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DESCRIPTION:Rochester: arts\, Sunday (Sun Sep 20\, America/New_York). Roll
 ing: the window moves forward every day\, so subscribe rather than downloa
 d. Discovered and maintained by CalDiscovery (https://caldiscovery.com). E
 vent details belong to their publishers. Contains information from CalDisc
 overy\, which is made available under the ODbL 1.0.
SOURCE:https://caldiscovery.com/rochester-ny/sunday-arts.ics
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REFRESH-INTERVAL;VALUE=DURATION:PT12H
X-WR-CALDESC:Rochester: arts\, Sunday (Sun Sep 20\, America/New_York). Rol
 ling: the window moves forward every day\, so subscribe rather than downlo
 ad. Discovered and maintained by CalDiscovery (https://caldiscovery.com). 
 Event details belong to their publishers. Contains information from CalDis
 covery\, which is made available under the ODbL 1.0.
X-WR-CALNAME:Rochester · arts · Sunday · CalDiscovery
BEGIN:VEVENT
SUMMARY:The Psychological Ledger: Art Exhibition Featuring Anne Muntges an
 d Mizin Shin
DTSTART;VALUE=DATE:20260920
DTEND;VALUE=DATE:20260921
DTSTAMP:20260829T062515Z
UID:tag:localist.com\,2008:EventInstance_53797896985910
CATEGORIES:arts
DESCRIPTION:ASIS gallery is pleased to present The Psychological Ledger: a
 n exhibition of work by visiting artist\, Anne Muntges\, and URochester fa
 culty Mizin Shin.\n\nAnne Muntges will talk about her work on 9/15\, at 3p
 m\, in Sage Art Center (sculpture space). A reception is to follow from 4-
 6pm in the gallery. This event is open to all students\, faculty\, staff\,
  and the greater Rochester community. \n\nDescribing their work\, the arti
 sts say\,\n\nAnne Muntges:\n\nThrough drawing\, sculpture\, and site-speci
 fic installation\, I map the hidden infrastructures of the environments we
  inhabit\, balancing my gaze between the collective systems of the city an
 d the intimate\, domestic taxonomies of personal survival. My practice exa
 mines the constant friction between our desire for individual privacy and 
 our total reliance on the structures\, spaces\, and strangers around us. U
 sing technical pens and other drawing tools\, I translate these transient 
 moments into life-sized environments\, turning flat drawings into walkable
  architectural ruins that embody the tactile weight and immateriality of s
 hared time.\n\nThis slow\, obsessive drafting process functions as a conti
 nuous\, systematic archive. My work stems from navigating a massive\, over
 whelming emotional and environmental weight\; for me\, the only way to sur
 vive it is to build a beautiful\, meticulous cage around it with thousands
  of tiny ink lines. Whether I am documenting the overlooked systems of pub
 lic maintenance or sorting through the fractured pieces of my own everyday
  coping mechanisms\, I treat the page as a psychological ledger. This fier
 cely disciplined method gives a profound sense of permanence to the fleeti
 ng markers of our surroundings\, proving that tracking the invisible upkee
 p of a city is deeply tied to the daily preservation required to keep a hu
 man life in motion.\n\n \n\nThis investigation moves fluidly between the m
 icroscopic and the monumental\, living in hand-held ephemera and scaling u
 p to rigid wooden frameworks layered with heavy\, wallpapered paper. By co
 nstantly balancing distinct drawing styles and building deep nuance direct
 ly into the surfaces of these objects\, I create a crazy\, immersive world
  that pulls the viewer entirely inside. Ultimately\, this grounded\, deepl
 y human accumulation of marks serves as a physical record of endurance\, c
 reating a space where we are forced to confront what it feels like to pay 
 radical\, urgent attention to the fragile systems that keep us whole.\n\n 
 \n\nMizin Shin:\n\nBlended Complexities examines the omnipresence of the i
 ndustrial corn economy through the lens of everyday consumer goods. The wo
 rk maps an expansive index of consumption\, tracing corn as both a central
  ingredient as well as an invisible presence underlying many industrial ma
