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X-WR-CALNAME:CalDiscovery - new-york-ny BEGIN:VEVENT SUMMARY:From Folk Melodies: Three Piano Trios with Mark Peskanov\, Julian Schwarz\, and Marika Bournaki DTSTART:20260919T180000Z DTEND:20260919T200000Z DTSTAMP:20260729T050307Z UID:8004-1789826400-1789826400@www.bargemusic.org CATEGORIES:music DESCRIPTION:Piano Trios by Shostakovich\, Haydn\, and Brahms \nwith Mark P eskanov\, violin\; Julian Schwarz\, cello\; Marika Bournaki\, piano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/from-folk-melodies-three-piano-trio s-with-mark-peskanov-julian-schwarz-and-marika-bournaki/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:From Folk Melodies: Three Piano Trios with Mark Peskanov\, Julian Schwarz\, and Marika Bournaki DTSTART:20260920T180000Z DTEND:20260920T200000Z DTSTAMP:20260729T050307Z UID:8007-1789912800-1789912800@www.bargemusic.org CATEGORIES:music DESCRIPTION:Piano Trios by Shostakovich\, Haydn\, and Brahms \nwith Mark P eskanov\, violin\; Julian Schwarz\, cello\; Marika Bournaki\, piano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/from-folk-melodies-three-piano-trio s-with-mark-peskanov-julian-schwarz-and-marika-bournaki-2/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:"Poetics of Music" with David Rockefeller\, Kathryn Knight\, and J oel Sachs DTSTART:20260926T180000Z DTEND:20260926T200000Z DTSTAMP:20260729T050307Z UID:8013-1790431200-1790431200@www.bargemusic.org CATEGORIES:literary,music DESCRIPTION:“Poetics of Music”\n\n\nTwo “melodramas” for reciter a nd piano\n\nRichard Strauss “The Castle By the Sea”\,\nFranz Liszt  “Lenore”\n\n\n\n  \n\nCharles Ives from Sonata No. 2\, “Concord\, Mass.\, 1840-1860”   *Before each movement David Rockefeller will read from Ives’s remarkable essays about the Concord writers*\n\nMovement 3: “The Alcotts”\nMvt. 4 “Thoreau”\n\n\nwith David Rockefeller\, rec iter\; Kathryn Knight\, voice\; Joel Sachs\, piano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/poetics-of-music-with-reciter-david -rockefeller-flutist-kathryn-knight-and-pianist-joel-sachs/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Violin and Piano Recital with Mark Peskanov and Jonathan Feldman DTSTART:20260927T180000Z DTEND:20260927T200000Z DTSTAMP:20260830T062146Z UID:8010-1790517600-1790517600@www.bargemusic.org CATEGORIES:music DESCRIPTION:Violin and Piano Recital\n\nBeethoven Sonata No. 1 in D Major\ , Op. 12 No. 1\n\nAllegro con brio\nTema con variazioni. Andante con moto\ nRondo. Allegro\n\n\nBach Selections from the Sonatas and Partitas for Sol o Violin\nFranck Sonata in A Major\n\nAllegretto ben moderato\nAllegro\nRe citativo-Fantasia: Ben moderato\nAllegretto poco mosso\n\n\n\nwith Mark Pe skanov\, violin\, and Jonathan Feldman\, piano\n  \nAmerican virtuoso vio linist and artistic visionary Mark Peskanov was born in Odesa. Peskanov sa ng before he could walk or talk\, and soon became a star violin student at the famed Stolyarsky school. At fifteen\, he emigrated to the United Stat es\, where he was immediately accepted at the Aspen Music Festival and the Juilliard School. \nHis phenomenal facility and musicianship won him both the Aspen and Juilliard concerto competitions\, bringing him to the notic e of Isaac Stern and Mstislav Rostropovich and rocketing him into the top echelons of the music world. Upon his debut with the Chicago Symphony\, th e Chicago Tribune called him a “sensational soloist.” The Cleveland Plain Dealer proclaimed\, “Violinist Adds Glory to Odessa” and the  New York Times declared\, “Mark Peskanov is a tremendous young violinis t and his Friday evening concert at Carnegie Hall was a triumph…He has i t all—technique\, temperament\, and taste.” \nPeskanov is a staunch ch ampion of American composers. He premiered the John Williams Concerto with the St. Louis Symphony\, and the Stanley Wolfe Concerto (written for Pesk anov) with the New York Philharmonic. He has performed more than fifty con certos with virtually every major U.S. orchestra and in Europe\, the Middl e East\, Australia\, South America and Japan. Peskanov’s major accolades include the Avery Fischer Career Grant\, the first Frederick R. Mann Awar d\, and Carnegie Hall’s first Isaac Stern Award. \nPeskanov inaugurated Tokyo’s Suntory Hall with Yo-Yo Ma and Stern\, and Weill Recital Hall wi th Stern\, Midori and Gil Shaham. Collaborating with these colleagues prom pted Peskanov to turn intensively to the chamber music repertoire’s more intimate\, complex\, and dialogical possibilities. His delight in chamber music\, his independent artistic vision\, and his desire to mentor promis ing musicians as he had been mentored\, led to Peskanov’s present role. Since 2005\, he is president and artistic/executive director of Bargemusic \, New York City’s cultural icon in Brooklyn Bridge Park. Over more than three decades of artistic involvement with Bargemusic\, Peskanov has cura ted in the neighborhood of five thousand chamber concerts\, encompassing a vast range of genres and styles in hundreds of concerts annually. Under h is leadership Bargemusic continues to evolve as an innovative\, influentia