BEGIN:VCALENDAR VERSION:2.0 PRODID:-//CalDiscovery//caldiscovery//EN CALSCALE:GREGORIAN METHOD:PUBLISH DESCRIPTION:San Francisco: arts\, next 7 days (Thu Sep 17 to Wed Sep 23\, America/Los_Angeles). Rolling: the window moves forward every day\, so sub scribe rather than download. Discovered and maintained by CalDiscovery (ht tps://caldiscovery.com). Event details belong to their publishers. Contain s information from CalDiscovery\, which is made available under the ODbL 1 .0. SOURCE:https://caldiscovery.com/san-francisco-ca/next-7-days-arts.ics X-PUBLISHED-TTL:PT12H REFRESH-INTERVAL;VALUE=DURATION:PT12H X-WR-CALDESC:San Francisco: arts\, next 7 days (Thu Sep 17 to Wed Sep 23\, America/Los_Angeles). Rolling: the window moves forward every day\, so su bscribe rather than download. Discovered and maintained by CalDiscovery (h ttps://caldiscovery.com). Event details belong to their publishers. Contai ns information from CalDiscovery\, which is made available under the ODbL 1.0. X-WR-CALNAME:San Francisco · arts · next 7 days · CalDiscovery BEGIN:VEVENT SUMMARY:Outgrowth | Heidi McDowell & Jon McNeal - Inclusions Gallery DTSTART;VALUE=DATE:20260911 DTEND;VALUE=DATE:20261012 DTSTAMP:20260917T003453Z UID:10003589-1789084800-1791763199@bernalconnect.com CATEGORIES:arts DESCRIPTION:Outgrowth | Heidi McDowell & Jon McNeal\nOn View Now through O ctober 11 \nOpening Reception: September 19\, 5-7 PM \nArtist Talk: Octobe r 1\, 6:30 PM \nSketchbook Workshop: October 4\, 1-4 PM \nInclusions Galle ry is pleased to present Outgrowth\, a duo exhibition of oil paintings by Heidi McDowell and photographs by Jon McNeal. Join them for the opening re ception Saturday\, September 19th from 5-7 PM. Both Heidi and Jon will be in attendance\, so come say hello. They will also discuss their work and t ake questions during their Artist Talk on Thursday\, October 1\, at 6:30 P M. Both events are free\, and all are welcome. \nOn Sunday\, October 4\, H eidi will give a Sketchbook Workshop at the gallery. Space is limited. Scr oll down for all the details. \n“We began collecting images together ove r 30 years ago\, roaming a strange and chaotic city in a car. We have neve r been far from each other\, cameras and sketchbooks in hand\, pointing an d asking what or why is that. \nWe collect evidence of the strange. We lik e erosion\, absurdity\, rocks\, color\, texture\, industry\, fire – comp lex things that inspire stories in us and speak about time. We collect to study\, reflect\, and refract the changing world. To project forward and b ackward. \nWe make photographs and paintings to examine. We layer\, disass emble\, mirror\, and emphasize to construct something new. This work is an outgrowth of our process.” \nHeidi McDowell & Jon McNeal\, September 20 26 \nCalendar – Bernal Heights and Beyond LAST-MODIFIED:20260917T003453Z LOCATION:Inclusions Gallery\, 627 Cortland Ave\, San Francisco\, CA\, 9411 0\, United States URL:https://bernalconnect.com/event/outgrowth-heidi-mcdowell-jon-mcneal/?u tm_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Bernal Connect X-SOURCE-URL:https://bernalconnect.com/san-francisco-food-drink-fest END:VEVENT BEGIN:VEVENT SUMMARY:American Indian Cultural District -- We Are The Land: Between Eart h & Sky DTSTART:20260917T070000Z DTEND:20260918T065959Z DTSTAMP:20260910T121822Z UID:10005740-1789603200-1789689599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Features\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n We Are the Land: Between Earth And Sky\n\n\n\nThe American Indian Cultura l District (AICD)\, with support from Fort Mason Center For Arts & Cultur e (FMCAC)\, presents new mural commissions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n \n\n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with suppor t from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural c ommissions by artists Brittany Burrows and Jewelina Acosta. Depicting vege tation and wildlife from the land and water\, the artists highlight the im portance of Indigenous knowledge and traditional practices in maintaining ecological balance and human well-being. By recognizing the interconnected ness of all life forms and the importance of preserving biodiversity\, the ir work points to a more harmonious and sustainable future for generations to come. \n\n\n\nIn We are the Land: Between Earth & Sky\, Brittany Burr ows highlights the parallels between endangered butterfly species and the struggles of Indigenous communities. Both are deeply connected to the land and face threats to their survival due to various factors\, including hab itat loss\, environmental degradation\, and cultural assimilation. \n\n\n\ n“Land stewardship and sovereignty are indeed crucial for preserving Ind igenous ways of life and ensuring the continued thriving of both human and non-human communities. By respecting Indigenous rights to their ancestral lands and supporting their efforts in environmental conservation\, we can learn valuable lessons about sustainable living and holistic interconnect edness\,” said Burrows.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The A rtists\n\n\n\n\n\n\n\nBrittany Burrows is Nomlaki-Wintun and Pomo\, born in Chico\, CA\, who moved to San Francisco at age 11. From a young age\, B rittany has always been fascinated with art\, mostly ballpoint pen drawing s. Brittany is a self-taught artist who specializes in black-and-white por traits. Her mediums are pencil\, charcoal\, and graphite. \n\n\n\n\n\nJew elina Acosta is from a small non-federally recognized tribe named Yokaia (the deep valley) from which the name Ukiah\, CA originated. She is the ow ner of Inkdigenous Tattoo\, which brings forward and makes room for her tr aditional and cultural lifestyle in the tattoo industry. She uses her artw ork to share traditional ecological knowledge with the community\, making the world a better place one art piece at a time. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\ n\n\n\nOn view daily\, 9:00 a.m. to 9:00 p.m. \n\n\n\nTime\n\n\n\n9:00 a.m . to 9:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding D Lobby\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with support from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural com missions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\nAmerican Indian Cultural District:AmericanIndianCulturalDistrict.org(415) 287-2820 general@AmericanIndianCulturalDistrict.org \n\n\n\nFacebook\n\nFlickr\n\nI nstagram\n\nLinkedIn\n\nX\n\n\n\n\n\nBrittany Burrows:BrittanyBurrowsArt.c omBrittanyEBrrws@gmail.com \n\n\n\nFacebook\n\nInstagram\n\n\n\n\n\nJeweli na Acosta: \n\n\n\nFacebook\n\nInstagram\n\nTikTok\n\nYouTube\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mai l\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260910T121822Z URL:https://fortmason.org/event/american-indian-cultural-district-we-are-t he-land-between-earth-and-sky/2026-09-17/?utm_source=caldiscovery&utm_medi um=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Matt Passmore: Tied / Untied DTSTART:20260917T070000Z DTEND:20260918T065959Z DTSTAMP:20260910T121822Z UID:10007618-1789603200-1789689599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n About the Installation\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nMatt Passmore: Tied / Untied Pres ented by Fort Mason Art\n\n\n\nFort Mason Art is proud to present Matt Pa ssmore‘s Tied / Untied. This striking sculpture helps to define the ent rance to FMCAC\, offering visitors a place to gather\, wonder\, and foster curiosity. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n\n\n\n \n\n\n\nEchoing the historic track inside FMCAC’s campus\, the railroad- tie sculpture lifts dramatically out of the ground\, creating playful loop s and arcs for visitors to sit or walk through. Tied / Untied is abstract but looks vaguely familiar\, possibly referencing its surroundings throug h a nautical knot mid-tie\, or the rolling tides of the bay. This playful form gestures to the material and history of Fort Mason and the San Franci sco waterfront. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nTied / Untied is permanently on display at the entrance for Fort Mason Center for Arts & Culture. \n\n\ n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\ n\nSign up today for the latest news from Fort Mason Center For Arts & Cul ture. LAST-MODIFIED:20260910T121822Z URL:https://fortmason.org/event/matt-passmore-tied-untied/2026-09-17/?utm_ source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Leah Rosenberg: The Sea Is But Another Sky DTSTART:20260917T070000Z DTEND:20260917T075959Z DTSTAMP:20260912T061847Z UID:10012643-1789603200-1830297599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About the Artist\n Gallery\n Press\n Plan Your Visit\n \n \n\n\n\n\n\n\nLeah Rosenberg: The Sea Is But Another Sky Pres ented By Fort Mason Art\n\n\n\nFor The Sea Is But Another Sky\, a painting commission for the passageway between Landmark Buildings B and C\, Leah R osenberg highlights the fundamentals of Fort Mason Center For Arts & Cultu re’s site: the setting sun\, the rising moon\, the Bay Waters\, and the wind that dapples across their interaction. \n\n\n\n\n\nABOVE: View The Se a Is But Another Sky By Leah Rosenberg Murals In The Corridor Between Buil dings B and C.TOP OF PAGE: “Slow Rainbow” At The San Luis Obispo Museu m Of Art By Leah Rosenberg. Photo: Stephen Heraldo\n\n\n\n\n\n\n\n\n\nEVEN T DETAILS\n\n\n\n\n\n\n\nAs an artist who studies the color in everyday li fe\, Rosenberg remakes buildings and public spaces with exuberant visions of local conditions. She often draws on the changing palette of a surround ing landscape\, from grasses and flowers to sea and skies. SFMOMA\, the S an Francisco International Airport (SFO)\, and the San Luis Obispo Museum of Art\, among others\, have invited her to transform their commons via he r extraordinary palette. \n\n\n\nOn the cusp of Fort Mason Center For Arts & Culture’s 50th anniversary as a nonprofit home for arts and culture\, Rosenberg folds the campus’ natural environment onto its former militar y buildings – buildings designed to send people and material half a worl d away. In her “mural alley” project\, however\, Rosenberg stays close : the edge of the San Francisco Bay spills out and onto 18 loading docks\, here remade into discrete painting blocks. \n\n\n\n\n\nThe waters ripple across continuous walls beneath pedestrian walkways\, and the interplay o f both pulls you forward into the site itself.  \n\n\n\nIn making The Sea Is But Another Sky\, Rosenberg invites viewers to see themselves as agent s and actors in this landscape. She imagines each loading dock as “anoth er frame. As you walk\, the paintings unfold almost cinematically: sunrise becomes sunset\, sun becomes moon\, sky becomes sea. The body edits the f ilm simply by moving through it.” \n\n\n\nIn this way\, she recalls Fort Mason Center’s call to its first audiences\, in 1977: “You are invite d to attend\, to participate\, to propose your own ideas – to become inv olved in making these solid old army buildings come alive with all the vit ality and diversity of the San Francisco Bay Area.” Within The Sea Is Bu t Another Sky\, that vitality above\, around\, and all about Fort Mason Ce nter always includes You.  \n\n\n\n\n\n\nAbout The Artist\n\n\n\n\n\n\nLe ah Rosenberg plumbs color\, memory\, and place in paintings\, sculpture\, installation\, and performance. Her work has been commissioned by The Con temporary Jewish Museum in San Francisco\; The San Francisco Arts Commissi on for SFO\; and the San Francisco Museum of Modern Art\, where she led th e pastry program for Blue Bottle Coffee’s Modern Art Desserts. A native of Saskatoon (Canada)\, she completed her MFA at the California College o f Art\; her thesis explored the artistic possibilities of cake. \n\n\n\nAR TIST STATEMENT \n\n\n\nFort Mason has a way of rewarding those who keep go ing. Past the galleries and cafés\, beyond where most visitors turn aroun d\, there is a point where the fishermen gather\, the seals lift their hea ds from the water\, the wind picks up\, and the horizon opens wide. Standi ng here\, I find myself thinking about orientation\, time\, the history of this place\, and what else is out there. \n\n\n\nI have been working in t he Public Art Corridor\, an outdoor space between Buildings B and C. When looking at Building B\, you are facing the setting sun\; the other way\, t he rising moon. Walking between them\, you move between day and night\, ea st and west. I kept thinking about how far back the history of this landsc ape reaches and how the Bay has always been shaped by changing light\, tid es\, weather\, animals\, ships\, people coming\, people going. Long before these buildings existed\, the sun and moon were already tracing these sam e paths overhead. \n\n\n\nI have always been drawn to sequences\; to repet ition\, seriality\, and the possibility of making paintings move. The 18 l oading bays offered an architecture that already contained rhythm. Each op ening became another frame. \n\n\n\n\n\nAs you walk\, the paintings unfol d almost cinematically: sunrise becomes sunset\, sun becomes moon\, sky be comes sea. The body edits the film simply by moving through it. \n\n\n\nSo me of the colors may seem a little fantastical for sky and sea\, sun and m oon. Yet every one can be found nearby: in the flora\, the art in gallerie s\, the food\, the buoys\, the cargo ships\, the sailboats\, and the atmos phere itself. The landscape is already painting these colors. The murals s imply gather them together. \n\n\n\nThen again\, the murals are only half the picture. Throughout the day the sun casts moving shadows across the wa lls\, redrawing the compositions hour by hour. The buildings are in conver sation with the sky. \n\n\n\nAnd then there is the wind. During installati on\, gusts lifted paint from our buckets\, carried color across the drop c loths\, as if laughing at our attempts to paint perfectly straight edges. Over time\, it felt as though everything here had become a character: the seagulls\, the fog horns\, the fishermen\, the seals\, the conversations d rifting between the buildings\, a paper bag tumbling down the corridor\, t he changing tide\, the afternoon light. \n\n\n\nEvery passage through the corridor is different. The painted colors remain the same\, but the light never does. Morning and evening\, fog and clear skies\, each produces anot her version of the work. \n\n\n\nAs Fort Mason Center For Arts & Culture c elebrates 50 years as a nonprofit partner of the National Park Service\, I hope these murals celebrate not only the site but its continual becoming … its bright moments and dark ones\, its calm mornings and windy afterno ons\, its long history and the countless people who continue to shape it. \n\n\n\n\n\n\n\n\n\n\n\n\nPhoto: Pat Mazzera\n\n\n\n\n\n\n\n“Everywhere\ , A Color” At The San Francisco International Airport (SFO) By Leah Rose nberg.Photo: Ethan Kaplan Photography\n\n\n\n\n\n\n\n\n\n\n\n\n\nPress\n\n \n\n“A Massive New Mural at Fort Mason Brings Otherworldly Colors to the Water’s Edge: Leah Rosenberg’s ‘The Sea Is But Another Sky’ is pa rt of the multifaceted programming at the free Fort Mason art walk on Sept . 17” by Nastia Voynovskaya (September 11\, 2026) \n\n\n\nLeah Rosenberg ’s new mural is part of the Fort Mason Center for Arts & Culture’s 50t h anniversary programming. Photo: Pat Mazzera\n\n\n\n\n\n\nPlan Your Visit \n\n\n\n\n\n\n\nDate\n\n\n\nSeptember 17\, 2026 through 2027Opening Recept ion: Thursday\, September 17\, 5:00 p.m. to 7:00 p.m. (part of the Fort Ma son Art Walk) \n\n\n\nTime\n\n\n\nDaily\, 7:00 a.m. to 12:00 a.m.  \n\n\n \nCost\n\n\n\nFREE \n\n\n\n\n\nLeah Rosenberg:LeahRosenberg.comstudio@Leah Rosenberg.com \n\n\n\nInstagram\n\nVimeo\n\nYouTube\n\n\n\nLocation\n\n\n\ nCorridor between Buildings B and C\, Fort Mason Center for Arts & Culture \, 2 Marina Boulevard\, San Francisco \n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n \n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260912T061847Z URL:https://fortmason.org/event/leah-rosenberg-the-sea-is-but-another-sky/ ?