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DESCRIPTION:San Francisco: comedy\, next 7 days (Thu Sep 17 to Wed Sep 23\
 , America/Los_Angeles). Rolling: the window moves forward every day\, so s
 ubscribe rather than download. Discovered and maintained by CalDiscovery (
 https://caldiscovery.com). Event details belong to their publishers. Conta
 ins information from CalDiscovery\, which is made available under the ODbL
  1.0.
SOURCE:https://caldiscovery.com/san-francisco-ca/next-7-days-comedy.ics
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X-WR-CALDESC:San Francisco: comedy\, next 7 days (Thu Sep 17 to Wed Sep 23
 \, America/Los_Angeles). Rolling: the window moves forward every day\, so 
 subscribe rather than download. Discovered and maintained by CalDiscovery 
 (https://caldiscovery.com). Event details belong to their publishers. Cont
 ains information from CalDiscovery\, which is made available under the ODb
 L 1.0.
X-WR-CALNAME:San Francisco · comedy · next 7 days · CalDiscovery
BEGIN:VEVENT
SUMMARY:Lorraine Hansberry Theatre At Magic Theatre: African Stew By Lisa 
 B. Thompson
DTSTART:20260919T023000Z
DTEND:20260919T040000Z
DTSTAMP:20260918T000456Z
UID:10012650-1789759800-1789765200@fortmason.org
CATEGORIES:comedy,theater
DESCRIPTION:About\n                      Event Details\n                  
     About The Artists\n                      Gallery\n                    
   Press\n                      Plan Your Visit\n                          
           Tickets\n              \n      \n\n\n\n\n\n\nAfrican Stew By Lis
 a B. Thompson Presented By Lorraine Hansberry Theatre At Magic Theatre\n\n
 \n\nLorraine Hansberry Theatre presents African Stew\, a satirical new com
 edy by nationally acclaimed\, award-winning playwright Lisa B. Thompson. \
 n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\nWhen an Africa
 n American woman and a Nigerian man announce their engagement after a swif
 t courtship\, their families gather for a meal in Oakland\, CA – and w
 hat begins as a celebration soon simmers with tension as cultural differen
 ces\, familial expectations\, and questions of identity bubble to the surf
 ace. \n\n\n\n\n\nAt a time when so much centers on who belongs and who doe
 sn’t\, this deeply human comedy asks what it actually takes to build a f
 amily across class\, across culture\, and across generations\, and highlig
 hts the pleasures and dangers of loving and misunderstanding in the Black 
 Diaspora. \n\n\n\n\n\n\nAbout The Artists & Performers\n\n\n\n\n\n\nLisa B
 . Thompson’s satirical comedies\, poignant dramas\, and insightful criti
 cism explode stereotypes about Black life in the U.S.\, particularly the e
 xperiences of the Black middle class. Her award-winning plays Single Black
  Female\, Underground\, Monroe\, The Mamalogues and The Black Feminist Gui
 de to the Human Body have been produced Off-Broadway\, throughout the U.S.
 \, and internationally. Thompson’s creative and scholarly work has recei
 ved support from institutions such as Hedgebrook\, MacDowell\, Millay Arts
 \, National Performance Network\, Center for the Study of Race and Democra
 cy\, Clayman Institute for Gender Research\, American Council of Learned S
 ocieties\, W. E. B. DuBois Research Institute at the Hutchins Center\, Fus
 ebox Festival\, and Texas Performing Arts. Her publications include Beyond
  the Black Lady: Sexuality and the New African American Middle Class as we
 ll as articles in Theatre Journal\, Criterion Collection\, Journal of Amer
 ican Drama\, NPR\, Theatre Survey\, and The Washington Post. Thompson also
  co-hosts and co-produces Black Austin Matters\, an NPR podcast that explo
 res Black life\, culture\, and politics in Central Texas. The San Francisc
 o native currently serves as the Bobby and Sherri Patton Endowed Professor
  of African and African Diaspora Studies and the interim associate dean of
  graduate education and academic affairs for the College of Fine Arts at t
 he University of Texas at Austin. \n\n\n\nMargo Hall is Lorraine Hansberry
  Theatre (LHT)’s Artistic Director and an African Stew cast member. Hall
  is an award-winning actor\, director\, playwright\, and educator. Hall wa
 s recently awarded the 2021 Kenneth Rainin Fellowship in Theater and liste
 d as one of the YBCA 100 honorees for 2020. \n\n\n\nShe was last seen onst
 age in Josephine’s Feast by Star Finch for Campo Santo and Magic Theatre
 . Other acting credits include Black Odyssey\, Fences\, Twelfth Night\, A 
 Raisin in the Sun\, A Winter’s Tale\, American Night: The Ballad of Juan
  Jose\, and SPUNK for the California Shakespeare Theater\; JAZZ\, Skeleton
  Crew\, Gem of the Ocean\, Fences\, and Seven Guitars for Marin Theater Co
 mpany\; Ah! Wilderness\, Once in a Lifetime\, and Marcus or the Secret of 
 Sweet at American Conservatory Theater\; Exit Strategy and Trouble in Mind
  at the Aurora Theater\; and Marcus Gardley’s A World in a Woman’s Han
 ds for Shotgun Players\; Barbecue (also directed)\, and MotherF**ker with 
 the Hat at SF Playhouse. Some of her acting credits for Campo Santo includ
 e Dennis Johnson’s Nobody Move\, Chinaka Hodges’ Mirrors in Every Corn
 er\, Jessica Hagedorn’s Fe in the Desert and Stairway to Heaven\, and Na
 omi Iizuka’s Hamlet: Blood in the Brain\, 17 Reasons (Why)\, and Polaroi
 d Stories.  \n\n\n\nHall recently directed FLEX\, FAT HAM\, and Nollywood 
 Dreams for SF Playhouse\, and Garuda’s Wing for Campo Santo. Hieroglyph\
 , by Erika Dickerson-Despenza\, was a co-production of LHT and SF Playhous
 e. Other LHT credits include Black Feminist Guide to the Human Body\, Suns
 et Baby\, In the Evening by the Moonlight\, Soulful Christmas\, Thurgood\,
  and Rejoice! Other directing credits include How I Learned What I Learned
  for LHT\, Ubuntu\, and Marin Theatre Company\, Barbecue\, Red Velvet\, an
 d The Story\, an SF Playhouse/Lorraine Hansberry Theatre co-production. \n
 \n\n\nCreative Team \n\n\n\nPlaywright: Lisa B. Thompson​Director: Edr
 is Cooper-Anifowoshe \n\n\n\n\n\nCast \n\n\n\nPatricia “Trish” Lopez:
  Carla GallardoTitilola “Lola” Ogunde: Jeunée SimonDiana “Didi”
  Lawson: Margo HallHarold “Harry” Lawson: Ron ChapmanBabatunde “Ba
 ba” Ogunde: ShawnJ WestJulie “Jules” Lawson: Sundiata AyindeKen Og
 unde: Titus VanHook \n\n\n\n​Design & Production \n\n\n\nLighting Desig
 n: Jenny Bachofer Sound Design: Alexis Brooks // Ray Archie Scenic Des
 ign: Pamela PenistonScenic Build: Jamila Ring Costume Design: Andre Ha
 rrington \n\n\n\n​Production Manager/ Stage Manager: Taylor Mendez \n\n
 \n\nSundiata Ayinde (she/her/hers)\, is an Oakland\, CA-raised performer p
 assionate about universal access to the arts. She spent two years as an as
 sistant dramaturg working under Philippa Kelly on work such as As You Like
  It adapted by Shaina Taub at SF Playhouse. Ayinde’s latest work include
 s The Watermelon Cabaret directed by Mylo Cardona at Magic Theatre for FnF
 Productions and The Cake directed by Lisa Mallete at City Lights Theater. 