 nufacturing processes. Dispersed throughout our daily routines\, fragments
  of this single crop reveal the quietly expanding infrastructure of modern
  capital and production. While Blended Complexities is depicted as a mappi
 ng of connectivity through corn\, it acts as a broader critique of system 
 relationality and how diverse material items (and the economies surroundin
 g them) are fundamentally linked.\n\n \n\nMore about the artists:\n\nAnne 
 Muntges (b. 1982) earned her BFA in Printmaking from the Kansas City Art I
 nstitute in 2005 and her MFA in Printmaking from the University at Buffalo
  in 2008. Based in Brooklyn\, she focuses on highly detailed drawings\, pr
 ints\, and installations. Her work has been exhibited nationally at the Ch
 ildren’s Museum of the Arts in Manhattan\, the Ukrainian Institute of Mo
 dern Art in Chicago\, and the Burchfield Penney Art Center in Buffalo. Mos
 t recently\, her work is featured in Monumental Drawing at the More Museum
  in Gorssel\, NL. Muntges’ art is held in collections such as the Califo
 rnia College of the Arts\, the Library of Congress\, the Joan Flasch Artis
 ts’ Book Collection\, and the Burchfield Penney Art Center. Among her nu
 merous accolades\, she was awarded the NYFA/NYSCA Fellowship in 2014\, Sus
 tainable Arts Finalist in 2021\, and Interlude Grantee. Since 2010\, she h
 as participated in prestigious residencies and fellowships\, including the
  Bemis Center for Contemporary Arts\, BRIC\, the Roswell Artist-in-Residen
 ce Program\, and the Monira Foundation Artist Residency.\n\n \n\nBorn and 
 raised in South Korea\, Mizin Shin is a US-based visual artist. Regularly 
 leading printmaking workshops with collaborating art organizations\, Shin 
 focuses on both traditional and contemporary printmaking practices while p
 romoting a multidisciplinary approach to the medium. Her work has been exh
 ibited nationally and internationally at institutions across the United St
 ates\, Belgium\, Spain\, the UK\, India\, and South Korea. She was a juror
  for The Paths We Cross: Perspectives from the Korean Diaspora\, 2022 Scre
 enprint Biennial\, and 2021 Southern Tier Biennial. Shin is the recipient 
 of several fellowships and awards\, including the Civitella Ranieri Fellow
 ship\; the University of Rochester Humanities Center Faculty Fellowship\; 
 the Andrew & Barbara Choi Foundation Project Grant\; and Genesee Valley Co
 uncil on the Arts.Mizin Shin graduated from Hong-ik University with a B.F.
 A in Printmaking and received her M.F.A from the State University of New Y
 ork at Buffalo. Shin is an Associate Professor in the Department of Art & 
 Art History at the University of Rochester as well as a co-founder of Mira
 bo Press in Buffalo\, NY.  She has served as a board member of the Mid-Ame
 rica Print Council and vice president of the Print Club of Rochester from 
 2020–22\, and a board member of Visual Studies Workshop from 2023-25. Re
 cently\, Shin has published TeachPrint.com—a free resource of hypermedia
  educational materials for school teachers to promote printmaking in art c
 lassrooms.\n\n \n\nThe Psychological Ledger \n\nAnne Muntges and Mizin Shi
 n\n\nOn view: September 15 - October 3\, 2026\n\nArtist presentation 9/15\
 , 3pm\n\nReception 9/15\, 4-6pm\n\nASIS Gallery\n\nSage Art Center\n\nUniv
 ersity of Rochester\n\n \n\nFor gallery hours visit:\n\nhttps://www.sagear
 t.center/visit
LAST-MODIFIED:20260829T062515Z
LOCATION:Sage Art Center\, ASIS Gallery
URL:https://events.rochester.edu/event/the-psychological-ledger-art-exhibi
 tion-featuring-anne-muntges-and-mizin-shin?utm_source=caldiscovery&utm_med
 ium=ics&utm_campaign=rochester-ny
X-SOURCE-NAME:University of Rochester Calendar Calendar
X-SOURCE-URL:https://events.rochester.edu
END:VEVENT
BEGIN:VEVENT
SUMMARY:Play Lab: Cyanotypes
DTSTART;VALUE=DATE:20260920
DTEND;VALUE=DATE:20260921
DTSTAMP:20260901T062356Z
UID:10010257-1789898400-1789923600@www.museumofplay.org
CATEGORIES:arts
DESCRIPTION:Create an image using the power of ultraviolet light.