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:FOR-SITE – Muzae Sesay & Alexcia Sundra At The Guardhouse: Att entive Earth DTSTART:20260917T070000Z DTEND:20260917T075959Z DTSTAMP:20260912T061847Z UID:10012950-1789603200-1800835199@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nM uzae Sesay & Alexcia Sundra At The Guardhouse: Attentive Earth Presented B y FOR-SITE\n\n\n\nFOR-SITE presents Attentive Earth\, a new installation b y Oakland\, CA-based artists Muzae Sesay and Alexcia Sundra\, in The Guard house at Fort Mason Cener For Arts & Culture. \n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\nEVENT DETAILS\n\n\n\n\n\n\n\nIn the collaborative exhibition Attentive Earth\, artists Muzae Sesay and Alexcia Sundra construct a provocative fu ture where humanity’s connection to the planet has been completely sever ed\, leaving society isolated from nature within a reality of fully commod ified public attention. Staged inside the historic former guardhouse at th e entrance to Fort Mason Center For Arts & Culture\, the installation uses short-form video\, painting\, and archives to bring this speculative worl d to life. The narrative follows an underground group of scientists who di scover Earth’s sentient structure and occupy the complex\, turning it in to a protective fortress. Driven by curiosity for fleeting\, unnoticed ges tures\, these researchers study how to recapture lost attention and preser ve what has been fractured by our dissociation from the natural world. \n\ n\n\n\n\nServing as the field office and archive for an “Attentive Reali gnment Center\,” the transformed Guardhouse functions as a repository wh ere artifacts and memories are collected and documented. By gathering thes e fragments of existence\, the project reveals what lies beyond perceptual fatigue\, forming the foundation of a therapeutic practice designed to re habilitate human focus. Ultimately\, Sesay and Sundra use the center to cu ltivate a shared\, communal awareness\, illustrating that rediscovering ov erlooked moments is essential to the architecture of belonging. By directl y engaging with Fort Mason Center For Arts & Culture’s history as a coas tal defense site\, the artists powerfully prompt viewers to question what in our modern world requires fortified protection. \n\n\n\n\n\n\nAbout The Artists\n\n\n\n\n\n\nMuzae Sesay is a visual artist whose practice focuse s on understanding our collective relationship to space\, memory\, communi ty\, and the perceived truths within them. Utilizing skewed perspectives o f space and shape collapsed into two-dimensional planes of color\, Sesay c reates surreal geometric interiors\, exteriors\, landscapes\, and structur es\, presenting a situation in which to be experienced and explored. Inspi red by ideas of cultural reflection developed by questioning the validity of remembrance\, his work often depicts worlds created in response to a so cial introspection and/or an attempt to perceive a shared reality. The wor k’s goal is to provoke social reasoning and induce the viewer’s agency in the navigation and narration of the imagery. Born in Long Beach\, CA\, Sesay has exhibited at major venues like the San Francisco Museum of Mode rn Art\, the Yerba Buena Center for the Arts\, and San Jose Institute for Contemporary Arts. His public art projects include several large-scale mur als and painted basketball courts in the San Francisco Bay Area. \n\n\n\nA lexcia Sundra is an artist and filmmaker who constructs speculative enviro nments that appear to have arrived from alternate timelines. Working acros s sculpture\, film\, and installation\, she uses design\, earthly material s\, and familiar objects to make imagined realities tangible. \n\n\n\n\n\ nHer practice engages time\, attention\, rest\, and memory to examine the forces shaping our relationships with the Earth and one another – and to bring what has always been present back into view. Rather than presenti ng alternative realities from a distance\, Sundra builds spaces that allow viewers to inhabit them\, however briefly\, and envision more liberatory forms of collective life. These ideas move fluidly across her work: as an artist and designer for Venus Blues at Minnesota Street Project\, she crea ted an interactive sculptural wall and immersive environment\, while her f ilm work includes Into A Space of Love\, a magical realist documentary pre sented by Frieze that traces the legacies of house music rooted in New Yor k’s underground culture. \n\n\n\nHer screen credits range from studio p roductions including Spider-Man: Homecoming (2017)\, Uncut Gems (2019)\, a nd The Matrix Resurrections (2021). Sundra’s work on independent shorts\ , including Self (2022)\, Companion (2023)\, Pop Monsters (2024)\, and Hop e (2026)\, has received recognition at prominent festivals including Black Star Film Festival\, SFFILM Festival\, Seattle Black Film Festival\, and t he New York African Film Festival. Sundra also served as Director of Alumn i Programming at BAYCAT\, where she created a screenwriting fellowship for women\, LGBTQIA+ creatives\, and storytellers of color. \n\n\n\n\n\n\n\n\ n\n\n\n\n\n\n\n\nMuzae Sesay and Alexcia Sundra\, Attentive Earth (still f rom the Field Research video)\, 2026\n\n\n\nMuzae Sesay and Alexcia Sundra \, Attentive Earth (still from the Memories video)\, 2026\n\n\n\n\n\n\n\n\ nPlan Your Visit\n\n\n\n\n\n\n\nDate\n\n\n\nSeptember 17\, 2026 through Ja nuary 24\, 2027 \n\n\n\nTime\n\n\n\nVisible at all timesOpening Reception: Thursday\, September 17\, 2026\; 6:00 p.m. to 8:00 p.m. during the Fort M ason Fall 2026 Art Walk.Remarks by FOR-SITE Founding Executive Director Ch eryl Haines: September 17\, 2026\; 6:30 p.m. \n\n\n\nLocation\n\n\n\nThe G uardhouse\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, Sa n Francisco \n\n\n\n\n\nCost\n\n\n\nFREE \n\n\n\nFOR-SITE:FOR-SITE.org(415 ) 362-9330info@FOR-SITE.org \n\n\n\nFacebook\n\nInstagram\n\nVimeo\n\nX\n\ n\n\nMuzae Sesay:MuzaeSesay.com \n\n\n\nInstagram\n\n\n\nAlexcia Sundra: \ n\n\n\nInstagram\n\nLinkedIn\n\nPinterest\n\nSoundCloud\n\n\n \n Share \n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up tod ay for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260912T061847Z URL:https://fortmason.org/event/for-site-muzae-sesay-alexcia-sundra-at-the -guardhouse-attentive-earth/?utm_source=caldiscovery&utm_medium=ics&utm_ca mpaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Red Door Coffee DTSTART:20260917T150000Z DTEND:20260917T220000Z DTSTAMP:20260902T181147Z UID:10006512-1789632000-1789657200@111minnagallery.com CATEGORIES:arts,drink,food DESCRIPTION:Savor the nuanced flavors of our meticulously crafted beverage s as you take in the mesmerizing artwork that adorns our walls.\n\nWhether you’re seeking a moment of tranquility amidst artistic inspiration or e ngaging in lively conversations over a cup of warmth\, Red Door Coffee is the perfect retreat. \nOur menu boasts a delightful array of coffee creati ons\, from the bold richness of Espresso to the creamy indulgence of a Map le Cinnamon Latte. Join us in celebrating the art of coffee\, culture\, an d community. \n[erm_menu id=113597] LAST-MODIFIED:20260902T181147Z LOCATION:2nd Street Gallery\, 111 Minna Street\, San Francisco\, CA\, 9410 5\, United States URL:https://111minnagallery.com/event/red-door-coffee-3/2026-09-17/?utm_so urce=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:111 Minna Gallery & Event Space X-SOURCE-URL:https://111minnagallery.com END:VEVENT BEGIN:VEVENT SUMMARY:Haines Gallery: 250 Years\, Indigenous Futures DTSTART:20260917T173000Z DTEND:20260918T030000Z DTSTAMP:20260912T061847Z UID:10012879-1789641000-1789675200@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n2 50 Years\, Indigenous Futures Presented By Haines Gallery\n\n\n\nAs the U. S. marks its 250th anniversary\, Haines Gallery presents 250 Years\, Indi genous Futures\, a group exhibition centering the work of leading Native A merican artists. While occasioned by this anniversary\, 250 Years\, Indig enous Futures does not commemorate it.  \n\n\n\n\n\nABOVE: Haines Galler y is in Building C (far right). TOP OF PAGE: Brad Kahlhamer\, “Pima Air + Space\,” 2025 (detail). Acrylic\, ink\, pencil on bedsheet\, 69.25 x 5 3.5 inches\, framed. Courtesy of the artist and Haines Gallery\, San Franc isco. Photo: Shaun Roberts\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\ n250 Years\, Indigenous Futures takes its title from the writings of Stand ing Rock Sioux historian Philip J. Deloria and his colleagues\, who argue that Native peoples should be understood not primarily through the past\, but “through the lens of futurity.” Indigenous knowledge\, they write\ , is not peripheral to contemporary life but generative of new ways of und erstanding it. In this spirit\, the exhibition considers Native presence a nd creativity as powerful forces shaping our collective future. \n\n\n\nTh e artists in the exhibition are: Victoria Grace Canby (Diné [Navaho])\;Jo rdan Ann Craig (Northern Cheyenne)\; Sky Hopinka (Ho-Chunk Nation / Pechan ga Band of Luiseño Indians)\; Brad Kahlhamer (Indigenous ancestry)\; Terr an Last Gun (Piikani / Blackfoot)\; Jamie Okuma (Luiseño\, Shoshone-Banno ck\, Wailaki\, Okinawan\, and La Jolla)\; Wendy Red Star (Apsáalooke [Cro w])\; and Keith Secola (Northern Ute / Anishinaabe). Working across paint ing\, drawing\, sculpture\, film\, and photography\, these artists engage contemporary culture\, Nation-specific visual traditions\, and personal hi stories in distinct and expansive ways. \n\n\n\n\n\nRather than commemorat ing the 250th U.S. anniversary\, the exhibition recognizes 1776 as only on e moment within much longer histories of Indigenous presence\, adaptation\ , and sovereignty. Creating space for artists to define their own terms of engagement\, the exhibition aims to bring forward concerns central to the ir practices. The works on view draw inspiration from a vivid range of sou rces: boldly painted Piikani lodges\; the precise geometry of Northern Che yenne beadwork\; the Indians of All Tribes’ occupation of Alcatraz\; car s adorned with blankets and regalia for the annual Crow Fair\; blood-soake d horror films\; and archival photographs whose subjects meet the visitor ’s gaze. \n\n\n\nThe exhibition is informed by Apsáalooke artist Wendy Red Star’s caution against a “foe-based” framing of Native art –  one that risks tethering meaning to resistance alone and obscuring the s pecificity of Nations\, histories\, and individual practices. Here\, each artist’s work emerges from particular relationships to language\, land\, and material culture. No single framework can contain these worlds. \n\n\ n\n\n\n\nAbout the Artists\n\n\n\n\n\n\nVictoria Grace Canby (Diné\, b. 1 978\, Albuquerque\, NM). Marin-based artist Victoria Grace Canby’s new w orks on paper\, created for the exhibition\, depict the Three Sisters – corn\, beans\, and squash – as a living model of resilience\, healing \, and collective care that connects Indigenous Peoples throughout the Ame ricas. “Through fostering our connection to these plants’ powers\,” Canby notes\, “we can overcome the impacts of colonization.” \n\n\n\nJ ordan Ann Craig (Northern Cheyenne\, b. 1992\, San Jose\, CA). Jordan Ann Craig’s paintings draw from references ranging from Northern Cheyenne be adwork and quillwork to the postwar abstraction of Agnes Martin\, all of w hich she translates into exacting\, poetic fields of color and form. In wo rks such as “Miss Your Musk” (2024)\, Craig foregrounds Indigenous abs traction as a living and evolving practice – one capable of holding per sonal narrative\, formal experimentation\, and cultural continuity without being reduced to any single source or meaning. \n\n\n\nSky Hopinka (Ho-Ch unk Nation/Pechanga Band of Luiseño Indians\; b. 1984\, Ferndale\, WA). S ky Hopinka’s film Sunflower Siege Engine (2022) brings together distinct Indigenous sites and histories\, connecting the Indians of All Tribes’ occupation of nearby Alcatraz Island (1969–1971) with Illinois’ Cahoki a Mounds\, one of the largest pre-contact urban centers in North America a nd a site from which ancestral remains continue to be repatriated. \n\n\n\ nBrad Kahlhamer (Native American ancestry\; b. 1956\, Tucson\, AZ). Painte d in acrylic\, ink\, and pencil on a bedsheet\, “Pima Air + Space” (20 25) belongs to Kahlhamer’s recent “dream sheet” paintings. Its title recalls Arizona’s Pima Air & Space Museum\, while birds\, horses\, mask ed figures\, and a spectral presence drift through an aurora borealis of s aturated color. \n\n\n\n\n\nTerran Last Gun\, Saakwaynaamah’kaa (Last Gu n) (Piikani / Blackfoot\; b. 1989\, Browning\, MT on the Blackfeet Nation Reservation). Inspired by the bold geometric designs of Piikani painted lo dges\, Terran Last Gun has created a suite of works for the exhibition: pr ecise compositions on vintage ledger paper that bring ancestral forms\, co lonial records\, and the ongoing vitality of Indigenous abstraction into c harged relation. \n\n\n\nJamie Okuma (Luiseño\, Shoshone-Bannock\, Wailak i\, Okinawan\, and La Jolla\; b. 1977\, Glendale\, CA). In “Of Love and Sacrifice: Motherhood” (2026)\, Jamie Okuma deploys her signature single -stitch beadwork to transform a brain-tanned deerskin handbag into a dazzl ing portrayal of two figures from Luca Guadagnino’s horror film Suspiria (2018). Drawing bracing cinematic imagery into dialogue with exacting Pay ómkawichum (Luiseño) beadwork techniques\, Okuma conjures the selfless a nd steadfast power of maternal love. \n\n\n\nWendy Red Star (Apsáalooke\; b. 1981\, Billings\, MT). Wendy Red Star’s works from “The (HUD)” s eries focus on the colorful facades of houses built through the U.S. Depar tment of Housing and Urban Development on Montana’s Apsáalooke (Crow) r eservation\, where the artist was raised. Though their hues were chosen no t by residents but by a government agency\, Red Star’s images reveal sig ns of domestic beauty that exceed the mandates of bureaucracy. \n\n\n\nKei th Secola (Northern Ute / Anishinaabe\; b. 1988\, Randlett\, UT on the Uin tah and Ouray Reservation) Keith Secola screen-prints archival portraits o f Native Americans onto the covers of vintage books\, placing Indigenous p resence in direct tension with exclusionary narratives of America’s past . Secola’s images depict subjects who often look directly back at the ca mera\, meeting its gaze with a quiet intensity that transcends time and ne gates erasure. \n\n\n\n\n\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty )\,” (2025) (detail) Fabric with archival pigment photograph on board. 2 5.25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proj ects\, Los Angeles.Photo: Paul Salveson\n\n\n\nKeith Secola: “Wounds Man y\,” (2019). Screenprint on book collage48 x 36 inches. Courtesy of the artist & Haines Gallery\, San Francisco.Photo: Shaun Roberts\n\n\n\nBrad K ahlhamer\, “Pima Air + Space\,” (2025). Acrylic\, ink\, pencil on beds heet\, 69.25 x 53.5 inches\, framed. Courtesy of the artist & Haines Galle ry. Photo: Shaun Roberts\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty) \,” (2025) (detail) Fabric with archival pigment photograph on board. 25 .25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proje cts. Photo: Paul Salveson\n\n\n\nVictoria Grace Canby: “We Grow Our Own Medicine\, Interdimensional & Intertribal Healing Plant Studies:Three Sist ers – Corn” (2026) Pencil & gouache on paper\, 44 x 30 nches\, framed. Courtesy of the artist & Haines Gallery. Photo: Shaun Roberts\n\n\n\nJord an Ann Craig: “Miss Your Musk” (2024) Acrylic on canvas\, 45 x 45 x 2. 5 inches. Courtesy of the artist & Hales Gallery\, London and New York © Jordan Ann Craig. Photo: JSP Art Photography\n\n\n\n\n\n\n\n\nPlan Your Vi sit\n\n\n\n\n\n\n\nDate\n\n\n\nTuesday\, September 15 to Saturday\, Novemb er 7\, 2026 \n\n\n\nTime\n\n\n\nTuesday through Saturday\, 10:30 a.m. to 5 :30 p.m.Opening Reception: Thursday\, September 17\, 2026\, 5:00 p.m. to 8 :00 p.m. during the Fall 2026 Fort Mason Art Walk. A talk by the artists h appens at 7:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding C\, First Floor\, For t Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\ n\n\nCost\n\n\n\nFREE \n\n\n\n\n\nHaines Gallery:HainesGallery.com(415) 39 7-8114art@HainesGallery.com \n\n\n\nFacebook\n\nInstagram\n\nVimeo\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\n Sign up today for the latest news from Fort Mason Center For Arts & Cultur e. LAST-MODIFIED:20260912T061847Z URL:https://fortmason.org/event/haines-gallery-250-years-indigenous-future s/2026-09-17/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-fran cisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Cityscapes And Public Places DTSTART:20260917T200000Z DTEND:20260917T220000Z DTSTAMP:20260915T005950Z UID:1715206-1789650000-1789650000@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260915T005950Z LOCATION:City Scapes And Public Places URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Japanese Tea Garden DTSTART:20260917T200000Z DTEND:20260917T220000Z DTSTAMP:20260915T005950Z UID:1715207-1789650000-1789650000@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260915T005950Z LOCATION:Japanese Tea Garden URL:https://www.sfcityguides.org/event/japanese-tea-garden/?utm_source=cal discovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Architecture Downtown DTSTART:20260917T210000Z DTEND:20260917T230000Z DTSTAMP:20260915T185601Z UID:1715209-1789653600-1789653600@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260915T185601Z LOCATION:Creating Downtown URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Gray Area Grand Theater: Yoon Chung Han: Dreaming Babies: illi (op ening reception) DTSTART:20260918T010000Z DTEND:20260918T040000Z DTSTAMP:20260913T123107Z UID:10040684-1789668000-1789678800@missionlocal.org CATEGORIES:arts DESCRIPTION:Gray Area presents Dreaming Babies: illi (꿈꾸는 아기들: 일리)\, a solo exhibition of recent speculative simulation works by Kor ean artist Yoon Chung Han.\nThis immersive\, interactive installation tran sforms Gray Area’s gallery into a futuristic nursery for 23 special hybr id human babies\, each with a different chromosomal anomaly.\nEach baby sl eeps and dreams inside of a virtual incubator in space\, weaving stories t ogether with the audience based on the expression of their own uniquely in dividual identities. \nExploring new speculative human designs\, Dreaming Babies: illi addresses humanity’s desire to create a perfect being throu gh genetic technologies: the commercializing of fertility treatment\, the advancements in the science of cloning\, the many possibilities and uncert ainties of future human birth\, and the ethical dilemmas surrounding genet ic modification. \nEach simulated baby’s story\, generated from real gen etic data\, is created in collaboration with artificial intelligence. Visi tors interact with the sleeping babies in real time by inputting sound thr ough a microphone\, connecting with them via the ChatGPT system. The live- rendered videos of babies floating in space can be viewed on each screen\, where audiences can observe how genetic anomalies are reimagined not as p hysical difficulties\, but as representations of more unique and special f orms of humanity. LAST-MODIFIED:20260913T123107Z LOCATION:Gray Area Grand Theater\, 2665 Mission St\, San Francisco\, CA\, 94110\, United States URL:https://missionlocal.org/event/gray-area-grand-theater-yoon-chung-han- dreaming-babies-illi-opening-reception/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Mission Local X-SOURCE-URL:https://missionlocal.org/2020/11/new-city-covid-19-test-site- opens-at-alemany-farmers-market-in-light-of-higher-southeast-sector-infect ion END:VEVENT BEGIN:VEVENT SUMMARY:American Indian Cultural District -- We Are The Land: Between Eart h & Sky DTSTART:20260918T070000Z DTEND:20260919T065959Z DTSTAMP:20260911T180401Z UID:10005741-1789689600-1789775999@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Features\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n We Are the Land: Between Earth And Sky\n\n\n\nThe American Indian Cultura l District (AICD)\, with support from Fort Mason Center For Arts & Cultur e (FMCAC)\, presents new mural commissions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n \n\n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with suppor t from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural c ommissions by artists Brittany Burrows and Jewelina Acosta. Depicting vege tation and wildlife from the land and water\, the artists highlight the im portance of Indigenous knowledge and traditional practices in maintaining ecological balance and human well-being. By recognizing the interconnected ness of all life forms and the importance of preserving biodiversity\, the ir work points to a more harmonious and sustainable future for generations to come. \n\n\n\nIn We are the Land: Between Earth & Sky\, Brittany Burr ows highlights the parallels between endangered butterfly species and the struggles of Indigenous communities. Both are deeply connected to the land and face threats to their survival due to various factors\, including hab itat loss\, environmental degradation\, and cultural assimilation. \n\n\n\ n“Land stewardship and sovereignty are indeed crucial for preserving Ind igenous ways of life and ensuring the continued thriving of both human and non-human communities. By respecting Indigenous rights to their ancestral lands and supporting their efforts in environmental conservation\, we can learn valuable lessons about sustainable living and holistic interconnect edness\,” said Burrows.