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X-WR-CALNAME:CalDiscovery - new-york-ny BEGIN:VEVENT SUMMARY:Labor Day Here and Now Weekend: Ensemble Dérive DTSTART:20260905T180000Z DTEND:20260905T200000Z DTSTAMP:20260904T180532Z UID:7893-1788616800-1788616800@www.bargemusic.org CATEGORIES:music DESCRIPTION:ENSEMBLE DÉRIVE\nPROGRAM \n\nArrivals and Departures (1994) f or two violins                                   Milton Babbitt (1916-2011)\nSechs Bagatelles\, op. 9 (1913) for str ing quartet                               An ton Webern (1883-1945)\n\nMässig\nLeicht bewegt\nZiemlich fliessend\nSehr langsam\nÄusserst langsam\nFliessend\n\n\n9 Bagatelles for solo piano (1 996)                                                       William Bolcom (b. 1938)\n\n“…the ghost mazurka”\n“…aimai-je un rêve?”\n“…forgotten prayers” \n“…cycle de l’univers”\n“…la belle rouquine”\n“…Pegasus ”\n“(…this endernight)”\n“…recess in hell”\n“…Circus Gal op”\n\n\n\n\nFragment No. 1 for String Quartet (1994)                                           Elliott C arter (1908-2012)\nFragment No. 2 for String Quartet (1999)                                           Ellio tt Carter\nFantasy on Puccini’s Turandot                                                              Taige Wang (b. 2010)\nCon Leggerezza Pensosa (1990)                                                           Elliott Carter\nSCAT (2007)                                                                                            Augusta Read Thomas (1964)\n\n  \nwith Ensemble Dérive \nAly son Lee\, Flute \nMichael Sun\, Clarinet \nTaige Wang\, Piano \nTobia Im\, Laurentia Woo\, Violins \nDarren Cai\, Viola \nLarissa Lakner\, Cello \nD avid Fulmer & Laurentia Woo – Co-Directors \n  \n\n    -ENSEMBLE DÉ RIVE-\n\nGood afternoon and welcome to our concert. The Ensemble is a coll ective of pre-college musicians – the first of its kind –  dedicated to the music of our time. We work microscopically with each musical surfac e\, and look to reveal the unique structures and nuclei of the composer’ s design and architecture. Each week we tackle these sophisticated musical gestures in the same way that we would when preparing a Brandenburg Conce rto of Bach\, a string quartet of Schubert\, or a symphonic poem of Brahms . These extraordinary young musicians have come together to give these new and complex musical languages a communicative meaning today\, in 2026. It has been such an honor to work with these young virtuosi\, and I am very proud to present this concert with them. This is the future of music\, and the future of creative art-making and artistic exploration\, at its fines t. It is my great pleasure to welcome you today. \n-David Fulmer \n\nARTIS TIC STATEMENT\n\n“In the summer of 2024\, I reached out to composer and conductor David Fulmer for an interview with the Clexical Project\, an o rganization I founded to make new music more accessible to a wider audienc e. This conversation sparked the creation of Ensemble Dérive\, which wo uld include students at the Juilliard Pre-College to perform contemporary pieces. As co-director\, I helped guide the ensemble’s vision\, working closely with David to select repertoire\, organize rehearsals\, and suppo rt my peers as we tackled a challenging and rewarding program. It was not only my first time co-directing an ensemble\, but also my first time perfo rming the music of Pierre Boulez\, Elliott Carter\, Anton Webern\, and Aug usta Read Thomas. Each piece brought a unique experience. Rehearsing Boule z’s Dérive challenged me to navigate its intricate rhythms and textur es\, constantly listening for how each fragment wove into the larger pictu re. Carter’s Fragments pushed me to embrace spontaneity within its tig htly constructed gestures\, while Webern’s Bagatelles invited me into a world of extreme precision and subtlety\, where every note