BEGIN:VCALENDAR VERSION:2.0 PRODID:-//CalDiscovery//caldiscovery//EN CALSCALE:GREGORIAN METHOD:PUBLISH DESCRIPTION:San Francisco: arts\, today (Thu Sep 17\, America/Los_Angeles) . Rolling: the window moves forward every day\, so subscribe rather than d ownload. Discovered and maintained by CalDiscovery (https://caldiscovery.c om). Event details belong to their publishers. Contains information from C alDiscovery\, which is made available under the ODbL 1.0. SOURCE:https://caldiscovery.com/san-francisco-ca/today-arts.ics X-PUBLISHED-TTL:PT12H REFRESH-INTERVAL;VALUE=DURATION:PT12H X-WR-CALDESC:San Francisco: arts\, today (Thu Sep 17\, America/Los_Angeles ). Rolling: the window moves forward every day\, so subscribe rather than download. Discovered and maintained by CalDiscovery (https://caldiscovery. com). Event details belong to their publishers. Contains information from CalDiscovery\, which is made available under the ODbL 1.0. X-WR-CALNAME:San Francisco · arts · today · CalDiscovery BEGIN:VEVENT SUMMARY:Outgrowth | Heidi McDowell & Jon McNeal - Inclusions Gallery DTSTART;VALUE=DATE:20260911 DTEND;VALUE=DATE:20261012 DTSTAMP:20260917T003453Z UID:10003589-1789084800-1791763199@bernalconnect.com CATEGORIES:arts DESCRIPTION:Outgrowth | Heidi McDowell & Jon McNeal\nOn View Now through O ctober 11 \nOpening Reception: September 19\, 5-7 PM \nArtist Talk: Octobe r 1\, 6:30 PM \nSketchbook Workshop: October 4\, 1-4 PM \nInclusions Galle ry is pleased to present Outgrowth\, a duo exhibition of oil paintings by Heidi McDowell and photographs by Jon McNeal. Join them for the opening re ception Saturday\, September 19th from 5-7 PM. Both Heidi and Jon will be in attendance\, so come say hello. They will also discuss their work and t ake questions during their Artist Talk on Thursday\, October 1\, at 6:30 P M. Both events are free\, and all are welcome. \nOn Sunday\, October 4\, H eidi will give a Sketchbook Workshop at the gallery. Space is limited. Scr oll down for all the details. \n“We began collecting images together ove r 30 years ago\, roaming a strange and chaotic city in a car. We have neve r been far from each other\, cameras and sketchbooks in hand\, pointing an d asking what or why is that. \nWe collect evidence of the strange. We lik e erosion\, absurdity\, rocks\, color\, texture\, industry\, fire – comp lex things that inspire stories in us and speak about time. We collect to study\, reflect\, and refract the changing world. To project forward and b ackward. \nWe make photographs and paintings to examine. We layer\, disass emble\, mirror\, and emphasize to construct something new. This work is an outgrowth of our process.” \nHeidi McDowell & Jon McNeal\, September 20 26 \nCalendar – Bernal Heights and Beyond LAST-MODIFIED:20260917T003453Z LOCATION:Inclusions Gallery\, 627 Cortland Ave\, San Francisco\, CA\, 9411 0\, United States URL:https://bernalconnect.com/event/outgrowth-heidi-mcdowell-jon-mcneal/?u tm_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Bernal Connect X-SOURCE-URL:https://bernalconnect.com/san-francisco-food-drink-fest END:VEVENT BEGIN:VEVENT SUMMARY:American Indian Cultural District -- We Are The Land: Between Eart h & Sky DTSTART:20260917T070000Z DTEND:20260918T065959Z DTSTAMP:20260910T121822Z UID:10005740-1789603200-1789689599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Features\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n We Are the Land: Between Earth And Sky\n\n\n\nThe American Indian Cultura l District (AICD)\, with support from Fort Mason Center For Arts & Cultur e (FMCAC)\, presents new mural commissions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n \n\n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with suppor t from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural c ommissions by artists Brittany Burrows and Jewelina Acosta. Depicting vege tation and wildlife from the land and water\, the artists highlight the im portance of Indigenous knowledge and traditional practices in maintaining ecological balance and human well-being. By recognizing the interconnected ness of all life forms and the importance of preserving biodiversity\, the ir work points to a more harmonious and sustainable future for generations to come. \n\n\n\nIn We are the Land: Between Earth & Sky\, Brittany Burr ows highlights the parallels between endangered butterfly species and the struggles of Indigenous communities. Both are deeply connected to the land and face threats to their survival due to various factors\, including hab itat loss\, environmental degradation\, and cultural assimilation. \n\n\n\ n“Land stewardship and sovereignty are indeed crucial for preserving Ind igenous ways of life and ensuring the continued thriving of both human and non-human communities. By respecting Indigenous rights to their ancestral lands and supporting their efforts in environmental conservation\, we can learn valuable lessons about sustainable living and holistic interconnect edness\,” said Burrows.