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The A rtists\n\n\n\n\n\n\n\nBrittany Burrows is Nomlaki-Wintun and Pomo\, born in Chico\, CA\, who moved to San Francisco at age 11. From a young age\, B rittany has always been fascinated with art\, mostly ballpoint pen drawing s. Brittany is a self-taught artist who specializes in black-and-white por traits. Her mediums are pencil\, charcoal\, and graphite. \n\n\n\n\n\nJew elina Acosta is from a small non-federally recognized tribe named Yokaia (the deep valley) from which the name Ukiah\, CA originated. She is the ow ner of Inkdigenous Tattoo\, which brings forward and makes room for her tr aditional and cultural lifestyle in the tattoo industry. She uses her artw ork to share traditional ecological knowledge with the community\, making the world a better place one art piece at a time. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\ n\n\n\nOn view daily\, 9:00 a.m. to 9:00 p.m. \n\n\n\nTime\n\n\n\n9:00 a.m . to 9:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding D Lobby\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with support from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural com missions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\nAmerican Indian Cultural District:AmericanIndianCulturalDistrict.org(415) 287-2820 general@AmericanIndianCulturalDistrict.org \n\n\n\nFacebook\n\nFlickr\n\nI nstagram\n\nLinkedIn\n\nX\n\n\n\n\n\nBrittany Burrows:BrittanyBurrowsArt.c omBrittanyEBrrws@gmail.com \n\n\n\nFacebook\n\nInstagram\n\n\n\n\n\nJeweli na Acosta: \n\n\n\nFacebook\n\nInstagram\n\nTikTok\n\nYouTube\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mai l\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260911T180401Z URL:https://fortmason.org/event/american-indian-cultural-district-we-are-t he-land-between-earth-and-sky/2026-09-18/?utm_source=caldiscovery&utm_medi um=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Matt Passmore: Tied / Untied DTSTART:20260918T070000Z DTEND:20260919T065959Z DTSTAMP:20260912T001907Z UID:10007619-1789689600-1789775999@fortmason.org CATEGORIES:arts DESCRIPTION:About\n About the Installation\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nMatt Passmore: Tied / Untied Pres ented by Fort Mason Art\n\n\n\nFort Mason Art is proud to present Matt Pa ssmore‘s Tied / Untied. This striking sculpture helps to define the ent rance to FMCAC\, offering visitors a place to gather\, wonder\, and foster curiosity. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n\n\n\n \n\n\n\nEchoing the historic track inside FMCAC’s campus\, the railroad- tie sculpture lifts dramatically out of the ground\, creating playful loop s and arcs for visitors to sit or walk through. Tied / Untied is abstract but looks vaguely familiar\, possibly referencing its surroundings throug h a nautical knot mid-tie\, or the rolling tides of the bay. This playful form gestures to the material and history of Fort Mason and the San Franci sco waterfront. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nTied / Untied is permanently on display at the entrance for Fort Mason Center for Arts & Culture. \n\n\ n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\ n\nSign up today for the latest news from Fort Mason Center For Arts & Cul ture. LAST-MODIFIED:20260912T001907Z URL:https://fortmason.org/event/matt-passmore-tied-untied/2026-09-18/?utm_ source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Easy Sketching with Eileen: Flower Piano DTSTART:20260918T110000Z DTEND:20260918T123000Z DTSTAMP:20260824T000815Z UID:10002006-1789729200-1789734600@gggp.org CATEGORIES:arts,education DESCRIPTION:Registration includes a comprehensive sketch kit. \nFriday\, S eptember 18\, 2026\n11am-12:30pm\nSan Francisco Botanical Garden — Meet at Main Gate \nAbout the Program\nSketch pianos at this amazing event in t he San Francisco Botanical Garden! There are over a dozen pianos scattered around the Garden\, each one unique and interesting to sketch. Eileen wil l teach you how to simplify shapes\, look for shadows and details\, and ad d watercolor to their sketches. This class is a relaxing way to observe an d record the world around you.  \nYour comprehensive sketch kit will incl ude everything you need to start your sketching practice. The kit includes a sketchbook\, pen\, pencil\, water brush\, binder clip\, paper towel\, a nd watercolors. You may also bring your own sketching materials. \nIf you have taken a class with Eileen and would like Sketch kit #2\, which is a s ketchbook and a fountain pen\, email Eileen at epgoldenberg3344@gmail.com . Please send the date and name of the class you are taking. \nThis class is appropriate for ages 7 and up. All participants must register regardles s of age. Please bring your own folding chair or stool. \nAbout the Instru ctor\nEileen P. Goldenberg is an avid urban sketcher and award-winning art ist. To learn more about Eileen\, visit her website at www.goldenbergdesig ns.com. \n—  \nGardens of Golden Gate Park Members may attend this even t at a 20% discount. Contact membership@gggp.org to receive the Member Dis count Code\, then enter the Member Discount Code in the “Promo Code” f ield when checking out. Discount codes do not apply to the “Ticket + Don ation” price level.   \nTickets are non-transferable and non-refundable . LAST-MODIFIED:20260824T000815Z LOCATION:SF Botanical Garden URL:https://gggp.org/event/easy-sketching-with-eileen-flower-piano/?utm_so urce=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:GGGP X-SOURCE-URL:https://www.sfbg.org/ END:VEVENT BEGIN:VEVENT SUMMARY:Red Door Coffee DTSTART:20260918T150000Z DTEND:20260918T220000Z DTSTAMP:20260902T181147Z UID:10006513-1789718400-1789743600@111minnagallery.com CATEGORIES:arts,drink,food DESCRIPTION:Savor the nuanced flavors of our meticulously crafted beverage s as you take in the mesmerizing artwork that adorns our walls.\n\nWhether you’re seeking a moment of tranquility amidst artistic inspiration or e ngaging in lively conversations over a cup of warmth\, Red Door Coffee is the perfect retreat. \nOur menu boasts a delightful array of coffee creati ons\, from the bold richness of Espresso to the creamy indulgence of a Map le Cinnamon Latte. Join us in celebrating the art of coffee\, culture\, an d community. \n[erm_menu id=113597] LAST-MODIFIED:20260902T181147Z LOCATION:2nd Street Gallery\, 111 Minna Street\, San Francisco\, CA\, 9410 5\, United States URL:https://111minnagallery.com/event/red-door-coffee-3/2026-09-18/?utm_so urce=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:111 Minna Gallery & Event Space X-SOURCE-URL:https://111minnagallery.com END:VEVENT BEGIN:VEVENT SUMMARY:Japanese Tea Garden DTSTART:20260918T163000Z DTEND:20260918T183000Z DTSTAMP:20260915T185601Z UID:1715211-1789723800-1789723800@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260915T185601Z LOCATION:Japanese Tea Garden URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Haines Gallery: 250 Years\, Indigenous Futures DTSTART:20260918T173000Z DTEND:20260919T003000Z DTSTAMP:20260912T061847Z UID:10012880-1789727400-1789752600@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n2 50 Years\, Indigenous Futures Presented By Haines Gallery\n\n\n\nAs the U. S. marks its 250th anniversary\, Haines Gallery presents 250 Years\, Indi genous Futures\, a group exhibition centering the work of leading Native A merican artists. While occasioned by this anniversary\, 250 Years\, Indig enous Futures does not commemorate it.  \n\n\n\n\n\nABOVE: Haines Galler y is in Building C (far right). TOP OF PAGE: Brad Kahlhamer\, “Pima Air + Space\,” 2025 (detail). Acrylic\, ink\, pencil on bedsheet\, 69.25 x 5 3.5 inches\, framed. Courtesy of the artist and Haines Gallery\, San Franc isco. Photo: Shaun Roberts\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\ n250 Years\, Indigenous Futures takes its title from the writings of Stand ing Rock Sioux historian Philip J. Deloria and his colleagues\, who argue that Native peoples should be understood not primarily through the past\, but “through the lens of futurity.” Indigenous knowledge\, they write\ , is not peripheral to contemporary life but generative of new ways of und erstanding it. In this spirit\, the exhibition considers Native presence a nd creativity as powerful forces shaping our collective future. \n\n\n\nTh e artists in the exhibition are: Victoria Grace Canby (Diné [Navaho])\;Jo rdan Ann Craig (Northern Cheyenne)\; Sky Hopinka (Ho-Chunk Nation / Pechan ga Band of Luiseño Indians)\; Brad Kahlhamer (Indigenous ancestry)\; Terr an Last Gun (Piikani / Blackfoot)\; Jamie Okuma (Luiseño\, Shoshone-Banno ck\, Wailaki\, Okinawan\, and La Jolla)\; Wendy Red Star (Apsáalooke [Cro w])\; and Keith Secola (Northern Ute / Anishinaabe). Working across paint ing\, drawing\, sculpture\, film\, and photography\, these artists engage contemporary culture\, Nation-specific visual traditions\, and personal hi stories in distinct and expansive ways. \n\n\n\n\n\nRather than commemorat ing the 250th U.S. anniversary\, the exhibition recognizes 1776 as only on e moment within much longer histories of Indigenous presence\, adaptation\ , and sovereignty. Creating space for artists to define their own terms of engagement\, the exhibition aims to bring forward concerns central to the ir practices. The works on view draw inspiration from a vivid range of sou rces: boldly painted Piikani lodges\; the precise geometry of Northern Che yenne beadwork\; the Indians of All Tribes’ occupation of Alcatraz\; car s adorned with blankets and regalia for the annual Crow Fair\; blood-soake d horror films\; and archival photographs whose subjects meet the visitor ’s gaze. \n\n\n\nThe exhibition is informed by Apsáalooke artist Wendy Red Star’s caution against a “foe-based” framing of Native art –  one that risks tethering meaning to resistance alone and obscuring the s pecificity of Nations\, histories\, and individual practices. Here\, each artist’s work emerges from particular relationships to language\, land\, and material culture. No single framework can contain these worlds. \n\n\ n\n\n\n\nAbout the Artists\n\n\n\n\n\n\nVictoria Grace Canby (Diné\, b. 1 978\, Albuquerque\, NM). Marin-based artist Victoria Grace Canby’s new w orks on paper\, created for the exhibition\, depict the Three Sisters – corn\, beans\, and squash – as a living model of resilience\, healing \, and collective care that connects Indigenous Peoples throughout the Ame ricas. “Through fostering our connection to these plants’ powers\,” Canby notes\, “we can overcome the impacts of colonization.” \n\n\n\nJ ordan Ann Craig (Northern Cheyenne\, b. 1992\, San Jose\, CA). Jordan Ann Craig’s paintings draw from references ranging from Northern Cheyenne be adwork and quillwork to the postwar abstraction of Agnes Martin\, all of w hich she translates into exacting\, poetic fields of color and form. In wo rks such as “Miss Your Musk” (2024)\, Craig foregrounds Indigenous abs traction as a living and evolving practice – one capable of holding per sonal narrative\, formal experimentation\, and cultural continuity without being reduced to any single source or meaning. \n\n\n\nSky Hopinka (Ho-Ch unk Nation/Pechanga Band of Luiseño Indians\; b. 1984\, Ferndale\, WA). S ky Hopinka’s film Sunflower Siege Engine (2022) brings together distinct Indigenous sites and histories\, connecting the Indians of All Tribes’ occupation of nearby Alcatraz Island (1969–1971) with Illinois’ Cahoki a Mounds\, one of the largest pre-contact urban centers in North America a nd a site from which ancestral remains continue to be repatriated. \n\n\n\ nBrad Kahlhamer (Native American ancestry\; b. 1956\, Tucson\, AZ). Painte d in acrylic\, ink\, and pencil on a bedsheet\, “Pima Air + Space” (20 25) belongs to Kahlhamer’s recent “dream sheet” paintings. Its title recalls Arizona’s Pima Air & Space Museum\, while birds\, horses\, mask ed figures\, and a spectral presence drift through an aurora borealis of s aturated color. \n\n\n\n\n\nTerran Last Gun\, Saakwaynaamah’kaa (Last Gu n) (Piikani / Blackfoot\; b. 1989\, Browning\, MT on the Blackfeet Nation Reservation). Inspired by the bold geometric designs of Piikani painted lo dges\, Terran Last Gun has created a suite of works for the exhibition: pr ecise compositions on vintage ledger paper that bring ancestral forms\, co lonial records\, and the ongoing vitality of Indigenous abstraction into c harged relation. \n\n\n\nJamie Okuma (Luiseño\, Shoshone-Bannock\, Wailak i\, Okinawan\, and La Jolla\; b. 1977\, Glendale\, CA). In “Of Love and Sacrifice: Motherhood” (2026)\, Jamie Okuma deploys her signature single -stitch beadwork to transform a brain-tanned deerskin handbag into a dazzl ing portrayal of two figures from Luca Guadagnino’s horror film Suspiria (2018). Drawing bracing cinematic imagery into dialogue with exacting Pay ómkawichum (Luiseño) beadwork techniques\, Okuma conjures the selfless a nd steadfast power of maternal love. \n\n\n\nWendy Red Star (Apsáalooke\; b. 1981\, Billings\, MT). Wendy Red Star’s works from “The (HUD)” s eries focus on the colorful facades of houses built through the U.S. Depar tment of Housing and Urban Development on Montana’s Apsáalooke (Crow) r eservation\, where the artist was raised. Though their hues were chosen no t by residents but by a government agency\, Red Star’s images reveal sig ns of domestic beauty that exceed the mandates of bureaucracy. \n\n\n\nKei th Secola (Northern Ute / Anishinaabe\; b. 1988\, Randlett\, UT on the Uin tah and Ouray Reservation) Keith Secola screen-prints archival portraits o f Native Americans onto the covers of vintage books\, placing Indigenous p resence in direct tension with exclusionary narratives of America’s past . Secola’s images depict subjects who often look directly back at the ca mera\, meeting its gaze with a quiet intensity that transcends time and ne gates erasure. \n\n\n\n\n\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty )\,” (2025) (detail) Fabric with archival pigment photograph on board. 2 5.25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proj ects\, Los Angeles.Photo: Paul Salveson\n\n\n\nKeith Secola: “Wounds Man y\,” (2019). Screenprint on book collage48 x 36 inches. Courtesy of the artist & Haines Gallery\, San Francisco.Photo: Shaun Roberts\n\n\n\nBrad K ahlhamer\, “Pima Air + Space\,” (2025). Acrylic\, ink\, pencil on beds heet\, 69.25 x 53.5 inches\, framed. Courtesy of the artist & Haines Galle ry. Photo: Shaun Roberts\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty) \,” (2025) (detail) Fabric with archival pigment photograph on board. 25 .25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proje cts. Photo: Paul Salveson\n\n\n\nVictoria Grace Canby: “We Grow Our Own Medicine\, Interdimensional & Intertribal Healing Plant Studies:Three Sist ers – Corn” (2026) Pencil & gouache on paper\, 44 x 30 nches\, framed. Courtesy of the artist & Haines Gallery. Photo: Shaun Roberts\n\n\n\nJord an Ann Craig: “Miss Your Musk” (2024) Acrylic on canvas\, 45 x 45 x 2. 5 inches. Courtesy of the artist & Hales Gallery\, London and New York © Jordan Ann Craig. Photo: JSP Art Photography\n\n\n\n\n\n\n\n\nPlan Your Vi sit\n\n\n\n\n\n\n\nDate\n\n\n\nTuesday\, September 15 to Saturday\, Novemb er 7\, 2026 \n\n\n\nTime\n\n\n\nTuesday through Saturday\, 10:30 a.m. to 5 :30 p.m.Opening Reception: Thursday\, September 17\, 2026\, 5:00 p.m. to 8 :00 p.m. during the Fall 2026 Fort Mason Art Walk. A talk by the artists h appens at 7:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding C\, First Floor\, For t Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\ n\n\nCost\n\n\n\nFREE \n\n\n\n\n\nHaines Gallery:HainesGallery.com(415) 39 7-8114art@HainesGallery.com \n\n\n\nFacebook\n\nInstagram\n\nVimeo\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\n Sign up today for the latest news from Fort Mason Center For Arts & Cultur e. LAST-MODIFIED:20260912T061847Z URL:https://fortmason.org/event/haines-gallery-250-years-indigenous-future s/2026-09-18/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-fran cisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Mission Murals DTSTART:20260918T180000Z DTEND:20260918T200000Z DTSTAMP:20260916T005612Z UID:1715215-1789729200-1789729200@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260916T005612Z LOCATION:Mission Murals URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Japanese Tea Garden DTSTART:20260918T200000Z DTEND:20260918T220000Z DTSTAMP:20260916T005612Z UID:1715217-1789736400-1789736400@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260916T005612Z LOCATION:Japanese Tea Garden URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Cityscapes And Public Places DTSTART:20260918T210000Z DTEND:20260918T230000Z DTSTAMP:20260916T185452Z UID:1715220-1789740000-1789740000@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260916T185452Z LOCATION:City Scapes And Public Places URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Russian Hill: Architecture and Culture DTSTART:20260918T230000Z DTEND:20260919T010000Z DTSTAMP:20260916T185452Z UID:1716054-1789747200-1789747200@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260916T185452Z LOCATION:Russian Hill\, Architecture and Culture URL:https://www.sfcityguides.org/event/russian-hill-architecture-and-cultu re/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Private Event DTSTART:20260919T010000Z DTEND:20260919T060000Z DTSTAMP:20260902T120646Z UID:10002965-1789754400-1789772400@www.verdiclub.net CATEGORIES:arts DESCRIPTION:Verdi Club Private Events\nLocated in the heart of San Francis co\, this historic club has been a hub of entertainment and community sinc e it first opened its doors in 1916. The Verdi Club is renowned for its el egant ambiance and top-notch catering and bar services\, making it an idea l location for any type of private event. \nThe Verdi Club boasts a spacio us main hall that can accommodate up to 300 guests. This versatile space i s perfect for everything from weddings and corporate events to birthday pa rties and bar mitzvahs. With its high ceilings\, vintage chandeliers\, and hardwood dance floor\, the main hall exudes classic charm and sophisticat ion\, creating a perfect setting for any type of event. \nOne of the stand out features of the Verdi Club is its excellent catering and bar services. The club’s in-house catering team can prepare a wide range of delicious dishes to suit any taste or dietary requirement\, while the bar offers a full selection of beer\, wine\, and spirits. Whether you’re planning a s it-down dinner\, a cocktail reception\, or a buffet-style feast\, the Verd i Club’s catering and bar services will ensure that your guests are well -fed and well-hydrated throughout the event. \nOverall\, the Verdi Club is the perfect choice for anyone looking to host a private event in San Fran cisco. With its historic charm\, versatile event spaces\, and excellent ca tering and bar services\, the Verdi Club will ensure that your event is a memorable and enjoyable experience for all. LAST-MODIFIED:20260902T120646Z URL:https://www.verdiclub.net/events/private-event-66/2026-09-18/?utm_sour ce=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Verdi Club SF X-SOURCE-URL:https://www.verdiclub.net END:VEVENT BEGIN:VEVENT SUMMARY:Accion Latina: Otra Onda Artist Talk DTSTART:20260919T010000Z DTEND:20260919T033000Z DTSTAMP:20260913T063042Z UID:10040641-1789754400-1789763400@missionlocal.org CATEGORIES:arts DESCRIPTION:45 years after Otra Onda first brought Mission lowrider cultur e into Galería de la Raza\, photographers Lou Dematteis\, Joe Ramos\, and Gato Rivera are back together to reflect on the original 1981 exhibition. \nModerated by Alexa “LexMex” Treviño\, the conversation will revisit the photographs\, and the people and culture behind them.