BEGIN:VCALENDAR VERSION:2.0 PRODID:-//CalDiscovery//caldiscovery//EN CALSCALE:GREGORIAN METHOD:PUBLISH DESCRIPTION:San Francisco: arts\, tonight (Thu Sep 17 from 5:00 PM\, Ameri ca/Los_Angeles). Rolling: the window moves forward every day\, so subscrib e rather than download. Discovered and maintained by CalDiscovery (https:/ /caldiscovery.com). Event details belong to their publishers. Contains inf ormation from CalDiscovery\, which is made available under the ODbL 1.0. SOURCE:https://caldiscovery.com/san-francisco-ca/tonight-arts.ics X-PUBLISHED-TTL:PT12H REFRESH-INTERVAL;VALUE=DURATION:PT12H X-WR-CALDESC:San Francisco: arts\, tonight (Thu Sep 17 from 5:00 PM\, Amer ica/Los_Angeles). Rolling: the window moves forward every day\, so subscri be rather than download. Discovered and maintained by CalDiscovery (https: //caldiscovery.com). Event details belong to their publishers. Contains in formation from CalDiscovery\, which is made available under the ODbL 1.0. X-WR-CALNAME:San Francisco · arts · tonight · CalDiscovery BEGIN:VEVENT SUMMARY:Outgrowth | Heidi McDowell & Jon McNeal - Inclusions Gallery DTSTART;VALUE=DATE:20260911 DTEND;VALUE=DATE:20261012 DTSTAMP:20260917T003453Z UID:10003589-1789084800-1791763199@bernalconnect.com CATEGORIES:arts DESCRIPTION:Outgrowth | Heidi McDowell & Jon McNeal\nOn View Now through O ctober 11 \nOpening Reception: September 19\, 5-7 PM \nArtist Talk: Octobe r 1\, 6:30 PM \nSketchbook Workshop: October 4\, 1-4 PM \nInclusions Galle ry is pleased to present Outgrowth\, a duo exhibition of oil paintings by Heidi McDowell and photographs by Jon McNeal. Join them for the opening re ception Saturday\, September 19th from 5-7 PM. Both Heidi and Jon will be in attendance\, so come say hello. They will also discuss their work and t ake questions during their Artist Talk on Thursday\, October 1\, at 6:30 P M. Both events are free\, and all are welcome. \nOn Sunday\, October 4\, H eidi will give a Sketchbook Workshop at the gallery. Space is limited. Scr oll down for all the details. \n“We began collecting images together ove r 30 years ago\, roaming a strange and chaotic city in a car. We have neve r been far from each other\, cameras and sketchbooks in hand\, pointing an d asking what or why is that. \nWe collect evidence of the strange. We lik e erosion\, absurdity\, rocks\, color\, texture\, industry\, fire – comp lex things that inspire stories in us and speak about time. We collect to study\, reflect\, and refract the changing world. To project forward and b ackward. \nWe make photographs and paintings to examine. We layer\, disass emble\, mirror\, and emphasize to construct something new. This work is an outgrowth of our process.” \nHeidi McDowell & Jon McNeal\, September 20 26 \nCalendar – Bernal Heights and Beyond LAST-MODIFIED:20260917T003453Z LOCATION:Inclusions Gallery\, 627 Cortland Ave\, San Francisco\, CA\, 9411 0\, United States URL:https://bernalconnect.com/event/outgrowth-heidi-mcdowell-jon-mcneal/?u tm_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Bernal Connect X-SOURCE-URL:https://bernalconnect.com/san-francisco-food-drink-fest END:VEVENT BEGIN:VEVENT SUMMARY:American Indian Cultural District -- We Are The Land: Between Eart h & Sky DTSTART:20260917T070000Z DTEND:20260918T065959Z DTSTAMP:20260910T121822Z UID:10005740-1789603200-1789689599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Features\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n We Are the Land: Between Earth And Sky\n\n\n\nThe American Indian Cultura l District (AICD)\, with support from Fort Mason Center For Arts & Cultur e (FMCAC)\, presents new mural commissions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n \n\n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with suppor t from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural c ommissions by artists Brittany Burrows and Jewelina Acosta. Depicting vege tation and wildlife from the land and water\, the artists