l\, and integral component of New York City’s cultural world. \nPeskanov is known for his openness to an astonishing range of music and artists at all stages of their careers. Muses the New York Times\, “One reason t hat openness seems to come so easily to Mr. Peskanov is that few proposals crossing his desk are likely to outpace his own vision of what Bargemusic can be.” \n  \nRecognized by colleagues and critics worldwide as a lea ding chamber musician and collaborative pianist\, Jonathan Feldman has p erformed with some of the world’s most legendary musicians\, including v iolinists Nathan Milstein\, Itzhak Perlman\, Gil Shaham\, Kyung Wha Chung\ , Joshua Bell\, Yehudi Menuhin\, Augustin Hadelich\, cellists Pierre Fourn ier\, Zara Nelsova\, Harvey Shapiro\, and flutists James Galway and Emanue l Pahud.A graduate of The Juilliard School\, Mr. Feldman joined its facult y in 1989 and became chairman of the school’s collaborative piano depart ment from 1991 until 2015. He was invited to join the collaborative piano faculty of New England Conservatory in 2010 and completed his tenure there in 2024.  He was asked to help out\, and is currently teaching\, at the USC Thornton School in Los Angeles for the 2024-25 year.  He has given ma ster classes throughout the United States and the Far East and has lecture d at international festivals and competitions. He is the Director of Colla borative Piano at the Music Academy of the West in Santa Barbara\, Califor nia\, a post he has held since 2005. He has appeared in other summer festi vals\, such as Tanglewood\, Bridgehampton\, Music from Angel Fire\, Vail B ravo Festival\, the Hidden Valley Music Seminars\, the Cape Cod Chamber Mu sic Festival and the Collaborative Piano Institute.  He has performed wit h the Chamber Music Society of Lincoln Center in New York City and was a f eatured performer in a Live From Lincoln Center with Gil Shaham.  For ove r twenty years\, he performed regularly with the New York Philharmonic as a keyboard player and appeared in many concerts with the New York Philharm onic Chamber Ensembles. Jonathan Feldman has recorded for Angel/EMI\, RCA Red Seal\, DGG\, Columbia Masterworks\, Naxos\, Nonesuch\, Summit\, Avie and Cala Records.  Mr. Feldman has recorded with his wife\, New York Phil harmonic principal bassoonist Judith LeClair.  His most recent recording is with violinist William Wei\, winner of the 2015 Queen Elizabeth competi tion. Mr. Feldman can also be heard on soundtracks for many movies\, most notably Music of the Heart with Meryl Streep and The Man Who Wasn’t Ther e\, directed by the Coen Brothers. LAST-MODIFIED:20260830T062146Z LOCATION:NY URL:https://www.bargemusic.org/concert/four-hands-extravaganza-duo-piano-r ecital-with-rita-sloan-and-jonathan-feldman/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:RESILIENCE: "Lost and Reclaimed Voices from the Holocaust" with De sirée Ruhstrat\, Melissa Reardon\, and Wendy Sutter DTSTART:20261003T180000Z DTEND:20261003T200000Z DTSTAMP:20260729T050307Z UID:8040-1791036000-1791036000@www.bargemusic.org CATEGORIES:music DESCRIPTION:RESILIENCE\nLost and Reclaimed Voices from the Holocaust\nDesi rée Ruhstrat\, violin\nMelissa Reardon\, viola\nWendy Sutter\, cello \nRe silience is an intimate and deeply moving concert project in which three a cclaimed artists of\ninternational stature come together to restore music silenced by the Holocaust to the living repertoire.\nViolinist Desirée Ru hstrat\, violist Melissa Reardon\, and cellist Wendy Sutter—each a leade r in the\nclassical music world—unite in a program devoted to extraordin ary chamber works by composers\nwhose lives and careers were shaped\, inte rrupted\, or extinguished by Nazi persecution. Through\nsolo\, duo\, and s tring trio repertoire\, Resilience offers both remembrance and renewal\, a llowing\nvoices nearly erased by history to speak again with urgency and c larity.\nThe program features music by composers such as Erwin Schulhoff\, Gideon Klein\, Schul\,\nHermann\, and Hans Gál\, including Gál’s Stri ng Trio in F-sharp minor\, Op. 104 and Serenade\, Op.\n41. Alongside these recognized works\, Resilience incorporates chamber pieces that have only\ nrecently resurfaced—some drawn directly from archival sources and priva te holdings\, and in certain\ncases not performed publicly for decades\, i f not since the period immediately following the Second\nWorld War.\nThese works are presented not as historical artifacts\, but as living music—e xpressive\, daring\, and\nprofoundly human. The program’s flexible struc ture alternates between solo\, duo\, and trio\nperformances\, creating con trast\, intimacy\, and narrative flow while highlighting the individuality of\neach composer’s voice. Designed for chamber-scale halls and series\ , the concert can be adapted in\nlength and format to suit a wide range of venues.\nViolinist Desirée Ruhstrat brings to this project a long-standi ng commitment to rediscovering\nsuppressed repertoire. As founder of the B lack Oak Ensemble\, her work on the acclaimed album\nSilenced Voices—rec ognized by the Chicago Tribune\, Fanfare\, and WQXR—has been instrumenta l\nin returning forgotten composers to the concert stage. Her scholarship and musical insight form a\ncentral pillar of Resilience.