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DESCRIPTION:Riverside: free\, tomorrow (Sat Sep 19\, America/Los_Angeles).
  Rolling: the window moves forward every day\, so subscribe rather than do
 wnload. Discovered and maintained by CalDiscovery (https://caldiscovery.co
 m). Event details belong to their publishers. Contains information from Ca
 lDiscovery\, which is made available under the ODbL 1.0.
SOURCE:https://caldiscovery.com/riverside-ca/tomorrow-free.ics
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X-WR-CALDESC:Riverside: free\, tomorrow (Sat Sep 19\, America/Los_Angeles)
 . Rolling: the window moves forward every day\, so subscribe rather than d
 ownload. Discovered and maintained by CalDiscovery (https://caldiscovery.c
 om). Event details belong to their publishers. Contains information from C
 alDiscovery\, which is made available under the ODbL 1.0.
X-WR-CALNAME:Riverside · free · tomorrow · CalDiscovery
BEGIN:VEVENT
SUMMARY:Festival of Children | South Coast Plaza\, Costa Mesa
DTSTART;VALUE=DATE:20260905
DTEND;VALUE=DATE:20260928
DTSTAMP:20260916T183323Z
UID:10020032785-1788566400-1790553599@kidsguidemagazine.com
CATEGORIES:family,festival,free
DESCRIPTION:September 5–27\, 2026 \nCelebrate the 25th annual Festival o
 f Children at South Coast Plaza throughout the month of September during N
 ational Child Awareness Month. \nConnect with over 70 charities through fr
 ee weekend performances\, hands-on activities\, and interactive exhibits d
 esigned for kids and families of all ages. Watch performances ranging from
  ballet and Hawaiian dance to aerial arts and marionette theater\, with ne
 w acts taking the stage each weekend. \nBrowse the Canstruction Exhibit on
  display all month long — amazing sculptures built entirely from cans\, 
 benefiting the Orange County Food Bank. The Wellness Village Resource Cent
 er is also on-site every weekend\, offering resources and information from
  nonprofits serving children and families throughout the community. \nWeek
 end highlights include: \n\nOpening ceremonies featuring Kodi Lee\, Angeli
 ca Nero & the Hi-Tops (Sept. 5)\nBallet\, Polynesian dance\, Irish dance\,
  and Bollywood performances\nBob Baker Marionette Theater\nOC Face Paint (
 every weekend)\nArts & crafts hosted by Chuck Jones Center for Creativity 
 (Weeks 1 & 2)\nOrange County Aerial Arts performances\nThe Rollettes\, The
  All-American Boys Chorus\, and more\nClosing ceremonies featuring the Hi-
 Tops and Angelica Nero (Sept. 27)\n\nAll Festival events are free and open
  to the public. Events are subject to change without notice\, and craft ac
 tivities are while supplies last. \n————— \nBefore You Go: Visit
  festivalofchildren.org for the full schedule\, updates\, and details. Thi
 s event is organized by Festival of Children Foundation. Kidsguide is an i
 ndependent community resource helping families discover fun events across 
 Southern California. \nLooking for more family fun? Explore more family-fr
 iendly events on our blog\, browse our calendar\, check out limited-time e
 xhibits and experiences\, or subscribe to our newsletter for weekly update
 s.
LAST-MODIFIED:20260916T183323Z
LOCATION:South Coast Plaza\, 3333 Bristol Street\, Costa Mesa\, 92626
URL:https://kidsguidemagazine.com/event/festival-of-children-at-south-coas
 t-plaza-2/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=riverside-c
 a
X-SOURCE-NAME:Kidsguide
X-SOURCE-URL:https://kidsguidemagazine.com/event/victorian-dark-carnival-i
 n-riverside
END:VEVENT
BEGIN:VEVENT
SUMMARY:Free Miniature Train Rides at Fairview Park in Costa Mesa
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20260921
DTSTAMP:20260913T002141Z
UID:10020045869-1789776000-1789948799@kidsguidemagazine.com
CATEGORIES:family,free,outdoors
DESCRIPTION:THIRD FULL WEEKEND OF EVERY MONTH \nThe Orange County Model En
 gineers offer public ride days every third full weekend of each month. To 
 ride the trains\, children must be able to walk and be at least 31″ tall
  and able to walk. A typical trip takes about 12 minutes and covers two lo
 ops of the park. \nRides are weather permitting. Visit their website and s
 ocial media to stay updated.