\nJoin us Friday \, September 18\, from 6 to 8:30 p.m. at the Juan R. Fuentes Gallery\, 295 8 24th Street. LAST-MODIFIED:20260913T063042Z LOCATION:Accion Latina\, 2958 24th St\, San Francisco\, CA\, 94110\, Unite d States URL:https://missionlocal.org/event/accion-latina-otra-onda-artist-talk/?ut m_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Mission Local X-SOURCE-URL:https://missionlocal.org/2020/11/new-city-covid-19-test-site- opens-at-alemany-farmers-market-in-light-of-higher-southeast-sector-infect ion END:VEVENT BEGIN:VEVENT SUMMARY:American Indian Cultural District -- We Are The Land: Between Eart h & Sky DTSTART:20260919T070000Z DTEND:20260920T065959Z DTSTAMP:20260912T181859Z UID:10005742-1789776000-1789862399@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Features\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n We Are the Land: Between Earth And Sky\n\n\n\nThe American Indian Cultura l District (AICD)\, with support from Fort Mason Center For Arts & Cultur e (FMCAC)\, presents new mural commissions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n \n\n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with suppor t from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural c ommissions by artists Brittany Burrows and Jewelina Acosta. Depicting vege tation and wildlife from the land and water\, the artists highlight the im portance of Indigenous knowledge and traditional practices in maintaining ecological balance and human well-being. By recognizing the interconnected ness of all life forms and the importance of preserving biodiversity\, the ir work points to a more harmonious and sustainable future for generations to come. \n\n\n\nIn We are the Land: Between Earth & Sky\, Brittany Burr ows highlights the parallels between endangered butterfly species and the struggles of Indigenous communities. Both are deeply connected to the land and face threats to their survival due to various factors\, including hab itat loss\, environmental degradation\, and cultural assimilation. \n\n\n\ n“Land stewardship and sovereignty are indeed crucial for preserving Ind igenous ways of life and ensuring the continued thriving of both human and non-human communities. By respecting Indigenous rights to their ancestral lands and supporting their efforts in environmental conservation\, we can learn valuable lessons about sustainable living and holistic interconnect edness\,” said Burrows.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The A rtists\n\n\n\n\n\n\n\nBrittany Burrows is Nomlaki-Wintun and Pomo\, born in Chico\, CA\, who moved to San Francisco at age 11. From a young age\, B rittany has always been fascinated with art\, mostly ballpoint pen drawing s. Brittany is a self-taught artist who specializes in black-and-white por traits. Her mediums are pencil\, charcoal\, and graphite. \n\n\n\n\n\nJew elina Acosta is from a small non-federally recognized tribe named Yokaia (the deep valley) from which the name Ukiah\, CA originated. She is the ow ner of Inkdigenous Tattoo\, which brings forward and makes room for her tr aditional and cultural lifestyle in the tattoo industry. She uses her artw ork to share traditional ecological knowledge with the community\, making the world a better place one art piece at a time. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\ n\n\n\nOn view daily\, 9:00 a.m. to 9:00 p.m. \n\n\n\nTime\n\n\n\n9:00 a.m . to 9:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding D Lobby\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with support from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural com missions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\nAmerican Indian Cultural District:AmericanIndianCulturalDistrict.org(415) 287-2820 general@AmericanIndianCulturalDistrict.org \n\n\n\nFacebook\n\nFlickr\n\nI nstagram\n\nLinkedIn\n\nX\n\n\n\n\n\nBrittany Burrows:BrittanyBurrowsArt.c omBrittanyEBrrws@gmail.com \n\n\n\nFacebook\n\nInstagram\n\n\n\n\n\nJeweli na Acosta: \n\n\n\nFacebook\n\nInstagram\n\nTikTok\n\nYouTube\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mai l\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260912T181859Z URL:https://fortmason.org/event/american-indian-cultural-district-we-are-t he-land-between-earth-and-sky/2026-09-19/?utm_source=caldiscovery&utm_medi um=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Matt Passmore: Tied / Untied DTSTART:20260919T070000Z DTEND:20260920T065959Z DTSTAMP:20260912T181859Z UID:10007620-1789776000-1789862399@fortmason.org CATEGORIES:arts DESCRIPTION:About\n About the Installation\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nMatt Passmore: Tied / Untied Pres ented by Fort Mason Art\n\n\n\nFort Mason Art is proud to present Matt Pa ssmore‘s Tied / Untied. This striking sculpture helps to define the ent rance to FMCAC\, offering visitors a place to gather\, wonder\, and foster curiosity. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n\n\n\n \n\n\n\nEchoing the historic track inside FMCAC’s campus\, the railroad- tie sculpture lifts dramatically out of the ground\, creating playful loop s and arcs for visitors to sit or walk through. Tied / Untied is abstract but looks vaguely familiar\, possibly referencing its surroundings throug h a nautical knot mid-tie\, or the rolling tides of the bay. This playful form gestures to the material and history of Fort Mason and the San Franci sco waterfront. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nTied / Untied is permanently on display at the entrance for Fort Mason Center for Arts & Culture. \n\n\ n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\ n\nSign up today for the latest news from Fort Mason Center For Arts & Cul ture. LAST-MODIFIED:20260912T181859Z URL:https://fortmason.org/event/matt-passmore-tied-untied/2026-09-19/?utm_ source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Birding the Hill @ Randall Museum DTSTART:20260919T150000Z DTEND:20260919T170000Z DTSTAMP:20260830T000253Z UID:10003269-1789804800-1789812000@sfchildrennature.org CATEGORIES:arts,outdoors DESCRIPTION:Join the Randall Museum’s Birder-in-Residence on the third S aturday of each month to explore the hill at Corona Heights and check out its avian residents and seasonal visitors. Birders will circle the hill t o look into several habitats\, each of which is enjoyed by different bird species. The east canyon\, the south cliffs\, the north forest\, and the h illtop grasslands will all be explored. The walk is geared towards beginn ing to intermediate birders\, but all are welcome. The walk lasts about 2 hours and includes several stairs and a steep path to climb. Meet in Rand all Museum’s parking lot at 8am: 199 Museum Way\, San Francisco\, CA. \n When: Third Saturday of the Month 8am – 10am \nWhere: Meet in the Rand all Museum’s Parking Lot: 199 Museum Way\, San Francisco\, CA\nCost: FRE E but registration is required.\nAges: Best for ages 10 and older \nLearn more and register >> LAST-MODIFIED:20260830T000253Z LOCATION:Randall Museum\, Museum Way\, San Francisco\, CA\, 94114\, United States URL:https://sfchildrennature.org/event/birding-the-hill/2026-09-19/?utm_so urce=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:SF Children & Nature X-SOURCE-URL:https://sfchildrennature.org/organizer/sf-public-library END:VEVENT BEGIN:VEVENT SUMMARY:Artillery AG: Pit Firing DTSTART:20260919T170000Z DTEND:20260919T230000Z DTSTAMP:20260916T183830Z UID:10040727-1789812000-1789833600@missionlocal.org CATEGORIES:arts,education DESCRIPTION:Learn the oldest method of firing ceramics!\nGather around the pit like our ancestors did.\n– No experience needed\n– Bring your own bisque or create one with us\n– Open to beginners & experienced potters LAST-MODIFIED:20260916T183830Z LOCATION:Artillery AG\, 2751 Mission St\, San Francisco\, CA\, 94110\, Uni ted States URL:https://missionlocal.org/event/artillery-ag-pit-firing/?utm_source=cal discovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Mission Local X-SOURCE-URL:https://missionlocal.org/2020/11/new-city-covid-19-test-site- opens-at-alemany-farmers-market-in-light-of-higher-southeast-sector-infect ion END:VEVENT BEGIN:VEVENT SUMMARY:Coit Tower Murals DTSTART:20260919T170000Z DTEND:20260919T190000Z DTSTAMP:20260917T005421Z UID:1715224-1789812000-1789812000@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260917T005421Z LOCATION:Coit Tower Murals URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Mission Murals DTSTART:20260919T170000Z DTEND:20260919T190000Z DTSTAMP:20260917T005421Z UID:1715225-1789812000-1789812000@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260917T005421Z LOCATION:Mission Murals URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Haines Gallery: 250 Years\, Indigenous Futures DTSTART:20260919T173000Z DTEND:20260920T003000Z DTSTAMP:20260913T001811Z UID:10012881-1789813800-1789839000@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n2 50 Years\, Indigenous Futures Presented By Haines Gallery\n\n\n\nAs the U. S. marks its 250th anniversary\, Haines Gallery presents 250 Years\, Indi genous Futures\, a group exhibition centering the work of leading Native A merican artists. While occasioned by this anniversary\, 250 Years\, Indig enous Futures does not commemorate it.  \n\n\n\n\n\nABOVE: Haines Galler y is in Building C (far right). TOP OF PAGE: Brad Kahlhamer\, “Pima Air + Space\,” 2025 (detail). Acrylic\, ink\, pencil on bedsheet\, 69.25 x 5 3.5 inches\, framed. Courtesy of the artist and Haines Gallery\, San Franc isco. Photo: Shaun Roberts\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\ n250 Years\, Indigenous Futures takes its title from the writings of Stand ing Rock Sioux historian Philip J. Deloria and his colleagues\, who argue that Native peoples should be understood not primarily through the past\, but “through the lens of futurity.” Indigenous knowledge\, they write\ , is not peripheral to contemporary life but generative of new ways of und erstanding it. In this spirit\, the exhibition considers Native presence a nd creativity as powerful forces shaping our collective future. \n\n\n\nTh e artists in the exhibition are: Victoria Grace Canby (Diné [Navaho])\;Jo rdan Ann Craig (Northern Cheyenne)\; Sky Hopinka (Ho-Chunk Nation / Pechan ga Band of Luiseño Indians)\; Brad Kahlhamer (Indigenous ancestry)\; Terr an Last Gun (Piikani / Blackfoot)\; Jamie Okuma (Luiseño\, Shoshone-Banno ck\, Wailaki\, Okinawan\, and La Jolla)\; Wendy Red Star (Apsáalooke [Cro w])\; and Keith Secola (Northern Ute / Anishinaabe). Working across paint ing\, drawing\, sculpture\, film\, and photography\, these artists engage contemporary culture\, Nation-specific visual traditions\, and personal hi stories in distinct and expansive ways. \n\n\n\n\n\nRather than commemorat ing the 250th U.S. anniversary\, the exhibition recognizes 1776 as only on e moment within much longer histories of Indigenous presence\, adaptation\ , and sovereignty. Creating space for artists to define their own terms of engagement\, the exhibition aims to bring forward concerns central to the ir practices. The works on view draw inspiration from a vivid range of sou rces: boldly painted Piikani lodges\; the precise geometry of Northern Che yenne beadwork\; the Indians of All Tribes’ occupation of Alcatraz\; car s adorned with blankets and regalia for the annual Crow Fair\; blood-soake d horror films\; and archival photographs whose subjects meet the visitor ’s gaze. \n\n\n\nThe exhibition is informed by Apsáalooke artist Wendy Red Star’s caution against a “foe-based” framing of Native art –  one that risks tethering meaning to resistance alone and obscuring the s pecificity of Nations\, histories\, and individual practices. Here\, each artist’s work emerges from particular relationships to language\, land\, and material culture. No single framework can contain these worlds. \n\n\ n\n\n\n\nAbout the Artists\n\n\n\n\n\n\nVictoria Grace Canby (Diné\, b. 1 978\, Albuquerque\, NM). Marin-based artist Victoria Grace Canby’s new w orks on paper\, created for the exhibition\, depict the Three Sisters – corn\, beans\, and squash – as a living model of resilience\, healing \, and collective care that connects Indigenous Peoples throughout the Ame ricas. “Through fostering our connection to these plants’ powers\,” Canby notes\, “we can overcome the impacts of colonization.” \n\n\n\nJ ordan Ann Craig (Northern Cheyenne\, b. 1992\, San Jose\, CA). Jordan Ann Craig’s paintings draw from references ranging from Northern Cheyenne be adwork and quillwork to the postwar abstraction of Agnes Martin\, all of w hich she translates into exacting\, poetic fields of color and form. In wo rks such as “Miss Your Musk” (2024)\, Craig foregrounds Indigenous abs traction as a living and evolving practice – one capable of holding per sonal narrative\, formal experimentation\, and cultural continuity without being reduced to any single source or meaning. \n\n\n\nSky Hopinka (Ho-Ch unk Nation/Pechanga Band of Luiseño Indians\; b. 1984\, Ferndale\, WA). S ky Hopinka’s film Sunflower Siege Engine (2022) brings together distinct Indigenous sites and histories\, connecting the Indians of All Tribes’ occupation of nearby Alcatraz Island (1969–1971) with Illinois’ Cahoki a Mounds\, one of the largest pre-contact urban centers in North America a nd a site from which ancestral remains continue to be repatriated. \n\n\n\ nBrad Kahlhamer (Native American ancestry\; b. 1956\, Tucson\, AZ). Painte d in acrylic\, ink\, and pencil on a bedsheet\, “Pima Air + Space” (20 25) belongs to Kahlhamer’s recent “dream sheet” paintings. Its title recalls Arizona’s Pima Air & Space Museum\, while birds\, horses\, mask ed figures\, and a spectral presence drift through an aurora borealis of s aturated color. \n\n\n\n\n\nTerran Last Gun\, Saakwaynaamah’kaa (Last Gu n) (Piikani / Blackfoot\; b. 1989\, Browning\, MT on the Blackfeet Nation Reservation). Inspired by the bold geometric designs of Piikani painted lo dges\, Terran Last Gun has created a suite of works for the exhibition: pr ecise compositions on vintage ledger paper that bring ancestral forms\, co lonial records\, and the ongoing vitality of Indigenous abstraction into c harged relation. \n\n\n\nJamie Okuma (Luiseño\, Shoshone-Bannock\, Wailak i\, Okinawan\, and La Jolla\; b. 1977\, Glendale\, CA). In “Of Love and Sacrifice: Motherhood” (2026)\, Jamie Okuma deploys her signature single -stitch beadwork to transform a brain-tanned deerskin handbag into a dazzl ing portrayal of two figures from Luca Guadagnino’s horror film Suspiria (2018). Drawing bracing cinematic imagery into dialogue with exacting Pay ómkawichum (Luiseño) beadwork techniques\, Okuma conjures the selfless a nd steadfast power of maternal love. \n\n\n\nWendy Red Star (Apsáalooke\; b. 1981\, Billings\, MT). Wendy Red Star’s works from “The (HUD)” s eries focus on the colorful facades of houses built through the U.S. Depar tment of Housing and Urban Development on Montana’s Apsáalooke (Crow) r eservation\, where the artist was raised. Though their hues were chosen no t by residents but by a government agency\, Red Star’s images reveal sig ns of domestic beauty that exceed the mandates of bureaucracy. \n\n\n\nKei th Secola (Northern Ute / Anishinaabe\; b. 1988\, Randlett\, UT on the Uin tah and Ouray Reservation) Keith Secola screen-prints archival portraits o f Native Americans onto the covers of vintage books\, placing Indigenous p resence in direct tension with exclusionary narratives of America’s past . Secola’s images depict subjects who often look directly back at the ca mera\, meeting its gaze with a quiet intensity that transcends time and ne gates erasure. \n\n\n\n\n\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty )\,” (2025) (detail) Fabric with archival pigment photograph on board. 