LAST-MODIFIED:20260901T062356Z
LOCATION:Play Lab
URL:https://www.museumofplay.org/event/play-lab-cyanotypes-2/2026-09-20/?u
 tm_source=caldiscovery&utm_medium=ics&utm_campaign=rochester-ny
X-SOURCE-NAME:The Strong National Museum of Play
X-SOURCE-URL:https://www.museumofplay.org/
END:VEVENT
BEGIN:VEVENT
SUMMARY:Artist Row Juried Art Show - City of Rochester Public Market
DTSTART:20260920T140000Z
DTEND:20260920T200000Z
DTSTAMP:20260820T061902Z
UID:302-1789898400-1789920000@monroethisweekend.com
CATEGORIES:arts,free
DESCRIPTION:ARTIST ROW produced by the Friends of the Rochester Public Mar
 ket \nArtist Row is not just your average art show. With over 180 local ar
 tists this event truly showcases the creativity of our community. Food and
  live music too\, free admission! For more information\, go to www.artistr
 owrochester.com\, contact Friends of the Public Market at (585) 428-7292 o
 r e-mail Ma***********@***********ds.org
LAST-MODIFIED:20260820T061902Z
URL:https://monroethisweekend.com/event/artist-row-juried-art-show-city-of
 -rochester-public-market/?utm_source=caldiscovery&utm_medium=ics&utm_campa
 ign=rochester-ny
X-SOURCE-NAME:Monroe This Weekend
X-SOURCE-URL:https://monroethisweekend.com
END:VEVENT
BEGIN:VEVENT
SUMMARY:Desire and Abundance: American Culture and the Still Life
DTSTART:20260920T150000Z
DTEND:20260920T210000Z
DTSTAMP:20260729T182140Z
UID:tag:localist.com\,2008:EventInstance_51833031325534
CATEGORIES:arts
DESCRIPTION:American values take shape in the objects we make\, desire\, c
 herish\, and discard. A table laden with ripe fruit\, a meal served up at 
 a luncheonette\, the inside of a medicine cabinet—ordinary materials aro
 und us chronicle our lives. The still life\, a genre of art that dates bac
 k to the ancient world\, captures those objects of everyday life while oft
 en conveying deeper meanings and hidden messages.\n\nAs we celebrate the 2
 50th anniversary of the signing of the Declaration of Independence\, Desir
 e and Abundance features a selection from MAG’s collection of American s
 till lifes\, spanning from the 1800s to the present. Taken together\, thes
 e artworks present an array of items that underscore shifting tastes in Am
 erican art\, commerce\, and daily life.\n\nImage: John Francis\, Still Lif
 e with Fruits\, 1865\, oil on canvas. Marion Stratton Gould Fund\, 1971.7
LAST-MODIFIED:20260729T182140Z
LOCATION:Memorial Art Gallery\, Forman Gallery
URL:https://events.rochester.edu/event/desire-and-abundance-american-cultu
 re-and-the-still-life?utm_source=caldiscovery&utm_medium=ics&utm_campaign=
 rochester-ny
X-SOURCE-NAME:University of Rochester Calendar Calendar
X-SOURCE-URL:https://events.rochester.edu
END:VEVENT
BEGIN:VEVENT
SUMMARY:MAG Highlights Tour
DTSTART:20260920T163000Z
DTEND:20260920T173000Z
DTSTAMP:20260913T180323Z
UID:10010286-1789907400-1789911000@mag.rochester.edu
CATEGORIES:arts
DESCRIPTION:Drop in for a guided tour—no reservations needed! Led by an 
 experienced volunteer docent\, you will see highlights of MAG’s collecti
 on\, from ancient artifacts to artworks of our time. Join the conversation
  and ask questions as you explore the museum full of art created by local 
 artists and people from many cultures and places around the globe. \nMAG H
 ighlights Tours are FREE with museum admission and approximately one hour.