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The A rtists\n\n\n\n\n\n\n\nBrittany Burrows is Nomlaki-Wintun and Pomo\, born in Chico\, CA\, who moved to San Francisco at age 11. From a young age\, B rittany has always been fascinated with art\, mostly ballpoint pen drawing s. Brittany is a self-taught artist who specializes in black-and-white por traits. Her mediums are pencil\, charcoal\, and graphite. \n\n\n\n\n\nJew elina Acosta is from a small non-federally recognized tribe named Yokaia (the deep valley) from which the name Ukiah\, CA originated. She is the ow ner of Inkdigenous Tattoo\, which brings forward and makes room for her tr aditional and cultural lifestyle in the tattoo industry. She uses her artw ork to share traditional ecological knowledge with the community\, making the world a better place one art piece at a time. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\ n\n\n\nOn view daily\, 9:00 a.m. to 9:00 p.m. \n\n\n\nTime\n\n\n\n9:00 a.m . to 9:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding D Lobby\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with support from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural com missions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\nAmerican Indian Cultural District:AmericanIndianCulturalDistrict.org(415) 287-2820 general@AmericanIndianCulturalDistrict.org \n\n\n\nFacebook\n\nFlickr\n\nI nstagram\n\nLinkedIn\n\nX\n\n\n\n\n\nBrittany Burrows:BrittanyBurrowsArt.c omBrittanyEBrrws@gmail.com \n\n\n\nFacebook\n\nInstagram\n\n\n\n\n\nJeweli na Acosta: \n\n\n\nFacebook\n\nInstagram\n\nTikTok\n\nYouTube\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mai l\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260910T121822Z URL:https://fortmason.org/event/american-indian-cultural-district-we-are-t he-land-between-earth-and-sky/2026-09-17/?utm_source=caldiscovery&utm_medi um=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Matt Passmore: Tied / Untied DTSTART:20260917T070000Z DTEND:20260918T065959Z DTSTAMP:20260910T121822Z UID:10007618-1789603200-1789689599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n About the Installation\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nMatt Passmore: Tied / Untied Pres ented by Fort Mason Art\n\n\n\nFort Mason Art is proud to present Matt Pa ssmore‘s Tied / Untied. This striking sculpture helps to define the ent rance to FMCAC\, offering visitors a place to gather\, wonder\, and foster curiosity. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n\n\n\n \n\n\n\nEchoing the historic track inside FMCAC’s campus\, the railroad- tie sculpture lifts dramatically out of the ground\, creating playful loop s and arcs for visitors to sit or walk through. Tied / Untied is abstract but looks vaguely familiar\, possibly referencing its surroundings throug h a nautical knot mid-tie\, or the rolling tides of the bay. This playful form gestures to the material and history of Fort Mason and the San Franci sco waterfront. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nTied / Untied is permanently on display at the entrance for Fort Mason Center for Arts & Culture. \n\n\ n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\ n\nSign up today for the latest news from Fort Mason Center For Arts & Cul ture. LAST-MODIFIED:20260910T121822Z URL:https://fortmason.org/event/matt-passmore-tied-untied/2026-09-17/?utm_ source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Leah Rosenberg: The Sea Is But Another Sky DTSTART:20260917T070000Z DTEND:20260917T075959Z DTSTAMP:20260912T061847Z UID:10012643-1789603200-1830297599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About the Artist\n Gallery\n Press\n Plan Your Visit\n \n \n\n\n\n\n\n\nLeah Rosenberg: The Sea Is But Another Sky Pres ented By Fort Mason Art\n\n\n\nFor The Sea Is But Another Sky\, a painting commission for the passageway between Landmark Buildings B and C\, Leah R osenberg highlights the fundamentals of Fort