s in terror of. But once it happens and you’re still alive\, you figure 
 out how to move on. It is\, in some weird way\, our happiest record.” \n
 \n\n\nAnybody familiar with the band knows that juxtaposition—between ap
 ocalyptic despair and the warm comfort of an electric blanket—is nothing
  new for AJJ\, but these 14 tracks are the most firm example of that to da
 te. Recorded with David Jerkovich over the first half of 2022 in various s
 tudios across the Southwest\, Disposable Everything truly captures the sim
 ultaneous terror and wonder of being alive. Throughout the nearly 20 years
  since the band’s inception\, AJJ’s music has always found its way to 
 the irreverent\, optimistic pessimists of the world. For example\, 2020’
 s “Body Terror Song” became a viral hit on TikTok\, an app that no one
  in the band was even on at the time. \n\n\n\nTheir unparalleled live show
  has always been the bedrock of AJJ\, with memorable tours with Joyce Mano
 r\, Against Me!\, ROAR\, Jeff Rosenstock\, Kimya Dawson\, and huge indie p
 unk festivals\, like The Fest. And it’s that live energy and sense of co
 mmunity and collaboration that made its mark on the recording of Disposabl
 e Everything. For the first time recording as a full five-piece\, the goal
  was to have fun\, open up a free exchange of ideas\, and just be together
 . That overriding sense of solidarity pervades this album\, exaggerated by
  the way the band look at it more like a mixtape than a record in the trad
 itional sense–fully indulging AJJ’s wide musical range and their tende
 ncy to play with genre\, while also defying expectations as to what songs 
 about certain subjects should sound like. Indeed\, this feels more like a 
 band record than AJJ have ever made before. Probably because it is. \n\n\n
 \nIt kicks off with “Strawberry (Probably)”\, an uproarious blast of f
 ast\, glorious\, carefree quasi-punk that descends into a warped blur of d
 issonance. That that leads into a song called “Dissonance” was\, Bonne
 tte says\, unintentional\, but nevertheless highlights the synergy that fl
 ows through these songs. Then take “Death Machine”\, for instance – 
 the song distills the current environmental and political crises propelled
  by a capitalist society into one minute 53 seconds of jittery\, feel-good
 \, punk rock urgency\, in only the way that AJJ can do. “The Baby Panda
 ” – despite spitting a horrific truth about what humankind has done to
  the planet\, is an enjoyable singalong anthem. And the title track “Dis
 posable Everything” spells out the damaging impact of late capitalism wh
 ile still shimmering with hope. There are moments of pure levity\, too—i
 n the humor of “White Ghosts”\, the self-aware wordplay of “Schadenf
 reude” and the offbeat romanticism of “Candles of Love”. Combined\, 
 it all offers a quintessentially AJJ-esque vision of the world\, which Bon
 nette\, both jokingly and seriously\, refers to as like “The Beatles on 
 bath salts.” As the lilting “In The Valley” brings the record to an 
 end\, it defies—save for one ominous moment—the reality of the present
  moment\, transforming its chasm of nothingness into something resplendent
 . It’s a powerful final statement that renders Disposable Everything any
 thing but. Rather\, it’s a vital\, important and beautiful album that’
 ll make you feel better about everything while telling you just how terrib
 le everything is. \n\n\n\nBonnette has a simple explanation for that parad
 ox. “And maybe where some sort of hope can be is within love\, because n
 o matter how fucked the world can get\, people can love each other still.
 ” That AJJ are still able to offer up their unique brand of humor and ir
 reverence as a solution to the world’s ills almost two decades into thei
 r career isn’t lost on them\, either. “I didn’t ever expect AJJ to b
 e what it’s become\,” says Gallaty\, “but I’m really happy with it
 . Some of my favorite people play in the band\, and the whole larger commu
 nity we get to be part of just blows my mind. It’s honestly hard to imag
 ine a life without it.”
