BEGIN:VCALENDAR VERSION:2.0 PRODID:-//CalDiscovery//caldiscovery//EN CALSCALE:GREGORIAN METHOD:PUBLISH DESCRIPTION:Discovered and maintained by CalDiscovery (https://caldiscover y.com). Event details belong to their publishers. Contains information fro m CalDiscovery\, which is made available under the ODbL 1.0. SOURCE:https://caldiscovery.com/new-york-ny/src-9517.ics X-PUBLISHED-TTL:PT1H X-WR-CALDESC:Discovered and maintained by CalDiscovery (https://caldiscove ry.com). Event details belong to their publishers. Contains information fr om CalDiscovery\, which is made available under the ODbL 1.0. X-WR-CALNAME:CalDiscovery - new-york-ny BEGIN:VEVENT SUMMARY:Tut's Fever Movie Palace DTSTART;VALUE=DATE:19880901 DTEND;VALUE=DATE:19880902 DTSTAMP:20260807T182357Z UID:10000009-589075200-1924991999@movingimage.org CATEGORIES:film DESCRIPTION:Red Grooms (b. 1937\, Nashville\; lives in New York City) and Lysiane Luong (b. 1951\, Paris\; lives in New York City). Commissioned by Museum of the Moving Image \nTut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong\, an homage to t he ornate\, exotic picture palaces of the 1920s. Inspired by the tomb pain tings they saw during a trip to Egypt\, Grooms and Luong covered the walls \, floor and seats of the theater with hand-painted\, Egyptian-style depic tions of Hollywood royalty. Silent screen star Theda Bara works the box of fice\, Mae West stands behind the concessions stand\, and Mickey Rooney is the usher. Rudolf Valentino\, Elizabeth Taylor and many others grace the walls\, and each slipcovered chair in the theater features an image of Rit a Hayworth. Visitors can open a sarcophagus to find a sculpture of James D ean lying in his tomb\, cigarette still dangling from his mouth. \nTut’s Fever is a permanent feature of the Museum’s core exhibition\, Behind the Screen. Visitors can explore the installation and sit down and watch classic movie serials and short films (playing in a loop) during Museum ho urs.\n\nOngoing through December 31\, 2030. LAST-MODIFIED:20260807T182357Z URL:https://movingimage.org/event/tuts-fever-movie-palace/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Behind the Screen DTSTART;VALUE=DATE:19880910 DTEND;VALUE=DATE:19880911 DTSTAMP:20260729T050320Z UID:10000256-589852800-1915315199@movingimage.org CATEGORIES:arts DESCRIPTION:The core exhibition of the Museum\, Behind the Screen is a one -of-a-kind experience that immerses visitors in the creative and technical process of producing\, promoting\, and presenting films\, television show s\, and digital entertainment. Occupying 15\,000 square feet of the Museum ’s second and third floors\, the exhibition reveals the skills\, materia l resources\, and artistic decisions that go into making moving images. Be hind the Screen also introduces visitors to the history of the moving imag e\, from nineteenth-century optical toys to the present-day impact of digi tal tools on film editing and post-production. \nArtifacts: The exhibition incorporates approximately 1\,400 artifacts from the Museum’s permanent collection. These include historic film and television cameras\, projecto rs\, television sets\, sound recording equipment\, costumes\, set design s ketches and models\, make-up\, fan magazines\, posters\, and an outstandin g collection of licensed merchandise—dolls\, toys\, board games\, lunch boxes\, and more. Selections from the Museum’s collection of video arcad e and console games are also on exhibit and available for play by visitors . \nComputer-based interactive experiences: Visitors may record their own movements as a sequence of still photographs that can be printed out and m ade into a flipbook\; create their own stop-motion animations\, which they can save and email\; record their voices over dialogue from a film\, foll owing the same procedure that actors use when dubbing their lines in post- production\; choose sound effects to add to the images of well-known movie s and television shows\; add music to scenes from movies\, and to experien ce how music affects mood and tone. \nAudio-visual material: Behind the Sc reen includes nearly four hours of audio-visual material that ranges from film clips related to the artifacts on display\; projections of the earlie st kinetoscope films\, The Great Train Robbery\, Vitaphone short subjects\ , and a selection from Nanook of the North\, all of which bring key moment s in film history vividly to life\; special videos\, including The First M ovies about Etienne Jules Marey and Chuck Workman’s Precious Images\; an d a simulation of a live TV control room\, taking visitors inside the room where director Bill Webb called the shots for the broadcast of a game bet ween the New York Mets and San Diego Padres. \nCommissioned artworks: Artw orks created especially for incorporation into Behind the Screen are Tut ’s Fever by Red Grooms and Lysiane Luong\, a real movie theater equipped for video that seats thirty-five\; TV Lounge by Jim Isermann\, an environ ment resembling a 1960s living room\; and Feral Fount by Gregory Barsamian \, a stroboscopic zoetrope using 97 sculptures rotating on an armature to create a short animation.\n\nOngoing through September 10\, 2030. LAST-MODIFIED:20260729T050320Z LOCATION:Museum of the Moving Image\, 36-01 35 Ave\, Astoria\, NY\, 11106\ , United States URL:https://movingimage.org/event/behind-the-screen/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:The Jim Henson Exhibition DTSTART;VALUE=DATE:20170722 DTEND;VALUE=DATE:20170723 DTSTAMP:20260729T050320Z UID:10000002-1500681600-1910995199@movingimage.org CATEGORIES:arts DESCRIPTION:This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture. \n The Jim Henson Exhibition features a broad range of objects from throughou t his remarkable career. It reveals how Henson and his team of builders\, performers\, and writers brought to life the enduringly popular worlds of The Muppet Show\, the Muppet movies\, Sesame Street\, Fraggle Rock\, The D ark Crystal\, and Labyrinth. It also includes material from Henson’s exp erimental film projects and his early work\, presenting him as a restlessl y creative performer\, filmmaker\, and technical innovator. \nAmong the ne arly 300 objects on view are 47 puppets—including Kermit the Frog\, Miss Piggy\, Rowlf\, The Swedish Chef\, Statler\, Waldorf\, Big Bird\, Elmo\, Cantus Fraggle\, a Skeksis\, and other popular favorites—character sketc hes\, storyboards\, scripts\, photographs\, and costumes. Film and televis ion clips and behind-the-scenes footage are presented on monitors and proj ections throughout. Interactive experiences allow visitors to try their ha nd at puppeteering on screen and designing a puppet character. \nMany of t he objects featured in The Jim Henson Exhibition are drawn from a major do nation by Jim Henson’s family to the Museum’s permanent collection. Th is donation of nearly 500 artifacts includes historic puppets\, costumes\, production design material\, and licensed merchandise. \nThe Museum also explores Henson’s career and legacy through education programs\, live ap pearances\, and family workshops\, plus film screenings with its recurring Jim Henson’s World program.  \n\n\nThe exhibition was organized by Mus eum of the Moving Image in collaboration with the Henson family\, The Jim Henson Legacy\, and The Jim Henson Company\, and in cooperation with Sesam e Workshop and The Muppets Studio. \nCreative Direction & Exhibition Desig n by COLLINS | NY & SF. \nFootage of Ernie Kovacs in It’s Time for Ernie generously provided by Eidad Productions and Erniekovacs.com. \nThe Jim H enson Exhibition is made possible by major support from Brian Henson\, Che ryl Henson\, Heather Henson\, Lisa Henson\, Joan Ganz Cooney and Peter G. Peterson\, Bill Prady\, Booth Ferris Foundation\, The Jane Henson Foundati on\, George S. Kaufman\, Institute of Museum and Library Services\, George Lucas Family Foundation\, Stavros Niarchos Foundation\, and Herbert S. Sc hlosser. In addition\, a Kickstarter campaign resulted in more than 2\,000 individuals helping to fund the exhibition. \nCapital funding for constru ction of the new gallery space to house The Jim Henson Exhibition was prov ided through the NYC Department of Cultural Affairs by The City of New Yor k: Mayor Bill de Blasio\; City Council Speaker Melissa Mark-Viverito\; Que ens Borough President Melinda Katz\; City Council Majority Leader and Cult ural Affairs Committee Chair Jimmy Van Bramer\; and the Queens Delegation of the City Council. Construction was managed by the New York City Economi c Development Corporation.\n\nOngoing through July 22\, 2030. LAST-MODIFIED:20260729T050320Z LOCATION:Museum of the Moving Image\, 36-01 35 Ave\, Astoria\, NY\, 11106\ , United States URL:https://movingimage.org/event/the-jim-henson-exhibition/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Horrible Sites: Makeup and Production Design for The Exorcist DTSTART;VALUE=DATE:20231005 DTEND;VALUE=DATE:20231006 DTSTAMP:20260729T050320Z UID:10003263-1696464000-1917475199@movingimage.org CATEGORIES:arts DESCRIPTION:The Exorcist is widely considered one of the scariest films ev er made. Released in 1973\, the film\, which pits the Catholic church agai nst a demon for control of a young girl’s soul\, has shocked and fascina ted generations of viewers. Directed by William Friedkin and written by Wi lliam Peter Blatty\, adapting his own best-selling 1971 novel\, the film m ade an essential contribution to the horror genre. With material drawn fr om MoMI’s permanent collection\, this exhibit explores the film’s prod uction and makeup design\, detailing how a stylish townhouse in Georgetown \, Washington\, D.C.\, and an innocent young girl were transformed into si tes of horror.  \nNow on view in the Museum’s core Behind the Screen ex hibition.\n\nOngoing through October 5\, 2030. LAST-MODIFIED:20260729T050320Z URL:https://movingimage.org/event/exorcist/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Reflected Forms: Story and Character in the Films of Todd Haynes DTSTART;VALUE=DATE:20231124 DTEND;VALUE=DATE:20231125 DTSTAMP:20260729T050320Z UID:10003299-1700784000-2332022399@movingimage.org CATEGORIES:film DESCRIPTION:On the occasion of Todd Haynes’s latest feature\, May Decemb er (2023)\, and the Museum’s celebration of the director at the Winter M oving Image Awards\, MoMI is pleased to present an exhibit with materials from the archives of filmmaker Todd Haynes\, now part of the Museum’s co llection.  \nHaynes draws deeply on artistic and historical sources\, ref racting them into films that subvert conventional narratives and genres\, and feature characters who transgress from social constraints. May Decembe r exemplifies his interest in cinematic storytelling as a mirror that refl ects more than what is visible on the surface.   \nThis exhibit focuses on five of Haynes’s films that explicitly invoke historical figures or e ras: May December (2023)\, I’m Not There (2007)\, Far from Heaven (2002) \, Velvet Goldmine (1998)\, and Superstar: The Karen Carpenter Story (1987 ). Featuring image books that he meticulously compiles as preparation and inspiration for each film\, as well as sketches\, paintings\, notes\, and an excerpt from his 2023 metacinematic short film Image Book\, shot on the set of May December\, Reflected Forms: Story and Character in the Films o f Todd Haynes offers a glimpse into his process of transforming historical and cultural referents into formally ambitious\, richly emotional films.   \nThe exhibit will be on view in the Museum’s core exhibition\, Behin d the Screen.\n\nOngoing through November 24\, 2043. LAST-MODIFIED:20260729T050320Z URL:https://movingimage.org/event/todd-haynes-reflected-forms/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Overexposed: Art\, Technology\, and the Body DTSTART;VALUE=DATE:20260314 DTEND;VALUE=DATE:20260315 DTSTAMP:20260729T050320Z UID:10004309-1773446400-1799020799@movingimage.org CATEGORIES:arts DESCRIPTION:The advent of cinema in the late 19th century allowed artists and scientists to record motion for the first time. Developed concurrently \, X-ray technology extended vision beneath the skin\, allowing people to view the body’s interior. Together\, these tools produced spectacular ne w images that shaped modern conceptions of the body.  \nOverexposed: Art\ , Technology\, and the Body brings together research-based and educationa l films with contemporary artworks by 16 American and international artist s to examine the historical\, medical\, and sociopolitical implications of seeing inside the body. The works on view were created between 1891 and 2 025. They include pieces by Panteha Abareshi\, Peggy Ahwesh\, Zuza Bana sińska\, Lucien Castaing-Taylor and Verena Paravel\, Theo Cuthand and Rut h Cuthand\, Anna Kipervaser\, Liz Magic Laser\, Barbara Hammer\, Ana Mendi eta\, Donald Rodney\, Courtney Stephens\, Agnes Questionmark\, and Leslie  Thornton and Ron Vawter.  \nThe show is organized into three overlappin g sections. “Technology and Power” explores how film and X-ray technol ogies shaped Western claims to scientific objectivity. “Limits of the Ga ze” features artists who engage with archives and found footage\, and in vestigate their own bodies to expose and challenge the normative assumptio ns embedded in medical images. “Care and Control” examines how imaging tools have transformed practices of care. Overexposed invites visitors to reflect on how visualizing the inside of the body shapes medical knowledg e and human experience.  \nOrganized by Sonia Epstein\, Curator of Scienc e & Technology   \nLead support for Overexposed  was provided by the A lfred P. Sloan Foundation and the Andy Warhol Foundation for the Visual Ar ts. Additional generous support was provided by Romy Cohen\, The Gladys Kr ieble Delmas Foundation\, Elaine Goldman\, May & Samuel Rudin Family Fou ndation\, and Doug Pugh.  \nAccess to Overexposed is included with gener al Museum admission tickets.  \nAdvisory: This exhibition features materi al that may be sensitive for some viewers\, including depictions of the hu man body and medical imagery. \nPlease note that this exhibition contains work with strobing lights.