Mason Center For Arts & Cultu re’s site: the setting sun\, the rising moon\, the Bay Waters\, and the wind that dapples across their interaction. \n\n\n\n\n\nABOVE: View The Se a Is But Another Sky By Leah Rosenberg Murals In The Corridor Between Buil dings B and C.TOP OF PAGE: “Slow Rainbow” At The San Luis Obispo Museu m Of Art By Leah Rosenberg. Photo: Stephen Heraldo\n\n\n\n\n\n\n\n\n\nEVEN T DETAILS\n\n\n\n\n\n\n\nAs an artist who studies the color in everyday li fe\, Rosenberg remakes buildings and public spaces with exuberant visions of local conditions. She often draws on the changing palette of a surround ing landscape\, from grasses and flowers to sea and skies. SFMOMA\, the S an Francisco International Airport (SFO)\, and the San Luis Obispo Museum of Art\, among others\, have invited her to transform their commons via he r extraordinary palette. \n\n\n\nOn the cusp of Fort Mason Center For Arts & Culture’s 50th anniversary as a nonprofit home for arts and culture\, Rosenberg folds the campus’ natural environment onto its former militar y buildings – buildings designed to send people and material half a worl d away. In her “mural alley” project\, however\, Rosenberg stays close : the edge of the San Francisco Bay spills out and onto 18 loading docks\, here remade into discrete painting blocks. \n\n\n\n\n\nThe waters ripple across continuous walls beneath pedestrian walkways\, and the interplay o f both pulls you forward into the site itself.  \n\n\n\nIn making The Sea Is But Another Sky\, Rosenberg invites viewers to see themselves as agent s and actors in this landscape. She imagines each loading dock as “anoth er frame. As you walk\, the paintings unfold almost cinematically: sunrise becomes sunset\, sun becomes moon\, sky becomes sea. The body edits the f ilm simply by moving through it.” \n\n\n\nIn this way\, she recalls Fort Mason Center’s call to its first audiences\, in 1977: “You are invite d to attend\, to participate\, to propose your own ideas – to become inv olved in making these solid old army buildings come alive with all the vit ality and diversity of the San Francisco Bay Area.” Within The Sea Is Bu t Another Sky\, that vitality above\, around\, and all about Fort Mason Ce nter always includes You.  \n\n\n\n\n\n\nAbout The Artist\n\n\n\n\n\n\nLe ah Rosenberg plumbs color\, memory\, and place in paintings\, sculpture\, installation\, and performance. Her work has been commissioned by The Con temporary Jewish Museum in San Francisco\; The San Francisco Arts Commissi on for SFO\; and the San Francisco Museum of Modern Art\, where she led th e pastry program for Blue Bottle Coffee’s Modern Art Desserts. A native of Saskatoon (Canada)\, she completed her MFA at the California College o f Art\; her thesis explored the artistic possibilities of cake. \n\n\n\nAR TIST STATEMENT \n\n\n\nFort Mason has a way of rewarding those who keep go ing. Past the galleries and cafés\, beyond where most visitors turn aroun d\, there is a point where the fishermen gather\, the seals lift their hea ds from the water\, the wind picks up\, and the horizon opens wide. Standi ng here\, I find myself thinking about orientation\, time\, the history of this place\, and what else is out there. \n\n\n\nI have been working in t he Public Art Corridor\, an outdoor space between Buildings B and C. When looking at Building B\, you are facing the setting sun\; the other way\, t he rising moon. Walking between them\, you move between day and night\, ea st and west. I kept thinking about how far back the history of this landsc ape reaches and how the Bay has always been shaped by changing light\, tid es\, weather\, animals\, ships\, people coming\, people going. Long before these buildings existed\, the sun and moon were already tracing these sam e paths overhead. \n\n\n\nI have always been drawn to sequences\; to repet ition\, seriality\, and the possibility of making paintings move. The 18 l oading bays offered an architecture that already contained rhythm. Each op ening became another frame. \n\n\n\n\n\nAs you walk\, the paintings unfol d almost cinematically: sunrise becomes sunset\, sun becomes moon\, sky be comes sea. The body edits the film simply by moving through it. \n\n\n\nSo me of the colors may seem a little fantastical for sky and sea\, sun and m oon. Yet every one can be found nearby: in the flora\, the art in gallerie s\, the food\, the buoys\, the cargo ships\, the sailboats\, and the atmos phere itself. The landscape