\nShe is joined b y Grammy-nominated violist Melissa Reardon\, a member of the Borromeo Stri ng\nQuartet and Artistic Director of the Portland Chamber Music Festival. Praised for her “elegant” and\n“virtuosic” performances\, Reardon brings a wide-ranging artistic voice shaped by international\ntouring\, le adership in major chamber organizations\, and collaborations across classi cal and\ncontemporary traditions.\nCellist Wendy Sutter—hailed by the Wa ll Street Journal as “one of the great leading cellists of the\nclassica l stage”—completes the trio. Renowned for her intensity and expressive range\, Sutter has\nperformed as a soloist on five continents with major orchestras and leading conductors\, while also\nshaping contemporary music through decades-long collaborations with composers including Philip\nGlas s\, Tan Dun\, and Steve Reich. Her career bridges the classical canon and the modern\navant-garde\, bringing urgency and depth to music that demands remembrance.\nTogether\, Ruhstrat\, Reardon\, and Sutter form an ensemble of rare authority and sensitivity.\nResilience is more than a concert: it is an act of artistic restoration\, a testament to creative\nendurance\, and a powerful affirmation that music silenced by violence can—and must —be heard\nagain. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/resilience-lost-and-reclaimed-voice s-from-the-holocaust-with-desiree-ruhstrat-melissa-reardon-and-wendy-sutte r/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Complete Beethoven Piano Sonatas with Conversation\, Part 6: "Ridi ng the Wave of Power and Fame" DTSTART:20261004T180000Z DTEND:20261004T200000Z DTSTAMP:20260729T050307Z UID:8017-1791122400-1791122400@www.bargemusic.org CATEGORIES:music DESCRIPTION:Complete Piano Sonatas of Beethoven\, Part 6\n\n“Riding the Wave of Power and Fame”\n\n\nSonata in F major\, Op. 54\n\nSonata in F minor\, Op. 57 (“Appassionata”)\n\nSonata in F# major\, Op. 78\n\nSo nata in G major\, Op. 79\n\nSonata in Eb major\, Op. 81a (“Lebewohl ”)\n\nwith Jeffrey Swann\, piano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/complete-beethoven-piano-sonatas-wi th-conversation-part-6-riding-the-wave-of-power-and-fame/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:"Happiness of Influence": Mozart Quintets and Beethoven Opus 18 Qu artets DTSTART:20261010T180000Z DTEND:20261010T200000Z DTSTAMP:20260729T050307Z UID:8045-1791640800-1791640800@www.bargemusic.org CATEGORIES:music DESCRIPTION:Selections from Mozart’s String Quintets and Beethoven’s O pus 18 string quartets \nwith Mark Peskanov\, violin\; and Semplice Player s LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/a-happiness-of-influence-mozart-qui ntets-and-beethoven-opus-18-quartets/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:2PM: Beethoven: Contrasting Trios\, with Mark Peskanov\, Samuel Ma gill\, and Beth Levin DTSTART:20261011T180000Z DTEND:20261011T200000Z DTSTAMP:20260729T050307Z UID:7938-1791727200-1791727200@www.bargemusic.org CATEGORIES:music DESCRIPTION:Beethoven Selections from piano trios\n\nwith Mark Peskanov\, violin\; Samuel Magill\, cello\; Beth Levin\, piano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/beethoven-contrasting-trios-with-ma rk-peskanov-samuel-magill-and-beth-levin/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Harlem Chamber Players: Turina\, Dvořak\, D'Rivera DTSTART:20261017T180000Z DTEND:20261017T200000Z DTSTAMP:20260904T002205Z UID:8052-1792245600-1792245600@www.bargemusic.org CATEGORIES:music DESCRIPTION:Joaquín Turina La oración del torero (The Bullfighter’s Pr ayer)\, Op. 34\nAntonin Dvořák String Quartet No. 11 in C major\, Op. 61 \, B 121\nPaquito D’Rivera Wapango\nwith the Harlem Chamber Players \nAs hley Horne\, violin \nClaire Chan\, violin \nWilliam Frampton\, viola \nWa yne Smith\,  cello LAST-MODIFIED:20260904T002205Z LOCATION:NY URL:https://www.bargemusic.org/concert/harlem-chamber-players-montgomery-m arsalis-and-more/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:"From Paris to Vermont: A Musical Lineage 75 Years in the Making" with Deborah Buck and Orli Shaham DTSTART:20261018T180000Z DTEND:20261018T200000Z DTSTAMP:20260729T050307Z UID:8055-1792332000-1792332000@www.bargemusic.org CATEGORIES:theater DESCRIPTION:From Paris to Vermont — A Musical Lineage 75 Years in the Ma king\n \nThis program explores the rich compositional legacy connected to Kinhaven’s co-founder\, Dorothy Dushkin\, her brother-in-law—violini st and arranger Samuel Dushkin— and a circle of musicians who studied in Paris under the legendary Nadia Boulanger. This recital includes fun mus ic by Stravinsky\, Copland\, Gershwin\, Caroline Shaw\, and a few other Am erican composers that are closely connected to this legacy. \n\nDorothy/ ”Darby” Dushkin – Berceuse for Nadia (1949) Chicago – 3~ Darby was a composer and Co-Founder of the Kinhaven Music School which began in 195 2\, Prior to this\, she was the co-Founder of what is now the Music Instit ute