2 5.25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proj ects\, Los Angeles.Photo: Paul Salveson\n\n\n\nKeith Secola: “Wounds Man y\,” (2019). Screenprint on book collage48 x 36 inches. Courtesy of the artist & Haines Gallery\, San Francisco.Photo: Shaun Roberts\n\n\n\nBrad K ahlhamer\, “Pima Air + Space\,” (2025). Acrylic\, ink\, pencil on beds heet\, 69.25 x 53.5 inches\, framed. Courtesy of the artist & Haines Galle ry. Photo: Shaun Roberts\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty) \,” (2025) (detail) Fabric with archival pigment photograph on board. 25 .25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proje cts. Photo: Paul Salveson\n\n\n\nVictoria Grace Canby: “We Grow Our Own Medicine\, Interdimensional & Intertribal Healing Plant Studies:Three Sist ers – Corn” (2026) Pencil & gouache on paper\, 44 x 30 nches\, framed. Courtesy of the artist & Haines Gallery. Photo: Shaun Roberts\n\n\n\nJord an Ann Craig: “Miss Your Musk” (2024) Acrylic on canvas\, 45 x 45 x 2. 5 inches. Courtesy of the artist & Hales Gallery\, London and New York © Jordan Ann Craig. Photo: JSP Art Photography\n\n\n\n\n\n\n\n\nPlan Your Vi sit\n\n\n\n\n\n\n\nDate\n\n\n\nTuesday\, September 15 to Saturday\, Novemb er 7\, 2026 \n\n\n\nTime\n\n\n\nTuesday through Saturday\, 10:30 a.m. to 5 :30 p.m.Opening Reception: Thursday\, September 17\, 2026\, 5:00 p.m. to 8 :00 p.m. during the Fall 2026 Fort Mason Art Walk. A talk by the artists h appens at 7:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding C\, First Floor\, For t Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\ n\n\nCost\n\n\n\nFREE \n\n\n\n\n\nHaines Gallery:HainesGallery.com(415) 39 7-8114art@HainesGallery.com \n\n\n\nFacebook\n\nInstagram\n\nVimeo\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\n Sign up today for the latest news from Fort Mason Center For Arts & Cultur e. LAST-MODIFIED:20260913T001811Z URL:https://fortmason.org/event/haines-gallery-250-years-indigenous-future s/2026-09-19/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-fran cisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Cable Cars\, Halfway to the Stars DTSTART:20260919T173000Z DTEND:20260919T193000Z DTSTAMP:20260917T005421Z UID:1715227-1789813800-1789813800@www.sfcityguides.org CATEGORIES:arts LAST-MODIFIED:20260917T005421Z LOCATION:Cable Cars: Halfway to the Stars URL:https://www.sfcityguides.org/event/?utm_source=caldiscovery&utm_medium =ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:San Francisco City Guides X-SOURCE-URL:https://www.sfcityguides.org/mobile.php END:VEVENT BEGIN:VEVENT SUMMARY:Mission Comics & Art: Batman Day 2026 DTSTART:20260919T190000Z DTEND:20260919T210000Z DTSTAMP:20260914T003214Z UID:10040563-1789819200-1789826400@missionlocal.org CATEGORIES:arts DESCRIPTION:BATMAN OF TWO WORLDS #1 features an all-new Batman story by wr iter Matt Fraction and artist Javi Fernández\, with colors by Tomeu Morey and letters by Clayton Cowles\, alongside an all-new Absolute Batman stor y by writer Scott Snyder and artist Nick Derington\, with colors by Frank Martin and letters by Tom Napolitano.\n“You have two different looks at Batman\,” said Matt Fraction. “The moral structures\, the ethical stru ctures\, the political structures. A chance to put them side by side and s ee the similarities and differences.”\n“This is just such a unique mom ent\,” added Scott Snyder. “The mission was to show what’s special a bout each interpretation. They’re both about Batman’s form of justice. ”\nAvailable exclusively on Batman Day 2026\, BATMAN OF TWO WORLDS #1 wi ll be on sale for $2.99 LAST-MODIFIED:20260914T003214Z LOCATION:Mission Comics & Art\, 2250 Mission Street\, San Francisco\, CA\, 94110\, United States URL:https://missionlocal.org/event/mission-comics-art-batman-day-2026/?utm _source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Mission Local X-SOURCE-URL:https://missionlocal.org/2020/11/new-city-covid-19-test-site- opens-at-alemany-farmers-market-in-light-of-higher-southeast-sector-infect ion END:VEVENT BEGIN:VEVENT SUMMARY:Arion Press Public Tours 2026 DTSTART:20260919T200000Z DTEND:20260919T210000Z DTSTAMP:20260918T000456Z UID:10012565-1789822800-1789826400@fortmason.org CATEGORIES:arts,education DESCRIPTION:About\n Event Features\n Plan Your Visit\n Related Events\n TICKETS\n \n \n\n\n\n\n\n\nPresent ed By Arion Press\n\n\n\nJoin Fort Mason Center For Arts & Culture’s res ident organization\, Arion Press\, a fine art\, handcrafted artist book p ublisher\, for tours. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArion Press Public T ours FEATURES\n\n\n\n\n\n\n\nSee the last unified hot metal type foundry\, letterpress workshop\, and bindery all under one roof in daily operation in the U.S. Learn how Arion makes books by hand. \n\n\n\n\n\nVisitors rece ive an in-depth overview of the process of making books in Arion’s histo ric workshop and a sneak peek of current publishing projects in process in Building B\, First Floor. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit \n\n\n\n\n\n\n\nEvent Details\n\n\n\nDate\n\n\n\nThursdays\; September 10\ , October 1\, November 12\, and December 10\, 2026Saturdays\; September 19 \, November 21\, and December 19\, 2026 \n\n\n\nTime\n\n\n\nThe 45-minute tours occur every second Thursday and third Saturday of the month\;Thursda ys: 3:00 p.m. to 4:00 p.m. and 5:30 p.m. to 6:30 p.m.Saturdays: 1:00 p.m. to 2:00 p.m. and 3:00 p.m. to 4:00 p.m. \n\n\n\nLocation\n\n\n\nArion Pres s\, Building B\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Ma rina Boulevard\, San Francisco \n\n\n\nCost\n\n\n\n$15 \n\n\n\n\n\nArion Press:ArionPress.comwww.EventBrite.com(415) 668-2542ArionPress@ArionPress. com \n\n\n\nFacebook\n\nInstagram\n\nX\n\nYouTube\n\n\n\n\nTICKETS\n\n\n\n \n \n Share\n\n \n \n \n \n \ n \n \n Facebook\n \n \ n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSign Up For O ur E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. \n\n\n\n\n\nRelated Events\n\n\n\n \n\n \n \n \n \n \n\n Culinary \n \n \n \n\n \n \n Fort Mason Center for Arts & Culture Farmers Market \n \n\n \n Sundays 9:30-1:30 \n \n\n \n \n \n \n\n \n \n \n\n \n \n \n \n \n\n Crafts Fair Culinary \n \n \ n \n\n \n \n Fort Mason Night Ma rket 2026 \n \n\n \n September 18 and October 16 LAST-MODIFIED:20260918T000456Z URL:https://fortmason.org/event/arion-press-public-tours-2026/2026-09-19/1 /?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Southern Exposure: Unity Fest group exhibition (opening reception) DTSTART:20260919T200000Z DTEND:20260920T040000Z DTSTAMP:20260915T183725Z UID:10040714-1789822800-1789851600@missionlocal.org CATEGORIES:arts,free DESCRIPTION:Unity Fest is a skateboarding\, art\, and music festival with a focus on queer skateboarding. Open to all and largely free to attend\, t his 5th edition of Unity Fest—organized by Bay Area artist Jeffrey Cheun g and collaborators—takes place at Southern Exposure and key locations a cross San Francisco. \nThe day’s programming at Southern Exposure inclu des: a one-day group exhibition\, a THERE Skateboards video premiere prese nting a new video part featuring Lau Willems (Ghent\, Belgium)\, and DJ se ts and performances by Edgar and Ryanislit\, and more. \nThe one-day group exhibition features works by over 60 artists: \nPeter Sutherland\nAlicia McCarthy\nChris Duncan\nRewina Beshue\nMarbie\nTodd Francis\nJeffrey Cheu ng\nP Alcala\nSasha Fuentes\nBeatrix Fowler\nSwilk\nSaif Azzuz\nChris Joha nson\nReanna Norman-Irei\nBarry McGee\nChris Gazaleh\nKarl Watson\nG Heave n\nKatie Gilmartin\nAlex Fatemi\nSaylor Thomas\nSamiyah Smith\nMichelle Fe rnandez Villalba\nEmilio Villalba\nChelsea Ryoko Wong\nRaphael Villet\nPoe Pinson\nT.J.G.W\nTéa Sherman\nMegan March\nZoil Dominguez\nMadison Fries en\nShag\nSabri Sundos\nJ’vonte Johnson\nGeoff McFetridge\nNorma Ibarra\ nThomas Campbell\nCraig Calderwood\nNoemie Sebayashi\nBeatrice Domond\nKat Sy\nBailey Anders\nCutpiles + Robi\nEmmie Zimmer\nYana Ivanenko\nNico Cor ona\nMuzae Sesay\nAdrian Martinez\nEsteban Raheem Abdul Raheem Samayoa\nJa smine Djavahery\nOcean Escalanti\nPaz G\nDiana Musa\nAustin Elfio Montanar i\nSam Bolton\nMartin Malvar\nCatalina Cheng\nJun Yang\nMay Dare\nGabriel Anthony Resurreccion Ramirez\nDharma Moon-Hunter \nCome celebrate with us and dont forget to bring your board\, too! All levels welcome! Or\, just c ome and enjoy the festivities! LAST-MODIFIED:20260915T183725Z LOCATION:Southern Exposure\, 3030 20th Street\, San Francisco\, CA\, 94110 \, United States URL:https://missionlocal.org/event/southern-exposure-unity-fest-group-exhi bition-opening-reception/?utm_source=caldiscovery&utm_medium=ics&utm_campa ign=san-francisco-ca X-SOURCE-NAME:Mission Local X-SOURCE-URL:https://missionlocal.org/2020/11/new-city-covid-19-test-site- opens-at-alemany-farmers-market-in-light-of-higher-southeast-sector-infect ion END:VEVENT BEGIN:VEVENT SUMMARY:Flower Piano Fashion Show: Everybody is a Flower DTSTART:20260919T210000Z DTEND:20260919T230000Z DTSTAMP:20260901T000900Z UID:10000598-1789826400-1789833600@gggp.org CATEGORIES:arts,music DESCRIPTION:Saturday\, September 19\n2-4pm\nGreat Meadow \nSunset Piano an d the Gardens of Golden Gate Park invite you to witness and be a part of t he third annual  Flower Piano Fashion Show! On September 19 at 2pm\, we w ill gather at the Great Meadow pianos in the SF Botanical Garden to celebr ate this colorful event. \nBut the real star of the show could be YOU\, Fl ower Piano aficionado! Wear your finest Flower Piano outfit and take a pro vocative stroll down the catwalk… you may win a fabulous prize! We invit e everyone to wear their most colorful\, floralistic\, and music-inspired garb to this one of a kind event. \nWant to showcase your own handmade cre ation on stage with a shot at a fabulous prize from our guest judge\, a pr ofessional fashion designer? Create an outfit inspired by the theme “Eve rybody is a Flower\,” and apply to be part of the show at HERE by Septem ber 10. Space is limited to 8-10 designers\; adults only\, please. \nWe wi ll follow up with everyone directly with more information. Can’t wait to see you there! LAST-MODIFIED:20260901T000900Z LOCATION:SF Botanical Garden URL:https://gggp.org/event/flower-piano-fashion-show-everybody-is-a-flower /?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:GGGP X-SOURCE-URL:https://www.sfbg.org/ END:VEVENT BEGIN:VEVENT SUMMARY:Arion Press Public Tours 2026 DTSTART:20260919T220000Z DTEND:20260919T230000Z DTSTAMP:20260918T000456Z UID:10012566-1789830000-1789833600@fortmason.org CATEGORIES:arts,education DESCRIPTION:About\n Event Features\n Plan Your Visit\n Related Events\n TICKETS\n \n \n\n\n\n\n\n\nPresent ed By Arion Press\n\n\n\nJoin Fort Mason Center For Arts & Culture’s res ident organization\, Arion Press\, a fine art\, handcrafted artist book p ublisher\, for tours. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArion Press Public T ours FEATURES\n\n\n\n\n\n\n\nSee the last unified hot metal type foundry\, letterpress workshop\, and bindery all under one roof in daily operation in the U.S. Learn how Arion makes books by hand. \n\n\n\n\n\nVisitors rece ive an in-depth overview of the process of making books in Arion’s histo ric workshop and a sneak peek of current publishing projects in process in Building B\, First Floor. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit \n\n\n\n\n\n\n\nEvent Details\n\n\n\nDate\n\n\n\nThursdays\; September 10\ , October 1\, November 12\, and December 10\, 2026Saturdays\; September 19 \, November 21\, and December 19\, 2026 \n\n\n\nTime\n\n\n\nThe 45-minute tours occur every second Thursday and third Saturday of the month\;Thursda ys: 3:00 p.m. to 4:00 p.m. and 5:30 p.m. to 6:30 p.m.Saturdays: 1:00 p.m. to 2:00 p.m. and 3:00 p.m. to 4:00 p.m. \n\n\n\nLocation\n\n\n\nArion Pres s\, Building B\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Ma rina Boulevard\, San Francisco \n\n\n\nCost\n\n\n\n$15 \n\n\n\n\n\nArion Press:ArionPress.comwww.EventBrite.com(415) 668-2542ArionPress@ArionPress. com \n\n\n\nFacebook\n\nInstagram\n\nX\n\nYouTube\n\n\n\n\nTICKETS\n\n\n\n \n \n Share\n\n \n \n \n \n \ n \n \n Facebook\n \n \ n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSign Up For O ur E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. \n\n\n\n\n\nRelated Events\n\n\n\n \n\n \n \n \n \n \n\n Culinary \n \n \n \n\n \n \n Fort Mason Center for Arts & Culture Farmers Market \n \n\n \n Sundays 9:30-1:30 \n \n\n \n \n \n \n\n \n \n \n\n \n \n \n \n \n\n Crafts Fair Culinary \n \n \ n \n\n \n \n Fort Mason Night Ma rket 2026 \n \n\n \n September 18 and October 16 LAST-MODIFIED:20260918T000456Z URL:https://fortmason.org/event/arion-press-public-tours-2026/2026-09-19/2 /?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Drawing Room ANNEX: Right Here\, Right Now (opening reception) DTSTART:20260919T230000Z DTEND:20260920T040000Z DTSTAMP:20260915T183725Z UID:10040702-1789833600-1789851600@missionlocal.org CATEGORIES:arts DESCRIPTION:EXHIBITION DATES:\nSept 19-Nov 8\, 2026\nOPENING RECEPTION:\nS at\, Sept 19 4-9pm \nThe Drawing Room is proud to show the work of 5 recip ients of The Sarah K. Delson (SKD) Fellowship\, established in the name of San Francisco artist Sarah Delson who passed away on May 4\, 2023. The ex hibition features artists Lexie Bouwsma\, Jillian Crochet\, Fuzz E. Grant\ , dk haas\, and Denise Tarantino. \nThe Fellowship is designed to bolster Bay Area artists whose practice has been significantly shifted by a life-c hanging illness. It was created by the Fine Arts Museums of San Francisco in conjunction with The Drawing Room and is made possible by contributions in Delson’s honor from her family\, friends\, and broader community. LAST-MODIFIED:20260915T183725Z LOCATION:Drawing Room ANNEX\, 599 Valencia St\, San Francisco\, CA\, 94110 \, United States URL:https://missionlocal.org/event/drawing-room-annex-right-here-right-now -opening-reception/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=sa n-francisco-ca X-SOURCE-NAME:Mission Local X-SOURCE-URL:https://missionlocal.org/2020/11/new-city-covid-19-test-site- opens-at-alemany-farmers-market-in-light-of-higher-southeast-sector-infect ion END:VEVENT BEGIN:VEVENT SUMMARY:Quarter Century of Psycho: A San Franpsycho Retrospective DTSTART:20260920T010000Z DTEND:20260920T070000Z DTSTAMP:20260911T001043Z UID:10006861-1789840800-1789862400@111minnagallery.com CATEGORIES:arts,film DESCRIPTION:Dive into 25 wild years of Psycho with San Franpsycho’s epic retrospective — live and in person!\n \n\n\nQuarter Century of Psycho: A San Franpsycho Retrospective \nSome brands make clothes. SFP made a cult ure — out of Ocean Beach\, a striped van\, and a city that claimed it as its own. This is 25 years of that story\, all in one room. Original shirt s\, art\, posters\, archival footage\, collabs\, and real stories from the people whose lives SFP touched along the way. A look back\, and a nod to everything it took to get here. \nThe centerpiece: a screening of the orig inal San Franpsycho surf film — the one that started it all — first re leased on VHS and unseen for over two decades. \nIf you’ve got SFP in yo ur closet\, tonight’s the night to wear it! Doors open at 7pm. VIP gets in at 6pm for a first look before the crowd. 8:15pm Live Q&A with the peop le who made it happen. Screening at 8:45pm\, then we party until midnight. \n21+ only. Don’t sit this one out! \n \nThis year marks our 25th anniv ersary of San Franpsycho\, and we’re celebrating with “Quarter Century of Psycho: A San Franpsycho Retrospective” at 111 Minna Gallery. This e xhibition brings together 25 years of SFP in one room: original shirts\, a rtwork\, posters\, pictures\, archival footage\, collaborations\, and real stories from the people whose lives the brand has touched — from early designs to memorable collabs and everything in between. The centerpiece of the opening party is a screening of the original San Franpsycho surf film — the one that started it all — first released on VHS and unseen for over two decades. \nSan Franpsycho is a San Francisco community based clot hing and lifestyle brand built on a simple idea: this city\, and the peopl e in it\, are worth celebrating. Founded in 2001 by Christian Routzen in t he Outer Sunset\, the brand grew directly out of the Ocean Beach surf scen e and a do-it-yourself ethos that still defines how we work — we taught ourselves to screen-print in a basement\, sold our first shirts out of an orange-and-black zebra-striped van\, and have spent 25 years making things alongside the community that made us. Surf\, art\, music\, and community aren’t talking points for us\; they’re the neighborhoods\, friends\, a nd collaborators the brand was literally born from. \nArtists: \n\nKevin E speche\, Zach Rowe\, Jessica Blomstrom\, Emily Fromm\, Eric Dosie\, Nigel Sussman\, Lucy Duarte\, Melanie Getman\, Ferris Plock\, Erik Abel\, Max Lo hr. Jon Carr\, Arthur LD\, Jess Carter\, David Fautch\, Sam Apollo Fisher\ , John Keegan\, Misa Marin\, Levi Pata\, Isa Grassi\, Chris White LAST-MODIFIED:20260911T001043Z LOCATION:111 Minna Gallery and Event Space\, 111 Minna Street\, San Franci sco\, CA\, 94105\, United States URL:https://111minnagallery.com/event/quarter-century-of-psycho-a-san-fran psycho-retrospective/?utm_source=caldiscovery&utm_medium=ics&utm_campaign= san-francisco-ca X-SOURCE-NAME:111 Minna Gallery & Event Space X-SOURCE-URL:https://111minnagallery.com END:VEVENT BEGIN:VEVENT SUMMARY:111 Minna Gallery: ‘Quarter Century Of Psycho: A San Franpsycho Retrospective’ (opening reception) DTSTART:20260920T010000Z DTEND:20260920T065900Z DTSTAMP:20260915T063343Z UID:10040659-1789840800-1789862340@missionlocal.org CATEGORIES:arts DESCRIPTION:‘Quarter Century Of Psycho: A San Franpsycho Retrospective ’ \n111 Minna Gallery \nOPENING PARTY: Saturday\, September 19th 2026 \nCLOSING PARTY: Friday\, October 16th 2026 \nRSVP AT: https://www.eventb rite.com/e/quarter-century-of-psycho-a-san-franpsycho-retrospective-ticket s-1992796741699 \nThis year marks our 25th anniversary of San Franpsycho\, and we’re celebrating with “Quarter Century of Psycho: A San Franpsyc ho Retrospective” at 111 Minna Gallery. This exhibition brings together 25 years of SFP in one room: original shirts\, artwork\, posters\, picture s\, archival footage\, collaborations\, and real stories from the people w hose lives the brand has touched — from early designs to memorable colla bs and everything in between. The centerpiece of the opening party is a sc reening of the original San Franpsycho surf film — the one that started it all — first released on VHS and unseen for over two decades. The even ing runs 6 PM to midnight: VIP entry at 6 PM for a first