LAST-MODIFIED:20260913T002141Z
LOCATION:Fairview Park – Costa Mesa\, 2501 Placentia Ave.\, Costa Mesa\,
  CA\, 92626
URL:https://kidsguidemagazine.com/event/free-miniature-train-rides-at-fair
 view-park-in-costa-mesa-2/2026-09-19/?utm_source=caldiscovery&utm_medium=i
 cs&utm_campaign=riverside-ca
X-SOURCE-NAME:Kidsguide
X-SOURCE-URL:https://kidsguidemagazine.com/event/victorian-dark-carnival-i
 n-riverside
END:VEVENT
BEGIN:VEVENT
SUMMARY:200th Birthday Bicentennial Celebration | Dominguez Rancho Adobe M
 useum\, Rancho Dominguez
DTSTART:20260919T170000Z
DTEND:20260919T230000Z
DTSTAMP:20260916T183323Z
UID:10020047163-1789812000-1789833600@kidsguidemagazine.com
CATEGORIES:arts,free
DESCRIPTION:Saturday\, September 19\, 2026 \nCelebrate 200 years of art\, 
 history\, and culture at this free\, all-day community event at the Doming
 uez Rancho Adobe Museum. \nWatch a never-before-seen Bicentennial play per
 formed outdoors with a live orchestra at 1pm — bring a picnic blanket! T
 wo brand-new intern-created exhibitions are also on display\, exploring tr
 easures from the museum’s archives. \nListen to stories from a Native Am
 erican representative storyteller\, explore the historic adobe home on a g
 uided tour\, and sit in on mosaic artist talks. Food trucks will be on-sit
 e throughout the day\, along with hands-on children’s activities. \nActi
 vities include: \n\nBicentennial play with live orchestra (1pm\, outdoors)
 \nNative American storytelling\nGuided tours of the historic adobe home\nM
 osaic artist talks\nManuel Timeline Exhibition\nArchives Bizarre Exhibitio
 n\nHands-on children’s activities\nFood trucks on-site all day\n\nAdmiss
 ion is free. \n————— \nBefore You Go: Visit Dominguez Rancho Ado
 be Museum‘s website for updates and details. This event is organized by 
 Dominguez Rancho Adobe Museum. Kidsguide is an independent community resou
 rce helping families discover fun events across Southern California. \nLoo
 king for more family fun? Explore more family-friendly events on our blog\
 , browse our calendar\, check out limited-time exhibits and experiences\, 
 or subscribe to our newsletter for weekly updates.
LAST-MODIFIED:20260916T183323Z
LOCATION:Dominguez Rancho Adobe Museum\, 18127 South Alameda Street\, Ranc
 ho Dominguez\, CA
URL:https://kidsguidemagazine.com/event/200th-birthday-bicentennial-celebr
 ation-dominguez-rancho-adobe-museum-rancho-dominguez/?utm_source=caldiscov
 ery&utm_medium=ics&utm_campaign=riverside-ca
X-SOURCE-NAME:Kidsguide
X-SOURCE-URL:https://kidsguidemagazine.com/event/victorian-dark-carnival-i
 n-riverside
END:VEVENT
BEGIN:VEVENT
SUMMARY:Fold\, Spindle\, Mutilate
DTSTART:20260919T190000Z
DTEND:20260920T000000Z
DTSTAMP:20260917T003510Z
UID:tag:localist.com\,2008:EventInstance_53762494509630
CATEGORIES:arts,festival,free
DESCRIPTION:Fold\, Spindle\, Mutilate is a free-to-all arts festival that 
 explores the idea of default settings: buttons\, conventions\, and directi
 ves whose artistic applications exceed their intended purpose. We take ins
 piration from the instructions that accompanied early computer punch cards
 \; the injunction "Do Not Fold\, Spindle\, or Mutilate" was originally cre
 ated to ensure the machine readability of paper media but was later approp
 riated as a protest slogan resisting forms of technological standardizatio
 n\, computerization\, and datafication. Through a series of workshops\, in
 stallations\, and performances this festival's participants likewise fold\
 , spindle\, and mutilate a range of default settings to explore the artist
 ic and political possibilities of obfuscation\, juxtaposition\, and fabula
 tion.\n\n \n\nEVENT PROGRAM (ORDER MAY CHANGE)\n\n1:30am-12:00pm Registrat
 ion\n\n12:00pm-1:00pm Arrival\, refreshments\, installation visits\n\n1:00
 pm-2:00pm Beyond the Frame: Erasure\, Photography\, and Speculative Poetry
  workshop (Wenxin Tang\, UCR)\n\n2:00pm-2:45pm Radiant Center sound instal
 lation (Hanz Kuzmich\, UCSC)\n\n2:45pm-3:15pm Experimental film installati
 on (Laila Shereen Sakr\, UCSB)\n\n3:15pm-3:55pm Video projection of durati
 onal performance after-lived (Lynne Marsh\, UCR)\n\n3:55pm-4:40pm KASSIA S
 OUND ICON film screening (Noah Amir Arjomand and Brett Umlauf\, UCR)\n\n4:
 40pm-5:00pm Closing remarks\n\n\nEVENT DETAILS\n \n\nLocation: UCR ARTS (3
 834 Main Street\, Riverside\, CA 92501)\n\nTime: 11:30am-12:00pm registrat
 ion\, 1:00pm-5:00pm program\; please feel free to join at any point during
  the festival.\n\nRegistration: free and open to the public\; RSVP at http