of Chicago in 1931\n\nIgor Stravinsky/Samuel Dushkin – Divertimento IV. b) Variation & c) Coda – 4~ Sam Dushkin collaborated closely with Ig or Stravinsky in the composition of his Violin Concerto. Stravinsky also c omposed his Duo Concertante and his Divertimento\, both for violin and pia no\, to play with Dushkin on concert tours. \nIgor Stravinsky/Sam Dushkin – Berceuse from The Firebird – 1′ Stravinsky and Sam worked together on this transcription together\, but this piece is also connected to anot her composer on his album\, Bruce Adolphe and ultimately to Kinhaven and S am Dushkin via Kyung-wha Chung. \nGershwin/Dushkin – Short Story 2:30’ This was arranged by Samuel and was based on two earlier Gershwin piano p ieces. It was a collaboration between the two friends and premiered in 192 5\, with Dushkin frequently performing and recording the piece. \nAaron Co pland: from Two Pieces for Violin and Piano 1926 – I. Ukulele 4:40’ an d II. Nocturne 6’ (11’) Copland dedicated these to pieces to Samuel. A fter Copland’s studies in Paris in the early 1920s\, he believed it was essential for American composers to gain recognition in Europe as well as in the United States. With this goal\, he returned to Paris in 1926 and wr ote two new works for an all-American concert that Nadia Boulanger was org anizing. He invited violinist Samuel Dushkin to perform them with him. \nC aroline Shaw – Broad and Free – 8’ Inspired by the 1905 NYTimes acco unt of Fritz Kreisler’s recital at Carnegie Hall – Samuel Dushkin stud ied with Fritz Kreisler. Caroline attended Kinhaven’s Senior Session.\n\ nAllen Shawn – Winter Sketchbook IV. Presto 3:40’ Attended Kinhaven’ s Senior Session in the 1960’s \nNicolas Scherzinger – New Commission/ Violin and Piano work 3’ Kinhaven’s Composer in Residence for 15 years (2007-2022) \nMax Grafe – New Commission for Solo Violin 3’ Kinhaven ’s Composer in Residence (as of 2025) \nwith Deborah Buck\, violin\, and Orli Shaham\, piano \n\nBiographies\n\nViolinist Deborah Buck has been ha iled by The Strad for her “surpassing degree of imagination and vibrant sound.” Equally at home in recital halls\, symphony stages\, recording s tudios\, opera houses\, and even on Saturday Night Live\, she maintains a versatile career as a chamber musician\, concertmaster\, recitalist\, educ ator\, and artistic leader. \nRecent performance highlights include recita ls at BargeMusic (NYC) with pianists Orli Shaham and Orion Weiss\, perform ances on series such as GatherNYC\, Lyrica Chamber Music (NJ)\, Reflection s in Music (NYC)\, Sands Point/Four Seasons of Music (NY)\, Small Spaces/O rchestra Lumos (CT)\, and annually at the Telluride Chamber Music Festival (CO). \nDedicated to broadening the expressive range of her violin playin g\, Buck has premiered numerous works written for her\, including DeBut fo r solo violin by John Harbison and Fantasia on Beethoven’s Spring Sonata by Bruce Adolphe. In 2025\, she recorded September\, a newly commissioned work by Curtis Stewart from his 24 American Caprices\, as well as a new j oint arrangement of Coleridge-Taylor Perkinson’s Louisiana Blues Strut w ith percussionist Yousif Sheronick. She was also featured\, to critical ac claim\, on a recent Avie Records release devoted to the music of Bruce Wol osoff. In 2026\, Buck will receive two new commissions by Nicolas Scherzin ger and Max Grafe as part of an upcoming recording project celebrating the legacy of new music fostered at Kinhaven Music School. \nFrom 2002 to 201 9\, Buck was a member of the acclaimed Lark Quartet\, whose boundary-expan ding commissions helped redefine the contemporary string quartet repertoir e. The ensemble collaborated with and commissioned numerous Pulitzer Prize –winning composers\, recording extensively for Endeavor\, Koch\, and Bri dge Records\, and championing works by composers including Jennifer Higdon \, John Harbison\, Daniel Bernard Roumain\, and Paul Moravec. \nBuck is fr equently invited to serve as guest Concertmaster and has recently held tha t role with the Kalamazoo Symphony Orchestra which included performances w ith Yo-Yo Ma. As Concertmaster\, she has been engaged by the Phoenix Symph ony\, the West Virginia Symphony\, and most recently by Palm Beach Opera. Appointed by Music Director Michael Stern in 2022\, she is currently the t enured Concertmaster of Orchestra Lumos. Previously\, she held the same po sition with the Brooklyn Philharmonic\, Los Angeles Opera Guild Orchestra\ , and St. Matthew’s Chamber Orchestra in Los Angeles.\nAs a soloist\, Bu ck made her Lincoln Center concerto debut with the Little Orchestra Societ y and has since appeared with orchestras including the Princeton Symphony\ , West Virginia Symphony\, Brooklyn Philharmonic\, and Orchestra Lumos. Bu ck’s recital appearances include The Phillips Collection (Washington\, D .C.)