 She’s grateful for her mom. \n\n\n\nTitus VanHook (he/him) is thrilled t
 o return to Lorraine Hansberry Theatre. He is a multi-hyphenate artist bor
 n and raised in Oakland\, CA. He attended Pomona College where he earned h
 is BA\, followed by matriculating to Columbia University for his MFA in ac
 ting. Since then\, VanHook has worked across different mediums including t
 elevision\, voice over\, commercial and social media. His most recent stag
 e productions include “Buttercup” at the Marin Shakespeare Company and
  Paradise Blue at Aurora Theatre Company in Berkeley\, CA. He is currently
  a professor of drama at the Academy of Art University. VanHook would like
  to send his gratitude to his loved ones for their love and support. You c
 an keep up with him on Instagram: _vanhook_.  \n\n\n\nRon Chapman is a wri
 ter and actor who believes in the power of storytelling. He last appeared 
 as Rev/Pap in Fat Ham. \n\n\n\nShawnJ West (he/him\, Diva) is thrilled to 
 be making his LHT acting debut in African Stew. He previously directed Sou
 lful Christmas with LHT and is excited to return in a new capacity. West h
 as been performing since high school and directing since 2008\, finding bo
 th immense joy and challenge in the art of storytelling. His most recent o
 nstage appearance was in New Conservatory Theater Center’s Unpacking in 
 P’town (2023)\, where he happily tapped his heart out. When he’s not o
 nstage or directing\, you can catch him and his co-hosts sharing candid th
 oughts\, observations\, and plenty of laughs about San Francisco Bay Area 
 theatre on the podcast Creatively Shaded\, available wherever you get your
  podcasts. \n\n\n\nCarla Gallardo is a San Francisco Bay Area actor\, and 
 is excited for the opportunity to perform for LHT for the first time. Past
  credits include: Hard Times (Word 4 Word)\, A Midsummer Night’s Dream\,
  Romeo / Juliet (Marin Shakespeare Company)\, A Christmas Carol\, Arsenic 
 & Old Lace (Center Rep)\, 1984 (Aurora Theater)\, Doméstica Realidad\, La
 s Azurduys (La Lengua Teatro)\, Cost of Living\, Exodus to Eden\, Book of 
 Sand (a fairytale)\, The Tempest\, Romeo and Juliet (Oakland Theater Proje
 ct)\, References to Salvador Dalí Make Me Hot (Custom Made Theatre)\, amo
 ng others. Through acting\, she has worked as a teaching artist for many t
 heater companies in the SF Bay Area. \n\n\n\n\n\n\n\n\nPhoto: Alejandro Ra
 mos\n\n\n\n\n\n\n\nPhoto: Alejandro Ramos\n\n\n\nPhoto: Alejandro Ramos\n\
 n\n\n\n\n\n\nPhoto: Alejandro Ramos\n\n\n\nPhoto: Alejandro Ramos\n\n\n\n\
 n \n\n\n\n\nPress\n\n\n\nSan Francisco Chronicle: “Review: African Stew 
 Finds Its Richest Flavors In Family Conflict” by Zach Ruskin (September 
 13\, 2026) \n\n\n\n\n\n\n\nKQED: “‘African Stew\,’ Set In Oakland\, 
 Reflects Playwright’s Own Bay Area Roots: Lisa B. Thompson’s new play 
 explores tensions between the African American and Nigerian families of an
  engaged couple” by Alexander Gonzalez\, Brian Watt (Updated September 9
 \, 2026) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlaywright Lisa B. Th
 ompson and Lorraine Hansberry Theatre Artistic Director Margo Hall stopped
  by ABC7’s Mid/Day Live to talk all things African Stew. Hear Thompson d
 iscuss the inspiration for this new comedy\, and catch Margo Hall discussi
 ng her character Didi\, and why supporting new works and emerging Black wr
 iters matters more than ever. See video. (September 10\, 2026) \n\n\n\n\n\
 n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\n\n\n\nThursday\, September 10\, 20
 26 through Sunday\, September 27\, 2026 \n\n\n\nTime\n\n\n\nThursday to Sa
 turday: 7:30 p.m.Sunday: 4:00 p.m.Saturday\, September 19 and 26: 4:00 p.m
 . \n\n\n\nLocation\n\n\n\nMagic Theatre\, Building D\, Third Floor\, Fort 
 Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\
 n\nCost\n\n\n\n$37 to $77 \n\n\n\n\n\nLorraine Hansberry TheatreLHTSF.org(
 415) 345-3980info@LHTSF.org \n\n\n\nFacebook\n\nInstagram\n\nX\n\nYouTube\
 n\n\n\nLisa B. ThompsonLisaBThompson.comlbt@LisaBThompson.com \n\n\n\nFace
 book\n\nInstagram\n\nThreads\n\nX\n\n\n\n\ntickets\n\n\n\n  \n    Share\n\
 n    \n            \n        \n          \n            \n              \n 
            \n            Facebook\n          \n        \n        \n       
        \n            X\n        \n              \n            Mail\n      
 \n\n    \n  \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today 
 for the latest news from Fort Mason Center For Arts & Culture.