 s://forms.gle/g1eUSoqLK58guC4n7 \n\n \n\nPRESENTER BIOS\n \n\nFold\, Spind
 le\, Mutilate is curated by members of the “Defying Defaults in Technolo
 gy and Culture” University of California Humanities Research Institute (
 UCHRI) Multicampus Faculty Working Group. Based at the University of Calif
 ornia\, Riverside\, this working group includes scholars\, artists\, chore
 ographers\, musicians\, and other practitioners from across the University
  of California system and beyond.\n\n\nGloria Chan Sook Kim (Associate Pro
 fessor\, Media and Cultural Studies\, UC Riverside) is a scholar of visual
  culture\, media studies\, and science and technology studies. Her researc
 h works across histories and theories of vision\, computation and culture\
 , environment and technology\, and infrastructure and systems. She is the 
 author of Microbial Resolution: Visualization and Security in the War Agai
 nst Emerging Microbes (University of Minnesota Press\, 2024)\, and her res
 earch appears in the journals Discourse\, Configurations\, the Journal for
  Consumption\, Markets\, and Culture\, ASAP/J\, as well as in other edited
  volumes.\n\n \n\nHanz Kuzmich (PhD Candidate\, Film and Digital Media\, U
 C Santa Cruz) is a Belarus-born\, Los Angeles-based artist working across 
 transmission arts\, media installation\, and performance. His practice tun
 es into the acoustic and electromagnetic environments of borders and carce
 ral sites\, developing a trans\, diasporic listening methodology oriented 
 toward abolitionist horizons.\n\n \n\nWenxin Tang (MFA Student\, Creative 
 Writing\, UC Riverside) is an emerging writer and international student. S
 he is the recipient of the Maurya Simon Award in Poetry\, the CHASS Carpen
 ter Award for her visual poetry project\, the Dean’s Distinguished Fello
 wship\, and a Gluck Fellowship in museum education in service of UCR ARTS.
  Her work has appeared in The Citron Review and West 10th. \n\n \n\nNoah A
 mir Arjomand (Chancellor’s Postdoctoral Fellow\, Media and Cultural Stud
 ies\, UC Riverside) is an Emmy-winning filmmaker and media scholar working
  across documentary\, narrative\, animated\, and experimental forms. He is
  currently in post-production on a short fictional film about an analog ph
 otographer’s travails in the age of AI and producing a documentary about
  the local “fixers” who assist foreign journalists in Mexico\, buildin
 g upon his book Fixing Stories: Local Newsmaking and International Media i
 n Turkey and Syria (Cambridge University Press\, 2022). \n\n \n\nBrett Uml
 auf (Visiting Specialist\, Media and Cultural Studies\, UC Riverside)\, pr
 aised for her “luminous yet earthy” performances (New York Times)\, is
  a singer whose multisited slow-musicking project HAZELNUT ROAD earned her
  a Fulbright Fellowship to Greece and Turkey to research 9th-c. poet-compo
 ser Kassia of Byzantium. Currently\, she is preparing a modern edition of 
 the only motet collection by 17th-c. nun composer Rosa Giacinta Badalla.\n
 \n \n\nLynne Marsh (Associate Professor\, Art\, UC Riverside) is an artist
  whose practice questions the status of the image through mediation\, tech
 nology\, and production. The ideas central to Marsh’s research include o
 ffstage space\, production-in-production\, affective and cultural labor\, 
 music as a framing device\, and the Brechtian revealing of the mechanics o
 f cultural and theatrical production. A unique publication\, part reader a
 nd part artist monograph\, She Moves Me: Performance\, Moving Image\, and 
 Lynne Marsh’s Lens\, edited by Sylvie Fortin and co-published by Invento
 ry Press and PRESS ENTER\, will be available in November 2026.\n\n \n\nLai
 la Shereen Sakr (Associate Professor\, Film and Media Studies\, UC Santa B
 arbara) is an artist and scholar whose work merges digital arts and media\
 , feminist decolonial thought\, and critical AI to interrogate power\, mem
 ory\, and technoculture. Through her long-running R-Shief media system and
  exhibitions such as Capital Glitch (Qualcomm Institute\, 2021)\, Dis-Asse
 mbling the Cloud (Lagos Biennial\, 2024)\, and Rosetta Stones Resurrected 
 (Diriyah Art Futures\, 2025)\, she explores data as material and metaphor\
 , using algorithmic disruption to reveal global entanglements. Her book Ar
 abic Glitch: Technoculture\, Data Bodies\, and Archives (Stanford Universi
 ty Press\, 2023) situates Arab digital cultures at the vanguard of media t
 heory.\n\n \n\nAmy Skjerseth (Assistant Professor\, Music\, UC Riverside) 
 is a scholar of popular music\, media\, material culture\, and technology.