\, Dame Myra Hess Series (Chicago)\, and Bargemusic (NYC)\, with live broadcasts on Los Angeles radio stations WFMT and KKGO. Her versatility al so extends to film and television\, including the violin solos for Turner Classic Movies’restored silent film The Scarlet Letter. \nA dedicated ed ucator and musical leader\, Buck served for over a decade on the faculty o f the SUNY Purchase Conservatory of Music as Head of Strings and Chamber M usic. Since 2011\, she has been Co-Executive Director and Artistic Advisor of Kinhaven (VT) and currently serves on the faculty at Montclair State U niversity. \nA consummate musician recognized for her grace\, subtlety\, a nd brilliance\, the pianist Orli Shaham is hailed by critics on four conti nents. The New York Times called her a “brilliant pianist\,” The Ch icago Tribune referred to her as “a first-rate Mozartean\,” and Londo n’s Guardian said Ms. Shaham’s playing at the Proms was “perfectio n.” \nOrli Shaham has performed with many of the major orchestras around the world\, and has appeared in recital internationally\, from Carnegie H all to the Sydney Opera House. She is Artistic Director of Pacific Symphon y’s chamber series Café Ludwig in California since 2007 and was Artis t in Residence at Vancouver Symphony (USA) in 2022-2024. \nHighlights of M s. Shaham’s 2025-2026 concert season include Beethoven’s Emperor Conce rto at the Classical Tahoe Festival\, performances of Light Forming by Dav id Robertson with St. Louis and Nashville symphonies\, and the premiere of a concerto for violin and piano by Reena Esmail she commissioned with her brother\, the violinist Gil Shaham\, with the National and Virginia symph onies. \nIn 2026\, Orli Shaham releases an album of American chamber music with members of the Pacific Symphony\, including works by Margaret Brouwe r\, Avner Dorman\, Reena Esmail and Viet Cuong. Her 2024 box set of the co mplete sonatas by Mozart received accolades worldwide. Ms. Shaham’s disc ography also includes her acclaimed solo album\, Brahms Inspired\; John A dams’ Grand Pianola Music with the pianist Marc-André Hamelin and the San Francisco Symphony\, with the composer conducting\; and American Gra ce\, featuring Steven Mackey’s Stumble to Grace\, written for her\, w ith the Los Angeles Philharmonic. \nOrli Shaham is on the piano and chambe r music faculty at The Juilliard School and is Chair of the Board of Trust ees of Kaufman Music Center. She is a major presence on public radio as Co -Host and Creative for NPR’s From the Top and was host of Dial-a-Musi cian\, a radio feature series she created. She is regularly featured on th e popular music education platform Tonebase\, including masterclasses on M ozart’s piano sonatas and a lecture-performance about Clara Schumann. \n Orli Shaham is a Steinway Artist. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/from-paris-to-vermont-a-musical-lin eage-75-years-in-the-making-with-deborah-buck-and-orli-shaham/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Shadow and Light: Piano Trios of Beethoven and Brahms DTSTART:20261024T180000Z DTEND:20261024T200000Z DTSTAMP:20260729T050307Z UID:8059-1792850400-1792850400@www.bargemusic.org CATEGORIES:music DESCRIPTION:Piano trios of Beethoven and Brahms \nwith Mark Peskanov\, Nic holas Tzavaras\, and Rita Sloan \n\nBiographies\n\nMark Peskanov\nA native of East Harlem in New York City\, cellist Nicholas Tzavaras has toured th e globe as a chamber musician\, soloist\, and educator for more than two d ecades. He has performed more than 1600 concerts worldwide\, from Cartagen a Columbia to the Tonhalle in Zurich to Nagasaki Japan.  Since 2000\, Tza varas has been the cellist of the internationally renowned Shanghai Quarte t. Recent festival engagements have included the Brevard\, La Jolla and Ta os festivals\, the Casals festival in Prades France\, the Melbourne Music Festival in Australia and the Marlboro Festival.  Tzavaras has held the e steemed title of guest principal cellist of the Shanghai Symphony Orchestr a since 2009. He has recorded more than 25 albums for the Naxos\, Delos\, Bis\, Centaur\, Camerata\, and New Albion labels\, including the complete Beethoven string quartet cycle and Bright Sheng’s songs for pipa and cel lo with Wu Man.  Tzavaras can be seen in the Academy Award nominated docu mentary “Small Wonders\,” the motion picture “Music of the Heart” and with the Shanghai Quartet in “Melinda Melinda.”Tzavaras began the violin at age 2 with his mother\, Roberta Guaspari and moved to the cello when he was 7.  A graduate of the Bronx High School of Science\, he went on to receive degrees from the New England Conservatory and the State Univ ersity of New York at Stony Brook working exclusively with Laurence Lesser and Timothy Eddy. From 2002 to 2021\, Tzavaras was the coordinator of the String Department and Artist-in-Residence at Montclair State University ’s John J. Cali School of Music.  In addition\, he was on the cello and chamber music faculty at the Longy School of Music in Boston from 2015 to 2020.