carried weigh t. Augusta Read Thomas’s Scat was a joyful\, kinetic exploration of co lor and motion\, encouraging a playful\, vibrant energy in the ensemble. I was also delighted to be able to include my pre-college friend Alex Rober tson’s piece. His writing is creative\, liminal\, and unique\, which I r ealized while premiering his work Nenia with the Juilliard Pre-College Orc hestra. This experience has shaped me profoundly—both as a musician and as a leader—expanding my perspective\, sharpening my skills\, and deepen ing my passion for contemporary music. I am beyond honored to have been gi ven this opportunity\, and look forward to many more years of music-making and changemaking in NYC’s classical music scene.” \n-Laurentia Woo LAST-MODIFIED:20260904T180532Z LOCATION:NY URL:https://www.bargemusic.org/concert/labor-day-here-and-now-weekend-ense mble-derive/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Labor Day Here and Now Weekend: World Premiere by David Shohl with Marc Peloquin\, piano DTSTART:20260906T180000Z DTEND:20260906T200000Z DTSTAMP:20260901T060506Z UID:7920-1788703200-1788703200@www.bargemusic.org CATEGORIES:music DESCRIPTION:David Shohl 13 Preludes and Fugues\, dedicated to David Del Tr edici     *World Premiere* \nwith \nMarc Peloquin\, piano LAST-MODIFIED:20260901T060506Z LOCATION:NY URL:https://www.bargemusic.org/concert/labor-day-here-and-now-weekend-worl d-premiere-by-david-shohl-with-marc-peloquin-piano/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:9/11 Memorial Concert DTSTART:20260912T180000Z DTEND:20260912T200000Z DTSTAMP:20260901T060506Z UID:7906-1789221600-1789221600@www.bargemusic.org CATEGORIES:music DESCRIPTION:Music of David Bottoms\, Bach\, and Barber \n  \nWith \nMark Peskanov\, violin \nDavid Bottoms\, piano LAST-MODIFIED:20260901T060506Z LOCATION:NY URL:https://www.bargemusic.org/concert/9-11-memorial-concert/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Avita Duo violin/piano recital: Beethoven\, Biber\, Lily Boulanger \, and Dohnanyi DTSTART:20260913T180000Z DTEND:20260913T200000Z DTSTAMP:20260901T060506Z UID:7994-1789308000-1789308000@www.bargemusic.org CATEGORIES:music DESCRIPTION:Heinrich Ignaz Franz von Biber (1644-1704)  Sonata  Represe ntativa   (1669)\n\n Allegro  \nNachtigal (Nightingale)\nAllegro\nCu C u (Cuckoo)\nFresch (Frog)\n Adagio\nDer Hahn (The Rooster) Presto\n Die Vachtel (The Quail)\nCantabile\n Die Katz (The Cat)\n Mussquetir Mars ( Musketeer March)\n Allemande      \n\n\n\n\nErnő Dohnányi  (1877 -1960) Violin Sonata in C sharp minor\, Op. 21                                                                                             \n\nAllegro appasionato\nAllegro ma con tenerezza\nVivace assai                                                                                                                                             \n\n\n\n\nLily Boulanger (189 3-1918) Four Pieces for Violin and Piano\n\nD’un matin de printemps                                                                                                           \nNocturne. Pièce courte\nPièce\nIntroduction—Cortège\n\n\n\n\nLudwig van Beethoven (17 70-1827) Violin Sonata No.7\, Op.30 No.2\n\nAllegro con brio\nAdagio cant abile\nScherzo: Allegro\nFinale: Presto\n\n\n\nwith Avita Duo \nAvita Duo\ , featuring Katya Moeller on violin and Ksenia Nosikova on piano\, has bee n praised for “technical excellence\, emotional intensity\, and unity of purpose” and “fresh\, committed playing\, always powerful and concent rated”. The collaboration between these two award-winning soloists has f lourished over 15 years\, leading to versatile and captivating performance s across the globe. Committed to broadening exposure to classical music\, Avita Duo aims to impact audiences both internationally and locally. The D uo prioritizes community engagement and outreach\, frequently performing a t