  Upon arrival\, please come to the Admissions Desk and let us know that yo
 u wish to join the tour. \nPublic tours are subject to docent availability
 .
LAST-MODIFIED:20260913T180323Z
LOCATION:Memorial Art Gallery\, 500 University Ave\, Rochester\, NY\, 1460
 7\, United States
URL:https://mag.rochester.edu/event/mag-highlights-tour-3/2026-09-20/?utm_
 source=caldiscovery&utm_medium=ics&utm_campaign=rochester-ny
X-SOURCE-NAME:Memorial Art Gallery
X-SOURCE-URL:https://mag.rochester.edu
END:VEVENT
BEGIN:VEVENT
SUMMARY:Going for Baroque
DTSTART:20260920T173000Z
DTEND:20260920T175500Z
DTSTAMP:20260914T000327Z
UID:10010406-1789911000-1789912500@mag.rochester.edu
CATEGORIES:arts,music
DESCRIPTION:Going for Baroque is a weekly series of mini-recitals at the M
 emorial Art Gallery. It is offered each Sunday at 1:30 pm and again at 3:0
 0 pm. It offers the opportunity for students from the Eastman School of Mu
 sic to perform alongside professional musicians on the Italian Baroque org
 an on the second floor of the museum. The 25-minute mini-recital is includ
 ed with museum admission. \nOwned by the Eastman School of Music\, the fu
 lly restored Italian Baroque organ is the only full-size antique Italian o
 rgan in North America. The organ is the centerpiece of an installation tha
 t highlights more than 30 major Baroque-period paintings and sculptures.
LAST-MODIFIED:20260914T000327Z
LOCATION:Memorial Art Gallery\, 500 University Ave\, Rochester\, NY\, 1460
 7\, United States
URL:https://mag.rochester.edu/event/going-for-baroque/2026-09-20/?utm_sour
 ce=caldiscovery&utm_medium=ics&utm_campaign=rochester-ny
X-SOURCE-NAME:Memorial Art Gallery
X-SOURCE-URL:https://mag.rochester.edu
END:VEVENT
BEGIN:VEVENT
SUMMARY:Going for Baroque
DTSTART:20260920T190000Z
DTEND:20260920T192500Z
DTSTAMP:20260914T180353Z
UID:10010346-1789916400-1789917900@mag.rochester.edu
CATEGORIES:arts,music
DESCRIPTION:Going for Baroque is a weekly series of mini-recitals at the M
 emorial Art Gallery. It is offered each Sunday at 1:30 pm and again at 3:0
 0 pm. It offers the opportunity for students from the Eastman School of Mu
 sic to perform alongside professional musicians on the Italian Baroque org
 an on the second floor of the museum. The 25-minute mini-recital is includ
 ed with museum admission. \nOwned by the Eastman School of Music\, the fu
 lly restored Italian Baroque organ is the only full-size antique Italian o
 rgan in North America. The organ is the centerpiece of an installation tha
 t highlights more than 30 major Baroque-period paintings and sculptures.
LAST-MODIFIED:20260914T180353Z
LOCATION:Memorial Art Gallery\, 500 University Ave\, Rochester\, NY\, 1460
 7\, United States
URL:https://mag.rochester.edu/event/going-for-baroque-2/2026-09-20/?utm_so
 urce=caldiscovery&utm_medium=ics&utm_campaign=rochester-ny
X-SOURCE-NAME:Memorial Art Gallery
X-SOURCE-URL:https://mag.rochester.edu
END:VEVENT
END:VCALENDAR