\nRita Sloan is acknowledged internationally as a leading teacher of piano\, collaborative piano and chamber music. In 1999\, she was appointe d a piano faculty member and director of the collaborative piano program a t the University of Maryland. As an Artist Faculty Member at the Aspen Mus ic Festival\, Ms. Sloan founded their Collaborative Piano Program. She has performed as soloist with both the Aspen Festival Orchestra and Chamber S ymphony as well as in chamber music with many of Aspen’s distinguished g uest artists including pianists Wu Han and Orli Shaham\, violinists Sarah Chang and Nadia Salerno-Sonnenberg\, cellist Gary Hoffman\, bassist Edgar Meyer and  flutist Emmanuel Pahud. Teaching residencies and master class presentations have included Tainan National University of the Arts and Nat ional Normal University in Taiwan\, China Conservatory in Beijing\, China\ , leading universities in Seoul\, Korea\, London’s Royal College of Musi c\, American universities and conservatories including numerous visits to the Juilliard School in New York. Ms. Sloan has performed with orchestra\, in recital\, and in chamber music throughout the U.S.\, Europe\, South Am erica and Japan. She has been a guest in many chamber music venues and has performed with members of the Emerson and Guarneri String Quartets. Born in Russia to Polish parents\, Ms. Sloan graduated from the Juilliard Schoo l\, where she studied with Martin Canin and Rosina Lhévinne. Further stud ies were with Leon Fleisher\, Aube Tzerko\, Herbert Stessin and Vladimir A shkenazy. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/beethoven-and-brahms-trios-of-titan s/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Shadow and Light: Piano Trios of Beethoven and Brahms DTSTART:20261025T180000Z DTEND:20261025T200000Z DTSTAMP:20260729T050307Z UID:8062-1792936800-1792936800@www.bargemusic.org CATEGORIES:music DESCRIPTION:Piano trios of Beethoven and Brahms \nwith Mark Peskanov\, Nic holas Tzavaras\, and Rita Sloan \n\nBiographies\n\nMark Peskanov\nA native of East Harlem in New York City\, cellist Nicholas Tzavaras has toured th e globe as a chamber musician\, soloist\, and educator for more than two d ecades. He has performed more than 1600 concerts worldwide\, from Cartagen a Columbia to the Tonhalle in Zurich to Nagasaki Japan.  Since 2000\, Tza varas has been the cellist of the internationally renowned Shanghai Quarte t. Recent festival engagements have included the Brevard\, La Jolla and Ta os festivals\, the Casals festival in Prades France\, the Melbourne Music Festival in Australia and the Marlboro Festival.  Tzavaras has held the e steemed title of guest principal cellist of the Shanghai Symphony Orchestr a since 2009. He has recorded more than 25 albums for the Naxos\, Delos\, Bis\, Centaur\, Camerata\, and New Albion labels\, including the complete Beethoven string quartet cycle and Bright Sheng’s songs for pipa and cel lo with Wu Man.  Tzavaras can be seen in the Academy Award nominated docu mentary “Small Wonders\,” the motion picture “Music of the Heart” and with the Shanghai Quartet in “Melinda Melinda.”\nTzavaras began th e violin at age 2 with his mother\, Roberta Guaspari and moved to the cell o when he was 7.  A graduate of the Bronx High School of Science\, he wen t on to receive degrees from the New England Conservatory and the State Un iversity of New York at Stony Brook working exclusively with Laurence Less er and Timothy Eddy. From 2002 to 2021\, Tzavaras was the coordinator of t he String Department and Artist-in-Residence at Montclair State University ’s John J. Cali School of Music.  In addition\, he was on the cello and chamber music faculty at the Longy School of Music in Boston from 2015 to 2020.\nRita Sloan is acknowledged internationally as a leading teacher of piano\, collaborative piano and chamber music. In 1999\, she was appointe d a piano faculty member and director of the collaborative piano program a t the University of Maryland. As an Artist Faculty Member at the Aspen Mus ic Festival\, Ms. Sloan founded their Collaborative Piano Program. She has performed as soloist with both the Aspen Festival Orchestra and Chamber S ymphony as well as in chamber music with many of Aspen’s distinguished g uest artists including pianists Wu Han and Orli Shaham\, violinists Sarah Chang and Nadia Salerno-Sonnenberg\, cellist Gary Hoffman\, bassist Edgar Meyer and  flutist Emmanuel Pahud. Teaching residencies and master class presentations have included Tainan National University of the Arts and Nat ional Normal University in Taiwan\, China Conservatory in Beijing\, China\ , leading universities in Seoul\, Korea\, London’s Royal College of Musi c\, American universities and conservatories including numerous visits to the Juilliard School in New York. Ms. Sloan has performed with orchestra\, in recital\, and in chamber music throughout the U.S.\, Europe\, South Am erica and Japan. She has been a guest in many chamber music venues and has performed with members of the Emerson and Guarneri String Quartets. Born in Russia to Polish parents\, Ms. Sloan graduated from the Juilliard Schoo l\, where she studied with Martin Canin and Rosina Lhévinne. Further stud ies were with Leon Fleisher\, Aube Tzerko\, Herbert Stessin and Vladimir A shkenazy. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/shadow-and-light-piano-trios-of-bee thoven-and-brahms/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Special Solo Piano Concert for Halloween with Rob Schwimmer DTSTART:20261031T180000Z DTEND:20261031T200000Z DTSTAMP:20260729T050307Z UID:8066-1793455200-1793455200@www.bargemusic.org CATEGORIES:holiday,music DESCRIPTION:Special Halloween Concert \nRob Schwimmer is a composer and m ulti-instrumentalist who has performed and recorded throughout the world. Praised by The New York Times for his “Virtuosity\, magic\, and humor” Rob has just completed his long awaited 2nd solo CD “Heart Of Hearing ” for theremin\, Haken Continuum and solo piano. \nSchwimmer has most re cently performed (January 2026) with The New York Philharmonic playing the remin at Lincoln Center in the debut performance of Charles Ives’ “Orc hestral Set No. 2” under the baton of maestro Thomas Ades. Rob  was als o theremin soloist with the NY Phil’s in their debut performance of Lera Auerbach’s “Icarus” under conductor Stéphane Denève in November 2 025. \nKnown for his work as a solo artist (and as a founding member of th e highly acclaimed Polygraph Lounge duo with multi-instrumentalist Mark St ewart of Bang On A Can Allstars/Paul Simon) Rob’s piano playing on his f irst solo CD “Beyond The Sky” has been widely lauded in both classical and jazz publications: Hailed as “Extraordinary” in Gramophone and “Shaping up to be the finest solo piano CD of the year” in The NYC Jaz z Record while The New York Times praised his “…machine-gun speed and clarity.” Recently Rob has been featured ondioline/keyboards/theremin so loist with Gotye’s Ondioline Orchestra which has played to acclaim from National Sawdust and Roulette in NYC to Moogfest (Durham\, NC) to Tasmania and The Sydney Festival (both in Jan 2018.) Rob also did arrangements for Gotye’s upcoming release. Rob is also a leading player of the Haken Con tinuum fingerboard. Schwimmer is the theremin soloist for Ethan Iverson’ s (The Bad Plus) “Pepperland\,” a full length dance piece for The Mark Morris Dance Group which premiered in Liverpool in 2017 as part of Liverp ool’s “Sgt. Pepper at 50” celebration. Recent recording sessions on Haken Continuum include Paul Simon\, Esperanza Spalding and Trey Anastasio . \nSchwimmer also recently completed 2 commissions from The Metropolitan Museum while Polygraph Lounge has received and performed 2 commissions fro m Carnegie Hall for full length concerts. Among the long list of artists S chwimmer has worked with are Simon and Garfunkel\, Wayne Shorter\, New Yor k Philharmonic\, Antonio Carlos Jobim\, Stevie Wonder\, Bobby McFerrin\, W illie Nelson\, Paul Simon\, The Cleveland Orchestra\, Gotye\,The Orchestra of St. Luke’s\, Chaka Khan\, Laurie Anderson\, Bette Midler\, Queen Lat ifah\, producer Arif Mardin\, Adam Guettel\, Gotye’s Ondioline Orchestra \, Mark Morris Dance Group\, Kelsey Lu\, producer Peter Katis\, Paul Bley\ , The Boston Pops\, Mary Cleere Haran\, T-Bone Walker\, Sam Rivers\, Ethan Iverson\, Marc Shaiman\, David Krakauer\, Christian Marclay\, Matthew Bar ney\, Lorin Sklamberg\, Värttinä\, Ang Lee\, Maria Schneider\, Michel Go ndry\, Trey Anastasio\, The Klezmatics\, Bernie Worrell\, Sxip Shirey\, Ne ls Cline\, Annette Peacock\, Gwyneth Paltrow\, Marshall Brickman\, Karen B lack\, Larry Campbell\, Teresa Williams\, Josh Groban\, Gamelan Son of Lio n\, Mabou Mines\, Geoffrey Holder\, John Cale\, Steve Buscemi\, Iva Bittov a\, Theo Bleckmann\, John Stubblefield\, Burt Bacharach\, The Roches\, Jac k Quartet\, Scott Robinson\, Edie Brickell\, producer Teo Macero\, Hal Wil lner\, Vernon Reid\, The Everly Brothers\, Ethel\, James Emery\, Bela Flec k\, Lenny Kaye\, Kurt Vonnegut\, Tamar Muskal\, Anjani Thomas\, Odetta\, D repung Loseling Tibetan Monks\, Sussan Deyhim\, producer John Simon\, Jose ph Jarman\, Fred Anderson\, Alwin Nikolai/ Murray Louis Dance Company\, Ma rc Ribot\, Frank London\, C&C Music Factory and Sammy Davis Jr. among othe rs. \nA founding member and former co-director of The NY Theremin Society\ , Rob\, who sometimes goes under the pseudonym “Carlos Antenna” for hi s theremin work\, is one of the top theremin virtuosos in the world and ha s been featured on CBS Sunday Morning\, The NY Times\, Wall St Journal\, W NYC\, WQXR and the popular PBS series “History Detectives”. His appear ances as theremin soloist include The Orchestra of St. Luke’s at Caramoo r (which included Rob’s theremin arrangement of Bernard Herrmann’s “ Scene d’Amour” from Vertigo\,) The Boston Pops in a world premier of “Nosferatu” at Symphony Hall\, The Moab Music Festival\, The Little Or chestra at Lincoln Center\, with Bobby McFerrin at Carnegie Hall and Simon & Garfunkel’s world tours (including the Rock and Roll Hall of Fame 25t h Anniversary show at Madison Square Garden) where he also played keyboard s and sang. In addition to his CD Theremin Noir (with Uri Caine and Mark F eldman\,) Rob has performed as featured thereminist on Trey Anastasio’s CD Traveler\, Matthew Barney’s epic movie Cremaster 3\, the 2009 R.W. Go odwin feature Alien Trespass\, CBS television series Now and Again and A&E ’s Breakfast With the Arts. He was chosen to perform in a sold out conce rt at the Disney Concert Hall (LA) as part of legendary The 10 Piece There min Orchestra. Rob was recently