\n\nOngoing through January 3\, 2027. LAST-MODIFIED:20260729T050320Z URL:https://movingimage.org/event/overexposed/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Icarus Proudbottom’s Typing Party DTSTART;VALUE=DATE:20260326 DTEND;VALUE=DATE:20260914 DTSTAMP:20260827T181757Z UID:10004548-1774483200-1789343999@movingimage.org CATEGORIES:arts DESCRIPTION:Free to play in the Museum lobby  \nTyping Party is part of Holy Wow Studio’s “Icarus Proudbottom” series. Beginning in 2013\, the indie game series began borrowing the familiar structure of typing t utors\, such as Mavis Beacon Teaches Typing and Mario Teaches Typing\, w hile pushing the educational format toward competition and absurdity. De buting at MoMI in 2016 as part of IndieCade East\,Typing Party takes the form of a social arcade game comprising nine competitive minigames\, play ed on two keyboards mounted side by side in a custom cabinet. The two key boards are central to the game’s character: slightly out of place within arcade conventions\, yet immediately legible to most players\; they turn a familiar act into something social\, rhythmic\, and unexpectedly challen ging.   \nIcarus Proudbottom’s Typing Party (2016) \nHoly Wow Studios (Jackie and Dan Vecchitto\, 2009– \, United States) \nCustom arcade cabinet\, Flash (ActionScript 3)\, computer\, monitor\, and two keyboards   \nPresented in collaboration with Wonderville LAST-MODIFIED:20260827T181757Z URL:https://movingimage.org/event/icarus-proudbottoms-typing-party/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Anime's Ascendant Decade DTSTART;VALUE=DATE:20260515 DTEND;VALUE=DATE:20261013 DTSTAMP:20260819T000203Z UID:10004700-1778803200-1791849599@movingimage.org CATEGORIES:arts DESCRIPTION:Once seen by many outside Japan as a niche form\, anime has be come a major force in global screen culture\, inspiring passionate fan com munities and reshaping mainstream entertainment. Anime reaches its ever-ex panding audiences through streaming platforms\, social media\, theaters\, conventions\, and fan networks. \nThis screening program highlights the ri se of anime through acclaimed series from the past decade. Individual epis odes from series recognized by the Crunchyroll Anime Awards\, spanning 201 6 to the present\, will be on view for two-week periods. Together\, the se lections reflect the range of contemporary anime: intimate character drama \, fantasy\, action\, romance\, science fiction\, and formally inventive s torytelling. They offer a snapshot of anime’s growing international pres ence and cultural influence. \nNow Showing \nAugust 20–30\, 2026\n2024\n Demon Slayer: Kimetsu no Yaiba\, season three\, episode 11 (2023)\nDirecte d by Haruo Sotozaki\nUfotable\nCrunchyroll Anime Award: Best Fantasy\; Bes t Animation\, 2024 \nPast Episodes \nAugust 6–16\, 2026\n2023\nSPY×FAM ILY\, season one\, episode one (2022)\nDirected by Kazuhiro Furuhashi\nWIT STUDIO×CloverWorks\nCrunchyroll Anime Award: Best New Series\; Best Endi ng Sequence\; Best Comedy\; Best Supporting Character\; Best “Must Suppo rt at All Costs” Character\; Best Voice Artist Performance (Brazilian/Po rtuguese)\, 2023 \nJuly 23–August 2\, 2026\n2022\nAttack on Titan\, seas on four\, episode 64 (2021)\nDirected by Yuichiro Hayashi\nMAPPA\nCrunchyr oll Anime Award\, Anime of the Year\, 2022 \nJuly 9–19\, 2026\n2021\nKee p Your Hands Off Eizouken!\, season one\, episode 8 (2020)\nDirected by Ma saaki Yuasa\nScience SARU\nCrunchyroll Anime Award\, Best Animation\, 2021 \nJune 25–July 5\, 2026\n2020\nVinland Saga\, season one\, episode two (2019)\nDirected by Shūhei Yabuta\nWit Studio\nCrunchyroll Anime Award\, Best Drama\, 2020 \nJune 11–21\, 2026\n2019\nViolet Evergarden\, episode seven (2018)\nDirected by Taichi Ishidate\nKyoto Animation\nCrunchyroll A nime Award\, Best Animation\, 2019 \nMay 28–June 7\, 2026\n2018\nThe Anc ient Magus’ Bride\, season one\, episode three (2017)\nDirected by Norih iro Naganuma\nWit Studio\nCrunchyroll Anime Award\, Best Drama\, 2018 \nOn view May 15–27\, 2026\n2017\nMob Psycho 100\, season one\, episode one (2016)\nDirected by Yuzuru Tachikawa\nStudio Bones\nCrunchyroll Anime Awar d\, Best Action\, 2017 \n  \nSupport for this program provided by Crunchy roll. LAST-MODIFIED:20260819T000203Z URL:https://movingimage.org/event/animes-ascendant-decade/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Proof As If Proof Were Needed DTSTART;VALUE=DATE:20260612 DTEND;VALUE=DATE:20260908 DTSTAMP:20260729T050320Z UID:10004722-1781222400-1788825599@movingimage.org CATEGORIES:arts DESCRIPTION:Part of MoMI x TAICCA Partnership \nProof As If Proof Were Nee ded\, 2025\nTing-Tong Chang (b. 1982\, Taiwan) and Blast Theory (United Ki ngdom) \nProof As If Proof Were Needed is an interactive installation that transforms the experience of a relationship’s end into a dreamlike jour ney through domestic space. Visitors move through the floor plan of a Taiw anese house\; as they step into each room\, the projected image shifts to reveal that space and fragments of the story it contains. Gradually\, a po rtrait emerges of a couple returning to their abandoned home to gather bel ongings and confront the secrets they have kept from one another. \nOrgani zed by guest curator Michaela Ternasky-Holland \nPresented in collaboratio n with Taiwan Creative Content Agency (TAICCA). Established in June 2019 a nd supported by the Ministry of Culture\, TAICCA is a professional interme diary organization working to facilitate the development of Taiwan’s con tent industries including film and TV\, publishing\, pop music\, ACG\, and more. Learn more at en.taicca.tw. LAST-MODIFIED:20260729T050320Z URL:https://movingimage.org/event/proof-as-if-proof-were-needed/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Sense of Nowhere DTSTART;VALUE=DATE:20260612 DTEND;VALUE=DATE:20260908 DTSTAMP:20260729T050320Z UID:10004723-1781222400-1788825599@movingimage.org CATEGORIES:arts DESCRIPTION:Part of MoMI x TAICCA Partnership \nSense of Nowhere\, 2025\nH sin Hsuan Yeh (b. 1997\, Taiwan) \nWhere do we go when we zone out\, and h ow do we find our way back to awareness? Inspired by Taoism\, Buddhism\, a nd Jungian psychology\, the VR project Sense of Nowhere blurs the line bet ween inner world and outer reality\, transforming fragmented thoughts into a tangible experience. A 2D and stop-motion animation director\, Yeh craf ts a visual world with a rich sonic landscape\, inviting the audience to e xplore the subconscious\, piece together hidden clues\, and find their way back to the present moment. \nVisitors can access this 30-minute VR exper ience in the Museum’s third-floor Media Lab. \nOrganized by guest curato r Michaela Ternasky-Holland \nPresented in collaboration with Taiwan Creat ive Content Agency (TAICCA). Established in June 2019 and supported by the Ministry of Culture\, TAICCA is a professional intermediary organization working to facilitate the development of Taiwan’s content industries inc luding film and TV\, publishing\, pop music\, ACG\, and more. Learn more a t en.taicca.tw. LAST-MODIFIED:20260729T050320Z URL:https://movingimage.org/event/sense-of-nowhere/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Proof as If Proof Were Needed DTSTART;VALUE=DATE:20260612 DTEND;VALUE=DATE:20260914 DTSTAMP:20260831T121619Z UID:10004722-1781222400-1789343999@movingimage.org CATEGORIES:arts DESCRIPTION:Part of MoMI