LAST-MODIFIED:20260805T180512Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/ajj/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Ian McConnell
DTSTART:20261004T010000Z
DTEND:20261004T040000Z
DTSTAMP:20260801T061306Z
UID:10002166-1791057600-1791068400@blueberryhill.com
CATEGORIES:music
LAST-MODIFIED:20260801T061306Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/ian-mcconnell/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Shwayze
DTSTART:20261005T010000Z
DTEND:20261005T040000Z
DTSTAMP:20260808T060442Z
UID:10002186-1791144000-1791154800@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 Shwayze is an American artist known for blending hip-hop and alternative s
 ounds with laid-back vibes and a unique perspective. Since his debut\, Shw
 ayze has consistently captivated audiences with his relatable storytelling
 \, delivering both feel-good anthems and introspective tracks. His latest 
 album\, Shwaycation\, showcases his dedication to pushing creative boundar
 ies while staying true to the essence of his music. \n\n\n\nBeyond his mus
 ical career\, Shwayze is pursuing exciting television and film projects. A
 s an independent artist\, he continues to carve his path with authenticity
 \, evolving from a beachside vibe-maker to a cultural staple in the modern
  music scene. \n\n\n\nShwayze’s journey is a testament to staying inspir
 ed and evolving without compromise. His music resonates deeply with fans\,
  creating lasting connections and a loyal community that grows with each n
 ew chapter.
LAST-MODIFIED:20260808T060442Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/shwayze/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:BAD NERVES
DTSTART:20261006T010000Z
DTEND:20261006T040000Z
DTSTAMP:20260816T001625Z
UID:10002175-1791230400-1791241200@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees.The basta
 rd child of a Ramones/Strokes one night stand\, Bad Nerves play ferociousl
 y fast distorted pop songs and drew acclaim with their previous releases 
 ‘Dreaming’\, ‘Baby Drummer’\, & ‘Can’t Be Mine’. It would ap
 pear to be in the DNA of rock music\, particularly punk music\, that the m
 usic itself happens by some kind of happy accident. Nothing truer could be
  said of the Essex five piece speed punk band. For frontman Bobby\, the fo
 rmation of the band itself was an unintentional happenstance that just wou
 nd up taking off in unexpected but very exciting directions. Did band life
  choose Bad Nerves or did Bad Nerves choose band life? It’s hard to say.
  \n\n\n\nOn the eve of releasing their second album\, the brilliantly titl
 ed Still Nervous\, the boys are still reeling from their surprise success.
  Their self-made\, self-funded debut put them in the hearts and minds of t
 he cream of the alternative crop in 2020\; from tastemakers such as Dan P 
 Carter to Alyx Holcombe\, and from peers like Green Day’s Billie Joe Arm
 strong to Pearl Jam’s Stone Gossard\, Bad Nerves were instantaneously he
 ralded with the poisoned chalice of saviours of a type of punk that promis
 es to never die. They’ve toured with Royal Blood and The Darkness\, and 
 have drawn comparisons to Supergrass\, the Ramones and Jay Reatard. And de
 spite all that\, their pop rock is a unique – and very fast – whack ov
 er the head that reminds us all of the future life left in hell-raising lo
 ud and fast music. \n\n\n\nSpeaking from his dad’s garage-come-studio in
  Colchester\, frontman Bobby recounts how he and bandmate Will had always 
 played in bands. By chance of a random text at the end of 2015 (“let’s
  do a band!”)\, Bobby relented once more unto the breach. “Seems like 
 a terrible idea\,” he recalls. “Really?! Another band?!” However wit
 h “nothing else to do”\, it became the only choice. Bad Nerves began t
 o write songs\, and promised to never play live\, but the songs were so mu
 ch fun they were forced to reconsider. The only challenge was the pace of 
 said songs. “Finding a drummer was a nightmare\,” he laughs. \n\n\n\nB
 ut what started off as a laugh has now become a fated mission. Gone is the
  blasé motivation\, now Bad Nerves are laser-focused on this being the be
 st thing they’ve ever done. “It feels like this is the main thing that
  any of us will do in our lives\,” says Bobby. “If we’re remembered 
 for anything…” Given that rock doesn’t have as much of a look-in on 
 the air and in the press\, Bad Nerves feel a calling to try and revive roc
 k from the rust. \n\n\n\nTheir second LP\, Still Nervous\, is due for rele
 ase Spring 2024. Did they feel pressure approaching the sophomore slump\, 
 so to speak? Not at all. The process was more or less the same\; Bobby dem
 oing the tracks in his dad’s garage\, and then the band re-recording eve
 rything “properly” with their friend Mike Curtis. The only difference 
 was in trying to ensure that they were still writing for themselves\, and 
 not just to satiate their new audience. “When I write songs thinking abo
 ut what people expect I end up mimicking the first record\, but not well\,
 ” says Bobby. That internal battle was new\, but Bobby quickly realised 
 you can’t write like that\, and in the process of being “pissed off tr
 ying to write a Bad Nerves song”\, he found some of the best tracks on t
 he album\, doing whatever he wanted. \n\n\n\nBad Nerves have been blazing 
 at two hundred miles an hour across the live circuit for a few years now\,
  and are showing no signs of slowing down. Despite the speed and chaotic n
 ature of their music\, they have taken great pride in challenging the trad
 itional punk method\, by playing tight and trying to replicate the sound o
 f their record in the live setting. “We wanna deliver the songs well\,
 ” says bassist Jon. And that’s why people have taken notice. Bad Nerve
 s set the bar much higher. \n\n\n\nOne of the band’s most iconic gigs to
  date was a headliner at Sebright Arms in London in 2022\, which was so el
 ectric they decided to release a live recording of it. “I’m surprised 
 no one died that night\,” says Jon. “That ceiling is so low! I’ve ne
 ver seen so many people sweat. It was crazy. We were all sick afterwards.