LAST-MODIFIED:20260918T000456Z
URL:https://fortmason.org/event/lorraine-hansberry-theatre-at-magic-theatr
 e-african-stew-by-lisa-b-thompson/2026-09-18/?utm_source=caldiscovery&utm_
 medium=ics&utm_campaign=san-francisco-ca
X-SOURCE-NAME:Fort Mason Center for Arts & Culture
X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market
END:VEVENT
BEGIN:VEVENT
SUMMARY:Lorraine Hansberry Theatre At Magic Theatre: African Stew By Lisa 
 B. Thompson
DTSTART:20260919T230000Z
DTEND:20260920T003000Z
DTSTAMP:20260918T000456Z
UID:10012651-1789833600-1789839000@fortmason.org
CATEGORIES:comedy,theater
DESCRIPTION:About\n                      Event Details\n                  
     About The Artists\n                      Gallery\n                    
   Press\n                      Plan Your Visit\n                          
           Tickets\n              \n      \n\n\n\n\n\n\nAfrican Stew By Lis
 a B. Thompson Presented By Lorraine Hansberry Theatre At Magic Theatre\n\n
 \n\nLorraine Hansberry Theatre presents African Stew\, a satirical new com
 edy by nationally acclaimed\, award-winning playwright Lisa B. Thompson. \
 n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\nWhen an Africa
 n American woman and a Nigerian man announce their engagement after a swif
 t courtship\, their families gather for a meal in Oakland\, CA – and w
 hat begins as a celebration soon simmers with tension as cultural differen
 ces\, familial expectations\, and questions of identity bubble to the surf
 ace. \n\n\n\n\n\nAt a time when so much centers on who belongs and who doe
 sn’t\, this deeply human comedy asks what it actually takes to build a f
 amily across class\, across culture\, and across generations\, and highlig
 hts the pleasures and dangers of loving and misunderstanding in the Black 
 Diaspora. \n\n\n\n\n\n\nAbout The Artists & Performers\n\n\n\n\n\n\nLisa B
 . Thompson’s satirical comedies\, poignant dramas\, and insightful criti
 cism explode stereotypes about Black life in the U.S.\, particularly the e
 xperiences of the Black middle class. Her award-winning plays Single Black
  Female\, Underground\, Monroe\, The Mamalogues and The Black Feminist Gui
 de to the Human Body have been produced Off-Broadway\, throughout the U.S.
 \, and internationally. Thompson’s creative and scholarly work has recei
 ved support from institutions such as Hedgebrook\, MacDowell\, Millay Arts
 \, National Performance Network\, Center for the Study of Race and Democra
 cy\, Clayman Institute for Gender Research\, American Council of Learned S
 ocieties\, W. E. B. DuBois Research Institute at the Hutchins Center\, Fus
 ebox Festival\, and Texas Performing Arts. Her publications include Beyond
  the Black Lady: Sexuality and the New African American Middle Class as we
 ll as articles in Theatre Journal\, Criterion Collection\, Journal of Amer
 ican Drama\, NPR\, Theatre Survey\, and The Washington Post. Thompson also
  co-hosts and co-produces Black Austin Matters\, an NPR podcast that explo
 res Black life\, culture\, and politics in Central Texas. The San Francisc
 o native currently serves as the Bobby and Sherri Patton Endowed Professor
  of African and African Diaspora Studies and the interim associate dean of
  graduate education and academic affairs for the College of Fine Arts at t
 he University of Texas at Austin. \n\n\n\nMargo Hall is Lorraine Hansberry
  Theatre (LHT)’s Artistic Director and an African Stew cast member. Hall
  is an award-winning actor\, director\, playwright\, and educator. Hall wa
 s recently awarded the 2021 Kenneth Rainin Fellowship in Theater and liste
 d as one of the YBCA 100 honorees for 2020. \n\n\n\nShe was last seen onst
 age in Josephine’s Feast by Star Finch for Campo Santo and Magic Theatre
 . Other acting credits include Black Odyssey\, Fences\, Twelfth Night\, A 
 Raisin in the Sun\, A Winter’s Tale\, American Night: The Ballad of Juan
  Jose\, and SPUNK for the California Shakespeare Theater\; JAZZ\, Skeleton
  Crew\, Gem of the Ocean\, Fences\, and Seven Guitars for Marin Theater Co
 mpany\; Ah! Wilderness\, Once in a Lifetime\, and Marcus or the Secret of 
 Sweet at American Conservatory Theater\; Exit Strategy and Trouble in Mind
  at the Aurora Theater\; and Marcus Gardley’s A World in a Woman’s Han
 ds for Shotgun Players\; Barbecue (also directed)\, and MotherF**ker with 
 the Hat at SF Playhouse. Some of her acting credits for Campo Santo includ
 e Dennis Johnson’s Nobody Move\, Chinaka Hodges’ Mirrors in Every Corn
 er\, Jessica Hagedorn’s Fe in the Desert and Stairway to Heaven\, and Na
 omi Iizuka’s Hamlet: Blood in the Brain\, 17 Reasons (Why)\, and Polaroi
 d Stories.  \n\n\n\nHall recently directed FLEX\, FAT HAM\, and Nollywood 
 Dreams for SF Playhouse\, and Garuda’s Wing for Campo Santo. Hieroglyph\
 , by Erika Dickerson-Despenza\, was a co-production of LHT and SF Playhous
 e. Other LHT credits include Black Feminist Guide to the Human Body\, Suns
 et Baby\, In the Evening by the Moonlight\, Soulful Christmas\, Thurgood\,
  and Rejoice! Other directing credits include How I Learned What I Learned
  for LHT\, Ubuntu\, and Marin Theatre Company\, Barbecue\, Red Velvet\, an
 d The Story\, an SF Playhouse/Lorraine Hansberry Theatre co-production. \n
 \n\n\nCreative Team \n\n\n\nPlaywright: Lisa B. Thompson​Director: Edr
 is Cooper-Anifowoshe \n\n\n\n\n\nCast \n\n\n\nPatricia “Trish” Lopez:
  Carla GallardoTitilola “Lola” Ogunde: Jeunée SimonDiana “Didi”
  Lawson: Margo HallHarold “Harry” Lawson: Ron ChapmanBabatunde “Ba
 ba” Ogunde: ShawnJ WestJulie “Jules” Lawson: Sundiata AyindeKen Og
 unde: Titus VanHook \n\n\n\n​Design & Production \n\n\n\nLighting Desig
 n: Jenny Bachofer Sound Design: Alexis Brooks // Ray Archie Scenic Des
 ign: Pamela PenistonScenic Build: Jamila Ring Costume Design: Andre Ha
 rrington \n\n\n\n​Production Manager/ Stage Manager: Taylor Mendez \n\n
 \n\nSundiata Ayinde (she/her/hers)\, is an Oakland\, CA-raised performer p
 assionate about universal access to the arts. She spent two years as an as
 sistant dramaturg working under Philippa Kelly on work such as As You Like
  It adapted by Shaina Taub at SF Playhouse. Ayinde’s latest work include
 s The Watermelon Cabaret directed by Mylo Cardona at Magic Theatre for FnF
 Productions and The Cake directed by Lisa Mallete at City Lights Theater. 