  Her book Preprogrammed: How Electronic Presets Changed Music and Media (U
 niversity of California Press\, 2026) explores how predetermined settings 
 on 1930s car radio up to today’s Auto-Tune and deepfakes have influenced
  not only music and media but also the cultural and political systems we o
 ften take for granted. She is also coeditor of the Routledge Companion to 
 Voice and Identity (2026). Skjerseth is currently Principal Investigator o
 f the “Defying Defaults in Technology and Culture” University of Calif
 ornia Humanities Research Institute (UCHRI) Multicampus Working Group. \n\
 n \n\nRory Fewer (PhD Candidate\, Music\, UC Riverside) is an ethnomusicol
 ogist\, composer\, and DJ whose research explores the intersections of pop
 ular music\, queerness\, materiality\, and affect\, particularly as they c
 ulminate in the vernacular practices of nightlife. He is currently working
  on an ethnography of queer rave collectives in Bangkok’s underground el
 ectronic dance music scene. His writing has been published in TDR: The Dra
 ma Review\, Southeast of Now: Directions in Contemporary and Modern Art in
  Asia\, and Dancecult: Journal of Electronic Dance Music Culture.\n\n \n\n
 PROGRAM DETAILS\n \n\nCreated during a residency at the Nida Art Colony\, 
 Radiant Center draws from two months of field recording on the Curonian Sp
 it\, a UNESCO World Heritage Site whose unique dune ecosystem is bisected 
 by the Russian-Lithuanian border. The work uses radio receivers\, hydropho
 nes\, and contact microphones to capture transmissions and vibrations prop
 agating through sand\, water\, soil\, trees\, and border infrastructure\, 
 tracing how security apparatuses and environmental forces co-constitute th
 is freighted terrain. \n\nIn Beyond the Frame: Erasure\, Photography\, and
  Speculative Poetry\, we will experiment with two preexisting forms—foun
 d text and photography—and explore what happens when we “mutilate” t
 heir default settings. In the first part of the workshop\, we will erase o
 r black out portions of found texts\, allowing what remains to reconstruct
  what was originally said\, or to reveal what was left unsaid. In the seco
 nd part of the workshop\, using an existing photograph as an anchor\, part
 icipants will disrupt its apparent or “default” meaning through writin
 g\, erasure\, layering\, and attention to its visual contours. How might w
 riting over\, around\, or along the outlines of a photograph alter what th
 e image appears to say? What new narratives\, perspectives\, or worlds mig
 ht emerge when we write into what the photograph cannot show?\n\n \n\nA ve
 nerated saint writes a list of all she hates. A brilliant composer pens hy
 mns that endure for twelve centuries. A humble nun outlines the ideal mona
 stic life. Kassia is all of these women. KASSIA SOUND ICON is a pilgrimage
 \, a journey in five scenes (“icons”) exploring perspectives on the ea
 rliest woman composer with extant works\, 9th-century abbess Kassia of Byz
 antium\, a.k.a. Saint Kassiani.\n\n \n\nPresented in this festival as a vi
 deo projection\, after-lived unfolded over three days as a durational perf
 ormance. Performers worked through gestures learned from a motion-capture 
 animation archive: they embodied\, repeated\, reoriented\, and endured the
 m. Each performer trained with an avatar generated from a digital scan of 
 their own body\, set in motion as if possessed. The title after-lived name
 s a condition in which systems persist beyond their declared obsolescence\
 , continuing to operate even after their logic has been exhausted. In this
  state\, gestures survive their contexts. They loop\, mutate\, and return.
  The body becomes the site where these loops are absorbed\, tested\, redir
 ected\, and possibly exited.\n\n \n\nSponsored by UCR ARTS\, Center for Id
 eas & Society\, and University of California Humanities Research Institute
LAST-MODIFIED:20260917T003510Z
LOCATION:UCR ARTS
URL:https://events.ucr.edu/event/fold-spindle-mutilate?utm_source=caldisco
 very&utm_medium=ics&utm_campaign=riverside-ca
X-SOURCE-NAME:UC Riverside Calendar
X-SOURCE-URL:https://events.ucr.edu/arts_building
END:VEVENT
END:VCALENDAR