 ” The magic of rock music is in the chaos of the live performance. Bad N
 erves understand that. They chase it. They crave it. They know how to crea
 te it. “My favourite Ramones record is the live one\,” says Bobby. “
 The stakes are high. That’s what makes it.” \n\n\n\nThe future is loud
  for Bad Nerves. They proactively seek to make the type of in-your-face\, 
 opposite-of-sterile\, rock music that the genre was built on. They want to
  play as much as they can for as long as possible\, in the hope of inspiri
 ng the next generation\, before it’s too late. It feels as though they h
 ave arrived just in time.
LAST-MODIFIED:20260816T001625Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/bad-nerves/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Fai Laci
DTSTART:20261009T010000Z
DTEND:20261009T040000Z
DTSTAMP:20260817T062828Z
UID:10002260-1791489600-1791500400@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 About Fai Laci\n\n\n\n“What can we do to get people off their fucking ph
 ones?” exclaims founder and frontman Luke Faillaci\, explaining the miss
 ion behind Fai Laci\, the band he founded and fronts. “And how can we gi
 ve them something real and make them have a great time? That’s the most 
 important thing we can do: Just communicate with our followers and let the
 m know they fucking rule!” The Boston quintet – which also includes gu
 itarists Anthony Cervone and Michael “Goldie” Goldblatt\, bassist Cal 
 Hamandi\, and drummer Zack Putnam – have already amassed a grassroots fa
 nbase thanks to their energetic\, wildly cathartic live shows around the N
 ortheast. They’ve seen a community coalesce around their inspired rock s
 ongs\, with a quarter-million monthly followers and millions of streams de
 spite\, until recently\, having no label\, no publicist\, and no manager. 
 \n\n\n\nThey’re proof that good tunes can still find their audience\, an
 d they’re working hard to bring others into the fold. “We’ve always 
 been making music for ourselves\, and we’re going to hold ourselves to t
 hat\, because we know other people will want to hear it\, too.” \n\n\n\n
 Fai Laci are a band with a mission\, and Elephant in the Room is the ideal
  vehicle to achieve it. \n\n\n\nProduced by Dan Auerbach and recorded at h
 is Easy Eye Sound Studios in Nashville\, the album blends the urgency of p
 unk and the stomp of glam with the theatricality of classic rock\, all bou
 nd together by the band’s sharp swagger and Faillaci’s boundless chari
 sma. Especially for a debut\, it’s confident and surprisingly diverse\, 
 full of brazen rockers and bruised-heart ballads. The band expertly traver
 ses the psychedelic time and tempo changes of “Cure Upon the Hill” wit
 h the same grace and nuance that they bring to “Beautifully Boring\,” 
 a dreamily bittersweet anthem about navigating your young adulthood with y
 our sense of self intact. In between\, they deliver bangers like the decad
 ent “Sarasota” and the jittery new wave “Headlights”\, each a show
 case for their inventive guitars and nimble rhythm section. “We never se
 t out to make a certain kind of sound\,” says Faillaci. “It takes us w
 herever it takes us. We got more into the rock side of things on the album
 \, but we also wanted to have some really beautiful songs on it. We wanted
  to have something for everybody.” \n\n\n\nThat’s been the defining Fa
 i Laci attitude since Faillaci founded the group. Working by himself and l
 earning as he went along\, he released two EPs and a handful of singles th
 at he hoped might eventually make their way beyond his circle of friends. 