 She’s grateful for her mom. \n\n\n\nTitus VanHook (he/him) is thrilled t
 o return to Lorraine Hansberry Theatre. He is a multi-hyphenate artist bor
 n and raised in Oakland\, CA. He attended Pomona College where he earned h
 is BA\, followed by matriculating to Columbia University for his MFA in ac
 ting. Since then\, VanHook has worked across different mediums including t
 elevision\, voice over\, commercial and social media. His most recent stag
 e productions include “Buttercup” at the Marin Shakespeare Company and
  Paradise Blue at Aurora Theatre Company in Berkeley\, CA. He is currently
  a professor of drama at the Academy of Art University. VanHook would like
  to send his gratitude to his loved ones for their love and support. You c
 an keep up with him on Instagram: _vanhook_.  \n\n\n\nRon Chapman is a wri
 ter and actor who believes in the power of storytelling. He last appeared 
 as Rev/Pap in Fat Ham. \n\n\n\nShawnJ West (he/him\, Diva) is thrilled to 
 be making his LHT acting debut in African Stew. He previously directed Sou
 lful Christmas with LHT and is excited to return in a new capacity. West h
 as been performing since high school and directing since 2008\, finding bo
 th immense joy and challenge in the art of storytelling. His most recent o
 nstage appearance was in New Conservatory Theater Center’s Unpacking in 
 P’town (2023)\, where he happily tapped his heart out. When he’s not o
 nstage or directing\, you can catch him and his co-hosts sharing candid th
 oughts\, observations\, and plenty of laughs about San Francisco Bay Area 
 theatre on the podcast Creatively Shaded\, available wherever you get your
  podcasts. \n\n\n\nCarla Gallardo is a San Francisco Bay Area actor\, and 
 is excited for the opportunity to perform for LHT for the first time. Past
  credits include: Hard Times (Word 4 Word)\, A Midsummer Night’s Dream\,
  Romeo / Juliet (Marin Shakespeare Company)\, A Christmas Carol\, Arsenic 
 & Old Lace (Center Rep)\, 1984 (Aurora Theater)\, Doméstica Realidad\, La
 s Azurduys (La Lengua Teatro)\, Cost of Living\, Exodus to Eden\, Book of 
 Sand (a fairytale)\, The Tempest\, Romeo and Juliet (Oakland Theater Proje
 ct)\, References to Salvador Dalí Make Me Hot (Custom Made Theatre)\, amo
 ng others. Through acting\, she has worked as a teaching artist for many t
 heater companies in the SF Bay Area. \n\n\n\n\n\n\n\n\nPhoto: Alejandro Ra
 mos\n\n\n\n\n\n\n\nPhoto: Alejandro Ramos\n\n\n\nPhoto: Alejandro Ramos\n\
 n\n\n\n\n\n\nPhoto: Alejandro Ramos\n\n\n\nPhoto: Alejandro Ramos\n\n\n\n\
 n \n\n\n\n\nPress\n\n\n\nSan Francisco Chronicle: “Review: African Stew 
 Finds Its Richest Flavors In Family Conflict” by Zach Ruskin (September 
 13\, 2026) \n\n\n\n\n\n\n\nKQED: “‘African Stew\,’ Set In Oakland\, 
 Reflects Playwright’s Own Bay Area Roots: Lisa B. Thompson’s new play 
 explores tensions between the African American and Nigerian families of an
  engaged couple” by Alexander Gonzalez\, Brian Watt (Updated September 9
 \, 2026) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlaywright Lisa B. Th
 ompson and Lorraine Hansberry Theatre Artistic Director Margo Hall stopped
  by ABC7’s Mid/Day Live to talk all things African Stew. Hear Thompson d
 iscuss the inspiration for this new comedy\, and catch Margo Hall discussi
 ng her character Didi\, and why supporting new works and emerging Black wr
 iters matters more than ever. See video. (September 10\, 2026) \n\n\n\n\n\
 n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\n\n\n\nThursday\, September 10\, 20
 26 through Sunday\, September 27\, 2026 \n\n\n\nTime\n\n\n\nThursday to Sa
 turday: 7:30 p.m.Sunday: 4:00 p.m.Saturday\, September 19 and 26: 4:00 p.m
 . \n\n\n\nLocation\n\n\n\nMagic Theatre\, Building D\, Third Floor\, Fort 
 Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\
 n\nCost\n\n\n\n$37 to $77 \n\n\n\n\n\nLorraine Hansberry TheatreLHTSF.org(
 415) 345-3980info@LHTSF.org \n\n\n\nFacebook\n\nInstagram\n\nX\n\nYouTube\
 n\n\n\nLisa B. ThompsonLisaBThompson.comlbt@LisaBThompson.com \n\n\n\nFace
 book\n\nInstagram\n\nThreads\n\nX\n\n\n\n\ntickets\n\n\n\n  \n    Share\n\
 n    \n            \n        \n          \n            \n              \n 
            \n            Facebook\n          \n        \n        \n       
        \n            X\n        \n              \n            Mail\n      
 \n\n    \n  \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today 
 for the latest news from Fort Mason Center For Arts & Culture.