x TAICCA Partnership \nProof as If Proof Were Nee ded\, 2025\nTing-Tong Chang (b. 1982\, Taiwan) and Blast Theory (United Ki ngdom) \nProof as If Proof Were Needed is an interactive installation that transforms the experience of a relationship’s end into a dreamlike jour ney through domestic space. Visitors move through the floor plan of a Taiw anese house\; as they step into each room\, the projected image shifts to reveal that space and fragments of the story it contains. Gradually\, a po rtrait emerges of a couple returning to their abandoned home to gather bel ongings and confront the secrets they have kept from one another. \nOrgani zed by guest curator Michaela Ternasky-Holland \nPresented in collaboratio n with Taiwan Creative Content Agency (TAICCA). Established in June 2019 a nd supported by the Ministry of Culture\, TAICCA is a professional interme diary organization working to facilitate the development of Taiwan’s con tent industries including film and TV\, publishing\, pop music\, ACG\, and more. Learn more at en.taicca.tw. LAST-MODIFIED:20260831T121619Z URL:https://movingimage.org/event/proof-as-if-proof-were-needed/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Sense of Nowhere DTSTART;VALUE=DATE:20260612 DTEND;VALUE=DATE:20260914 DTSTAMP:20260827T181757Z UID:10004723-1781222400-1789343999@movingimage.org CATEGORIES:arts DESCRIPTION:Part of MoMI x TAICCA Partnership \nSense of Nowhere\, 2025\nH sin Hsuan Yeh (b. 1997\, Taiwan) \nWhere do we go when we zone out\, and h ow do we find our way back to awareness? Inspired by Taoism\, Buddhism\, a nd Jungian psychology\, the VR project Sense of Nowhere blurs the line bet ween inner world and outer reality\, transforming fragmented thoughts into a tangible experience. A 2D and stop-motion animation director\, Yeh craf ts a visual world with a rich sonic landscape\, inviting the audience to e xplore the subconscious\, piece together hidden clues\, and find their way back to the present moment. \nVisitors can access this 30-minute VR exper ience in the Museum’s third-floor Media Lab. \nOrganized by guest curato r Michaela Ternasky-Holland \nPresented in collaboration with Taiwan Creat ive Content Agency (TAICCA). Established in June 2019 and supported by the Ministry of Culture\, TAICCA is a professional intermediary organization working to facilitate the development of Taiwan’s content industries inc luding film and TV\, publishing\, pop music\, ACG\, and more. Learn more a t en.taicca.tw. LAST-MODIFIED:20260827T181757Z URL:https://movingimage.org/event/sense-of-nowhere/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Site Interruptions DTSTART;VALUE=DATE:20260702 DTEND;VALUE=DATE:20260703 DTSTAMP:20260729T050320Z UID:10004786-1782950400-1816559999@movingimage.org CATEGORIES:arts DESCRIPTION:Site Interruptions is a new series of artist commissions unfo lding across MoMI’s homepage and unexpected locations in the Museum’ s building. Since the advent of the web browser\, artists have recognized the website as a medium for artistic production\, treating the architectur e that determines how a page is built and navigated as part of the work itself. Building on MoMI’s multi-decade history of presenting web-base d projects\, Site Interruptions marks a renewed commitment to commission ing work for online contexts. \nAs online systems and behavior increasing ly organize everyday life beyond the screen\, the series reflects the symb iosis between networked experience and the onsite spaces where social and cultural life is felt offline. Each project in the series unfolds in two interdependent forms: a work on MoMI’s homepage and a corresponding i nstallation onsite. Works on the homepage alter the visitor’s encounte r within the website\, while the in-person installation appears in an unl ikely space\, inviting visitors to seek it out within the building.   \n The Museum will present four commissions over the course of a year\, w ith artists exploring such ideas as spam (to be deactivated at the muse um)\, sensors\, and HTML trees\, creating new encounters within the m useum and the website as its extension.   \nSteve Pikelny: July 2–Octo ber 4\, 2026\nGabriela Garcez (aka Godmin): October 8\, 2026–January 10\ , 2027\nUrsula Endlicher: January 14–April 18\, 2027\nChia Amisola: Apri l 22–July 25\, 2027 \nOrganized by Regina Harsanyi\, Associate Curator o f Media Arts  \nPresented with support from Raster Eyes  \nCurrently on view:\nSteve Pikelny (b. 1989\, United States)\nMoMI Site Interruption Ac tivation\, 2026\nJavaScript\, HTML/CSS\, webpage with sound  \nSteve Pike lny is an artist and engineer who builds websites that should not be trust ed. Drawing on the visual language of the earlier web\, his projects borro w from pop-up windows\, deceptive advertisements\, fake news\, pyramid sch emes\, and other dubious online ventures. \nFor Site Interruptions\, Pike lny turns the Museum’s website into something between a browser hijack er and a clicker game. Visitors who choose to “upgrade” the site pas s through warnings\, nerve-racking prompts\, and prolonged loading bars be fore arriving at “MoMI 2.0.” An activation code can be generated onli ne\, but visitors to MoMI will be given special access to an alternati ve sequence.\n\nOngoing through July 25\, 2027. LAST-MODIFIED:20260729T050320Z URL:https://movingimage.org/event/site-interruptions/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Reframing the Slasher: Teenage Sex and Death at Camp Miasma DTSTART;VALUE=DATE:20260730 DTEND;VALUE=DATE:20261109 DTSTAMP:20260815T002243Z UID:10004806-1785369600-1794182399@movingimage.org CATEGORIES:arts DESCRIPTION:MoMI presents an exhibition of material related to Jane Schoen brun’s film Teenage Sex and Death at Camp Miasma. In this meta explorati on of the slasher film genre\, a queer filmmaker (Hannah Einbinder) is tas ked with resurrecting a 1980s/’90s-era horror franchise about supernatur al murders at a sleepaway camp\, and seeks out the film’s original\, rec lusive “final girl” (Gillian Anderson) for inspiration. \nThe Museum ’s installation will pair screen-used props from the fictional Camp Mias ma franchise—VHS tapes\, posters\, merchandise\, and a costume—with a series of movie posters selected by Schoenbrun\, which include Psycho (196 0)\, Sleepaway Camp (1983)\, and Dressed to Kill (1980). The posters\, wit h descriptive text by Schoenbrun\, illuminate the sources the filmmaker dr ew upon\, each of which contribute to the genre’s complex representation of gender\, desire\, and sexual deviance. \nThe exhibition opened July 30 \, ahead of the film’s theatrical release on August 7. It will be on vie w in the Museum’s ground-floor Founders Hall and will feature approximat ely 35 objects\; admission is free. \nPresenting Sponsor LAST-MODIFIED:20260815T002243Z URL:https://movingimage.org/event/camp-miasma/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Terms of Agreement 🐳 DTSTART;VALUE=DATE:20260806 DTEND;VALUE=DATE:20261026 DTSTAMP:20260807T182357Z UID:10004833-1785974400-1792972799@movingimage.org CATEGORIES:arts DESCRIPTION:For this Museum commission\, presented as part of the Museum ’s year-long partnership with the Tezos