 Those early songs reveal a young artist still integrating all of his favor
 ite artists\, from the obvious (Bowie\, Nirvana\, The Doors) to the not-so
 -obvious (The Highwaymen). “My dad played them around the house all the 
 time\, and I loved the songwriting and storytelling aspect of their songs.
  When I was a teenager\, I went through an era of loving rap music\, espec
 ially this artist Felly. I drew a lot of inspiration from him\, and that
 ’s when I realized I could just produce myself. I was just figuring out 
 how to make sounds and record them..and I sucked! But I enjoyed it because
  I was learning how to make the music that I wanted to listen to.” \n\n\
 n\nGradually\, Faillaci brought players into the band\, based more on pers
 onality than chops. “It was never about adding another guitar just to ha
 ve another guitar\,” he says. “It was about getting the right people. 
 I knew they’d be a good fit for the band because nobody has an ego. We
 ’re all pretty level-headed.” Currently\, all five band members live t
 ogether in a house in Medford\, Massachusetts\, where they can jam ceasele
 ssly and record whenever inspiration strikes. \n\n\n\n“Everybody holds t
 heir own with production and songwriting. Everybody writes. Everybody gets
  a vote. So\, there’s been a huge shift in our sound because everybody i
 s bringing their own ideas to the music. I can’t imagine making this mus
 ic with anybody else in the band.” \n\n\n\nSoon their music made its way
  to Auerbach\, one half of the Black Keys\, whose first response was: \n\n
 \n\nGet ’em in the studio. “I couldn’t believe it\,” says Faillaci
 . “It was the craziest shock of my life. We didn’t know what we were g
 etting into\, because we’d never recorded as a full band before.” They
  made two trips down to Nashville\, where they had a few co-writing sessio
 ns with Auerbach and Daniel Tashian (Kacey Musgraves\, Demi Lovato) and ho
 led up at Easy Eye Sound Studios. “It was a learning experience\, and it
  gave us the confidence to try things a little differently. We did some ov
 erdubs and tried some things to give the record a cool studio sound\, but 
 we were focused on making it sound like a performance\, like a band playin
 g together. We wanted to capture that feeling we get when we’re playing 
 live.” \n\n\n\nThe five players had a breakthrough while they were worki
 ng on the opener\, “Cure Upon the Hill\,” which opens with a Springste
 en reference and a deep urge to break free: “Oh\, my mamma told me I was
  born to run\, shed off my dirty clothes and burn into the sun.” The son
 g lives up to that sentiment\, constantly twisting itself into new shapes 
 as though nothing could hold it in place. \n\n\n\n“We had basically fini
 shed the song\, and when we got to the outro\, we were trying to figure ou
 t what to do. We thought about a double chorus or something like that\, bu
 t it seemed too easy\, too predictable. We don’t want to take the easy r
 oute. We don’t want to be predictable. So\, let’s do this huge tempo m
 odulation into the choir outro with a dual guitar solo thing.” That deci
 sion makes a great song even better\, introducing an album full of little 
 sparks of inspiration that catch you off guard and make you put down your 
 fucking phone. \n\n\n\n“Have You Nothing Left to Say” opens with Cervo
 ne playing the national anthem on guitar\, a nod to Jimi Hendrix at Woodst
 ock\, but also an acknowledgement of the sad state of the union. “That
 ’s something Anthony started doing during our live shows\, and then we
 ’d talk about the bad shit going on in America right now and how it’s 
 up to us to make things better. We had to include that on the album\, beca
 use that’s such a crucial part of the message. Fai Laci aren’t an expl
 icitly political band\, but they do see rock and roll as a subversive forc
 e: a battering ram for storming the castle\, the glue that binds people to
 gether into a community that’s more powerful than any one person. It is\
 , ultimately\, a noble pursuit. “We’re trying to get people together s
 o they can hang out and just talk to each other\,” Faillaci explains. 
 “So\, let’s be as real as possible. Let’s keep hammering away at the
  stuff that makes a true difference to the people in front of us. We’ve 
 proved on a small scale that we can do that. Now it’s just a matter of f
 inding cool ways to do it on a larger scale.”