highlight the im portance of Indigenous knowledge and traditional practices in maintaining ecological balance and human well-being. By recognizing the interconnected ness of all life forms and the importance of preserving biodiversity\, the ir work points to a more harmonious and sustainable future for generations to come. \n\n\n\nIn We are the Land: Between Earth & Sky\, Brittany Burr ows highlights the parallels between endangered butterfly species and the struggles of Indigenous communities. Both are deeply connected to the land and face threats to their survival due to various factors\, including hab itat loss\, environmental degradation\, and cultural assimilation. \n\n\n\ n“Land stewardship and sovereignty are indeed crucial for preserving Ind igenous ways of life and ensuring the continued thriving of both human and non-human communities. By respecting Indigenous rights to their ancestral lands and supporting their efforts in environmental conservation\, we can learn valuable lessons about sustainable living and holistic interconnect edness\,” said Burrows.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The A rtists\n\n\n\n\n\n\n\nBrittany Burrows is Nomlaki-Wintun and Pomo\, born in Chico\, CA\, who moved to San Francisco at age 11. From a young age\, B rittany has always been fascinated with art\, mostly ballpoint pen drawing s. Brittany is a self-taught artist who specializes in black-and-white por traits. Her mediums are pencil\, charcoal\, and graphite. \n\n\n\n\n\nJew elina Acosta is from a small non-federally recognized tribe named Yokaia (the deep valley) from which the name Ukiah\, CA originated. She is the ow ner of Inkdigenous Tattoo\, which brings forward and makes room for her tr aditional and cultural lifestyle in the tattoo industry. She uses her artw ork to share traditional ecological knowledge with the community\, making the world a better place one art piece at a time. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\ n\n\n\nOn view daily\, 9:00 a.m. to 9:00 p.m. \n\n\n\nTime\n\n\n\n9:00 a.m . to 9:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding D Lobby\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with support from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural com missions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\nAmerican Indian Cultural District:AmericanIndianCulturalDistrict.org(415) 287-2820 general@AmericanIndianCulturalDistrict.org \n\n\n\nFacebook\n\nFlickr\n\nI nstagram\n\nLinkedIn\n\nX\n\n\n\n\n\nBrittany Burrows:BrittanyBurrowsArt.c omBrittanyEBrrws@gmail.com \n\n\n\nFacebook\n\nInstagram\n\n\n\n\n\nJeweli na Acosta: \n\n\n\nFacebook\n\nInstagram\n\nTikTok\n\nYouTube\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mai l\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260910T121822Z URL:https://fortmason.org/event/american-indian-cultural-district-we-are-t he-land-between-earth-and-sky/2026-09-17/?utm_source=caldiscovery&utm_medi um=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Matt Passmore: Tied / Untied DTSTART:20260917T070000Z DTEND:20260918T065959Z DTSTAMP:20260910T121822Z UID:10007618-1789603200-1789689599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n About the Installation\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nMatt Passmore: Tied / Untied Pres ented by Fort Mason Art\n\n\n\nFort Mason Art is proud to present Matt Pa ssmore‘s Tied / Untied. This striking sculpture helps to define the ent rance to FMCAC\, offering visitors a place to gather\, wonder\, and foster curiosity. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n\n\n\n \n\n\n\nEchoing the historic track inside FMCAC’s campus\, the railroad- tie sculpture lifts dramatically out of the ground\, creating playful loop s and arcs for visitors to sit or walk through. Tied / Untied is abstract but looks vaguely familiar\, possibly referencing its surroundings throug h a nautical knot mid-tie\, or the rolling tides of the bay. This playful form gestures to the material and history of Fort Mason and the San Franci sco waterfront. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nTied / Untied is permanently on display at the entrance for Fort Mason Center for Arts & Culture. \n\n\ n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\ n\nSign up today for the latest news from Fort Mason Center For Arts & Cul ture. LAST-MODIFIED:20260910T121822Z URL:https://fortmason.org/event/matt-passmore-tied-untied/2026-09-17/?utm_ source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Haines Gallery: 250 Years\, Indigenous Futures DTSTART:20260917T173000Z DTEND:20260918T030000Z DTSTAMP:20260912T061847Z UID:10012879-1789641000-1789675200@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n2 50 Years\, Indigenous Futures Presented By Haines Gallery\n\n\n\nAs the U. S. marks its 250th anniversary\, Haines Gallery presents 250 Years\, Indi genous Futures\, a group exhibition centering the work of leading Native A merican artists. While occasioned by this anniversary\, 250 Years\, Indig enous Futures does not commemorate it.  \n\n\n\n\n\nABOVE: Haines Galler y is in Building C (far right). TOP OF PAGE: Brad Kahlhamer\, “Pima Air + Space\,” 2025 (detail). Acrylic\, ink\, pencil on bedsheet\, 69.25 x 5 3.5 inches\, framed. Courtesy of the artist and Haines Gallery\, San Franc isco. Photo: Shaun Roberts\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\ n250 Years\, Indigenous Futures takes its title from the writings of Stand ing Rock Sioux historian Philip J. Deloria and his colleagues\, who argue that Native peoples should be understood not primarily through the past\, but “through the lens of futurity.” Indigenous knowledge\, they write\ , is not peripheral to contemporary life but generative of new ways of und erstanding it. In this spirit\, the exhibition considers Native presence a nd creativity as powerful forces shaping our collective future. \n\n\n\nTh e artists in the exhibition are: Victoria Grace Canby (Diné [Navaho])\;Jo rdan Ann Craig (Northern Cheyenne)\; Sky Hopinka (Ho-Chunk Nation / Pechan ga Band of Luiseño Indians)\; Brad Kahlhamer (Indigenous ancestry)\; Terr an Last Gun (Piikani / Blackfoot)\; Jamie Okuma (Luiseño\, Shoshone-Banno ck\, Wailaki\, Okinawan\, and La Jolla)\; Wendy Red Star (Apsáalooke [Cro w])\; and Keith Secola (Northern Ute / Anishinaabe). Working across paint ing\, drawing\, sculpture\, film\, and photography\, these artists engage contemporary culture\, Nation-specific visual traditions\, and personal hi stories in distinct and expansive ways. \n\n\n\n\n\nRather than commemorat ing the 250th U.S. anniversary\, the exhibition recognizes 1776 as only on e moment within much longer histories of Indigenous presence\, adaptation\ , and sovereignty. Creating space for artists to define their own terms of engagement\, the exhibition aims to bring forward concerns central to the ir practices. The works on view draw inspiration from a vivid range of sou rces: boldly painted Piikani lodges\; the precise geometry of Northern Che yenne beadwork\; the Indians of All Tribes’ occupation of Alcatraz\; car s adorned with blankets and regalia for the annual Crow Fair\; blood-soake d horror films\; and archival photographs whose subjects meet the visitor ’s gaze. \n\n\n\nThe exhibition is informed by Apsáalooke artist Wendy Red Star’s caution against a “foe-based” framing of Native art –  one that risks tethering meaning to resistance alone and obscuring the s pecificity of Nations\, histories\, and individual practices. Here\, each artist’s work emerges from particular relationships to language\, land\, and material culture. No single framework can contain these worlds. \n\n\ n\n\n\n\nAbout the Artists\n\n\n\n\n\n\nVictoria Grace Canby (Diné\, b. 1 978\, Albuquerque\, NM). Marin-based artist Victoria Grace Canby’s new w orks on paper\, created for the exhibition\, depict the Three Sisters – corn\, beans\, and squash – as a living model of resilience\, healing \, and collective care that connects Indigenous Peoples throughout the Ame ricas. “Through fostering our connection to these plants’ powers\,” Canby notes\, “we can overcome the impacts of colonization.” \n\n\n\nJ ordan Ann Craig (Northern Cheyenne\, b. 1992\, San Jose\, CA). Jordan Ann Craig’s paintings draw from references ranging from Northern Cheyenne be adwork and quillwork to the postwar abstraction of Agnes Martin\, all of w hich she translates into exacting\, poetic fields of color and form. In wo rks such as “Miss Your Musk” (2024)\, Craig foregrounds Indigenous abs traction as a living and evolving practice – one capable of holding per sonal narrative\, formal experimentation\, and cultural continuity without being reduced to any single source or meaning. \n\n\n\nSky Hopinka (Ho-Ch unk Nation/Pechanga Band of Luiseño Indians\; b. 1984\, Ferndale\, WA). S ky Hopinka’s film Sunflower Siege Engine (2022) brings together distinct Indigenous sites and histories\, connecting the Indians of All Tribes’ occupation of nearby Alcatraz Island (1969–1971) with Illinois’ Cahoki a Mounds\, one of the largest pre-contact urban centers in North America a nd a site from which ancestral remains continue to be repatriated. \n\n\n\ nBrad Kahlhamer (Native American ancestry\; b. 1956\, Tucson\, AZ). Painte d in acrylic\, ink\, and pencil on a bedsheet\, “Pima Air + Space” (20 25) belongs to Kahlhamer’s recent “dream sheet” paintings. Its title recalls Arizona’s Pima Air & Space Museum\, while birds\, horses\, mask ed figures\, and a spectral presence drift through an aurora borealis of s aturated color. \n\n\n\n\n\nTerran Last Gun\, Saakwaynaamah’kaa (Last Gu n) (Piikani / Blackfoot\; b. 1989\, Browning\, MT on the Blackfeet Nation Reservation). Inspired by the bold geometric designs of Piikani painted lo dges\, Terran Last Gun has created a suite of works for the exhibition: pr ecise compositions on vintage ledger paper that bring ancestral forms\, co lonial records\, and the ongoing vitality of Indigenous abstraction into c harged relation. \n\n\n\nJamie Okuma (Luiseño\, Shoshone-Bannock\, Wailak i\, Okinawan\, and La Jolla\; b. 1977\, Glendale\, CA). In “Of Love and Sacrifice: Motherhood” (2026)\, Jamie Okuma deploys her signature single -stitch beadwork to transform a brain-tanned deerskin handbag into a dazzl ing portrayal of two figures from Luca Guadagnino’s horror film Suspiria (2018). Drawing bracing cinematic imagery into dialogue with exacting Pay ómkawichum (Luiseño) beadwork techniques\, Okuma conjures the selfless a nd steadfast power of maternal love. \n\n\n\nWendy Red Star (Apsáalooke\; b. 1981\, Billings\, MT). Wendy Red Star’s works from “The (HUD)” s eries focus on the colorful facades of houses built through the U.S. Depar tment of Housing and Urban Development on Montana’s Apsáalooke (Crow) r eservation\, where the artist was raised. Though their hues were chosen no t by residents but by a government agency\, Red Star’s images reveal sig ns of domestic beauty that exceed the mandates of bureaucracy. \n\n\n\nKei th Secola (Northern Ute / Anishinaabe\; b. 1988\, Randlett\, UT on the Uin tah and Ouray Reservation) Keith Secola screen-prints archival portraits o f Native Americans onto the covers of vintage books\, placing Indigenous p resence in direct tension with exclusionary narratives of America’s past . Secola’s images depict subjects who often look directly back at the ca mera\, meeting its gaze with a quiet intensity that transcends time and ne gates erasure. \n\n\n\n\n\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty )\,” (2025) (detail) Fabric with archival pigment photograph on board. 