LAST-MODIFIED:20260918T000456Z
URL:https://fortmason.org/event/lorraine-hansberry-theatre-at-magic-theatr
 e-african-stew-by-lisa-b-thompson/2026-09-19/1/?utm_source=caldiscovery&ut
 m_medium=ics&utm_campaign=san-francisco-ca
X-SOURCE-NAME:Fort Mason Center for Arts & Culture
X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market
END:VEVENT
BEGIN:VEVENT
SUMMARY:Lorraine Hansberry Theatre At Magic Theatre: African Stew By Lisa 
 B. Thompson
DTSTART:20260920T023000Z
DTEND:20260920T040000Z
DTSTAMP:20260918T000456Z
UID:10012652-1789846200-1789851600@fortmason.org
CATEGORIES:comedy,theater
DESCRIPTION:About\n                      Event Details\n                  
     About The Artists\n                      Gallery\n                    
   Press\n                      Plan Your Visit\n                          
           Tickets\n              \n      \n\n\n\n\n\n\nAfrican Stew By Lis
 a B. Thompson Presented By Lorraine Hansberry Theatre At Magic Theatre\n\n
 \n\nLorraine Hansberry Theatre presents African Stew\, a satirical new com
 edy by nationally acclaimed\, award-winning playwright Lisa B. Thompson. \
 n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\nWhen an Africa
 n American woman and a Nigerian man announce their engagement after a swif
 t courtship\, their families gather for a meal in Oakland\, CA – and w
 hat begins as a celebration soon simmers with tension as cultural differen
 ces\, familial expectations\, and questions of identity bubble to the surf
 ace. \n\n\n\n\n\nAt a time when so much centers on who belongs and who doe
 sn’t\, this deeply human comedy asks what it actually takes to build a f
 amily across class\, across culture\, and across generations\, and highlig
 hts the pleasures and dangers of loving and misunderstanding in the Black 
 Diaspora. \n\n\n\n\n\n\nAbout The Artists & Performers\n\n\n\n\n\n\nLisa B
 . Thompson’s satirical comedies\, poignant dramas\, and insightful criti
 cism explode stereotypes about Black life in the U.S.\, particularly the e
 xperiences of the Black middle class. Her award-winning plays Single Black
  Female\, Underground\, Monroe\, The Mamalogues and The Black Feminist Gui
 de to the Human Body have been produced Off-Broadway\, throughout the U.S.
 \, and internationally. Thompson’s creative and scholarly work has recei
 ved support from institutions such as Hedgebrook\, MacDowell\, Millay Arts
 \, National Performance Network\, Center for the Study of Race and Democra
 cy\, Clayman Institute for Gender Research\, American Council of Learned S
 ocieties\, W. E. B. DuBois Research Institute at the Hutchins Center\, Fus
 ebox Festival\, and Texas Performing Arts. Her publications include Beyond
  the Black Lady: Sexuality and the New African American Middle Class as we
 ll as articles in Theatre Journal\, Criterion Collection\, Journal of Amer
 ican Drama\, NPR\, Theatre Survey\, and The Washington Post. Thompson also
  co-hosts and co-produces Black Austin Matters\, an NPR podcast that explo
 res Black life\, culture\, and politics in Central Texas. The San Francisc
 o native currently serves as the Bobby and Sherri Patton Endowed Professor
  of African and African Diaspora Studies and the interim associate dean of
  graduate education and academic affairs for the College of Fine Arts at t
 he University of Texas at Austin. \n\n\n\nMargo Hall is Lorraine Hansberry
  Theatre (LHT)’s Artistic Director and an African Stew cast member. Hall
  is an award-winning actor\, director\, playwright\, and educator. Hall wa
 s recently awarded the 2021 Kenneth Rainin Fellowship in Theater and liste
 d as one of the YBCA 100 honorees for 2020. \n\n\n\nShe was last seen onst
 age in Josephine’s Feast by Star Finch for Campo Santo and Magic Theatre
 . Other acting credits include Black Odyssey\, Fences\, Twelfth Night\, A 
 Raisin in the Sun\, A Winter’s Tale\, American Night: The Ballad of Juan
  Jose\, and SPUNK for the California Shakespeare Theater\; JAZZ\, Skeleton
  Crew\, Gem of the Ocean\, Fences\, and Seven Guitars for Marin Theater Co
 mpany\; Ah! Wilderness\, Once in a Lifetime\, and Marcus or the Secret of 
 Sweet at American Conservatory Theater\; Exit Strategy and Trouble in Mind
  at the Aurora Theater\; and Marcus Gardley’s A World in a Woman’s Han
 ds for Shotgun Players\; Barbecue (also directed)\, and MotherF**ker with 
 the Hat at SF Playhouse. Some of her acting credits for Campo Santo includ
 e Dennis Johnson’s Nobody Move\, Chinaka Hodges’ Mirrors in Every Corn
 er\, Jessica Hagedorn’s Fe in the Desert and Stairway to Heaven\, and Na
 omi Iizuka’s Hamlet: Blood in the Brain\, 17 Reasons (Why)\, and Polaroi
 d Stories.  \n\n\n\nHall recently directed FLEX\, FAT HAM\, and Nollywood 
 Dreams for SF Playhouse\, and Garuda’s Wing for Campo Santo. Hieroglyph\
 , by Erika Dickerson-Despenza\, was a co-production of LHT and SF Playhous
 e. Other LHT credits include Black Feminist Guide to the Human Body\, Suns
 et Baby\, In the Evening by the Moonlight\, Soulful Christmas\, Thurgood\,
  and Rejoice! Other directing credits include How I Learned What I Learned
  for LHT\, Ubuntu\, and Marin Theatre Company\, Barbecue\, Red Velvet\, an
 d The Story\, an SF Playhouse/Lorraine Hansberry Theatre co-production. \n
 \n\n\nCreative Team \n\n\n\nPlaywright: Lisa B. Thompson​Director: Edr
 is Cooper-Anifowoshe \n\n\n\n\n\nCast \n\n\n\nPatricia “Trish” Lopez:
  Carla GallardoTitilola “Lola” Ogunde: Jeunée SimonDiana “Didi”
  Lawson: Margo HallHarold “Harry” Lawson: Ron ChapmanBabatunde “Ba
 ba” Ogunde: ShawnJ WestJulie “Jules” Lawson: Sundiata AyindeKen Og
 unde: Titus VanHook \n\n\n\n​Design & Production \n\n\n\nLighting Desig
 n: Jenny Bachofer Sound Design: Alexis Brooks // Ray Archie Scenic Des
 ign: Pamela PenistonScenic Build: Jamila Ring Costume Design: Andre Ha
 rrington \n\n\n\n​Production Manager/ Stage Manager: Taylor Mendez \n\n
 \n\nSundiata Ayinde (she/her/hers)\, is an Oakland\, CA-raised performer p
 assionate about universal access to the arts. She spent two years as an as
 sistant dramaturg working under Philippa Kelly on work such as As You Like
  It adapted by Shaina Taub at SF Playhouse. Ayinde’s latest work include
 s The Watermelon Cabaret directed by Mylo Cardona at Magic Theatre for FnF
 Productions and The Cake directed by Lisa Mallete at City Lights Theater. 