is already painting these colors. The murals s imply gather them together. \n\n\n\nThen again\, the murals are only half the picture. Throughout the day the sun casts moving shadows across the wa lls\, redrawing the compositions hour by hour. The buildings are in conver sation with the sky. \n\n\n\nAnd then there is the wind. During installati on\, gusts lifted paint from our buckets\, carried color across the drop c loths\, as if laughing at our attempts to paint perfectly straight edges. Over time\, it felt as though everything here had become a character: the seagulls\, the fog horns\, the fishermen\, the seals\, the conversations d rifting between the buildings\, a paper bag tumbling down the corridor\, t he changing tide\, the afternoon light. \n\n\n\nEvery passage through the corridor is different. The painted colors remain the same\, but the light never does. Morning and evening\, fog and clear skies\, each produces anot her version of the work. \n\n\n\nAs Fort Mason Center For Arts & Culture c elebrates 50 years as a nonprofit partner of the National Park Service\, I hope these murals celebrate not only the site but its continual becoming … its bright moments and dark ones\, its calm mornings and windy afterno ons\, its long history and the countless people who continue to shape it. \n\n\n\n\n\n\n\n\n\n\n\n\nPhoto: Pat Mazzera\n\n\n\n\n\n\n\n“Everywhere\ , A Color” At The San Francisco International Airport (SFO) By Leah Rose nberg.Photo: Ethan Kaplan Photography\n\n\n\n\n\n\n\n\n\n\n\n\n\nPress\n\n \n\n“A Massive New Mural at Fort Mason Brings Otherworldly Colors to the Water’s Edge: Leah Rosenberg’s ‘The Sea Is But Another Sky’ is pa rt of the multifaceted programming at the free Fort Mason art walk on Sept . 17” by Nastia Voynovskaya (September 11\, 2026) \n\n\n\nLeah Rosenberg ’s new mural is part of the Fort Mason Center for Arts & Culture’s 50t h anniversary programming. Photo: Pat Mazzera\n\n\n\n\n\n\nPlan Your Visit \n\n\n\n\n\n\n\nDate\n\n\n\nSeptember 17\, 2026 through 2027Opening Recept ion: Thursday\, September 17\, 5:00 p.m. to 7:00 p.m. (part of the Fort Ma son Art Walk) \n\n\n\nTime\n\n\n\nDaily\, 7:00 a.m. to 12:00 a.m.  \n\n\n \nCost\n\n\n\nFREE \n\n\n\n\n\nLeah Rosenberg:LeahRosenberg.comstudio@Leah Rosenberg.com \n\n\n\nInstagram\n\nVimeo\n\nYouTube\n\n\n\nLocation\n\n\n\ nCorridor between Buildings B and C\, Fort Mason Center for Arts & Culture \, 2 Marina Boulevard\, San Francisco \n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n \n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260912T061847Z URL:https://fortmason.org/event/leah-rosenberg-the-sea-is-but-another-sky/ ?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:FOR-SITE – Muzae Sesay & Alexcia Sundra At The Guardhouse: Att entive Earth DTSTART:20260917T070000Z DTEND:20260917T075959Z DTSTAMP:20260912T061847Z UID:10012950-1789603200-1800835199@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nM uzae Sesay & Alexcia Sundra At The Guardhouse: Attentive Earth Presented B y FOR-SITE\n\n\n\nFOR-SITE presents Attentive Earth\, a new installation b y Oakland\, CA-based artists Muzae Sesay and Alexcia Sundra\, in The Guard house at Fort Mason Cener For Arts & Culture. \n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\nEVENT DETAILS\n\n\n\n\n\n\n\nIn the collaborative exhibition Attentive Earth\, artists Muzae Sesay and Alexcia Sundra construct a provocative fu ture where humanity’s connection to the planet has been completely sever ed\, leaving society isolated from nature within a reality of fully commod ified public attention. Staged inside the historic former guardhouse at th e entrance to Fort Mason Center For Arts & Culture\, the installation uses short-form video\, painting\, and archives to bring this speculative worl d to life. The narrative follows an underground group of scientists who di scover Earth’s sentient structure and occupy the complex\, turning it in to a protective fortress. Driven by curiosity for fleeting\, unnoticed ges tures\, these researchers study how to recapture lost attention and preser ve what has been fractured by our dissociation from the natural world. \n\ n\n\n\n\nServing as the field office and archive for an “Attentive Reali gnment Center\,” the transformed Guardhouse functions as a repository wh ere artifacts and memories are collected and documented. By gathering thes e fragments of existence\, the project reveals what lies beyond perceptual fatigue\, forming the foundation of a