LAST-MODIFIED:20260817T062828Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/fai-laci/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:The Wildwoods
DTSTART:20261012T010000Z
DTEND:20261012T043000Z
DTSTAMP:20260821T061745Z
UID:10002188-1791748800-1791761400@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 The Wildwoods\, hailing from Lincoln\, Nebraska\, continue to bring sonic 
 beauty and simplicity to today’s increasingly complicated and cluttered 
 musical landscape. With Dear Meadowlark\, the band’s fourth full-length 
 album released on April 11\, 2025\, The Wildwoods have once again taken th
 e hallmarks of the folk-Americana sound and dressed it in indie sensibilit
 ies a la heroes Nickel Creek and Gillian Welch as well as genre mainstays 
 Bon Iver and Mumford & Sons. \n\n\n\nAnd yet\, at its core\, Dear Meadowla
 rk is about three 20-something musicians celebrating the emotional allure 
 of familiarity and comfort. “The main lyrical theme of the album is the 
 appreciation for our home state of Nebraska and the homesickness that can 
 come with long periods spent on the road\,” says Noah Gose. \n\n\n\nThe 
 Wildwoods are Noah Gose on vocals\, acoustic and electric guitar\; his wif
 e\, Chloe Gose on vocals and violin\; and longtime friend Andrew Vaggalis 
 on vocals and upright bass. Their delicate embrace of the past\, present\,
  and future has transformed The Wildwoods into a potent entity. Recently\,
  The Wildwoods were finalists in the 2024 Rocky Mountain Songwriter Contes
 t in Red Lodge\, Montana. In 2023\, the trio enjoyed being finalists in tw
 o high-profile band competitions – FreshGrass Music Festival and VHS “
 Gems in the Rough.” Also\, their songwriting strengths have been recogni
 zed by semi-final placements in the International Songwriting competition 
 with tracks such as “Untitled” and “Way of Train.”
LAST-MODIFIED:20260821T061745Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/the-wildwoods/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Stanley Simmons
DTSTART:20261013T010000Z
DTEND:20261013T043000Z
DTSTAMP:20260822T061510Z
UID:10002181-1791835200-1791847800@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees.Evan Stan
 ley and Nick Simmons have always been like family – they played together
  as babies. However it wasn’t until December of 2024 that the two actual
 ly played together\, musically\, for the first time in what was supposed t
 o be a one-off instagram reel. They were shocked by the immediate response
 \, and the undeniable chemistry. \n\n\n\nIn February of 2025\, they tried 
 writing together for the first time and Stanley Simmons was born. They r
 ecognized they had stumbled on something magical and set out to make the k
 ind of record they had each always wanted to make\, but never had the chan
 ce to. Having grown up together on the road with their fathers\, Paul Stan
 ley and Gene Simmons of Kiss\, music was always a part of their lives. But
  the thought of collaborating with each other professionally just never cr
 ossed their minds until this last year. \n\n\n\nAfter hearing the first de
 mo they recorded in their respective bedrooms\, legendary producer Rob Cav
 allo (Green Day\, Fleetwood Mac\, Paramore\, My Chemical Romance\, Dave Ma
 tthews\, etc.) immediately threw his weight behind the band and jumped at 
 the chance to produce the debut full length record as well as manage the d
 uo. \n\n\n\nNow\, with a full length complete and set for release on Augus
 t 28th\, Stanley Simmons is preparing for their first North American tour 
 this fall.
LAST-MODIFIED:20260822T061510Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/stanley-simmons/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:THE SCHIZOPHONICS
DTSTART:20261014T010000Z
DTEND:20261014T043000Z
DTSTAMP:20260823T061528Z
UID:10002185-1791921600-1791934200@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees.Amps scre
 aming. No exit in sight. The Schizophonics kick the door in and never le
 t it close. \n\n\n\nThis San Diego–based three-piece delivers a live sho
 w that’s loud and dangerously fun—an all-gas\, no-brakes blast of feed
 back and groove. It’s full-contact rock ’n’ roll: high voltage\, hig
 h velocity\, and sharpened to a blade. \n\n\n\nThe band features Pat Beers
  on vocals and guitar\, Lety Beers on drums\, and Sarah Linton on bass. To
 gether they unleash a fuzz-soaked\, funk-fueled attack built on pounding r
 hythm and feral energy. Every song hits like a charge. Every set feels lik
 e the floor might give out. Blink and you miss something. Stand still and 
 you get run over. \n\n\n\nForged on the road and fueled by motion\, The Sc
 hizophonics have torn through stages in fourteen countries\, earning a rep
 utation as a must-see live act that turns rooms upside down. Channeling th
 e raw spirit of James Brown\, Iggy Pop\, Jimi Hendrix\, Little Richard\, a
 nd The Sonics\, they strip rock back to its most dangerous elements—and 
 set them loose. \n\n\n\nBehind the chaos is precision. Behind the noise ar
 e hooks that bite. The Schizophonics are currently finishing their fourth 
 full-length album\, due out at the end of 2026.____ \n\n\n\nDescartes a Ka
 nt (DAK) returns with a new studio album titled After Destruction. Releas
 ed in all physical and digital formats\, this conceptual work proposes a n
 arrative arc exploring the cycles of existential creation and destruction.