public schools\, community centers\, and retirement homes\, presenting e ducational workshops and teaching masterclasses. Their programming strives to highlight both standard repertoire and the works of lesser-known compo sers. \n  \nThis mother-daughter partnership culminated in their first CD recording of Lera Auerbach’s Twenty-Four Preludes for Violin and Piano\ , alongside the world premiere of Oskolki in 2022. This groundbreaking CD\ , released on the Hänssler Classic label\, has garnered enthusiastic revi ews from prominent critics\, who lauded it as “absorbing\, dramatic\, co mpelling\, audacious\, and riveting”. \n  \nKsenia Nosikova was praised as “First rate” (Fono Forum)\, “Full of dramatic intensity” (Inte rnational Piano)\, and “Impressive musicianship\, musically very poetic ” (Boston Globe). Her extensive repertoire comprises of masterworks and lesser-known compositions and includes over thirty piano concertos. Among her twelve critically acclaimed CD recordings are complete Années de Pèl erinage by Franz Liszt and Aus Meinem Tagebuch\, Op. 82 by Max Reger. Nosi kova’s concert engagements span prestigious venues across the globe\, fr om Shanghai City Hall in China to City Hall Theatre in Hong Kong\, Chetham ’s International Piano Series in England\, Weill Recital Hall at Carnegi e Hall in New York City\, and Sala Cecilia Meireles in Rio de Janeiro\, to name a few. A graduate of Moscow Conservatory and University of Colorado\ , Dr. Ksenia Nosikova is a professor and co-chair of the piano department at the University of Iowa School of Music. She has been a faculty member a t Wiener MusikSeminar International Master Classes\, Amalfi Coast Internat ional Music Festival\, Schlern/Semper International Music Festival\, and P ianoTexas International Music Festival and Academy\, among others. Ksenia Nosikova is a Steinway Artist and was inducted into the Steinway Teacher H all of Fame. \n  \nViolinist Katya Moeller\, 21\, was called a “phenome nal instrumentalist” and praised for her “dramatic and convincing perf ormances” and “exquisite interpretations”.  She was named Prix Rodo lphe et Helen Tissières at the 2024 Verbier Music Festival Academy\, the First Prize Winner of the World Bach Competition\, ODIN International Musi c Competition\, Walgreens National Concerto Competition\, the Charleston B aroque Music Competition\, and Grand Prize Winner of the ENKOR Internation al Violin Competition\, among others. Her NYC based string quartet\, Drago nBoot Quartet\, received the Grand Prize in the senior division of the Col tman Chamber Music Competition. As a member of the Peresson and Dasani S tring Quartets\, she won Gold Medal at the St. Paul String Quartet Competi tion\,  Grand Prize at the Chicago International Music Competition\, and   Silver Medal at the  Fischoff Сhamber Music National Competition. Kat ya is a Senior at the Juilliard School\, studying with Masao Kawasaki. Pre viously she studied with Almita Vamos. She has participated in numerous ma ster classes\, including Midori\, Gyorgy Pauk\, Paul Huang\, Mihaela Mar tin\, David Finckel\, and Julian Martin. She received scholarships at Asp en Festival\, Yellow Barn Festival\, Bowdoin Festival\, and was one of nin e violinists invited to the 2024 Verbier Festival Academy in Switzerland. This past summer Katya attended the Perlman Music Program Chamber Workshop . LAST-MODIFIED:20260901T060506Z LOCATION:NY URL:https://www.bargemusic.org/concert/avita-duo-violin-piano-recital-beet hoven-biber-lily-boulanger-and-dohnanyi/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:From Folk Melodies: Three Piano Trios with Mark Peskanov\, Julian Schwarz\, and Marika Bournaki DTSTART:20260919T180000Z DTEND:20260919T200000Z DTSTAMP:20260901T060506Z UID:8004-1789826400-1789826400@www.bargemusic.org CATEGORIES:music DESCRIPTION:Piano Trios by Shostakovich\, Haydn\, and Brahms \nwith Mark P eskanov\, violin\; Julian Schwarz\, cello\; Marika Bournaki\, piano LAST-MODIFIED:20260901T060506Z LOCATION:NY URL:https://www.bargemusic.org/concert/from-folk-melodies-three-piano-trio s-with-mark-peskanov-julian-schwarz-and-marika-bournaki/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:From Folk Melodies: Three Piano Trios with Mark Peskanov\, Julian Schwarz\, and Marika Bournaki DTSTART:20260920T180000Z DTEND:20260920T200000Z DTSTAMP:20260901T060506Z UID:8007-1789912800-1789912800@www.bargemusic.org CATEGORIES:music DESCRIPTION:Piano Trios by Shostakovich\, Haydn\, and Brahms \nwith Mark P eskanov\, violin\; Julian Schwarz\, cello\; Marika Bournaki\, piano LAST-MODIFIED:20260901T060506Z LOCATION:NY URL:https://www.bargemusic.org/concert/from-folk-melodies-three-piano-trio s-with-mark-peskanov-julian-schwarz-and-marika-bournaki-2/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:"Poetics of Music" with David Rockefeller\, Kathryn Knight\, and J oel Sachs DTSTART:20260926T180000Z DTEND:20260926T200000Z DTSTAMP:20260901T060506Z UID:8013-1790431200-1790431200@www.bargemusic.org CATEGORIES:literary,music DESCRIPTION:“Poetics of Music”\n\n\nTwo “melodramas” for reciter a nd piano\n\nRichard Strauss “The Castle By the Sea”\,\nFranz Liszt  “Lenore”\n\n\n\n  \n\nCharles Ives from Sonata No. 2\, “Concord\, Mass.\, 1840-1860”   *Before each movement David Rockefeller will read from Ives’s remarkable essays about the Concord writers*\n\nMovement 3: “The Alcotts”\nMvt. 4 “Thoreau”\n\n\nwith David Rockefeller\, rec iter\; Kathryn Knight\, voice\; Joel Sachs\, piano LAST-MODIFIED:20260901T060506Z LOCATION:NY URL:https://www.bargemusic.org/concert/poetics-of-music-with-reciter-david -rockefeller-flutist-kathryn-knight-and-pianist-joel-sachs/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Violin and Piano Recital with Mark Peskanov and Jonathan Feldman DTSTART:20260927T180000Z DTEND:20260927T200000Z DTSTAMP:20260901T060506Z UID:8010-1790517600-1790517600@www.bargemusic.org CATEGORIES:music DESCRIPTION:Violin and Piano Recital\n\nBeethoven Sonata No. 1 in D Major\ , Op. 12 No. 1\n\nAllegro con brio\nTema con variazioni. Andante con moto\ nRondo. Allegro\n\n\nBach Selections from the Sonatas and Partitas for Sol o Violin\nFranck Sonata in A Major\n\nAllegretto ben moderato\nAllegro\nRe citativo-Fantasia: Ben moderato\nAllegretto poco mosso\n\n\n\nwith Mark Pe skanov\, violin\, and Jonathan Feldman\, piano\n  \nAmerican virtuoso vio linist and artistic visionary Mark Peskanov was born in Odesa. Peskanov sa ng before he could walk or talk\, and soon became a star violin student at the famed Stolyarsky school. At fifteen\, he emigrated to the United Stat es\, where he was immediately accepted at the Aspen Music Festival and the Juilliard School. \nHis phenomenal facility and musicianship won him both the Aspen and Juilliard concerto competitions\, bringing him to the notic e of Isaac Stern and Mstislav Rostropovich and rocketing him into the top echelons of the music world. Upon his debut with the Chicago Symphony\, th e Chicago Tribune called him a “sensational soloist.” The Cleveland Plain Dealer proclaimed\, “Violinist Adds Glory to Odessa” and the  New York Times declared\, “Mark Peskanov is a tremendous young violinis t and his Friday evening concert at Carnegie Hall was a triumph…He has i t all—technique\, temperament\, and taste.” \nPeskanov is a staunch ch ampion of American composers. He premiered the John Williams Concerto with the St. Louis Symphony\, and the Stanley Wolfe Concerto (written for Pesk anov) with the New York Philharmonic. He has performed more than fifty con certos with virtually every major U.S. orchestra and in Europe\, the Middl e East\, Australia\, South America and Japan. Peskanov’s major accolades include the Avery Fischer Career Grant\, the first Frederick R. Mann Awar d\, and Carnegie