therapeutic practice designed to re habilitate human focus. Ultimately\, Sesay and Sundra use the center to cu ltivate a shared\, communal awareness\, illustrating that rediscovering ov erlooked moments is essential to the architecture of belonging. By directl y engaging with Fort Mason Center For Arts & Culture’s history as a coas tal defense site\, the artists powerfully prompt viewers to question what in our modern world requires fortified protection. \n\n\n\n\n\n\nAbout The Artists\n\n\n\n\n\n\nMuzae Sesay is a visual artist whose practice focuse s on understanding our collective relationship to space\, memory\, communi ty\, and the perceived truths within them. Utilizing skewed perspectives o f space and shape collapsed into two-dimensional planes of color\, Sesay c reates surreal geometric interiors\, exteriors\, landscapes\, and structur es\, presenting a situation in which to be experienced and explored. Inspi red by ideas of cultural reflection developed by questioning the validity of remembrance\, his work often depicts worlds created in response to a so cial introspection and/or an attempt to perceive a shared reality. The wor k’s goal is to provoke social reasoning and induce the viewer’s agency in the navigation and narration of the imagery. Born in Long Beach\, CA\, Sesay has exhibited at major venues like the San Francisco Museum of Mode rn Art\, the Yerba Buena Center for the Arts\, and San Jose Institute for Contemporary Arts. His public art projects include several large-scale mur als and painted basketball courts in the San Francisco Bay Area. \n\n\n\nA lexcia Sundra is an artist and filmmaker who constructs speculative enviro nments that appear to have arrived from alternate timelines. Working acros s sculpture\, film\, and installation\, she uses design\, earthly material s\, and familiar objects to make imagined realities tangible. \n\n\n\n\n\ nHer practice engages time\, attention\, rest\, and memory to examine the forces shaping our relationships with the Earth and one another – and to bring what has always been present back into view. Rather than presenti ng alternative realities from a distance\, Sundra builds spaces that allow viewers to inhabit them\, however briefly\, and envision more liberatory forms of collective life. These ideas move fluidly across her work: as an artist and designer for Venus Blues at Minnesota Street Project\, she crea ted an interactive sculptural wall and immersive environment\, while her f ilm work includes Into A Space of Love\, a magical realist documentary pre sented by Frieze that traces the legacies of house music rooted in New Yor k’s underground culture. \n\n\n\nHer screen credits range from studio p roductions including Spider-Man: Homecoming (2017)\, Uncut Gems (2019)\, a nd The Matrix Resurrections (2021). Sundra’s work on independent shorts\ , including Self (2022)\, Companion (2023)\, Pop Monsters (2024)\, and Hop e (2026)\, has received recognition at prominent festivals including Black Star Film Festival\, SFFILM Festival\, Seattle Black Film Festival\, and t he New York African Film Festival. Sundra also served as Director of Alumn i Programming at BAYCAT\, where she created a screenwriting fellowship for women\, LGBTQIA+ creatives\, and storytellers of color. \n\n\n\n\n\n\n\n\ n\n\n\n\n\n\n\n\nMuzae Sesay and Alexcia Sundra\, Attentive Earth (still f rom the Field Research video)\, 2026\n\n\n\nMuzae Sesay and Alexcia Sundra \, Attentive Earth (still from the Memories video)\, 2026\n\n\n\n\n\n\n\n\ nPlan Your Visit\n\n\n\n\n\n\n\nDate\n\n\n\nSeptember 17\, 2026 through Ja nuary 24\, 2027 \n\n\n\nTime\n\n\n\nVisible at all timesOpening Reception: Thursday\, September 17\, 2026\; 6:00 p.m. to 8:00 p.m. during the Fort M ason Fall 2026 Art Walk.Remarks by FOR-SITE Founding Executive Director Ch eryl Haines: September 17\, 2026\; 6:30 p.m. \n\n\n\nLocation\n\n\n\nThe G uardhouse\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, Sa n Francisco \n\n\n\n\n\nCost\n\n\n\nFREE \n\n\n\nFOR-SITE:FOR-SITE.org(415 ) 362-9330info@FOR-SITE.org \n\n\n\nFacebook\n\nInstagram\n\nVimeo\n\nX\n\ n\n\nMuzae Sesay:MuzaeSesay.com \n\n\n\nInstagram\n\n\n\nAlexcia Sundra: \ n\n\n\nInstagram\n\nLinkedIn\n\nPinterest\n\nSoundCloud\n\n\n \n Share \n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up tod ay for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260912T061847Z URL:https://fortmason.org/event/for-site-muzae-sesay-alexcia-sundra-at-the -guardhouse-attentive-earth/?utm_source=caldiscovery&utm_medium=ics&utm_ca mpaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Red Door Coffee DTSTART:20260917T150000Z DTEND:20260917T220000Z DTSTAMP:20260902T181147Z UID:10006512-1789632000-1789657200@111minnagallery.com CATEGORIES:arts,drink,food DESCRIPTION:Savor the nuanced flavors of our meticulously crafted beverage s as you take in the mesmerizing artwork that adorns our walls.