  \n\n\n\nAfter Destruction portrays psychic discomfort in a compulsively h
 yper-communicative but emotionally isolated society\, with a retro-futuris
 tic aesthetic\, destructive guitars\, synthesizers and soulful melodies. 
 ​ \n\n\n\nLampooning contemporary emotional consumerism\, the band integ
 rates an automaton character into their lineup: The DAK\, an innovative ma
 chine designed to repair emotional damage\, which appears through interlud
 es both on the album and in the live act. Looking to restore your life aft
 er a catastrophe? Turning your pain into a work of art has never been easi
 er. ​ \n\n\n\nIn 2024 the band started releasing a video collection of t
 he full album in their youtube channel\, directed by Persia Campbell\, and
  started playing shows in support of this album with two tours in Europe\,
  one in the United States and one in Mexico\, playing in festivals such as
  Pohoda (Slovakia)\, InMusic (Croatia) Aftershock (United States)\, Pitchf
 ork Music Festival (Mexico)\, Fusion (Germany)\, Louder than Life (United 
 States). In early 2025 the band will release a KEXP Live Session\, and wil
 l continue touring in South America\, Mexico\, Europe\, USA and Canada.
LAST-MODIFIED:20260823T061528Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/the-schizophonics/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Igor & The Red Elvises
DTSTART:20261015T010000Z
DTEND:20261015T040000Z
DTSTAMP:20260827T001654Z
UID:10002184-1792008000-1792018800@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 Igor Yuzov was born in Germany\, raised in Ukraine and studied in Russia. 
 He grew up in the former Soviet Union\, where folk music was the norm and 
 rock’n’roll was illegal. A rebellious streak\, led him to seek out the
  forbidden music. As soon as it became possible\, Igor left Russia for Ame
 rica with his “Folk’n’Roll” band Limpopo\, and was personally gree
 ted by Ronald Reagan. \n\n\n\nIn 1993\, Limpopo won Ed McMahon’s Star Se
 arch and their popularity began to blossom. In 1995\, Igor dreamed that E
 lvis Presley came to him and told him to start playing rock’n’roll. Ig
 or and his Russian friends became Red Elvises and gave street performances
  on Santa Monica’s 3rd Street Promenade. As their crowds grew larger\, t
 he City of Santa Monica ordered them to discontinue their street performan
 ces. \n\n\n\nEvolving over the years\, Igor’s music has been labeled “
 Siberian Surf Rock” which contains humorous lyrics and grooves that forc
 es his audience to dance. Over the past 20 years\, Red Elvises have consta
 ntly toured all over the world with occasional breaks to record new music 
 and to participate in film and television projects. \n\n\n\nAs an independ
 ent band\, Red Elvises have produced 12 studio albums\, two live albums\, 
 a live concert DVD\, and a Greatest Hits compilation. Some of their most n
 otable film contributions include music and or performances in “Six Stri
 ng Samurai”\, “Mail Order Bride”\, “Armageddon”\, “Skippy”\,
   “Melrose Place”\, “Fastlane”\, “Penn and Teller’s Sin City
  Extravaganza”\, “VH-1 Behind the Music”\, and “MTV”. \n\n\n\nRe
 d Elvises have performed for large festivals\, private parties\, and playe
 d on massive stages such as 2005’s Live 8 Benefit Concert. No matter whe
 re they perform\, Igor & Red Elvises always bring the party with them. \n\
 n\n\nFor more biographical information about Red Elvises\, order or downlo
 ad the book “Igor and the Red Elvises” by Marla J. Selvidge.