 She’s grateful for her mom. \n\n\n\nTitus VanHook (he/him) is thrilled t
 o return to Lorraine Hansberry Theatre. He is a multi-hyphenate artist bor
 n and raised in Oakland\, CA. He attended Pomona College where he earned h
 is BA\, followed by matriculating to Columbia University for his MFA in ac
 ting. Since then\, VanHook has worked across different mediums including t
 elevision\, voice over\, commercial and social media. His most recent stag
 e productions include “Buttercup” at the Marin Shakespeare Company and
  Paradise Blue at Aurora Theatre Company in Berkeley\, CA. He is currently
  a professor of drama at the Academy of Art University. VanHook would like
  to send his gratitude to his loved ones for their love and support. You c
 an keep up with him on Instagram: _vanhook_.  \n\n\n\nRon Chapman is a wri
 ter and actor who believes in the power of storytelling. He last appeared 
 as Rev/Pap in Fat Ham. \n\n\n\nShawnJ West (he/him\, Diva) is thrilled to 
 be making his LHT acting debut in African Stew. He previously directed Sou
 lful Christmas with LHT and is excited to return in a new capacity. West h
 as been performing since high school and directing since 2008\, finding bo
 th immense joy and challenge in the art of storytelling. His most recent o
 nstage appearance was in New Conservatory Theater Center’s Unpacking in 
 P’town (2023)\, where he happily tapped his heart out. When he’s not o
 nstage or directing\, you can catch him and his co-hosts sharing candid th
 oughts\, observations\, and plenty of laughs about San Francisco Bay Area 
 theatre on the podcast Creatively Shaded\, available wherever you get your
  podcasts. \n\n\n\nCarla Gallardo is a San Francisco Bay Area actor\, and 
 is excited for the opportunity to perform for LHT for the first time. Past
  credits include: Hard Times (Word 4 Word)\, A Midsummer Night’s Dream\,
  Romeo / Juliet (Marin Shakespeare Company)\, A Christmas Carol\, Arsenic 
 & Old Lace (Center Rep)\, 1984 (Aurora Theater)\, Doméstica Realidad\, La
 s Azurduys (La Lengua Teatro)\, Cost of Living\, Exodus to Eden\, Book of 
 Sand (a fairytale)\, The Tempest\, Romeo and Juliet (Oakland Theater Proje
 ct)\, References to Salvador Dalí Make Me Hot (Custom Made Theatre)\, amo
 ng others. Through acting\, she has worked as a teaching artist for many t
 heater companies in the SF Bay Area. \n\n\n\n\n\n\n\n\nPhoto: Alejandro Ra
 mos\n\n\n\n\n\n\n\nPhoto: Alejandro Ramos\n\n\n\nPhoto: Alejandro Ramos\n\
 n\n\n\n\n\n\nPhoto: Alejandro Ramos\n\n\n\nPhoto: Alejandro Ramos\n\n\n\n\
 n \n\n\n\n\nPress\n\n\n\nSan Francisco Chronicle: “Review: African Stew 
 Finds Its Richest Flavors In Family Conflict” by Zach Ruskin (September 
 13\, 2026) \n\n\n\n\n\n\n\nKQED: “‘African Stew\,’ Set In Oakland\, 
 Reflects Playwright’s Own Bay Area Roots: Lisa B. Thompson’s new play 
 explores tensions between the African American and Nigerian families of an
  engaged couple” by Alexander Gonzalez\, Brian Watt (Updated September 9
 \, 2026) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlaywright Lisa B. Th
 ompson and Lorraine Hansberry Theatre Artistic Director Margo Hall stopped
  by ABC7’s Mid/Day Live to talk all things African Stew. Hear Thompson d
 iscuss the inspiration for this new comedy\, and catch Margo Hall discussi
 ng her character Didi\, and why supporting new works and emerging Black wr
 iters matters more than ever. See video. (September 10\, 2026) \n\n\n\n\n\
 n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\n\n\n\nThursday\, September 10\, 20
 26 through Sunday\, September 27\, 2026 \n\n\n\nTime\n\n\n\nThursday to Sa
 turday: 7:30 p.m.Sunday: 4:00 p.m.Saturday\, September 19 and 26: 4:00 p.m
 . \n\n\n\nLocation\n\n\n\nMagic Theatre\, Building D\, Third Floor\, Fort 
 Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\
 n\nCost\n\n\n\n$37 to $77 \n\n\n\n\n\nLorraine Hansberry TheatreLHTSF.org(
 415) 345-3980info@LHTSF.org \n\n\n\nFacebook\n\nInstagram\n\nX\n\nYouTube\
 n\n\n\nLisa B. ThompsonLisaBThompson.comlbt@LisaBThompson.com \n\n\n\nFace
 book\n\nInstagram\n\nThreads\n\nX\n\n\n\n\ntickets\n\n\n\n  \n    Share\n\
 n    \n            \n        \n          \n            \n              \n 
            \n            Facebook\n          \n        \n        \n       
        \n            X\n        \n              \n            Mail\n      
 \n\n    \n  \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today 
 for the latest news from Fort Mason Center For Arts & Culture.
LAST-MODIFIED:20260918T000456Z
URL:https://fortmason.org/event/lorraine-hansberry-theatre-at-magic-theatr
 e-african-stew-by-lisa-b-thompson/2026-09-19/2/?utm_source=caldiscovery&ut
 m_medium=ics&utm_campaign=san-francisco-ca
X-SOURCE-NAME:Fort Mason Center for Arts & Culture
X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market
END:VEVENT
BEGIN:VEVENT
SUMMARY:Lorraine Hansberry Theatre At Magic Theatre: African Stew By Lisa 
 B. Thompson
DTSTART:20260920T230000Z
DTEND:20260921T003000Z
DTSTAMP:20260918T000456Z
UID:10012653-1789920000-1789925400@fortmason.org
CATEGORIES:comedy,theater
DESCRIPTION:About\n                      Event Details\n                  
     About The Artists\n                      Gallery\n                    
   Press\n                      Plan Your Visit\n                          
           Tickets\n              \n      \n\n\n\n\n\n\nAfrican Stew By Lis
 a B. Thompson Presented By Lorraine Hansberry Theatre At Magic Theatre\n\n
 \n\nLorraine Hansberry Theatre presents African Stew\, a satirical new com
 edy by nationally acclaimed\, award-winning playwright Lisa B. Thompson. \
 n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\nWhen an Africa
 n American woman and a Nigerian man announce their engagement after a swif
 t courtship\, their families gather for a meal in Oakland\, CA – and w
 hat begins as a celebration soon simmers with tension as cultural differen
 ces\, familial expectations\, and questions of identity bubble to the surf
 ace. \n\n\n\n\n\nAt a time when so much centers on who belongs and who doe
 sn’t\, this deeply human comedy asks what it actually takes to build a f
 amily across class\, across culture\, and across generations\, and highlig
 hts the pleasures and dangers of loving and misunderstanding in the Black 
 Diaspora. \n\n\n\n\n\n\nAbout The Artists & Performers\n\n\n\n\n\n\nLisa B
 . Thompson’s satirical comedies\, poignant dramas\, and insightful criti
 cism explode stereotypes about Black life in the U.S.\, particularly the e
 xperiences of the Black middle class. Her award-winning plays Single Black
  Female\, Underground\, Monroe\, The Mamalogues and The Black Feminist Gui
 de to the Human Body have been produced Off-Broadway\, throughout the U.S.