\n\nWhether you’re seeking a moment of tranquility amidst artistic inspiration or e ngaging in lively conversations over a cup of warmth\, Red Door Coffee is the perfect retreat. \nOur menu boasts a delightful array of coffee creati ons\, from the bold richness of Espresso to the creamy indulgence of a Map le Cinnamon Latte. Join us in celebrating the art of coffee\, culture\, an d community. \n[erm_menu id=113597] LAST-MODIFIED:20260902T181147Z LOCATION:2nd Street Gallery\, 111 Minna Street\, San Francisco\, CA\, 9410 5\, United States URL:https://111minnagallery.com/event/red-door-coffee-3/2026-09-17/?utm_so urce=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:111 Minna Gallery & Event Space X-SOURCE-URL:https://111minnagallery.com END:VEVENT BEGIN:VEVENT SUMMARY:Haines Gallery: 250 Years\, Indigenous Futures DTSTART:20260917T173000Z DTEND:20260918T030000Z DTSTAMP:20260912T061847Z UID:10012879-1789641000-1789675200@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n2 50 Years\, Indigenous Futures Presented By Haines Gallery\n\n\n\nAs the U. S. marks its 250th anniversary\, Haines Gallery presents 250 Years\, Indi genous Futures\, a group exhibition centering the work of leading Native A merican artists. While occasioned by this anniversary\, 250 Years\, Indig enous Futures does not commemorate it.  \n\n\n\n\n\nABOVE: Haines Galler y is in Building C (far right). TOP OF PAGE: Brad Kahlhamer\, “Pima Air + Space\,” 2025 (detail). Acrylic\, ink\, pencil on bedsheet\, 69.25 x 5 3.5 inches\, framed. Courtesy of the artist and Haines Gallery\, San Franc isco. Photo: Shaun Roberts\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\ n250 Years\, Indigenous Futures takes its title from the writings of Stand ing Rock Sioux historian Philip J. Deloria and his colleagues\, who argue that Native peoples should be understood not primarily through the past\, but “through the lens of futurity.” Indigenous knowledge\, they write\ , is not peripheral to contemporary life but generative of new ways of und erstanding it. In this spirit\, the exhibition considers Native presence a nd creativity as powerful forces shaping our collective future. \n\n\n\nTh e artists in the exhibition are: Victoria Grace Canby (Diné [Navaho])\;Jo rdan Ann Craig (Northern Cheyenne)\; Sky Hopinka (Ho-Chunk Nation / Pechan ga Band of Luiseño Indians)\; Brad Kahlhamer (Indigenous ancestry)\; Terr an Last Gun (Piikani / Blackfoot)\; Jamie Okuma (Luiseño\, Shoshone-Banno ck\, Wailaki\, Okinawan\, and La Jolla)\; Wendy Red Star (Apsáalooke [Cro w])\; and Keith Secola (Northern Ute / Anishinaabe). Working across paint ing\, drawing\, sculpture\, film\, and photography\, these artists engage contemporary culture\, Nation-specific visual traditions\, and personal hi stories in distinct and expansive ways. \n\n\n\n\n\nRather than commemorat ing the 250th U.S. anniversary\, the exhibition recognizes 1776 as only on e moment within much longer histories of Indigenous presence\, adaptation\ , and sovereignty. Creating space for artists to define their own terms of engagement\, the exhibition aims to bring forward concerns central to the ir practices. The works on view draw inspiration from a vivid range of sou rces: boldly painted Piikani lodges\; the precise geometry of Northern Che yenne beadwork\; the Indians of All Tribes’ occupation of Alcatraz\; car s adorned with blankets and regalia for the annual Crow Fair\; blood-soake d horror films\; and archival photographs whose subjects meet the visitor ’s gaze. \n\n\n\nThe exhibition is informed by Apsáalooke artist Wendy Red Star’s caution against a “foe-based” framing of Native art –  one that risks tethering meaning to resistance alone and obscuring the s pecificity of Nations\, histories\, and individual practices. Here\, each artist’s work emerges from particular relationships to language\, land\, and material culture. No single framework can contain these worlds. \n\n\ n\n\n\n\nAbout the Artists\n\n\n\n\n\n\nVictoria Grace Canby (Diné\, b. 1 978\, Albuquerque\, NM). Marin-based artist Victoria Grace