look\, doors at 7 PM\, a live Q&A with the people who made it happen\, the film screening\, and a party for the ages. The event is 21+. \nSan Franpsycho is a San Fra ncisco community based clothing and lifestyle brand built on a simple idea : this city\, and the people in it\, are worth celebrating. Founded in 200 1 by Christian Routzen in the Outer Sunset\, the brand grew directly out o f the Ocean Beach surf scene and a do-it-yourself ethos that still defines how we work — we taught ourselves to screen-print in a basement\, sold our first shirts out of an orange-and-black zebra-striped van\, and have s pent 25 years making things alongside the community that made us. Surf\, a rt\, music\, and community aren’t talking points for us\; they’re the neighborhoods\, friends\, and collaborators the brand was literally born f rom. \nArtists: \nKevin Espeche\, Zach Rowe\, Jessica Blomstrom\, Emily Fr omm\, Eric Dosie\, Nigel Sussman\, Lucy Duarte\, Melanie Getman\, Ferris P lock\, Erik Abel\, Max Lohr. Jon Carr\, Arthur LD\, Jess Carter\, David Fa utch\, Sam Apollo Fisher\, John Keegan\, Misa Marin\, Levi Pata\, Isa Gras si\, Chris White LAST-MODIFIED:20260915T063343Z LOCATION:111 Minna Gallery\, 111 Minna St\, San Francisco\, CA\, 94105\, U nited States URL:https://missionlocal.org/event/111-minna-gallery-quarter-century-of-ps ycho-a-san-franpsycho-retrospective-opening-reception/?utm_source=caldisco very&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Mission Local X-SOURCE-URL:https://missionlocal.org/2020/11/new-city-covid-19-test-site- opens-at-alemany-farmers-market-in-light-of-higher-southeast-sector-infect ion END:VEVENT BEGIN:VEVENT SUMMARY:American Indian Cultural District -- We Are The Land: Between Eart h & Sky DTSTART:20260920T070000Z DTEND:20260921T065959Z DTSTAMP:20260913T180152Z UID:10005743-1789862400-1789948799@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Features\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n We Are the Land: Between Earth And Sky\n\n\n\nThe American Indian Cultura l District (AICD)\, with support from Fort Mason Center For Arts & Cultur e (FMCAC)\, presents new mural commissions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n \n\n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with suppor t from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural c ommissions by artists Brittany Burrows and Jewelina Acosta. Depicting vege tation and wildlife from the land and water\, the artists highlight the im portance of Indigenous knowledge and traditional practices in maintaining ecological balance and human well-being. By recognizing the interconnected ness of all life forms and the importance of preserving biodiversity\, the ir work points to a more harmonious and sustainable future for generations to come. \n\n\n\nIn We are the Land: Between Earth & Sky\, Brittany Burr ows highlights the parallels between endangered butterfly species and the struggles of Indigenous communities. Both are deeply connected to the land and face threats to their survival due to various factors\, including hab itat loss\, environmental degradation\, and cultural assimilation. \n\n\n\ n“Land stewardship and sovereignty are indeed crucial for preserving Ind igenous ways of life and ensuring the continued thriving of both human and non-human communities. By respecting Indigenous rights to their ancestral lands and supporting their efforts in environmental conservation\, we can learn valuable lessons about sustainable living and holistic interconnect edness\,” said Burrows.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The A rtists\n\n\n\n\n\n\n\nBrittany Burrows is Nomlaki-Wintun and Pomo\, born in Chico\, CA\, who moved to San Francisco at age 11. From a young age\, B rittany has always been fascinated with art\, mostly ballpoint pen drawing s. Brittany is a self-taught artist who specializes in black-and-white por traits. Her mediums are pencil\, charcoal\, and graphite. \n\n\n\n\n\nJew elina Acosta is from a small non-federally recognized tribe named Yokaia (the deep valley) from which the name Ukiah\, CA originated. She is the ow ner of Inkdigenous Tattoo\, which brings forward and makes room for her tr aditional and cultural lifestyle in the tattoo industry. She uses her artw ork to share traditional ecological knowledge with the community\, making the world a better place one art piece at a time. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\ n\n\n\nOn view daily\, 9:00 a.m. to 9:00 p.m. \n\n\n\nTime\n\n\n\n9:00 a.m . to 9:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding D Lobby\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with support from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural com missions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\nAmerican Indian Cultural District:AmericanIndianCulturalDistrict.org(415) 287-2820 general@AmericanIndianCulturalDistrict.org \n\n\n\nFacebook\n\nFlickr\n\nI nstagram\n\nLinkedIn\n\nX\n\n\n\n\n\nBrittany Burrows:BrittanyBurrowsArt.c omBrittanyEBrrws@gmail.com \n\n\n\nFacebook\n\nInstagram\n\n\n\n\n\nJeweli na Acosta: \n\n\n\nFacebook\n\nInstagram\n\nTikTok\n\nYouTube\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mai l\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260913T180152Z URL:https://fortmason.org/event/american-indian-cultural-district-we-are-t he-land-between-earth-and-sky/2026-09-20/?utm_source=caldiscovery&utm_medi um=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Matt Passmore: Tied / Untied DTSTART:20260920T070000Z DTEND:20260921T065959Z DTSTAMP:20260913T180152Z UID:10007621-1789862400-1789948799@fortmason.org CATEGORIES:arts DESCRIPTION:About\n About the Installation\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nMatt Passmore: Tied / Untied Pres ented by Fort Mason Art\n\n\n\nFort Mason Art is proud to present Matt Pa ssmore‘s Tied / Untied. This striking sculpture helps to define the ent rance to FMCAC\, offering visitors a place to gather\, wonder\, and foster curiosity. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n\n\n\n \n\n\n\nEchoing the historic track inside FMCAC’s campus\, the railroad- tie sculpture lifts dramatically out of the ground\, creating playful loop s and arcs for visitors to sit or walk through. Tied / Untied is abstract but looks vaguely familiar\, possibly referencing its surroundings throug h a nautical knot mid-tie\, or the rolling tides of the bay. This playful form gestures to the material and history of Fort Mason and the San Franci sco waterfront. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nTied / Untied is permanently on display at the entrance for Fort Mason Center for Arts & Culture. \n\n\ n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\ n\nSign up today for the latest news from Fort Mason Center For Arts & Cul ture. LAST-MODIFIED:20260913T180152Z URL:https://fortmason.org/event/matt-passmore-tied-untied/2026-09-20/?utm_ source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:American Indian Cultural District -- We Are The Land: Between Eart h & Sky DTSTART:20260921T070000Z DTEND:20260922T065959Z DTSTAMP:20260915T002555Z UID:10005744-1789948800-1790035199@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Features\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n We Are the Land: Between Earth And Sky\n\n\n\nThe American Indian Cultura l District (AICD)\, with support from Fort Mason Center For Arts & Cultur e (FMCAC)\, presents new mural commissions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n \n\n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with suppor t from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural c ommissions by artists Brittany Burrows and Jewelina Acosta. Depicting vege tation and wildlife from the land and water\, the artists highlight the im portance of Indigenous knowledge and traditional practices in maintaining ecological balance and human well-being. By recognizing the interconnected ness of all life forms and the importance of preserving biodiversity\, the ir work points to a more harmonious and sustainable future for generations to come. \n\n\n\nIn We are the Land: Between Earth & Sky\, Brittany Burr ows highlights the parallels between endangered butterfly species and the struggles of Indigenous communities. Both are deeply connected to the land and face threats to their survival due to various factors\, including hab itat loss\, environmental degradation\, and cultural assimilation. \n\n\n\ n“Land stewardship and sovereignty are indeed crucial for preserving Ind igenous ways of life and ensuring the continued thriving of both human and non-human communities. By respecting Indigenous rights to their ancestral lands and supporting their efforts in environmental conservation\, we can learn valuable lessons about sustainable living and holistic interconnect edness\,” said Burrows.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The A rtists\n\n\n\n\n\n\n\nBrittany Burrows is Nomlaki-Wintun and Pomo\, born in Chico\, CA\, who moved to San Francisco at age 11. From a young age\, B rittany has always been fascinated with art\, mostly ballpoint pen drawing s. Brittany is a self-taught artist who specializes in black-and-white por traits. Her mediums are pencil\, charcoal\, and graphite. \n\n\n\n\n\nJew elina Acosta is from a small non-federally recognized tribe named Yokaia (the deep valley) from which the name Ukiah\, CA originated. She is the ow ner of Inkdigenous Tattoo\, which brings forward and makes room for her tr aditional and cultural lifestyle in the tattoo industry. She uses her artw ork to share traditional ecological knowledge with the community\, making the world a better place one art piece at a time. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\ n\n\n\nOn view daily\, 9:00 a.m. to 9:00 p.m. \n\n\n\nTime\n\n\n\n9:00 a.m . to 9:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding D Lobby\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with support from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural com missions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\nAmerican Indian Cultural District:AmericanIndianCulturalDistrict.org(415) 287-2820 general@AmericanIndianCulturalDistrict.org \n\n\n\nFacebook\n\nFlickr\n\nI nstagram\n\nLinkedIn\n\nX\n\n\n\n\n\nBrittany Burrows:BrittanyBurrowsArt.c omBrittanyEBrrws@gmail.com \n\n\n\nFacebook\n\nInstagram\n\n\n\n\n\nJeweli na Acosta: \n\n\n\nFacebook\n\nInstagram\n\nTikTok\n\nYouTube\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mai l\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260915T002555Z URL:https://fortmason.org/event/american-indian-cultural-district-we-are-t he-land-between-earth-and-sky/2026-09-21/?utm_source=caldiscovery&utm_medi um=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Matt Passmore: Tied / Untied DTSTART:20260921T070000Z DTEND:20260922T065959Z DTSTAMP:20260915T182910Z UID:10007622-1789948800-1790035199@fortmason.org CATEGORIES:arts DESCRIPTION:About\n About the Installation\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nMatt Passmore: Tied / Untied Pres ented by Fort Mason Art\n\n\n\nFort Mason Art is proud to present Matt Pa ssmore‘s Tied / Untied. This striking sculpture helps to define the ent rance to FMCAC\, offering visitors a place to gather\, wonder\, and foster curiosity. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n\n\n\n \n\n\n\nEchoing the historic track inside FMCAC’s campus\, the railroad- tie sculpture lifts dramatically out of the ground\, creating playful loop s and arcs for visitors to sit or walk through. Tied / Untied is abstract but looks vaguely familiar\, possibly referencing its surroundings throug h a nautical knot mid-tie\, or the rolling tides of the bay. This playful form gestures to the material and history of Fort Mason and the San Franci sco waterfront. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nTied / Untied is permanently on display at the entrance for Fort Mason Center for Arts & Culture. \n\n\ n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\ n\nSign up today for the latest news from Fort Mason Center For Arts & Cul ture. LAST-MODIFIED:20260915T182910Z URL:https://fortmason.org/event/matt-passmore-tied-untied/2026-09-21/?utm_ source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Red Door Coffee DTSTART:20260921T150000Z DTEND:20260921T220000Z DTSTAMP:20260902T181147Z UID:10006514-1789977600-1790002800@111minnagallery.com CATEGORIES:arts,drink,food DESCRIPTION:Savor the nuanced flavors of our meticulously crafted beverage s as you take in the mesmerizing artwork that adorns our walls.\n\nWhether you’re seeking a moment of tranquility amidst artistic inspiration or e ngaging in lively conversations over a cup of warmth\, Red Door Coffee is the perfect retreat. \nOur menu boasts a delightful array of coffee creati ons\, from the bold richness of Espresso to the creamy indulgence of a Map le Cinnamon Latte. Join us in celebrating the art of coffee\, culture\, an d community. \n[erm_menu id=113597] LAST-MODIFIED:20260902T181147Z LOCATION:2nd Street Gallery\, 111 Minna Street\, San Francisco\, CA\, 9410 5\, United States URL:https://111minnagallery.com/event/red-door-coffee-3/2026-09-21/?utm_so urce=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:111 Minna Gallery & Event Space X-SOURCE-URL:https://111minnagallery.com END:VEVENT BEGIN:VEVENT SUMMARY:Haines Gallery’s John Chiara: Bay Panel At SF Camerawork DTSTART:20260921T180000Z DTEND:20260922T010000Z DTSTAMP:20260916T002605Z UID:10012627-1789988400-1790013600@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artist\n Gallery\n Plan Your Visit\n RESERVE SPACE\n \n \n\n\n\n\n\n\nJohn Chiara: Bay Panel Presented By Haines Gallery & SF Camerawork\n\n\n\nSF Camerawork and Haines Gallery collaborat e on a major solo exhibition by John Chiara. The presentation at SF Camera work celebrates the San Francisco photographer through landmark works rare ly seen by the public. \n\n\n\n\n\nABOVE: John Chiara\, “Avenue Of The P alms South Treasure Island” (2023). TOP OF PAGE: John Chiara\,“Bay Pan el\,” (2020)\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\nFor summer 2026\, SF Camerawork and Haines Gallery present a solo show featuring majo r work by an acclaimed San Francisco Bay Area photographer. John Chiara is an artist whose practices are deeply rooted in the history of photography while continually expanding the medium’s possibilities. \n\n\n\nPresent ed in SF Camerawork’s gallery at Fort Mason Center for Arts & Culture\, John Chiara: Bay Panel centers on ambitious\, large-scale works that exemp lify the artist’s singular approach to image-making. The exhibition cele brates SF Camerawork’s central role within the SF Bay Area photography c ommunity and its decades-long commitment to supporting artists whose pract ices have challenged and redefined the field. \n\n\n\nFor Chiara\, SF Came rawork has played an important role early in his artistic development\, pr oviding support and visibility at pivotal moments in his career. The exhib ition honors that history while underscoring the organization’s lasting impact on photographers working in and around San Francisco for more than 50 years. \n\n\n\nJohn Chiara: Bay Panel. John Chiara describes his proces s as “part photography\, part sculpture\, and part event.” Working wit h and within enormous\, hand-built cameras that he transports throughout N orthern California on a flatbed trailer\, the artist creates unique positi ve photographs directly onto color photographic paper\, without the use of a negative. \n\n\n\n\n\n The resulting works retain visible traces of the ir making: hand-cut edges\, tape marks\, chemical streaking\, and light le aks that foreground photography as a physical and performative act. \n\n\n \nJohn Chiara: “Bay Panel” centers on the six-part\, horizontal work f rom 2020 of the same title\, originally commissioned by the Pilara Family Foundation for an exhibition in their former space. Shown only briefly bef ore being placed in storage\, the work now returns to public view for the first time. Stretching more than 24 feet in length\, “Bay Panel” offer s a sweeping meditation on the San Francisco Bay and the city’s layered photographic history. Referencing the panoramic traditions of 19th-century photographers such as Eadweard Muybridge\, Chiara’s work captures the B ay’s shifting atmosphere alongside markers of urban development and comm ercial exchange\, including the Golden Gate Bridge\, San Francisco’s dis tinct skyline\, and passing cargo ships\, viewed from various vantages acr oss the Bay. At once ethereal and finely detailed\, “Bay Panel” highli ghts the dynamism and beauty of the SF Bay Area itself. Additional photogr aphs included in the exhibition further demonstrate Chiara’s singular pr actice and his sustained engagement with the landscapes and histories of N orthern California. \n\n\n\nArtist Talk & Exhibition Walk Through with Joh n Chiara: Saturday\, July 18\, 2026\, 2:00 p.m. to 3:30 p.m. RESERVE SPACE \n\n\n\nCheck SFCamerawork.org for updates. \n\n\n\n\n\n\nAbout The Artis t\n\n\n\n\n\n\nJohn Chiara’s (b. 1971\, San Francisco\; lives and works in San Francisco) work had been presented and acquired by institutions suc h as the J. Paul Getty Museum\, Los Angeles\; Fine Arts Museums of San Fra ncisco\; Los Angeles County Museum of Art\; National Gallery of Art\, Wash ington\, DC\; and Museum of Fine Arts\, Boston\, among others. \n\n\n\n\n \nChiara has participated in residencies including Art Factory Budapest\, Hungary\; Art Farm at Serenbe\, GA\; Crown Point Press\, San Francisco\; F undaziun Nairs\, Switzerland\; and Headlands Center for the Arts. His work is widely recognized for re-imagining the possibilities of camera obscura photography. His monograph\, John Chiara: California\, was published by A perture in 2017. \n\n\n\n\n\n\n\n\nJohn Chiara\, “Bay Panel\,” Detail (2020)\n\n\n\nJohn Chiara\,“Bay Panel” (2020)Six unique Camera Obscura Ilfochrome Photographs56.5 x 287 inches\, framed\n\n\n\nJohn Chiara\, “ Bay Panel\,”Detail (2020)\n\n\n\nJohn Chiara\, “Bay Panel\,”Detail ( 2020)\n\n\n\nJohn Chiara\, “Bay Panel\,”Detail (2020)\n\n\n\nJohn Chia ra\, “Bay Panel\,”Detail (2020)\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n \n\n\n\n\nDate\n\n\n\nJune 26 through August 16\, 2026Opening Reception: S aturday\, June 27\, 2026\, 5:00 p.m. to 7:00 p.m.Closed: Saturday\, July 4 \, 2026Artist Talk & Exhibition Walk Through: Saturday\, July 18\, 2026\, 2:00 p.m. to 3:30 p.m. \n\n\n\nTime\n\n\n\nWednesday through Sunday\, 11:0 0 a.m. to 6:00 p.m.Friday\, July 10\, 2026: Open until 7:00 p.m. (call the gallery to confirm the extra hour) \n\n\n\nLocation\n\n\n\nSF Camerawork \, Building A\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\ , San Francisco \n\n\n\nCost\n\n\n\nFREE (Exhibition)Artist Talk & Exhibit ion Walk-Through on Saturday\, July 18\, 2026: Members FREE\; Non-Members $10 to $50\, $12.51 to $55.20 with fees) \n\n\n\n\n\nHaines Gallery:Haines Gallery.com(415) 397-8114art@HainesGallery.com \n\n\n\nFacebook\n\nInstagr am\n\nVimeo\n\n\n\nSF Camerwork:SFCamerawork.org(415) 487-1011info@SFCamer awork.org \n\n\n\nFacebook\n\nInstagram\n\nLinkedIn\n\nX\n\nYouTube\n\n\n\ nJohn Chiara:JohnChiara.com \n\n\n\nInstagram\n\n\n\n\nrESERVE SPACE\n\n\n \n \n Share\n\n \n \n \n \n \ n \n \n Facebook\n \n \ n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n \n\nSign up today for the latest news from Fort Mason Center For Arts & Cu lture. LAST-MODIFIED:20260916T002605Z URL:https://fortmason.org/event/haines-gallerys-john-chiara-bay-panel-at-s f-camerawork/2026-09-21/?utm_source=caldiscovery&utm_medium=ics&utm_campai gn=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:American Indian Cultural District -- We Are The Land: Between Eart h & Sky DTSTART:20260922T070000Z DTEND:20260923T065959Z DTSTAMP:20260916T002605Z UID:10005745-1790035200-1790121599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Features\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n We Are the Land: Between Earth And Sky\n\n\n\nThe American Indian Cultura l District (AICD)\, with support from Fort Mason Center For Arts & Cultur e (FMCAC)\, presents new mural commissions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n \n\n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with suppor t from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural c ommissions by artists Brittany Burrows and Jewelina Acosta. Depicting vege tation and wildlife from the land and water\, the artists highlight the im portance of Indigenous knowledge and traditional practices in maintaining ecological balance and human well-being. By recognizing the interconnected ness of all life forms and the importance of preserving biodiversity\, the ir work points to a more harmonious and sustainable future for generations to come. \n\n\n\nIn We are the Land: Between Earth & Sky\, Brittany Burr ows highlights the parallels between endangered butterfly species and the struggles of Indigenous communities. Both are deeply connected to the land and face threats to their survival due to various factors\, including hab itat loss\, environmental degradation\, and cultural assimilation. \n\n\n\ n“Land stewardship and sovereignty are indeed crucial for preserving Ind igenous ways of life and ensuring the continued thriving of both human and non-human communities. By respecting Indigenous rights to their ancestral lands and supporting their efforts in environmental conservation\, we can learn valuable lessons about sustainable living and holistic interconnect edness\,” said Burrows.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The A rtists\n\n\n\n\n\n\n\nBrittany Burrows is Nomlaki-Wintun and Pomo\, born in Chico\, CA\, who moved to San Francisco at age 11. From a young age\, B rittany has always been fascinated with art\, mostly ballpoint pen drawing s. Brittany is a self-taught artist who specializes in black-and-white por traits. Her mediums are pencil\, charcoal\, and graphite. \n\n\n\n\n\nJew elina Acosta is from a small non-federally recognized tribe named Yokaia (the deep valley) from which the name Ukiah\, CA originated. She is the ow ner of Inkdigenous Tattoo\, which brings forward and makes room for her tr aditional and cultural lifestyle in the tattoo industry. She uses her artw ork to share traditional ecological knowledge with the community\, making the world a better place one art piece at a time. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\ n\n\n\nOn view daily\, 9:00 a.m. to 9:00 p.m. \n\n\n\nTime\n\n\n\n9:00 a.m . to 9:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding D Lobby\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with support from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural com missions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\nAmerican Indian Cultural District:AmericanIndianCulturalDistrict.org(415) 287-2820 general@AmericanIndianCulturalDistrict.org \n\n\n\nFacebook\n\nFlickr\n\nI nstagram\n\nLinkedIn\n\nX\n\n\n\n\n\nBrittany Burrows:BrittanyBurrowsArt.c omBrittanyEBrrws@gmail.com \n\n\n\nFacebook\n\nInstagram\n\n\n\n\n\nJeweli na Acosta: \n\n\n\nFacebook\n\nInstagram\n\nTikTok\n\nYouTube\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mai l\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260916T002605Z URL:https://fortmason.org/event/american-indian-cultural-district-we-are-t he-land-between-earth-and-sky/2026-09-22/?utm_source=caldiscovery&utm_medi um=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Matt Passmore: Tied / Untied DTSTART:20260922T070000Z DTEND:20260923T065959Z DTSTAMP:20260916T182333Z UID:10007623-1790035200-1790121599@fortmason.org CATEGORIES:arts DESCRIPTION:About\n About the Installation\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nMatt Passmore: Tied / Untied Pres ented by Fort Mason Art\n\n\n\nFort Mason Art is proud to present Matt Pa ssmore‘s Tied / Untied. This striking sculpture helps to define the ent rance to FMCAC\, offering visitors a place to gather\, wonder\, and foster curiosity. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n\n\n\n \n\n\n\nEchoing the historic track inside FMCAC’s campus\, the railroad- tie sculpture lifts dramatically out of the ground\, creating playful loop s and arcs for visitors to sit or walk through. Tied / Untied is abstract but looks vaguely familiar\, possibly referencing its surroundings throug h a nautical knot mid-tie\, or the rolling tides of the bay. This playful form gestures to the material and history of Fort Mason and the San Franci sco waterfront. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nTied / Untied is permanently on display at the entrance for Fort Mason Center for Arts & Culture. \n\n\ n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\ n\nSign up today for the latest news from Fort Mason Center For Arts & Cul ture. LAST-MODIFIED:20260916T182333Z URL:https://fortmason.org/event/matt-passmore-tied-untied/2026-09-22/?utm_ source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Red Door Coffee DTSTART:20260922T150000Z DTEND:20260922T220000Z DTSTAMP:20260902T181147Z UID:10006515-1790064000-1790089200@111minnagallery.com CATEGORIES:arts,drink,food DESCRIPTION:Savor the nuanced flavors of our meticulously crafted beverage s as you take in the mesmerizing artwork that adorns our walls.\n\nWhether you’re seeking a moment of tranquility amidst artistic inspiration or e ngaging in lively conversations over a cup of warmth\, Red Door Coffee is the perfect retreat. \nOur menu boasts a delightful array of coffee creati ons\, from the bold richness of Espresso to the creamy indulgence of a Map le Cinnamon Latte. Join us in celebrating the art of coffee\, culture\, an d community. \n[erm_menu id=113597] LAST-MODIFIED:20260902T181147Z LOCATION:2nd Street Gallery\, 111 Minna Street\, San Francisco\, CA\, 9410 5\, United States URL:https://111minnagallery.com/event/red-door-coffee-3/2026-09-22/?utm_so urce=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:111 Minna Gallery & Event Space X-SOURCE-URL:https://111minnagallery.com END:VEVENT BEGIN:VEVENT SUMMARY:Haines Gallery: 250 Years\, Indigenous Futures DTSTART:20260922T173000Z DTEND:20260923T003000Z DTSTAMP:20260917T002151Z UID:10012882-1790073000-1790098200@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n2 50 Years\, Indigenous Futures Presented By Haines Gallery\n\n\n\nAs the U. S. marks its 250th anniversary\, Haines Gallery presents 250 Years\, Indi genous Futures\, a group exhibition centering the work of leading Native A merican artists. While occasioned by this anniversary\, 250 Years\, Indig enous Futures does not commemorate it.  \n\n\n\n\n\nABOVE: Haines Galler y is in Building C (far right). TOP OF PAGE: Brad Kahlhamer\, “Pima Air + Space\,” 2025 (detail). Acrylic\, ink\, pencil on bedsheet\, 69.25 x 5 3.5 inches\, framed. Courtesy of the artist and Haines Gallery\, San Franc isco. Photo: Shaun Roberts\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\ n250 Years\, Indigenous Futures takes its title from the writings of Stand ing Rock Sioux historian Philip J. Deloria and his colleagues\, who argue that Native peoples should be understood not primarily through the past\, but “through the lens of futurity.” Indigenous knowledge\, they write\ , is not peripheral to contemporary life but generative of new ways of und erstanding it. In this spirit\, the exhibition considers Native presence a nd creativity as powerful forces shaping our collective future. \n\n\n\nTh e artists in the exhibition are: Victoria Grace Canby (Diné [Navaho])\;Jo rdan Ann Craig (Northern Cheyenne)\; Sky Hopinka (Ho-Chunk Nation / Pechan ga Band of Luiseño Indians)\; Brad Kahlhamer (Indigenous ancestry)\; Terr an Last Gun (Piikani / Blackfoot)\; Jamie Okuma (Luiseño\, Shoshone-Banno ck\, Wailaki\, Okinawan\, and La Jolla)\; Wendy Red Star (Apsáalooke [Cro w])\; and Keith Secola (Northern Ute / Anishinaabe). Working across paint ing\, drawing\, sculpture\, film\, and photography\, these artists engage contemporary culture\, Nation-specific visual traditions\, and personal hi stories in distinct and expansive ways. \n\n\n\n\n\nRather than commemorat ing the 250th U.S. anniversary\, the exhibition recognizes 1776 as only on e moment within much longer histories of Indigenous presence\, adaptation\ , and sovereignty. Creating space for artists to define their own terms of engagement\, the exhibition aims to bring forward concerns central to the ir practices. The works on view draw inspiration from a vivid range of sou rces: boldly painted Piikani lodges\; the precise geometry of Northern Che yenne beadwork\; the Indians of All Tribes’ occupation of Alcatraz\; car s adorned with blankets and regalia for the annual Crow Fair\; blood-soake d horror films\; and archival photographs whose subjects meet the visitor ’s gaze. \n\n\n\nThe exhibition is informed by Apsáalooke artist Wendy Red Star’s caution against a “foe-based” framing of Native art –  one that risks tethering meaning to resistance alone and obscuring the s pecificity of Nations\, histories\, and individual practices. Here\, each artist’s work emerges from particular relationships to language\, land\, and material culture. No single framework can contain these worlds. \n\n\ n\n\n\n\nAbout the Artists\n\n\n\n\n\n\nVictoria Grace Canby (Diné\, b. 1 978\, Albuquerque\, NM). Marin-based artist Victoria Grace Canby’s new w orks on paper\, created for the exhibition\, depict the Three Sisters – corn\, beans\, and squash – as a living model of resilience\, healing \, and collective care that connects Indigenous Peoples throughout the Ame ricas. “Through fostering our connection to these plants’ powers\,” Canby notes\, “we can overcome the impacts of colonization.” \n\n\n\nJ ordan Ann Craig (Northern Cheyenne\, b. 1992\, San Jose\, CA). Jordan Ann Craig’s paintings draw from references ranging from Northern Cheyenne be adwork and quillwork to the postwar abstraction of Agnes Martin\, all of w hich she translates into exacting\, poetic fields of color and form. In wo rks such as “Miss Your Musk” (2024)\, Craig foregrounds Indigenous abs traction as a living and evolving practice – one capable of holding per sonal narrative\, formal experimentation\, and cultural continuity without being reduced to any single source or meaning. \n\n\n\nSky Hopinka (Ho-Ch unk Nation/Pechanga Band of Luiseño Indians\; b. 1984\, Ferndale\, WA). S ky Hopinka’s film Sunflower Siege Engine (2022) brings together distinct Indigenous sites and histories\, connecting the Indians of All Tribes’ occupation of nearby Alcatraz Island (1969–1971) with Illinois’ Cahoki a Mounds\, one of the largest pre-contact urban centers in North America a nd a site from which ancestral remains continue to be repatriated. \n\n\n\ nBrad Kahlhamer (Native American ancestry\; b. 1956\, Tucson\, AZ). Painte d in acrylic\, ink\, and pencil on a bedsheet\, “Pima Air + Space” (20 25) belongs to Kahlhamer’s recent “dream sheet” paintings. Its title recalls Arizona’s Pima Air & Space Museum\, while birds\, horses\, mask ed figures\, and a spectral presence drift through an aurora borealis of s aturated color. \n\n\n\n\n\nTerran Last Gun\, Saakwaynaamah’kaa (Last Gu n) (Piikani / Blackfoot\; b. 1989\, Browning\, MT on the Blackfeet Nation Reservation). Inspired by the bold geometric designs of Piikani painted lo dges\, Terran Last Gun has created a suite of works for the exhibition: pr ecise compositions on vintage ledger paper that bring ancestral forms\, co lonial records\, and the ongoing vitality of Indigenous abstraction into c harged relation. \n\n\n\nJamie Okuma (Luiseño\, Shoshone-Bannock\, Wailak i\, Okinawan\, and La Jolla\; b. 1977\, Glendale\, CA). In “Of Love and Sacrifice: Motherhood” (2026)\, Jamie Okuma deploys her signature single -stitch beadwork to transform a brain-tanned deerskin handbag into a dazzl ing portrayal of two figures from Luca Guadagnino’s horror film Suspiria (2018). Drawing bracing cinematic imagery into dialogue with exacting Pay ómkawichum (Luiseño) beadwork techniques\, Okuma conjures the selfless a nd steadfast power of maternal love. \n\n\n\nWendy Red Star (Apsáalooke\; b. 1981\, Billings\, MT). Wendy Red Star’s works from “The (HUD)” s eries focus on the colorful facades of houses built through the U.S. Depar tment of Housing and Urban Development on Montana’s Apsáalooke (Crow) r eservation\, where the artist was raised. Though their hues were chosen no t by residents but by a government agency\, Red Star’s images reveal sig ns of domestic beauty that exceed the mandates of bureaucracy. \n\n\n\nKei th Secola (Northern Ute / Anishinaabe\; b. 1988\, Randlett\, UT on the Uin tah and Ouray Reservation) Keith Secola screen-prints archival portraits o f Native Americans onto the covers of vintage books\, placing Indigenous p resence in direct tension with exclusionary narratives of America’s past . Secola’s images depict subjects who often look directly back at the ca mera\, meeting its gaze with a quiet intensity that transcends time and ne gates erasure. \n\n\n\n\n\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty )\,” (2025) (detail) Fabric with archival pigment photograph on board. 2 5.25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proj ects\, Los Angeles.Photo: Paul Salveson\n\n\n\nKeith Secola: “Wounds Man y\,” (2019). Screenprint on book collage48 x 36 inches. Courtesy of the artist & Haines Gallery\, San Francisco.Photo: Shaun Roberts\n\n\n\nBrad K ahlhamer\, “Pima Air + Space\,” (2025). Acrylic\, ink\, pencil on beds heet\, 69.25 x 53.5 inches\, framed. Courtesy of the artist & Haines Galle ry. Photo: Shaun Roberts\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty) \,” (2025) (detail) Fabric with archival pigment photograph on board. 25 .25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proje cts. Photo: Paul Salveson\n\n\n\nVictoria Grace Canby: “We Grow Our Own Medicine\, Interdimensional & Intertribal Healing Plant Studies:Three Sist ers – Corn” (2026) Pencil & gouache on paper\, 44 x 30 nches\, framed. Courtesy of the artist & Haines Gallery. Photo: Shaun Roberts\n\n\n\nJord an Ann Craig: “Miss Your Musk” (2024) Acrylic on canvas\, 45 x 45 x 2. 5 inches. Courtesy of the artist & Hales Gallery\, London and New York © Jordan Ann Craig. Photo: JSP Art Photography\n\n\n\n\n\n\n\n\nPlan Your Vi sit\n\n\n\n\n\n\n\nDate\n\n\n\nTuesday\, September 15 to Saturday\, Novemb er 7\, 2026 \n\n\n\nTime\n\n\n\nTuesday through Saturday\, 10:30 a.m. to 5 :30 p.m.Opening Reception: Thursday\, September 17\, 2026\, 5:00 p.m. to 8 :00 p.m. during the Fall 2026 Fort Mason Art Walk. A talk by the artists h appens at 7:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding C\, First Floor\, For t Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\ n\n\nCost\n\n\n\nFREE \n\n\n\n\n\nHaines Gallery:HainesGallery.com(415) 39 7-8114art@HainesGallery.com \n\n\n\nFacebook\n\nInstagram\n\nVimeo\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\n Sign up today for the latest news from Fort Mason Center For Arts & Cultur e. LAST-MODIFIED:20260917T002151Z URL:https://fortmason.org/event/haines-gallery-250-years-indigenous-future s/2026-09-22/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-fran cisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:OutPro - LGBTQ+ Networking DTSTART:20260923T010000Z DTEND:20260923T040000Z DTSTAMP:20260907T000956Z UID:10006860-1790100000-1790110800@111minnagallery.com CATEGORIES:arts,community DESCRIPTION:Make and build professional connections that can advance your career. Join us at the always fabulous 111 Minna Gallery for some fall net working!\n \n\n\n\nMeaningful Networking for LGBTQ+ Professionals (+ frien ds\, allies\, coworkers)!\n\n\nFor the first time this year\, OutPro is be yond excited to return to the historic arts district venue 111 Minna Galle ry\, where in addition to joining the networking event\, guests will have access to the main gallery area and the opportunity to view all current ex hibits. \nJoin us to combine networking with culture\, and grow your prof essional connections in a unique and memorable setting. \nAt OutPro\, maki ng new contacts and further connections with people you know is easy. \n\n Our events are full of people eager to meet other LGBTQ+ professionals. Th e usual barriers are lifted\, making everyone more approachable.\nColor-co ded badges help you identify people in your industry or ones where you hav e a need.\nBe sure to pocket a handful of business cards to exchange for l ater follow-up.\nBetter yet\, log in and use LinkedIn on your mobile to sh are your information digitally with people you meet.\n\nThis is a Limited Capacity Event and is expected to sell out. RSVP today. \n\n\nYou Never Kn ow Whom You Will Meet at OutPro.