2 5.25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proj ects\, Los Angeles.Photo: Paul Salveson\n\n\n\nKeith Secola: “Wounds Man y\,” (2019). Screenprint on book collage48 x 36 inches. Courtesy of the artist & Haines Gallery\, San Francisco.Photo: Shaun Roberts\n\n\n\nBrad K ahlhamer\, “Pima Air + Space\,” (2025). Acrylic\, ink\, pencil on beds heet\, 69.25 x 53.5 inches\, framed. Courtesy of the artist & Haines Galle ry. Photo: Shaun Roberts\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty) \,” (2025) (detail) Fabric with archival pigment photograph on board. 25 .25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proje cts. Photo: Paul Salveson\n\n\n\nVictoria Grace Canby: “We Grow Our Own Medicine\, Interdimensional & Intertribal Healing Plant Studies:Three Sist ers – Corn” (2026) Pencil & gouache on paper\, 44 x 30 nches\, framed. Courtesy of the artist & Haines Gallery. Photo: Shaun Roberts\n\n\n\nJord an Ann Craig: “Miss Your Musk” (2024) Acrylic on canvas\, 45 x 45 x 2. 5 inches. Courtesy of the artist & Hales Gallery\, London and New York © Jordan Ann Craig. Photo: JSP Art Photography\n\n\n\n\n\n\n\n\nPlan Your Vi sit\n\n\n\n\n\n\n\nDate\n\n\n\nTuesday\, September 15 to Saturday\, Novemb er 7\, 2026 \n\n\n\nTime\n\n\n\nTuesday through Saturday\, 10:30 a.m. to 5 :30 p.m.Opening Reception: Thursday\, September 17\, 2026\, 5:00 p.m. to 8 :00 p.m. during the Fall 2026 Fort Mason Art Walk. A talk by the artists h appens at 7:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding C\, First Floor\, For t Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\ n\n\nCost\n\n\n\nFREE \n\n\n\n\n\nHaines Gallery:HainesGallery.com(415) 39 7-8114art@HainesGallery.com \n\n\n\nFacebook\n\nInstagram\n\nVimeo\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\n Sign up today for the latest news from Fort Mason Center For Arts & Cultur e. LAST-MODIFIED:20260912T061847Z URL:https://fortmason.org/event/haines-gallery-250-years-indigenous-future s/2026-09-17/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-fran cisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Gray Area Grand Theater: Yoon Chung Han: Dreaming Babies: illi (op ening reception) DTSTART:20260918T010000Z DTEND:20260918T040000Z DTSTAMP:20260913T123107Z UID:10040684-1789668000-1789678800@missionlocal.org CATEGORIES:arts DESCRIPTION:Gray Area presents Dreaming Babies: illi (꿈꾸는 아기들: 일리)\, a solo exhibition of recent speculative simulation works by Kor ean artist Yoon Chung Han.\nThis immersive\, interactive installation tran sforms Gray Area’s gallery into a futuristic nursery for 23 special hybr id human babies\, each with a different chromosomal anomaly.\nEach baby sl eeps and dreams inside of a virtual incubator in space\, weaving stories t ogether with the audience based on the expression of their own uniquely in dividual identities. \nExploring new speculative human designs\, Dreaming Babies: illi addresses humanity’s desire to create a perfect being throu gh genetic technologies: the commercializing of fertility treatment\, the advancements in the science of cloning\, the many possibilities and uncert ainties of future human birth\, and the ethical dilemmas surrounding genet ic modification. \nEach simulated baby’s story\, generated from real gen etic data\, is created in collaboration with artificial intelligence. Visi tors interact with the sleeping babies in real time by inputting sound thr ough a microphone\, connecting with them via the ChatGPT system. The live- rendered videos of babies floating in space can be viewed on each screen\, where audiences can observe how genetic anomalies are reimagined not as p hysical difficulties\, but as representations of more unique and special f orms of humanity. LAST-MODIFIED:20260913T123107Z LOCATION:Gray Area Grand Theater\, 2665 Mission St\, San Francisco\, CA\, 94110\, United States URL:https://missionlocal.org/event/gray-area-grand-theater-yoon-chung-han- dreaming-babies-illi-opening-reception/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Mission Local X-SOURCE-URL:https://missionlocal.org/2020/11/new-city-covid-19-test-site- opens-at-alemany-farmers-market-in-light-of-higher-southeast-sector-infect ion END:VEVENT END:VCALENDAR