Foundation\, conceptual artis t Jonas Lund (b. 1984\, Sweden)\, whose work critically examines contempo rary networked systems and technological innovation\, is paired with Yoshi Sodeoka (b. 1967\, Japan)\, an artist and musician whose work explores t he tension between precision and chaos through unpredictable\, self-organi zing systems that blur natural and artificial behavior. \nIn Terms of Ag reement 🐳 (2026)\, the white-collar worker becomes a simulated figure whose claim to individuality collapses into collective caricature. Its e xamination of professional life pulls from the economic structures of th e art world\, including the behaviors and influence of collectors. This  real-time webpage unfolds as a triptych featuring autonomous simulations \, combining Tezos network data of real-time wallet transactions from a handful of top collectors of media art (known as “whales”) combined with live data from actual whales and other cetaceans like dolphins and orcas\, being tracked at sea. Work appears as a choreography of gesture s\, conversations\, transactions\, and affiliations that convert obedienc e into the appearance of agency. Workers remain ceaselessly active whi le ultimately producing nothing.  \nLearn more about MoMI x Tezos: Bl ockchain as Art.  \nAt a station in the Museum lobby and online below\, t he public is invited to collect a process image from the production of Ter ms of Agreement 🐳.   \nClaim Terms of Agreement 🐳 here. LAST-MODIFIED:20260807T182357Z URL:https://movingimage.org/event/terms-of-agreement/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Felix the Cat DTSTART;VALUE=DATE:20260806 DTEND;VALUE=DATE:20261113 DTSTAMP:20260808T002229Z UID:10004844-1785974400-1794527999@movingimage.org CATEGORIES:arts DESCRIPTION:MoMI presents four restored Felix the Cat cartoons from 1 927–28. Watch Felix travel to the bottom of the sea to source a string o f pearls (only to be chased out by the angry mother oyster)\, fashion a st raw out of a yard of stolen pasta\, attempt to court Juliet (as Romeow) wh ile dueling another suitor and a group of musical animals\, and\, after a failed outing to the cinema\, make his own movie\, capturing some unintend ed mischief.  \nComicalamities\nOtto Messmer/Pat Sullivan. 1928\, 9 min s.   \nFelix Dines and Pines \nOtto Messmer/Pat Sullivan. 1927\, 7 mi ns.  \nFelix Plays Romeow \nOtto Messmer/Pat Sullivan. 1927\, 14 mins.   \nFlim Flam Films\nOtto Messmer/Pat Sullivan. 1927\, 6 mins.  \nSpec ial thanks to Mauricio Alvarado\, Steve Stanchfield\, and @RockinPins  \n This screening program is on view in the Museum’s core exhibition\, B ehind the Screen\, inside Tut’s Fever Movie Palace\, a working movie theater and artwork by Red Grooms and Lysiane Luong. LAST-MODIFIED:20260808T002229Z URL:https://movingimage.org/event/felix-the-cat/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Demonstration: Sparky the Robot Dog DTSTART;VALUE=DATE:20260903 DTEND;VALUE=DATE:20260904 DTSTAMP:20260902T002428Z UID:10004937-1788393600-1819929599@movingimage.org CATEGORIES:education DESCRIPTION:Thursdays 3:00 p.m.\, 5:00 p.m.  \nFridays: 3:00 p.m.\, 5: 00 p.m.\, 7:00 p.m.  \nSaturday & Sundays:  12:00 p.m.\, 2:00 p.m.\ , 4:00 p.m.  \nGet to know MoMI LAB’s new mascot: Sparky the Robot Dog ! In this 30 minute demonstration\, our Education team will introduce visi tors to Sparky\, a Unitree Go 2 Robot Dog. Learn how onboard cameras and s ystems like LiDAR help Sparky to see and navigate through real 3D environm ents and avoid obstacles\, while robotic servos and sensors help to keep S parky upright and balanced!  \nNo RSVP required.\n\nOngoing through Sept ember 2\, 2027. LAST-MODIFIED:20260902T002428Z URL:https://movingimage.org/event/demonstration-sparky-the-robot-dog/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Love Me Tonight DTSTART:20260905T170000Z DTEND:20260905T190000Z DTSTAMP:20260823T180338Z UID:10004837-1788613200-1788613200@movingimage.org CATEGORIES:film DESCRIPTION:Dir. Rouben Mamoulian. 1932\, 88 mins. U.S. 35mm. With Maur ice Chevalier\, Jeanette MacDonald\, Charles Ruggles. This complete and to tal comic delight of the early sound era\, featuring music by Rodgers & Ha rt\, is a constant dazzler from the always innovative Rouben Mamoulian (Ap plause\, Dr. Jekyll and Mr\, Hyde\, Becky Sharp)\, whose cinematic experi mentation knew no bounds or genre. Here\, he dives into the Ruritanian mu sical\, casting early-thirties superstar Maurice Chevalier as a jovial tai lor who tries to collect on a bill from a Count—and falls in love with a princess. From its opening sequence\, with the camera floating over the r ooftops and through the streets of Paris (Paris\, Hollywood\, that is)\, L ove Me Tonight was the first truly modern movie musical. The songs (incl uding “Mimi” and “Isn’t It Romantic”) are perfectly integrated i nto the narrative\, and Mamoulian showed how to turn a theatrical form int o a cinematic experience. \nTickets: $17.50 / $12 senior and students / $1 0 youth / free for MoMI members. There is a $1.50 transaction fee per tick et for all online purchases. The cost of admission may be applied toward a same-day purchase of a membership.  \nOrder tickets. Please pick up tic kets at the Museum’s admissions desk upon arrival. All seating is genera l admission. LAST-MODIFIED:20260823T180338Z URL:https://movingimage.org/event/love-me-tonight/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:In the Cut DTSTART:20260905T190000Z DTEND:20260905T210000Z DTSTAMP:20260905T001650Z UID:10004836-1788620400-1788620400@movingimage.org CATEGORIES:film DESCRIPTION:Please note: this print has a deep emulsion scratch down the c enter of much of reel four but is otherwise in great condition. \nDir. Jan e Campion. 2003\, 102 mins. U.S. 35mm. With Meg Ryan\, Mark Ruffalo\, Jenn ifer Jason Leigh\, Kevin Bacon\, Sharrief Pugh. Oscar-winning director Jan e Campion fashioned a highly unusual\, evocative\, and exquisitely shot er otic thriller that initially baffled audiences but now has come to be wide ly admired. Adapted from a novel by Susannah Moore\, In the Cut stands a part for the way it creates unsettling cinematic tension by entering a woman’s perspective\, telling the story of a schoolteacher and writer  (Meg Ryan\, in a performance of rare reserve and dramatic interiority) wh o becomes sexually attracted to a boorish detective (Mark Ruffalo) invest igating a serial killer whose latest victim was found close to her home. C ampion favors psychological interiority and subtle menace in this eerie tale of fear and desire.  \nTickets: $17.50 / $12 senior and students / $10 youth / free for MoMI members. There is a $1.50 transaction fee per ti cket for all online purchases. The cost of admission may be applied toward a same-day purchase of a membership.  \nOrder tickets. Please pick up t ickets at the Museum’s admissions desk upon arrival. All seating is gene ral admission. LAST-MODIFIED:20260905T001650Z URL:https://movingimage.org/event/in-the-cut/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Jim Henson Exhibition Guided Tours DTSTART:20260905T190000Z DTEND:20260905T210000Z DTSTAMP:20260904T001846Z UID:10004949-1788620400-1788620400@movingimage.org CATEGORIES:arts DESCRIPTION:On Thursdays and Saturdays\, join us for a special guided tour of The Jim Henson Exhibition! The family-oriented tour will be led by a M useum educator\, who will guide you through selected galleries of the exhi bition (all ages welcome) and will include the interactive stations. Group s will meet in the cafe area at 3:00 p.m. The tour lasts 45 minutes. \nThe tour costs $5 per visitor (on top of admission ticket). \nThere is a $1.5 0 transaction fee per ticket for all online purchases. \nBuy tickets for S eptember 3 at 4:00 p.m. \nBuy tickets for September 5 at 3:00 p.m. \nBuy t ickets for September 10 at 4:00 p.m. \nBuy tickets for September 12 at 3:0 0 p.m. \nBuy tickets for September 17 at 4:00 p.m. \nBuy tickets for Septe mber 24 at 4:00 p.m. \nBuy tickets for September 25 at 4:00 p.m. \nBuy tic kets for September 26 at 3:00 p.m. \nBuy tickets for September 27 at 1:00 p.m. LAST-MODIFIED:20260904T001846Z URL:https://movingimage.org/event/30518/2026-09-05/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Casino DTSTART:20260906T170000Z DTEND:20260906T190000Z DTSTAMP:20260904T001846Z UID:10004835-1788699600-1788699600@movingimage.org CATEGORIES:film DESCRIPTION:Introduced by guest programmer Gina Telaroli on Friday\, Septe mber 4 \nDir. Martin Scorsese. 1995\, 178 mins. 35mm. With Robert De Niro\ , Sharon Stone\, Joe Pesci\, James Woods\, Don Rickles. Scorsese’s breat htaking epic about corruption in Sin City probes the minute details of cas ino operations and the larger scope of human betrayal. The film’s lavish spectacle—its flashing marquee lights\, insider narration\, dizzying qu ick cuts\, and infinite rainbow of costumes—effectively reflect the char acters’ emotions and confusion. In an Oscar-nominated performance of bre athtaking force and vulnerability\, Sharon Stone commands the screen as Gi nger\, a high-price call girl caught between the conditional affections of her husband\, gangster Ace Rothstein (De Niro)\, and the machinations of psychotic Nicky Santoro (Pesci). As with GoodFellas\, Casino was written by Nicholas Pileggi\, based on his book.  \nTickets: $17.50 / $12 senior and students / $10 youth / free for MoMI members. There is a $1.50 transac tion fee per ticket for all online purchases. The cost of admission may be applied toward a same-day purchase of a membership.  \nPurchase tickets for Friday\, September 4 at 6:30 p.m. \nPurchase tickets for Sunday\, Sept ember 6\, 1:00 p.m. \nPlease pick up tickets at the Museum’s admissions desk upon arrival. All seating is general admission. LAST-MODIFIED:20260904T001846Z URL:https://movingimage.org/event/casino/2026-09-06/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:The Umbrellas of Cherbourg DTSTART:20260906T173000Z DTEND:20260906T193000Z DTSTAMP:20260828T002535Z UID:10004883-1788701400-1788701400@movingimage.org CATEGORIES:film DESCRIPTION:Dir. Jacques Demy. 1964\, 92 mins. France. DCP. With Catheri ne Deneuve\, Nino Castelnuovo\, Marc Michel\, Anne Vernon. One of the mos t exquisite romances ever filmed\, Jacques Demy’s gorgeous\, melancholy tale of young love thwarted by harsh reality is completely sung through t o an unforgettable score by the great Michel Legrand. Deneuve commands the screen as the daughter of an umbrella-shop owner who falls hard for a swe et-faced young car mechanic\, who is eventually sent off to fight in the A lgerian War. Perhaps the tenderest film of the French New Wave\, Demy’ s lovely operetta is a triumph of cinematography\, costume design\, art di rection\, and music.  \nTickets: $17.50 / $12 senior and students / $10 y outh (ages 3–17) / free for MoMI members at the Senior/Student level and above. There is a $1.50 transaction fee per ticket for all online purchas es. The cost of admission may be applied toward a same-day purchase of a m embership.  \nPurchase tickets for August 23 at 1:00 p.m. (Redstone theat er) \nPurchase tickets for September 6 at 1:30 p.m. (Bartos theater) \nPle ase pick up tickets at the Museum’s admissions desk upon arrival. All se ating is general admission. LAST-MODIFIED:20260828T002535Z URL:https://movingimage.org/event/the-umbrellas-of-cherbourg/2026-09-06/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Frances Ha DTSTART:20260906T193000Z DTEND:20260906T213000Z DTSTAMP:20260829T122458Z UID:10004895-1788708600-1788708600@movingimage.org CATEGORIES:film DESCRIPTION:Dir. Noah Baumbach. 2013\, 86 mins. U.S. DCP. With Greta Gerwi g\, Mickey Sumner\, Adam Driver\, Michael Zegen\, Charlotte D’Ambroise\ , Grace Gummer. With its lustrous black-and-white cinematography\, cleve r and moving script by Greta Gerwig and Noah Baumbach\, and vibrant centr al performance by Gerwig as the eponymous Frances\, this lovely pocket por trait of an “undatable” young woman navigating early twenty-first cent ury New York friendships\, relationships\, post-college malaise\, and exor bitant ATM fees has already proven to be a generational cornerstone. End lessly rewatchable\, Frances Ha moves with the fleet-footed lightness a nd knowing of a French New Wave classic yet with a tenderness and empathy that feels tuned into the specific experiences of living in a city that ’s both unforgiving and undeniable.  \nTickets: $17.50 / $12 senior an d students / $10 youth (ages 3–17) / free for MoMI members at the Senior /Student level and above. There is a $1.50 transaction fee per ticket for all online purchases. The cost of admission may be applied toward a same-d ay purchase of a membership.  \nPurchase tickets for August 29 at 6:00 p. m. (Redstone theater) \nPurchase tickets for September 6 at 3:30 p.m. (Bar tos theater) \nPlease pick up tickets at the Museum’s admissions desk up on arrival. All seating is general admission. LAST-MODIFIED:20260829T122458Z URL:https://movingimage.org/event/frances-ha/2026-09-06/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Wet Hot American Summer: 25th Anniversary Labor Day Screening DTSTART:20260907T170000Z DTEND:20260907T190000Z DTSTAMP:20260902T182713Z UID:10004915-1788786000-1788786000@movingimage.org CATEGORIES:film DESCRIPTION:25th Anniversary Labor Day Screening \nDir. David Wain. 2001\ , 97 mins. U.S. DCP. With Paul Rudd\, Janeane Garofalo\, Elizabeth Banks\, David Hyde Pierce\, Ken Marino\, Christopher Meloni\, Molly Shannon. Set in Maine in summer 1981\, Wet Hot American Summer follows the slapstick ex ploits of a group of sexually desperate (and often confused) camp counselo rs too busy trying to hook up to care much about the kids they’re suppos ed to be watching. One of the funniest movies of the twenty-first century\ , David Wain’s low-budget 2001 sendup of eighties summer camp comedies\, co-written by Michael Showalter\, is an endlessly quotable\, primo gag-fe st that shows both satirical mercilessness and sweet tenderness towards it s subject and milieu\, and features an incredible cast of comic talents. \ nTickets: $17.50 / $12 senior and students / $10 youth (ages 3–17) / dis counted for MoMI members ($7–$11). There is a $1.50 transaction fee per ticket for all online purchases. The cost of admission may be applied towa rd a same-day purchase of a membership. \nOrder tickets. Please