Canby’s new w orks on paper\, created for the exhibition\, depict the Three Sisters – corn\, beans\, and squash – as a living model of resilience\, healing \, and collective care that connects Indigenous Peoples throughout the Ame ricas. “Through fostering our connection to these plants’ powers\,” Canby notes\, “we can overcome the impacts of colonization.” \n\n\n\nJ ordan Ann Craig (Northern Cheyenne\, b. 1992\, San Jose\, CA). Jordan Ann Craig’s paintings draw from references ranging from Northern Cheyenne be adwork and quillwork to the postwar abstraction of Agnes Martin\, all of w hich she translates into exacting\, poetic fields of color and form. In wo rks such as “Miss Your Musk” (2024)\, Craig foregrounds Indigenous abs traction as a living and evolving practice – one capable of holding per sonal narrative\, formal experimentation\, and cultural continuity without being reduced to any single source or meaning. \n\n\n\nSky Hopinka (Ho-Ch unk Nation/Pechanga Band of Luiseño Indians\; b. 1984\, Ferndale\, WA). S ky Hopinka’s film Sunflower Siege Engine (2022) brings together distinct Indigenous sites and histories\, connecting the Indians of All Tribes’ occupation of nearby Alcatraz Island (1969–1971) with Illinois’ Cahoki a Mounds\, one of the largest pre-contact urban centers in North America a nd a site from which ancestral remains continue to be repatriated. \n\n\n\ nBrad Kahlhamer (Native American ancestry\; b. 1956\, Tucson\, AZ). Painte d in acrylic\, ink\, and pencil on a bedsheet\, “Pima Air + Space” (20 25) belongs to Kahlhamer’s recent “dream sheet” paintings. Its title recalls Arizona’s Pima Air & Space Museum\, while birds\, horses\, mask ed figures\, and a spectral presence drift through an aurora borealis of s aturated color. \n\n\n\n\n\nTerran Last Gun\, Saakwaynaamah’kaa (Last Gu n) (Piikani / Blackfoot\; b. 1989\, Browning\, MT on the Blackfeet Nation Reservation). Inspired by the bold geometric designs of Piikani painted lo dges\, Terran Last Gun has created a suite of works for the exhibition: pr ecise compositions on vintage ledger paper that bring ancestral forms\, co lonial records\, and the ongoing vitality of Indigenous abstraction into c harged relation. \n\n\n\nJamie Okuma (Luiseño\, Shoshone-Bannock\, Wailak i\, Okinawan\, and La Jolla\; b. 1977\, Glendale\, CA). In “Of Love and Sacrifice: Motherhood” (2026)\, Jamie Okuma deploys her signature single -stitch beadwork to transform a brain-tanned deerskin handbag into a dazzl ing portrayal of two figures from Luca Guadagnino’s horror film Suspiria (2018). Drawing bracing cinematic imagery into dialogue with exacting Pay ómkawichum (Luiseño) beadwork techniques\, Okuma conjures the selfless a nd steadfast power of maternal love. \n\n\n\nWendy Red Star (Apsáalooke\; b. 1981\, Billings\, MT). Wendy Red Star’s works from “The (HUD)” s eries focus on the colorful facades of houses built through the U.S. Depar tment of Housing and Urban Development on Montana’s Apsáalooke (Crow) r eservation\, where the artist was raised. Though their hues were chosen no t by residents but by a government agency\, Red Star’s images reveal sig ns of domestic beauty that exceed the mandates of bureaucracy. \n\n\n\nKei th Secola (Northern Ute / Anishinaabe\; b. 1988\, Randlett\, UT on the Uin tah and Ouray Reservation) Keith Secola screen-prints archival portraits o f Native Americans onto the covers of vintage books\, placing Indigenous p resence in direct tension with exclusionary narratives of America’s past . Secola’s images depict subjects who often look directly back at the ca mera\, meeting its gaze with a quiet intensity that transcends time and ne gates erasure. \n\n\n\n\n\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty )\,” (2025) (detail) Fabric with archival pigment photograph on board. 2 5.25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proj ects\, Los Angeles.Photo: Paul Salveson\n\n\n\nKeith Secola: “Wounds Man y\,” (2019). Screenprint on book collage48 x 36 inches. Courtesy of the artist & Haines Gallery\, San Francisco.Photo: Shaun Roberts\n\n\n\nBrad K ahlhamer\, “Pima Air + Space\,” (2025). Acrylic\, ink\, pencil on beds heet\, 69.25 x 53.5 inches\, framed. Courtesy of the artist & Haines Galle ry. Photo: Shaun Roberts\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty) \,” (2025) (detail) Fabric with archival pigment photograph on board. 