Hall’s first Isaac Stern Award. \nPeskanov inaugurated Tokyo’s Suntory Hall with Yo-Yo Ma and Stern\, and Weill Recital Hall wi th Stern\, Midori and Gil Shaham. Collaborating with these colleagues prom pted Peskanov to turn intensively to the chamber music repertoire’s more intimate\, complex\, and dialogical possibilities. His delight in chamber music\, his independent artistic vision\, and his desire to mentor promis ing musicians as he had been mentored\, led to Peskanov’s present role. Since 2005\, he is president and artistic/executive director of Bargemusic \, New York City’s cultural icon in Brooklyn Bridge Park. Over more than three decades of artistic involvement with Bargemusic\, Peskanov has cura ted in the neighborhood of five thousand chamber concerts\, encompassing a vast range of genres and styles in hundreds of concerts annually. Under h is leadership Bargemusic continues to evolve as an innovative\, influentia l\, and integral component of New York City’s cultural world. \nPeskanov is known for his openness to an astonishing range of music and artists at all stages of their careers. Muses the New York Times\, “One reason t hat openness seems to come so easily to Mr. Peskanov is that few proposals crossing his desk are likely to outpace his own vision of what Bargemusic can be.” \n  \nRecognized by colleagues and critics worldwide as a lea ding chamber musician and collaborative pianist\, Jonathan Feldman has p erformed with some of the world’s most legendary musicians\, including v iolinists Nathan Milstein\, Itzhak Perlman\, Gil Shaham\, Kyung Wha Chung\ , Joshua Bell\, Yehudi Menuhin\, Augustin Hadelich\, cellists Pierre Fourn ier\, Zara Nelsova\, Harvey Shapiro\, and flutists James Galway and Emanue l Pahud.A graduate of The Juilliard School\, Mr. Feldman joined its facult y in 1989 and became chairman of the school’s collaborative piano depart ment from 1991 until 2015. He was invited to join the collaborative piano faculty of New England Conservatory in 2010 and completed his tenure there in 2024.  He was asked to help out\, and is currently teaching\, at the USC Thornton School in Los Angeles for the 2024-25 year.  He has given ma ster classes throughout the United States and the Far East and has lecture d at international festivals and competitions. He is the Director of Colla borative Piano at the Music Academy of the West in Santa Barbara\, Califor nia\, a post he has held since 2005. He has appeared in other summer festi vals\, such as Tanglewood\, Bridgehampton\, Music from Angel Fire\, Vail B ravo Festival\, the Hidden Valley Music Seminars\, the Cape Cod Chamber Mu sic Festival and the Collaborative Piano Institute.  He has performed wit h the Chamber Music Society of Lincoln Center in New York City and was a f eatured performer in a Live From Lincoln Center with Gil Shaham.  For ove r twenty years\, he performed regularly with the New York Philharmonic as a keyboard player and appeared in many concerts with the New York Philharm onic Chamber Ensembles. Jonathan Feldman has recorded for Angel/EMI\, RCA Red Seal\, DGG\, Columbia Masterworks\, Naxos\, Nonesuch\, Summit\, Avie and Cala Records.  Mr. Feldman has recorded with his wife\, New York Phil harmonic principal bassoonist Judith LeClair.  His most recent recording is with violinist William Wei\, winner of the 2015 Queen Elizabeth competi tion. Mr. Feldman can also be heard on soundtracks for many movies\, most notably Music of the Heart with Meryl Streep and The Man Who Wasn’t Ther e\, directed by the Coen Brothers. LAST-MODIFIED:20260901T060506Z LOCATION:NY URL:https://www.bargemusic.org/concert/four-hands-extravaganza-duo-piano-r ecital-with-rita-sloan-and-jonathan-feldman/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:RESILIENCE: "Lost and Reclaimed Voices from the Holocaust" with De sirée Ruhstrat\, Melissa Reardon\, and Wendy Sutter DTSTART:20261003T180000Z DTEND:20261003T200000Z DTSTAMP:20260901T060506Z UID:8040-1791036000-1791036000@www.bargemusic.org CATEGORIES:music DESCRIPTION:RESILIENCE\nLost and Reclaimed Voices from the Holocaust\nDesi rée Ruhstrat\, violin\nMelissa Reardon\, viola\nWendy Sutter\, cello \nRe silience is an intimate and deeply moving concert project in which three a cclaimed artists of\ninternational stature come together to restore music silenced by the Holocaust to the living repertoire.