pick up ti ckets at the Museum’s admissions desk upon arrival. All seating is gener al admission. LAST-MODIFIED:20260902T182713Z URL:https://movingimage.org/event/wet-hot-american-summer/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Jim Henson Exhibition Guided Tours DTSTART:20260910T200000Z DTEND:20260910T220000Z DTSTAMP:20260904T001846Z UID:10004950-1789056000-1789056000@movingimage.org CATEGORIES:arts DESCRIPTION:On Thursdays and Saturdays\, join us for a special guided tour of The Jim Henson Exhibition! The family-oriented tour will be led by a M useum educator\, who will guide you through selected galleries of the exhi bition (all ages welcome) and will include the interactive stations. Group s will meet in the cafe area at 3:00 p.m. The tour lasts 45 minutes. \nThe tour costs $5 per visitor (on top of admission ticket). \nThere is a $1.5 0 transaction fee per ticket for all online purchases. \nBuy tickets for S eptember 3 at 4:00 p.m. \nBuy tickets for September 5 at 3:00 p.m. \nBuy t ickets for September 10 at 4:00 p.m. \nBuy tickets for September 12 at 3:0 0 p.m. \nBuy tickets for September 17 at 4:00 p.m. \nBuy tickets for Septe mber 24 at 4:00 p.m. \nBuy tickets for September 25 at 4:00 p.m. \nBuy tic kets for September 26 at 3:00 p.m. \nBuy tickets for September 27 at 1:00 p.m. LAST-MODIFIED:20260904T001846Z URL:https://movingimage.org/event/30518/2026-09-10/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:MoMI LAB Public Tours DTSTART:20260910T210000Z DTEND:20260910T230000Z DTSTAMP:20260902T002428Z UID:10004923-1789059600-1789059600@movingimage.org CATEGORIES:arts DESCRIPTION:Thursdays @ 5:00 PM  \nFree with RSVP. Tours are limited to  15 participants. Make your reservation here. LAST-MODIFIED:20260902T002428Z URL:https://movingimage.org/event/momi-lab-public-tours/2026-09-10/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Virtual Objects for Virtual Worlds DTSTART:20260911T200000Z DTEND:20260911T220000Z DTSTAMP:20260902T002428Z UID:10004938-1789142400-1789142400@movingimage.org CATEGORIES:education DESCRIPTION:Step into our MoMI LAB classroom\, where you can enjoy fre e weekly demonstration programs and classes such as Video Editing & AI\, and Virtual Objects for Virtual Worlds.   \nDiscover how to create and export 3D models for applications ranging from game development and virtu al reality to animation and 3D printing.  \nAs you build your own virtual model\, you’ll also watch a 3D printer bring a digital design to life \, demonstrating how virtual creations become physical objects. Along t he way\, you’ll gain an understanding of how 3D printers work and the te chnologies that bridge the digital and physical worlds. The class runs  30 minutes.  \nFree with RSVP. Space is limited to 20 participants.  \nRSVP for 9/11/ workshop \nRSVP for 9/25 workshop \nRSVP for 10/9 worksho p  \nRSVP for 10/23 workshop LAST-MODIFIED:20260902T002428Z URL:https://movingimage.org/event/virtual-objects-for-virtual-worlds/2026- 09-11/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:The Taking of Pelham One Two Three DTSTART:20260911T223000Z DTEND:20260912T003000Z DTSTAMP:20260829T182548Z UID:10004886-1789151400-1789151400@movingimage.org CATEGORIES:film DESCRIPTION:Dir. Joseph Sargent. 1974\, 104 mins. 35mm. With Walter Matth au\, Robert Shaw\, Martin Balsam\, Hector Elizondo. One of the great New York movies\, bar none\, Joseph Sargent’s fleet\, funny\, and frightenin g subway hijacking tale is both a crackerjack thriller and a slice of  life in the Big Apple smack dab in the mid-seventies. Just before leav ing office\, Mayor Lindsay gave permission for it to be filmed on locati on—mainly in the tunnel of the abandoned Court Street station in Brookl yn and outside the subway entrance on 28th Street and Park Avenue South. T he mayor is a character\, but the movie is stolen by Lower East Side bor n Walter Matthau’s jaundiced police inspector—right through to the del icious final freeze frame.  \nTickets: $17.50 / $12 senior and students / $10 youth / free for MoMI members. There is a $1.50 transaction fee per t icket for all online purchases. The cost of admission may be applied towar d a same-day purchase of a membership.  \nOrder tickets. Please pick up tickets at the Museum’s admissions desk upon arrival. All seating is gen eral admission. LAST-MODIFIED:20260829T182548Z URL:https://movingimage.org/event/the-taking-of-pelham-one-two-three/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Junk Dump Film Festival 2026: Day One DTSTART:20260912T163000Z DTEND:20260912T183000Z DTSTAMP:20260829T182548Z UID:10004841-1789216200-1789216200@movingimage.org CATEGORIES:festival,film DESCRIPTION:Museum of the Moving Image and Junk Dump Magazine will prese nt Junk Dump’s sixth annual short film festival. Junk Dump Magazine is a not-for-profit arts organization that produces a semi-annual print publi cation and events like Junk Dump Film Festival\, which highlights emerging and underrepresented filmmakers working at the intersection of video art and storytelling. The festival presents a curated program of narrative\, a nimated\, and experimental short films made by artists using unique proces ses to tell singular and engaging stories.   \nThis year’s selection  was guest judged and curated by two New York–based filmmakers. Carolin e Mariko Stucky (she/they) is an award-winning Swiss-Japanese cinematogr apher\, and the founder and creative director of CM8 Productions\, a film and video production company specializing in independent films\, music vid eos\, and fashion films. Sidney Rose White is a Texas-born actress\, mode l\, and illustrator based in New York City. She can be seen in Wes and Ky ra\, HULU’s Red Is the Color of Beauty\, Awesome\, and Schon! Magazin e’s Sheltering with You.  \nDay One programming will include a selecti on of seven narrative and documentary shorts. The screening will be follow ed by a Q&A with the filmmakers. \nScreening run time approx. 100 min.   \nFeaturing:   \nVowels\nDir. Rafael De Leon. 2025\, 5 mins. U.S. A va needs to record a self-tape\, but her speech impediment keeps gettin g in the way.   \nSHORT KING\nDir. Yoni Azulay. 2026\, 10 mins. U.S.  An insecure\, status-obsessed man spirals into obsession and sabotage af ter a charming guest calls him “short” at his surprise birthday party.    \nThe Lion of Teranga\nDir. Marcus Quinn. 2025\, 14 mins. U.S. Wh ile chasing a championship with his team\, a young basketball player is dr awn into an unsettling incident with his coach\, threatening his friendshi p with his closest teammate.   \nSweet Tooth\nDir. Benji Tucker. 2025\, 13 mins. U.S. As Doe Town gears up for its 55th Annual Smile Contest\, undefeated champion Bucky Bantershire begins to unravel when his long-sup pressed Sweet Tooth resurfaces\, singing\, dancing\, and dragging him into sugary chaos.   \nWhy Can’t We All Get Along?\nDir. Nicholas Liam Din ner. 2025\, 14 mins. U.S. Two drifting friends recovering from substanc e abuse reconnect with their mutual ex on the eve of their 5-year high sch ool reunion. Bad habits and emotional manipulation test their relationsh ip as the boys ask the question: are we meant to be friends?  \nPurely Pa tricia\nDir. Jasper Soloff. 2026\, 13 mins. U.S. This intimate short d ocumentary follows New York style icon Patricia Fox\, a woman who treats every day as an occasion to dress up. Known for her exuberant fashion and joyful presence\, Patricia embodies a life lived in color and self-expre ssion. But beneath the twirls and textures lies a quieter reckoning with t ime.   \nAlways Dreaming\nDir. Jasmine Garcia Delossantos. 2025\, 7 mins . U.S. A housekeeper shares her dreams and ambitions as her daily work ro utine consists of cleaning hotel rooms during Oregon’s busiest tourist s eason.  \nHometown Famous\nDir. Vivian Wolfson and Asher Kaye. 2026\, 20 min. U.S. Hometown Famous follows the tumultuous 30-year-long history of northeast Ohio’s premier Fleetwood Mac tribute band\, exploring the sign ificance of tribute bands in modern American music culture. \nTickets: $17 .50 / $12 senior and students / $10 youth / $7 MoMI members. There is a $1 .50 transaction fee per ticket for all online purchases. The cost of admis sion may be applied toward a same-day purchase of a membership.  \nOrder tickets. Please pick up tickets at the Museum’s admissions desk upon ar rival. All seating is general admission. LAST-MODIFIED:20260829T182548Z URL:https://movingimage.org/event/junk-dump-day-one/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Demon Seed DTSTART:20260912T190000Z DTEND:20260912T210000Z DTSTAMP:20260829T182548Z UID:10004824-1789225200-1789225200@movingimage.org CATEGORIES:film DESCRIPTION:Dir. Donald Cammell. 1977\, 94 mins. U.S. 35mm. With Julie Chr istie\, Fritz Weaver\, Gerrit Graham\, and Robert Vaughn. Equal parts 2001 : A Space Odyssey\, Rosemary’s Baby\, and Electric House\, and showcas ing an exquisite cybernetic psych-out sequence aided by visionary artist J ordan Belson and visual effects wizard Ron Hays\, this post-humanist thril ler unveils supercomputer Proteus IV: the latest invention of corporate mo nolith ICON that can cure leukemia\, develop mining techniques\, and rumin ate on Buddhism with equal facility. When threatened\, the hubristic machi ne seeks self-preservation by infiltrating the high-tech home of ICON’s lead scientist\, trapping his wife and preparing her to propagate a new hybrid life form with his eponymous synthetic spermatozoa.  \nTicket buye rs for Demon Seed can receive a 20% discount on tickets for The Brood  with code OX20  \nTickets: $17.50 / $12 senior and students / $10 youth / free for MoMI members. There is a $1.50 transaction fee per ticket for al l online purchases. The cost of admission may be applied toward a same-day purchase of a membership.  \nOrder tickets. Please pick up tickets at t he Museum’s admissions desk upon arrival. All seating is general admissi on. LAST-MODIFIED:20260829T182548Z URL:https://movingimage.org/event/demon-seed/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Jim Henson Exhibition Guided Tours DTSTART:20260912T190000Z DTEND:20260912T210000Z DTSTAMP:20260904T001846Z UID:10004951-1789225200-1789225200@movingimage.org CATEGORIES:arts DESCRIPTION:On Thursdays and Saturdays\, join us for a special guided tour of The Jim Henson Exhibition! The family-oriented tour will be led by a M useum educator\, who will guide you through selected galleries of the exhi bition (all ages welcome) and will include the interactive stations. Group s will meet in the cafe area at 3:00 p.m. The tour lasts 45 minutes. \nThe tour costs $5 per visitor (on top of admission ticket). \nThere is a $1.5 0 transaction fee per ticket for all online purchases. \nBuy tickets for S eptember 3 at 4:00 p.m. \nBuy tickets for September 5 at 3:00 p.m. \nBuy t ickets for September 10 at 4:00 p.m. \nBuy tickets for September 12 at 3:0 0 p.m. \nBuy tickets for September 17 at 4:00 p.m. \nBuy tickets for Septe mber 24 at 4:00 p.m. \nBuy tickets for September 25 at 4:00 p.m. \nBuy tic kets for September 26 at 3:00 p.m. \nBuy tickets for September 27 at 1:00 p.m. LAST-MODIFIED:20260904T001846Z URL:https://movingimage.org/event/30518/2026-09-12/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:Wiseman’s New York: Ex-Libris: The New York Public Library DTSTART:20260912T193000Z DTEND:20260912T213000Z DTSTAMP:20260904T181800Z UID:10004840-1789227000-1789227000@movingimage.org CATEGORIES:film DESCRIPTION:Introduced by critic and guest programmer Genevieve Yue \nDir. Frederick Wiseman. 2017. 197 mins. Digital projection. Fifty years and 42 documentaries into his legendary career\, Frederick Wiseman brings his in cisive vision to one of the world’s greatest institutions of learning\, capturing the vast programmatic scope of the New York Public Library. From the storied Fifth Avenue main branch to the Schomburg Center in Harlem to numerous of the 92 branches across Manhattan\, the Bronx\, and Staten Isl and\, Wiseman finds a staff grappling with what a 21st–century library s hould and could be\, guests from Patti Smith to Ta-Nehisi Coates wrestling with ideas and history\, and New Yorkers of all races and classes coming together to learn\, engage\, and access resources\, exemplifying the value of community.   \nThis screening is presented in collaboration with Uni onDocs’ special inter-borough series Wiseman’s New York. Over the cour se of his six-decade career\, the late\, great documentarian returned to New York more than any single location\, making nine films in the city\ , from Hospital (1970) and Welfare (1975) toIn Jackson Heights (2015) and  Ex-Libris (2017).  \nTickets: $17.50 / $12 senior and students / $10 yo uth / $7 MoMI members. There is a $1.50 transaction fee per ticket for all online purchases. The cost of admission may be applied toward a same-day purchase of a membership.  \nOrder tickets. Please pick up tickets at th e Museum’s admissions desk upon arrival. All seating is general admissio n. LAST-MODIFIED:20260904T181800Z URL:https://movingimage.org/event/ex-libris/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT BEGIN:VEVENT SUMMARY:The Brood DTSTART:20260912T220000Z DTEND:20260913T000000Z DTSTAMP:20260905T001650Z UID:10004821-1789236000-1789236000@movingimage.org CATEGORIES:film DESCRIPTION:Dir. David Cronenberg. 1979\, 92 mins. 35mm. With Oliver Reed\ , Samantha Eggar\, Art Hindle. David Cronenberg made The Brood after a pa inful divorce\, and described the film as a “fantastical Kramer vs. K ramer.” The mother is involved in “psychoplasmics\,” a treatment tha t leads to her literally (and graphically) giving birth to her rage. How ard Shore’s musical score pays homage to Bernard Herrmann’s music for  Psycho.  \nTicket buyers for The Brood can receive a 20% discount on t ickets for Demon Seed with code OX20  \nTickets: $17.50 / $12 senior an d students / $10 youth / free for MoMI members. There is a $1.50 transacti on fee per ticket for all online purchases. The cost of admission may be a pplied toward a same-day purchase of a membership.  \nOrder tickets. Ple ase pick up tickets at the Museum’s admissions desk upon arrival. All se ating is general admission. LAST-MODIFIED:20260905T001650Z URL:https://movingimage.org/event/the-brood/ X-SOURCE-NAME:Museum of the Moving Image X-SOURCE-URL:https://movingimage.us/ END:VEVENT END:VCALENDAR