LAST-MODIFIED:20260827T001654Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/igor-the-red-elvises/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Lilyisthatyou
DTSTART:20261017T010000Z
DTEND:20261017T040000Z
DTSTAMP:20260828T060303Z
UID:10002149-1792180800-1792191600@blueberryhill.com
CATEGORIES:music
DESCRIPTION:*THIS EVENT IS SOLD OUT*Tickets for this event\, if purchased 
 with cash at Blueberry Hill\, are discounted to face value – without ext
 ra ticket fees. \n\n\n\nHailing from Toronto\, Lilyisthatyou is a genre-de
 fying pop provocateur carving out her own lane at the intersection of dark
  pop\, alt-rock\, and electronic experimentation. Her music is equal parts
  seductive and unfiltered- blending raw\, confessional songwriting with a 
 sharp\, irreverent edge that turns vulnerability into power. Her rapidly g
 rowing catalog has already amassed hundreds of millions of streams\, drive
 n by a deeply engaged fanbase that connects to both her sound and her unap
 ologetic point of view. From viral moments to sold-out headline shows\, Li
 ly’s rise has been entirely organic- fueled by instinct\, consistency\, 
 and a clear artistic vision. With projects like LILITH and her forthcomi
 ng releases\, Lily continues to push boundaries sonically and visually\, b
 uilding a world that feels as chaotic as it is intentional. As she prepare
 s for her next chapter- including new music and a global tour- Lilyisthaty
 ou is emerging not just as an artist to watch\, but as a defining voice fo
 r a new generation of pop.
LAST-MODIFIED:20260828T060303Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/lilyisthatyou/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:LETDOWN.
DTSTART:20261018T010000Z
DTEND:20261018T040000Z
DTSTAMP:20260829T062317Z
UID:10002257-1792267200-1792278000@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 Letdown. is ready to embrace the positive. The Texas-born\, Nashville-base
 d rocker\, singer\, and multi-instrumentalist has tackled a slew of person
 al demons—many of which turned up on his catharsis-packed debut EP\, 202
 3’s Crying In The Shower—in order to come out on the other side\, stro
 nger than ever.  \n\n\n\nThe prolific artist’s latest batch of songs\, 
 which he is constantly churning out as a therapeutic way to process daily 
 life\, are upbeat\, hook-packed anthems that invite audiences to shout alo
 ng in unison. \n\n\n\n“I think I’m at the end of writing about my prob
 lems\,” Coddington muses. “I’ve been putting myself through emotiona
 l music therapy for three years now\, and it’s working. I’m finally lo
 oking back and laughing for the first time. I consider it the upswing of t
 he depression. I’m about to enter this whole new phase in my life. Every
 thing feels new again for the first time.” \n\n\n\nEver since he first b
 egan releasing music in 2020\, Letdown. (real name Blake Coddington) has p
 oured his soul into crafting soaring rock anthems that vulnerably chronicl
 e his mental health journey and sonically intersect with punk/emo\, metal\
 , electronic\, pop\, and hip-hop.  \n\n\n\nPosting a series of unguarded 
 videos to TikTok\, Letdown. has seen his following grow to more than 675K\
 , plus nearly 1M monthly listeners on Spotify\, and more than 100k on Inst
 agram — and that’s not even counting the 200M total streams Coddington
 ’s songs have earned. As he steps into a new era with his debut album\, 
 fans will be swept up into a whirlwind of poppy and propulsive beats\, gui
 tar-driven compositions\, and impassioned choruses. \n\n\n\n“That’s th
 e greatest part of this\,” Coddington says of his more buoyant direction
 . “We’re all dancing around the studio. It’s the most natural writin
 g I’ve ever done. When I met my producer Carlo\, we started working on o
 ur first song together\, which ended up being ‘Hate Myself.’ We were l
 ike\, ‘This sounds nothing like any of your other stuff. We don’t know
  if anybody’s gonna like this. Let’s just see what happens.’ And the
 n we got to the studio and everything happened. I remember looking at him\
 , and I was like\, ‘I don’t care who doesn’t like this. This is the 
 most me I’ve ever felt.’” \n\n\n\nCoddington continues to unpack a d
 ysfunctional romantic dynamic on “Be Ok\,” which he wrote near the end
  of a serious relationship—one he didn’t fully grasp was unhealthy unt
 il it was over. “I was so focused on my love for someone else that I did