\nViolinist Desirée Ru hstrat\, violist Melissa Reardon\, and cellist Wendy Sutter—each a leade r in the\nclassical music world—unite in a program devoted to extraordin ary chamber works by composers\nwhose lives and careers were shaped\, inte rrupted\, or extinguished by Nazi persecution. Through\nsolo\, duo\, and s tring trio repertoire\, Resilience offers both remembrance and renewal\, a llowing\nvoices nearly erased by history to speak again with urgency and c larity.\nThe program features music by composers such as Erwin Schulhoff\, Gideon Klein\, Schul\,\nHermann\, and Hans Gál\, including Gál’s Stri ng Trio in F-sharp minor\, Op. 104 and Serenade\, Op.\n41. Alongside these recognized works\, Resilience incorporates chamber pieces that have only\ nrecently resurfaced—some drawn directly from archival sources and priva te holdings\, and in certain\ncases not performed publicly for decades\, i f not since the period immediately following the Second\nWorld War.\nThese works are presented not as historical artifacts\, but as living music—e xpressive\, daring\, and\nprofoundly human. The program’s flexible struc ture alternates between solo\, duo\, and trio\nperformances\, creating con trast\, intimacy\, and narrative flow while highlighting the individuality of\neach composer’s voice. Designed for chamber-scale halls and series\ , the concert can be adapted in\nlength and format to suit a wide range of venues.\nViolinist Desirée Ruhstrat brings to this project a long-standi ng commitment to rediscovering\nsuppressed repertoire. As founder of the B lack Oak Ensemble\, her work on the acclaimed album\nSilenced Voices—rec ognized by the Chicago Tribune\, Fanfare\, and WQXR—has been instrumenta l\nin returning forgotten composers to the concert stage. Her scholarship and musical insight form a\ncentral pillar of Resilience.\nShe is joined b y Grammy-nominated violist Melissa Reardon\, a member of the Borromeo Stri ng\nQuartet and Artistic Director of the Portland Chamber Music Festival. Praised for her “elegant” and\n“virtuosic” performances\, Reardon brings a wide-ranging artistic voice shaped by international\ntouring\, le adership in major chamber organizations\, and collaborations across classi cal and\ncontemporary traditions.\nCellist Wendy Sutter—hailed by the Wa ll Street Journal as “one of the great leading cellists of the\nclassica l stage”—completes the trio. Renowned for her intensity and expressive range\, Sutter has\nperformed as a soloist on five continents with major orchestras and leading conductors\, while also\nshaping contemporary music through decades-long collaborations with composers including Philip\nGlas s\, Tan Dun\, and Steve Reich. Her career bridges the classical canon and the modern\navant-garde\, bringing urgency and depth to music that demands remembrance.\nTogether\, Ruhstrat\, Reardon\, and Sutter form an ensemble of rare authority and sensitivity.\nResilience is more than a concert: it is an act of artistic restoration\, a testament to creative\nendurance\, and a powerful affirmation that music silenced by violence can—and must —be heard\nagain. LAST-MODIFIED:20260901T060506Z LOCATION:NY URL:https://www.bargemusic.org/concert/resilience-lost-and-reclaimed-voice s-from-the-holocaust-with-desiree-ruhstrat-melissa-reardon-and-wendy-sutte r/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT END:VCALENDAR