\n\n\nThank you to 111 Minna for its ongoi ng support of the Bay Area LGBTQ+ community <3 \n\n\n\nEvent & Travel Advi sory\n\n\nPublic transit (recommended): the venue is just over one block f rom Montgomery BART/Muni station.\nParking: there are several self-parking facilities within a few blocks of the venue including the SFMTA Moscone C enter Garage which is open until 10pm. Limited street parking is available on 2nd St between/around Howard and Folsom. \n\n\n\nSpecial thanks to Fel ix Xie (FeliXieFoTo)\, Scott Saraceno\, and Julia Malysheva for capturing the spirit of our events in San Francisco events. LAST-MODIFIED:20260907T000956Z LOCATION:111 Minna Gallery and Event Space\, 111 Minna Street\, San Franci sco\, CA\, 94105\, United States URL:https://111minnagallery.com/event/outpro-lgbtq-networking/?utm_source= caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:111 Minna Gallery & Event Space X-SOURCE-URL:https://111minnagallery.com END:VEVENT BEGIN:VEVENT SUMMARY:American Indian Cultural District -- We Are The Land: Between Eart h & Sky DTSTART:20260923T070000Z DTEND:20260924T065959Z DTSTAMP:20260917T002151Z UID:10005746-1790121600-1790207999@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Features\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n We Are the Land: Between Earth And Sky\n\n\n\nThe American Indian Cultura l District (AICD)\, with support from Fort Mason Center For Arts & Cultur e (FMCAC)\, presents new mural commissions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n \n\n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with suppor t from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural c ommissions by artists Brittany Burrows and Jewelina Acosta. Depicting vege tation and wildlife from the land and water\, the artists highlight the im portance of Indigenous knowledge and traditional practices in maintaining ecological balance and human well-being. By recognizing the interconnected ness of all life forms and the importance of preserving biodiversity\, the ir work points to a more harmonious and sustainable future for generations to come. \n\n\n\nIn We are the Land: Between Earth & Sky\, Brittany Burr ows highlights the parallels between endangered butterfly species and the struggles of Indigenous communities. Both are deeply connected to the land and face threats to their survival due to various factors\, including hab itat loss\, environmental degradation\, and cultural assimilation. \n\n\n\ n“Land stewardship and sovereignty are indeed crucial for preserving Ind igenous ways of life and ensuring the continued thriving of both human and non-human communities. By respecting Indigenous rights to their ancestral lands and supporting their efforts in environmental conservation\, we can learn valuable lessons about sustainable living and holistic interconnect edness\,” said Burrows.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The A rtists\n\n\n\n\n\n\n\nBrittany Burrows is Nomlaki-Wintun and Pomo\, born in Chico\, CA\, who moved to San Francisco at age 11. From a young age\, B rittany has always been fascinated with art\, mostly ballpoint pen drawing s. Brittany is a self-taught artist who specializes in black-and-white por traits. Her mediums are pencil\, charcoal\, and graphite. \n\n\n\n\n\nJew elina Acosta is from a small non-federally recognized tribe named Yokaia (the deep valley) from which the name Ukiah\, CA originated. She is the ow ner of Inkdigenous Tattoo\, which brings forward and makes room for her tr aditional and cultural lifestyle in the tattoo industry. She uses her artw ork to share traditional ecological knowledge with the community\, making the world a better place one art piece at a time. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nDate\ n\n\n\nOn view daily\, 9:00 a.m. to 9:00 p.m. \n\n\n\nTime\n\n\n\n9:00 a.m . to 9:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding D Lobby\, First Floor\, Fort Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\n\n\n\n\nThe American Indian Cultural District (AICD)\, with support from Fort Mason Center For Arts & Culture (FMCAC)\, presents new mural com missions by artists Brittany Burrows and Jewelina Acosta. \n\n\n\nAmerican Indian Cultural District:AmericanIndianCulturalDistrict.org(415) 287-2820 general@AmericanIndianCulturalDistrict.org \n\n\n\nFacebook\n\nFlickr\n\nI nstagram\n\nLinkedIn\n\nX\n\n\n\n\n\nBrittany Burrows:BrittanyBurrowsArt.c omBrittanyEBrrws@gmail.com \n\n\n\nFacebook\n\nInstagram\n\n\n\n\n\nJeweli na Acosta: \n\n\n\nFacebook\n\nInstagram\n\nTikTok\n\nYouTube\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mai l\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\nSign up today for the latest news from Fort Mason Center For Arts & Culture. LAST-MODIFIED:20260917T002151Z URL:https://fortmason.org/event/american-indian-cultural-district-we-are-t he-land-between-earth-and-sky/2026-09-23/?utm_source=caldiscovery&utm_medi um=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Matt Passmore: Tied / Untied DTSTART:20260923T070000Z DTEND:20260924T065959Z DTSTAMP:20260918T000456Z UID:10007624-1790121600-1790207999@fortmason.org CATEGORIES:arts DESCRIPTION:About\n About the Installation\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\nMatt Passmore: Tied / Untied Pres ented by Fort Mason Art\n\n\n\nFort Mason Art is proud to present Matt Pa ssmore‘s Tied / Untied. This striking sculpture helps to define the ent rance to FMCAC\, offering visitors a place to gather\, wonder\, and foster curiosity. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Installation\n\n\n\n \n\n\n\nEchoing the historic track inside FMCAC’s campus\, the railroad- tie sculpture lifts dramatically out of the ground\, creating playful loop s and arcs for visitors to sit or walk through. Tied / Untied is abstract but looks vaguely familiar\, possibly referencing its surroundings throug h a nautical knot mid-tie\, or the rolling tides of the bay. This playful form gestures to the material and history of Fort Mason and the San Franci sco waterfront. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nPlan Your Visit\n\n\n\n\n\n\n\nTied / Untied is permanently on display at the entrance for Fort Mason Center for Arts & Culture. \n\n\ n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\ n\nSign up today for the latest news from Fort Mason Center For Arts & Cul ture. LAST-MODIFIED:20260918T000456Z URL:https://fortmason.org/event/matt-passmore-tied-untied/2026-09-23/?utm_ source=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:Red Door Coffee DTSTART:20260923T150000Z DTEND:20260923T220000Z DTSTAMP:20260902T181147Z UID:10006516-1790150400-1790175600@111minnagallery.com CATEGORIES:arts,drink,food DESCRIPTION:Savor the nuanced flavors of our meticulously crafted beverage s as you take in the mesmerizing artwork that adorns our walls.\n\nWhether you’re seeking a moment of tranquility amidst artistic inspiration or e ngaging in lively conversations over a cup of warmth\, Red Door Coffee is the perfect retreat. \nOur menu boasts a delightful array of coffee creati ons\, from the bold richness of Espresso to the creamy indulgence of a Map le Cinnamon Latte. Join us in celebrating the art of coffee\, culture\, an d community. \n[erm_menu id=113597] LAST-MODIFIED:20260902T181147Z LOCATION:2nd Street Gallery\, 111 Minna Street\, San Francisco\, CA\, 9410 5\, United States URL:https://111minnagallery.com/event/red-door-coffee-3/2026-09-23/?utm_so urce=caldiscovery&utm_medium=ics&utm_campaign=san-francisco-ca X-SOURCE-NAME:111 Minna Gallery & Event Space X-SOURCE-URL:https://111minnagallery.com END:VEVENT BEGIN:VEVENT SUMMARY:Haines Gallery: 250 Years\, Indigenous Futures DTSTART:20260923T173000Z DTEND:20260924T003000Z DTSTAMP:20260918T000456Z UID:10012883-1790159400-1790184600@fortmason.org CATEGORIES:arts DESCRIPTION:About\n Event Details\n About The Artists\n Gallery\n Plan Your Visit\n \n \n\n\n\n\n\n\n2 50 Years\, Indigenous Futures Presented By Haines Gallery\n\n\n\nAs the U. S. marks its 250th anniversary\, Haines Gallery presents 250 Years\, Indi genous Futures\, a group exhibition centering the work of leading Native A merican artists. While occasioned by this anniversary\, 250 Years\, Indig enous Futures does not commemorate it.  \n\n\n\n\n\nABOVE: Haines Galler y is in Building C (far right). TOP OF PAGE: Brad Kahlhamer\, “Pima Air + Space\,” 2025 (detail). Acrylic\, ink\, pencil on bedsheet\, 69.25 x 5 3.5 inches\, framed. Courtesy of the artist and Haines Gallery\, San Franc isco. Photo: Shaun Roberts\n\n\n\n\n\n\n\n\n\nEVENT DETAILS\n\n\n\n\n\n\n\ n250 Years\, Indigenous Futures takes its title from the writings of Stand ing Rock Sioux historian Philip J. Deloria and his colleagues\, who argue that Native peoples should be understood not primarily through the past\, but “through the lens of futurity.” Indigenous knowledge\, they write\ , is not peripheral to contemporary life but generative of new ways of und erstanding it. In this spirit\, the exhibition considers Native presence a nd creativity as powerful forces shaping our collective future. \n\n\n\nTh e artists in the exhibition are: Victoria Grace Canby (Diné [Navaho])\;Jo rdan Ann Craig (Northern Cheyenne)\; Sky Hopinka (Ho-Chunk Nation / Pechan ga Band of Luiseño Indians)\; Brad Kahlhamer (Indigenous ancestry)\; Terr an Last Gun (Piikani / Blackfoot)\; Jamie Okuma (Luiseño\, Shoshone-Banno ck\, Wailaki\, Okinawan\, and La Jolla)\; Wendy Red Star (Apsáalooke [Cro w])\; and Keith Secola (Northern Ute / Anishinaabe). Working across paint ing\, drawing\, sculpture\, film\, and photography\, these artists engage contemporary culture\, Nation-specific visual traditions\, and personal hi stories in distinct and expansive ways. \n\n\n\n\n\nRather than commemorat ing the 250th U.S. anniversary\, the exhibition recognizes 1776 as only on e moment within much longer histories of Indigenous presence\, adaptation\ , and sovereignty. Creating space for artists to define their own terms of engagement\, the exhibition aims to bring forward concerns central to the ir practices. The works on view draw inspiration from a vivid range of sou rces: boldly painted Piikani lodges\; the precise geometry of Northern Che yenne beadwork\; the Indians of All Tribes’ occupation of Alcatraz\; car s adorned with blankets and regalia for the annual Crow Fair\; blood-soake d horror films\; and archival photographs whose subjects meet the visitor ’s gaze. \n\n\n\nThe exhibition is informed by Apsáalooke artist Wendy Red Star’s caution against a “foe-based” framing of Native art –  one that risks tethering meaning to resistance alone and obscuring the s pecificity of Nations\, histories\, and individual practices. Here\, each artist’s work emerges from particular relationships to language\, land\, and material culture. No single framework can contain these worlds. \n\n\ n\n\n\n\nAbout the Artists\n\n\n\n\n\n\nVictoria Grace Canby (Diné\, b. 1 978\, Albuquerque\, NM). Marin-based artist Victoria Grace Canby’s new w orks on paper\, created for the exhibition\, depict the Three Sisters – corn\, beans\, and squash – as a living model of resilience\, healing \, and collective care that connects Indigenous Peoples throughout the Ame ricas. “Through fostering our connection to these plants’ powers\,” Canby notes\, “we can overcome the impacts of colonization.” \n\n\n\nJ ordan Ann Craig (Northern Cheyenne\, b. 1992\, San Jose\, CA). Jordan Ann Craig’s paintings draw from references ranging from Northern Cheyenne be adwork and quillwork to the postwar abstraction of Agnes Martin\, all of w hich she translates into exacting\, poetic fields of color and form. In wo rks such as “Miss Your Musk” (2024)\, Craig foregrounds Indigenous abs traction as a living and evolving practice – one capable of holding per sonal narrative\, formal experimentation\, and cultural continuity without being reduced to any single source or meaning. \n\n\n\nSky Hopinka (Ho-Ch unk Nation/Pechanga Band of Luiseño Indians\; b. 1984\, Ferndale\, WA). S ky Hopinka’s film Sunflower Siege Engine (2022) brings together distinct Indigenous sites and histories\, connecting the Indians of All Tribes’ occupation of nearby Alcatraz Island (1969–1971) with Illinois’ Cahoki a Mounds\, one of the largest pre-contact urban centers in North America a nd a site from which ancestral remains continue to be repatriated. \n\n\n\ nBrad Kahlhamer (Native American ancestry\; b. 1956\, Tucson\, AZ). Painte d in acrylic\, ink\, and pencil on a bedsheet\, “Pima Air + Space” (20 25) belongs to Kahlhamer’s recent “dream sheet” paintings. Its title recalls Arizona’s Pima Air & Space Museum\, while birds\, horses\, mask ed figures\, and a spectral presence drift through an aurora borealis of s aturated color. \n\n\n\n\n\nTerran Last Gun\, Saakwaynaamah’kaa (Last Gu n) (Piikani / Blackfoot\; b. 1989\, Browning\, MT on the Blackfeet Nation Reservation). Inspired by the bold geometric designs of Piikani painted lo dges\, Terran Last Gun has created a suite of works for the exhibition: pr ecise compositions on vintage ledger paper that bring ancestral forms\, co lonial records\, and the ongoing vitality of Indigenous abstraction into c harged relation. \n\n\n\nJamie Okuma (Luiseño\, Shoshone-Bannock\, Wailak i\, Okinawan\, and La Jolla\; b. 1977\, Glendale\, CA). In “Of Love and Sacrifice: Motherhood” (2026)\, Jamie Okuma deploys her signature single -stitch beadwork to transform a brain-tanned deerskin handbag into a dazzl ing portrayal of two figures from Luca Guadagnino’s horror film Suspiria (2018). Drawing bracing cinematic imagery into dialogue with exacting Pay ómkawichum (Luiseño) beadwork techniques\, Okuma conjures the selfless a nd steadfast power of maternal love. \n\n\n\nWendy Red Star (Apsáalooke\; b. 1981\, Billings\, MT). Wendy Red Star’s works from “The (HUD)” s eries focus on the colorful facades of houses built through the U.S. Depar tment of Housing and Urban Development on Montana’s Apsáalooke (Crow) r eservation\, where the artist was raised. Though their hues were chosen no t by residents but by a government agency\, Red Star’s images reveal sig ns of domestic beauty that exceed the mandates of bureaucracy. \n\n\n\nKei th Secola (Northern Ute / Anishinaabe\; b. 1988\, Randlett\, UT on the Uin tah and Ouray Reservation) Keith Secola screen-prints archival portraits o f Native Americans onto the covers of vintage books\, placing Indigenous p resence in direct tension with exclusionary narratives of America’s past . Secola’s images depict subjects who often look directly back at the ca mera\, meeting its gaze with a quiet intensity that transcends time and ne gates erasure. \n\n\n\n\n\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty )\,” (2025) (detail) Fabric with archival pigment photograph on board. 2 5.25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proj ects\, Los Angeles.Photo: Paul Salveson\n\n\n\nKeith Secola: “Wounds Man y\,” (2019). Screenprint on book collage48 x 36 inches. Courtesy of the artist & Haines Gallery\, San Francisco.Photo: Shaun Roberts\n\n\n\nBrad K ahlhamer\, “Pima Air + Space\,” (2025). Acrylic\, ink\, pencil on beds heet\, 69.25 x 53.5 inches\, framed. Courtesy of the artist & Haines Galle ry. Photo: Shaun Roberts\n\n\n\nWendy Red Star: “Chiaxxúapilake (Fifty) \,” (2025) (detail) Fabric with archival pigment photograph on board. 25 .25 x 49.25 x 1.25 inches\, framed. Courtesy of the artist & Roberts Proje cts. Photo: Paul Salveson\n\n\n\nVictoria Grace Canby: “We Grow Our Own Medicine\, Interdimensional & Intertribal Healing Plant Studies:Three Sist ers – Corn” (2026) Pencil & gouache on paper\, 44 x 30 nches\, framed. Courtesy of the artist & Haines Gallery. Photo: Shaun Roberts\n\n\n\nJord an Ann Craig: “Miss Your Musk” (2024) Acrylic on canvas\, 45 x 45 x 2. 5 inches. Courtesy of the artist & Hales Gallery\, London and New York © Jordan Ann Craig. Photo: JSP Art Photography\n\n\n\n\n\n\n\n\nPlan Your Vi sit\n\n\n\n\n\n\n\nDate\n\n\n\nTuesday\, September 15 to Saturday\, Novemb er 7\, 2026 \n\n\n\nTime\n\n\n\nTuesday through Saturday\, 10:30 a.m. to 5 :30 p.m.Opening Reception: Thursday\, September 17\, 2026\, 5:00 p.m. to 8 :00 p.m. during the Fall 2026 Fort Mason Art Walk. A talk by the artists h appens at 7:00 p.m. \n\n\n\nLocation\n\n\n\nBuilding C\, First Floor\, For t Mason Center for Arts & Culture\, 2 Marina Boulevard\, San Francisco \n\ n\n\nCost\n\n\n\nFREE \n\n\n\n\n\nHaines Gallery:HainesGallery.com(415) 39 7-8114art@HainesGallery.com \n\n\n\nFacebook\n\nInstagram\n\nVimeo\n\n\n \n Share\n\n \n \n \n \n \n \n \n Facebook\n \n \n \n \n X\n \n \n Mail\n \n\n \n \n\n\n\n\n\n\n\n\nSign Up For Our E-News\n\n\n\n Sign up today for the latest news from Fort Mason Center For Arts & Cultur e. LAST-MODIFIED:20260918T000456Z URL:https://fortmason.org/event/haines-gallery-250-years-indigenous-future s/2026-09-23/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=san-fran cisco-ca X-SOURCE-NAME:Fort Mason Center for Arts & Culture X-SOURCE-URL:https://fortmason.org/event/fort-mason-center-farmers-market END:VEVENT BEGIN:VEVENT SUMMARY:2nd Annual Pop Up Transit Art Fair @TJPA's Salesforce Transit Cent er DTSTART:20260923T220000Z DTEND:20260924T010000Z DTSTAMP:20260913T231758Z UID:8919-1790175600-1790186400@sftransitriders.org CATEGORIES:arts DESCRIPTION:What do art and transit have in common? It moves us. \n​Back for its second year\, celebrate Bay Area Transit month by shopping and s upporting local artists at TJPA’s Salesforce Transit Center\, where the Bay Area’s transportation future is taking shape on Wednesday\, Septembe r 23rd from 3 p.m. to 6 p.m. \n​Learn about the Bay Area’s rail moder nization projects\, including The Portal\, Caltrain\, BART and California High-Speed Rail\, interact with #ThePortalSFtoHSR art installation\, and b uy transit merch from MUNI and BART. \n​Raffle prizes available from par tnering art vendors\, transit agencies and partners including SF Transit R iders\, BART\, and SFMTA. \n​Featuring artists information will be add LAST-MODIFIED:20260913T231758Z LOCATION:Salesforce Transit Center URL:https://sftransitriders.org/event/2nd-annual-pop-up-transit-art-fair-t jpas-salesforce-transit-center/?utm_source=caldiscovery&utm_medium=ics&utm _campaign=san-francisco-ca X-SOURCE-NAME:San Francisco Transit Riders X-SOURCE-URL:https://sftransitriders.org/event-directory END:VEVENT END:VCALENDAR