 \, and internationally. Thompson’s creative and scholarly work has recei
 ved support from institutions such as Hedgebrook\, MacDowell\, Millay Arts
 \, National Performance Network\, Center for the Study of Race and Democra
 cy\, Clayman Institute for Gender Research\, American Council of Learned S
 ocieties\, W. E. B. DuBois Research Institute at the Hutchins Center\, Fus
 ebox Festival\, and Texas Performing Arts. Her publications include Beyond
  the Black Lady: Sexuality and the New African American Middle Class as we
 ll as articles in Theatre Journal\, Criterion Collection\, Journal of Amer
 ican Drama\, NPR\, Theatre Survey\, and The Washington Post. Thompson also
  co-hosts and co-produces Black Austin Matters\, an NPR podcast that explo
 res Black life\, culture\, and politics in Central Texas. The San Francisc
 o native currently serves as the Bobby and Sherri Patton Endowed Professor
  of African and African Diaspora Studies and the interim associate dean of
  graduate education and academic affairs for the College of Fine Arts at t
 he University of Texas at Austin. \n\n\n\nMargo Hall is Lorraine Hansberry
  Theatre (LHT)’s Artistic Director and an African Stew cast member. Hall
  is an award-winning actor\, director\, playwright\, and educator. Hall wa
 s recently awarded the 2021 Kenneth Rainin Fellowship in Theater and liste
 d as one of the YBCA 100 honorees for 2020. \n\n\n\nShe was last seen onst
 age in Josephine’s Feast by Star Finch for Campo Santo and Magic Theatre
 . Other acting credits include Black Odyssey\, Fences\, Twelfth Night\, A 
 Raisin in the Sun\, A Winter’s Tale\, American Night: The Ballad of Juan
  Jose\, and SPUNK for the California Shakespeare Theater\; JAZZ\, Skeleton
  Crew\, Gem of the Ocean\, Fences\, and Seven Guitars for Marin Theater Co
 mpany\; Ah! Wilderness\, Once in a Lifetime\, and Marcus or the Secret of 
 Sweet at American Conservatory Theater\; Exit Strategy and Trouble in Mind
  at the Aurora Theater\; and Marcus Gardley’s A World in a Woman’s Han
 ds for Shotgun Players\; Barbecue (also directed)\, and MotherF**ker with 
 the Hat at SF Playhouse. Some of her acting credits for Campo Santo includ
 e Dennis Johnson’s Nobody Move\, Chinaka Hodges’ Mirrors in Every Corn
 er\, Jessica Hagedorn’s Fe in the Desert and Stairway to Heaven\, and Na
 omi Iizuka’s Hamlet: Blood in the Brain\, 17 Reasons (Why)\, and Polaroi
 d Stories.  \n\n\n\nHall recently directed FLEX\, FAT HAM\, and Nollywood 
 Dreams for SF Playhouse\, and Garuda’s Wing for Campo Santo. Hieroglyph\
 , by Erika Dickerson-Despenza\, was a co-production of LHT and SF Playhous
 e. Other LHT credits include Black Feminist Guide to the Human Body\, Suns
 et Baby\, In the Evening by the Moonlight\, Soulful Christmas\, Thurgood\,
  and Rejoice! Other directing credits include How I Learned What I Learned
  for LHT\, Ubuntu\, and Marin Theatre Company\, Barbecue\, Red Velvet\, an
 d The Story\, an SF Playhouse/Lorraine Hansberry Theatre co-production. \n
 \n\n\nCreative Team \n\n\n\nPlaywright: Lisa B. Thompson​Director: Edr
 is Cooper-Anifowoshe \n\n\n\n\n\nCast \n\n\n\nPatricia “Trish” Lopez:
  Carla GallardoTitilola “Lola” Ogunde: Jeunée SimonDiana “Didi”
  Lawson: Margo HallHarold “Harry” Lawson: Ron ChapmanBabatunde “Ba
 ba” Ogunde: ShawnJ WestJulie “Jules” Lawson: Sundiata AyindeKen Og
 unde: Titus VanHook \n\n\n\n​Design & Production \n\n\n\nLighting Desig
 n: Jenny Bachofer Sound Design: Alexis Brooks // Ray Archie Scenic Des
 ign: Pamela PenistonScenic Build: Jamila Ring Costume Design: Andre Ha
 rrington \n\n\n\n​Production Manager/ Stage Manager: Taylor Mendez \n\n
 \n\nSundiata Ayinde (she/her/hers)\, is an Oakland\, CA-raised performer p
 assionate about universal access to the arts. She spent two years as an as
 sistant dramaturg working under Philippa Kelly on work such as As You Like
  It adapted by Shaina Taub at SF Playhouse. Ayinde’s latest work include
 s The Watermelon Cabaret directed by Mylo Cardona at Magic Theatre for FnF
 Productions and The Cake directed by Lisa Mallete at City Lights Theater. 