25 .25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proje cts. Photo: Paul Salveson\n\n\n\nVictoria Grace Canby: “We Grow Our Own Medicine\, Interdimensional & Intertribal Healing Plant Studies:Three Sist ers – Corn” (2026) Pencil & gouache on paper\, 44 x 30 nches\, framed. Courtesy of the artist & Haines Gallery. Photo: Shaun Roberts\n\n\n\nJord an Ann Craig: “Miss Your Musk” (2024) Acrylic on canvas\, 45 x 45 x 2. 5 inches. Courtesy of the artist & Hales Gallery\, London and New York © Jordan Ann Craig. Photo: JSP Art Photography\n\n\n\n\n\n\n\n\nPlan Your Vi sit\n\n\n\n\n\n\n\nDate\n\n\n\nTuesday\, September 15 to Saturday\, Novemb er 7\, 2026 \n\n\n\nTime\n\n\n\nTuesday through Saturday\, 10:30 a.m. to 5 :30 p.m.Opening Reception: Thursday\, September 17\, 2026\, 5:00 p.m. to 8 :00 p.m. during the Fall 2026 Fort Mason Art Walk. A talk by the artists h appens at 7:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding C\, First Floor\, For t Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\ n\n\nCost\n\n\n\nFREE \n\n\n\n\n\nHaines Gallery:HainesGallery.com(415) 39 7-8114art@HainesGallery.com \n\n\n\nFacebook\n\nInstagram\n\nVimeo\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\n Sign up today for the latest news from Fort Mason Center For Arts & Cultur e. LAST-MODIFIED:20260912T061847Z URL:https://fortmason.org/event/haines-gallery-250-years-indigenous-future s/2026-09-17/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-fran cisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Cityscapes And Public Places DTSTART:20260917T200000Z DTEND:20260917T220000Z DTSTAMP:20260915T005950Z UID:1715206-1789650000-1789650000@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260915T005950Z LOCATION:City Scapes And Public Places URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Japanese Tea Garden DTSTART:20260917T200000Z DTEND:20260917T220000Z DTSTAMP:20260915T005950Z UID:1715207-1789650000-1789650000@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260915T005950Z LOCATION:Japanese Tea Garden URL:https://www.sfcityguides.org/event/japanese-tea-garden/?utm_source=cal discovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Architecture Downtown DTSTART:20260917T210000Z DTEND:20260917T230000Z DTSTAMP:20260915T185601Z UID:1715209-1789653600-1789653600@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260915T185601Z LOCATION:Creating Downtown URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Gray Area Grand Theater: Yoon Chung Han: Dreaming Babies: illi (op ening reception) DTSTART:20260918T010000Z DTEND:20260918T040000Z DTSTAMP:20260913T123107Z UID:10040684-1789668000-1789678800@missionlocal.org CATEGORIES:arts DESCRIPTION:Gray Area presents Dreaming Babies: illi (꿈꾸는 아기들: 일리)\, a solo exhibition of recent speculative simulation works by Kor ean artist Yoon Chung Han.\nThis immersive\, interactive installation tran sforms Gray Area’s gallery into a futuristic nursery for 23 special hybr id human babies\, each with a different chromosomal anomaly.\nEach baby sl eeps and dreams inside of a virtual incubator in space\, weaving stories t ogether with the audience based on the expression of their own uniquely in dividual identities. \nExploring new speculative human designs\, Dreaming Babies: illi addresses humanity’s desire to create a perfect being throu gh genetic technologies: the commercializing of fertility treatment\, the advancements in the science of cloning\, the many possibilities and uncert ainties of future human birth\, and the ethical dilemmas surrounding genet ic modification. \nEach simulated baby’s story\, generated from real gen etic data\, is created in collaboration with artificial intelligence. Visi tors interact with the sleeping babies in real time by inputting sound thr ough a microphone\, connecting with them via the ChatGPT system. The live- rendered videos of babies floating in space can be viewed on each screen\, where audiences can observe how genetic anomalies are reimagined not as p hysical difficulties\, but as representations of more unique and special f orms of humanity. LAST-MODIFIED:20260913T123107Z LOCATION:Gray Area Grand Theater\, 2665 Mission St\, San Francisco\, CA\, 94110\, United States URL:https://missionlocal.org/event/gray-area-grand-theater-yoon-chung-han- dreaming-babies-illi-opening-reception/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Mission Local X-SOURCE-URL:https://missionlocal.org/2020/11/new-city-covid-19-test-site- opens-at-alemany-farmers-market-in-light-of-higher-southeast-sector-infect ion END:VEVENT END:VCALENDAR