 n’t realize how much it was actually shooting me in the foot\,” he say
 s. “I didn’t understand that everything could be better if this was ov
 er. At the same time\, it immediately says ‘I never thought I’d miss y
 ou this way.’ It’s something I think about all the time. I left everyt
 hing negative in my life that has affected me\, but I still think about it
  in a way that is almost like I miss it. It’s a weird headspace to live 
 in—to hate something and know it’s gone\, but still want it somehow. I
  think it’s something that everyone feels\, and a lot of people don’t 
 talk about that much.” \n\n\n\nIn other instances\, Coddington just give
 s himself over to the feeling of a magnetic melody and hard-chanting refra
 in. On the harmonizing “Dead Right\,” Coddington looks back at recordi
 ng a track “we just thought was really bumpy\, fun\, and catchy. We were
 n’t thinking about one thing in particular. This one happened really fas
 t.” \n\n\n\nOn the rushing “Crying In The Shower\,” which went Top 2
 5 at Alternative radio last year\, Coddington illustrates the feeling of c
 hasing a fleeting high in order to drown out the loss of a broken relation
 ship. “I feel overwhelmed and trapped in a cycle of despair. I attempt b
 ut fail to wash away the memories and pain of this lost love\,” Coddingt
 on says. “This song conveys a sense of emptiness as I resorted to unheal
 thy habits like chasing fleeting highs and taking pills to numb the pain. 
 This relatable story is the promise of a perfect relationship that ultimat
 ely leads to heartbreak.”“‘Crying In The Shower’ was our first son
 g that got some radio play\,” he adds. “As we play this song live\, we
  notice some of the audience nodding familiarly in acknowledgement that th
 is is all too common. It seems everyone either has gone through this or kn
 ows someone who has.” \n\n\n\nFinally\, Coddington’s clipped vocals sh
 ine on the punchy and anthemic “Go To Hell\,” a kiss-off track with th
 e power to get a packed crowd on their feet and pushing toward the stage. 
 “This song captures the complexities of love and pain\, illustrating the
  struggle between knowing you should walk away and being unable to let go 
 of my intense feelings for my abusive partner\,” Coddington shares. “T
 his song has always been my most reactive release and a testament to how r
 elatable this situation is… Though I wrote this from personal experience
 \, I also hope that the message can resonate with people as they consider 
 their own choices.”  If anything unites Letdown.’s debut album\, it
 ’s mixing audible joy with the darkness that haunts his past. “This la
 test group of songs is my upswing—I’m literally finding the fun and li
 ght in the bad things\,” he says. “The music I’m writing currently h
 as been a lot more fun than it ever has been\, and a lot less depressing. 
 It’s less self-loathing. This is what’s been handed to me—now I’m 
 gonna have to make something awesome.”
LAST-MODIFIED:20260829T062317Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/letdown/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Paledusk
DTSTART:20261023T000000Z
DTEND:20261023T040000Z
DTSTAMP:20260905T061751Z
UID:10002256-1792695600-1792710000@blueberryhill.com
CATEGORIES:music
DESCRIPTION:Tickets for this event\, if purchased with cash at Blueberry H
 ill\, are discounted to face value – without extra ticket fees. \n\n\n\n
 Hailing from Fukuoka on the Japanese island of Kyushu\, Paledusk stormed o
 nto everyone’s radar early in 2020 with the four track EP Happy Talk\, w
 hich combined elements of metalcore\, industrial\, nu-metal\, and EDM in a
  way that hasn’t been seen in a long time. Over the last few years Paled
 usk have developed strong ties to the Australian heavy music scene\, havin
 g supported fellow label mates Alpha Wolf\, as well as Polaris and The Ami
 ty Affliction on multiple Japanese tours with each act sharing glowing rev
 iews of Paledusk as the next big thing in the Japanese heavy scene. The ba
 nd have garnished themselves both a sound and style that is truly unique\,
  and while Happy Talk is still fresh in their fan’s hearts\, the band sa
 ys new music is coming sooner than you think.
LAST-MODIFIED:20260905T061751Z
LOCATION:Blueberry Hill Duck Room\, 6504 Delmar Blvd.\, St. Louis\, MO\, 6
 3130\, United States
URL:https://blueberryhill.com/event/paledusk/
X-SOURCE-NAME:Blueberry Hill Restaurant & Music Club
X-SOURCE-URL:https://blueberryhill.com
END:VEVENT
END:VCALENDAR