 She’s grateful for her mom. \n\n\n\nTitus VanHook (he/him) is thrilled t
 o return to Lorraine Hansberry Theatre. He is a multi-hyphenate artist bor
 n and raised in Oakland\, CA. He attended Pomona College where he earned h
 is BA\, followed by matriculating to Columbia University for his MFA in ac
 ting. Since then\, VanHook has worked across different mediums including t
 elevision\, voice over\, commercial and social media. His most recent stag
 e productions include “Buttercup” at the Marin Shakespeare Company and
  Paradise Blue at Aurora Theatre Company in Berkeley\, CA. He is currently
  a professor of drama at the Academy of Art University. VanHook would like
  to send his gratitude to his loved ones for their love and support. You c
 an keep up with him on Instagram: _vanhook_.  \n\n\n\nRon Chapman is a wri
 ter and actor who believes in the power of storytelling. He last appeared 
 as Rev/Pap in Fat Ham. \n\n\n\nShawnJ West (he/him\, Diva) is thrilled to 
 be making his LHT acting debut in African Stew. He previously directed Sou
 lful Christmas with LHT and is excited to return in a new capacity. West h
 as been performing since high school and directing since 2008\, finding bo
 th immense joy and challenge in the art of storytelling. His most recent o
 nstage appearance was in New Conservatory Theater Center’s Unpacking in 
 P’town (2023)\, where he happily tapped his heart out. When he’s not o
 nstage or directing\, you can catch him and his co-hosts sharing candid th
 oughts\, observations\, and plenty of laughs about San Francisco Bay Area 
 theatre on the podcast Creatively Shaded\, available wherever you get your
  podcasts. \n\n\n\nCarla Gallardo is a San Francisco Bay Area actor\, and 
 is excited for the opportunity to perform for LHT for the first time. Past
  credits include: Hard Times (Word 4 Word)\, A Midsummer Night’s Dream\,
  Romeo / Juliet (Marin Shakespeare Company)\, A Christmas Carol\, Arsenic 
 & Old Lace (Center Rep)\, 1984 (Aurora Theater)\, Doméstica Realidad\, La
 s Azurduys (La Lengua Teatro)\, Cost of Living\, Exodus to Eden\, Book of 
 Sand (a fairytale)\, The Tempest\, Romeo and Juliet (Oakland Theater Proje
 ct)\, References to Salvador Dalí Make Me Hot (Custom Made Theatre)\, amo
 ng others. Through acting\, she has worked as a teaching artist for many t
 heater companies in the SF Bay Area. \n\n\n\n\n\n\n\n\nPhoto: Alejandro Ra
 mos\n\n\n\n\n\n\n\nPhoto: Alejandro Ramos\n\n\n\nPhoto: Alejandro Ramos\n\
 n\n\n\n\n\n\nPhoto: Alejandro Ramos\n\n\n\nPhoto: Alejandro Ramos\n\n\n\n\
 n \n\n\n\n\nPress\n\n\n\nSan Francisco Chronicle: “Review: African Stew 
 Finds Its Richest Flavors In Family Conflict” by Zach Ruskin (September 
 13\, 2026) \n\n\n\n\n\n\n\nKQED: “‘African Stew\,’ Set In Oakland\, 
 Reflects Playwright’s Own Bay Area Roots: Lisa B. Thompson’s new play 
 explores tensions between the African American and Nigerian families of an
  engaged couple” by Alexander Gonzalez\, Brian Watt (Updated September 9
 \, 2026) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlaywright Lisa B. Th
 ompson and Lorraine Hansberry Theatre Artistic Director Margo Hall stopped
  by ABC7’s Mid/Day Live to talk all things African Stew. Hear Thompson d
 iscuss the inspiration for this new comedy\, and catch Margo Hall discussi
 ng her character Didi\, and why supporting new works and emerging Black wr
 iters matters more than ever. See video. (September 10\, 2026) \n\n\n\n\n\
 n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\n\n\n\nThursday\, September 10\, 20
 26 through Sunday\, September 27\, 2026 \n\n\n\nTime\n\n\n\nThursday to Sa
 turday: 7:30 p.m.Sunday: 4:00 p.m.Saturday\, September 19 and 26: 4:00 p.m
 . \n\n\n\nLocation\n\n\n\nMagic Theatre\, Building D\, Third Floor\, Fort 
 Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\
 n\nCost\n\n\n\n$37 to $77 \n\n\n\n\n\nLorraine Hansberry TheatreLHTSF.org(
 415) 345-3980info@LHTSF.org \n\n\n\nFacebook\n\nInstagram\n\nX\n\nYouTube\
 n\n\n\nLisa B. ThompsonLisaBThompson.comlbt@LisaBThompson.com \n\n\n\nFace
 book\n\nInstagram\n\nThreads\n\nX\n\n\n\n\ntickets\n\n\n\n  \n    Share\n\
 n    \n            \n        \n          \n            \n              \n 
            \n            Facebook\n          \n        \n        \n       
        \n            X\n        \n              \n            Mail\n      
 \n\n    \n  \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today 
 for the latest news from Fort Mason Center For Arts & Culture.
LAST-MODIFIED:20260918T000456Z
URL:https://fortmason.org/event/lorraine-hansberry-theatre-at-magic-theatr
 e-african-stew-by-lisa-b-thompson/2026-09-20/?utm_source=caldiscovery&utm_
 medium=ics&utm_campaign=san-francisco-ca
X-SOURCE-NAME:Fort Mason Center for Arts & Culture
X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market
END:VEVENT
BEGIN:VEVENT
SUMMARY:Monday Night Hubba
DTSTART:20260922T030000Z
DTSTAMP:20260914T122228Z
UID:https://www.dnalounge.com/calendar/2026/09-21d.html
CATEGORIES:comedy,music
DESCRIPTION:Hubba Hubba Revue presents\nMONDAY NIGHT HUBBA\n\nFeaturing pe
 rformances by:\n\n  Queen Lolita (Tampa Bay)\n  Florence Frightengale\n  T
 amara Drossart\n  Mari V\n  Opal\n  Chanteuse Amber Pastor\n\nHosted by:\n
 \n  Florence Frightengale & Red Bettie\n\nMonday Night Hubba is the perfec
 t way to start your week sexy: with cocktails\, tease\, comedy and a more 
 intimate experience than Hubba's big monthly extravaganzas! Each Monday ni
 ght is a fun-filled\, shimmering showcase of local\, national and internat
 ional burlesque and variety talent -- and a chance to see the most dazzlin
 g debuts before they hit it big!\n\nBuy tickets: https://www.dnalounge.com
 /calendar/2026/09-21d.html\n\nWatch and listen:\n  Hubba Hubba Revue: Prom
 o Reel: https://youtu.be/kCiLZYFLf78\n\nburlesque.\ndoors @ 8pm\;\nshow @ 
 9pm - 10:30pm.\n18+ with ID.\n\nGen. Adm.: $10 advance\;\n$15 door\;\nRese
 rved Seating: $15 advance\;\n$20 door.
LAST-MODIFIED:20260914T122228Z
LOCATION:DNA Lounge: 375 Eleventh Street\, San Francisco\, CA 94103
URL:https://www.dnalounge.com/calendar/2026/09-21d.html?utm_source=caldisc
 overy&utm_medium=ics&utm_campaign=san-francisco-ca
X-SOURCE-NAME:DNA Lounge
X-SOURCE-URL:https://www.dnalounge.com
END:VEVENT
END:VCALENDAR