interviewed by Faith Salie (Wait\, Wait\, Don’t Tell Me) for CBS Sunday Morning and The NY Theremin Society concer t was filmed as part of the same segment about the resurgence of the there min. Schwimmer premiered a new silent movie soundtrack (The Fall of the Ho use of Usher–1928) featuring live theremin at The NY Theremin Society’ s recent residency at Bucknell University and given its NYC premiere at Th e Tribeca New Music Festival. \nHe composed the score for Cynthia Wade’s 2008 Academy Award winner “Freeheld” in the Documentary Short categor y as well as collaborating on David Frankel’s Oscar winner “Dear Diary ” for Dreamworks (their first Oscar) in the Live Action Short in 1997. R ob’s compositions have been featured in theater\, television series and movies\, silent films\, documentaries and feature films as well as Rob’s continuing series of solo concerts. \nHe has performed at venues all over the world including Carnegie Hall\, the Concertgebouw (Amsterdam)\, Wiene r Konzerthaus\, Tokyo Dome\, Madison Square Garden\, The Kennedy Center\, The Sydney Festival\, The Metropolitan Museum\, The Museum of Modern Art\, The Blue Note\, CBGB’s\, The Stone\, and the Colosseum (Rome). \nRob Sc hwimmer is exclusively represented by Bernstein Artists\, Inc. http://www .bernsarts.com. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/special-halloween-concert-with-rob- schwimmer/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Complete Piano Sonatas of Beethoven with Conversation\, Part 7: "Y ears of Pain and Struggle" DTSTART:20261101T190000Z DTEND:20261101T210000Z DTSTAMP:20260729T050307Z UID:8025-1793541600-1793541600@www.bargemusic.org CATEGORIES:music DESCRIPTION:Complete Piano Sonatas of Beethoven with Conversation\, Part 7 \n\n“Years of Pain and Struggle”\n \n\nSonata in E minor\, Op. 90\n\n Sonata in A major\, Op. 101\n\nSonata in Bb major\, Op. 106 (“Hammerkla vier”)\n\nwith Jeffrey Swann\, piano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/complete-piano-sonatas-of-beethoven -with-conversation-part-7-years-of-pain-and-struggle/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Complete Piano Sonatas of Beethoven with Conversation\, Part 8: "A New Vision" DTSTART:20261107T190000Z DTEND:20261107T210000Z DTSTAMP:20260729T050307Z UID:8030-1794060000-1794060000@www.bargemusic.org CATEGORIES:music DESCRIPTION:Complete Piano Sonatas of Beethoven with Conversation\, Part 8 \n“A New Vision” \n\nSonata in E major\, Op. 109\n\nSonata in Ab maj or\, Op. 110\n\nSonata in C minor\, Op. 111\n\nwith Jeffrey Swann\, pian o LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/complete-piano-sonatas-of-beethoven -with-conversation-part-8-a-new-vision/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Ursula Oppens/Jerome Lowenthal Joint Piano Concert DTSTART:20261108T190000Z DTEND:20261108T210000Z DTSTAMP:20260729T050307Z UID:8075-1794146400-1794146400@www.bargemusic.org CATEGORIES:music DESCRIPTION:Ursula Oppens/Jerome Lowenthal Joint Piano Recital \nFranz Scu bert\nImpromptu in F minor\, opus 143\nSix Moments Musicaux\, opus 94\nJer ome Lowenthal\nElliott Carter\n90+\nClara Wieck Schumann\nVariations on a theme of Robert                Schumann\, opus 20\nElliott Carter\ nTwo Diversions\nJohannes Brahms\nTheme and Variations in D minor\,\nOpus 18b\nUrsula Oppens\nFranz Schubert\nFantasie in F minor\, opus 103\,\nD940 \nJerome Lowenthal and Ursula Oppens \nUrsula Oppens\, a legend among Amer ican pianists\, is widely admired for her original and perceptive readings of new music\, but also for her knowing interpretations of the standard r epertoire. No other artist alive today has commissioned and premiered more new works for the piano that have entered the permanent repertoire. Over the years\, Ms. Oppens has premiered works by such leading composers as Jo hn Adams\, Luciano Berio\, Anthony Braxton\, Elliott Carter\, John Corigli ano\, John Harbison\, Julius Hemphill\, Conlon Nancarrow\, Charles Wuorine n\, as well as many more. \nA prolific recording artist with five Grammy n ominations\, Ms. Oppens most recently released a recording of Frederic Rze wski’s The People United Will Never Be Defeated\, nominated for a Grammy in 2016\, and Piano Songs\, a collaboration with Meredith Monk. Earlier r eleases include Winging It: Piano Music of John Corigliano\; Oppens Plays Carter\; a recording of Elliot Carter’s complete piano works for Cedille Records\; Piano Music of Our Time featuring compositions by John Adams\, Elliott Carter\, and others\; and a two-piano CD for Cedille Records devot ed to Messiaen’s Visions de l’Amen and Debussy’s En blanc et noir pe rformed with pianist Jerome Lowenthal. \nCurrently Ms. Oppens is performin g special 80th birthday programs for Messrs. Corigliano\, Rzewski\, and Wu orinen. Other performances appearances will include performances of works by Jonathan Harvey\, and a joint recital with pianist Phillip Moll which w ill feature Mozart’s Concerto for two Pianos.\nAs an orchestral guest so loist\, Ms. Oppens has performed with virtually all of the world’s major orchestras\; highlights include the Boston Symphony\, Chicago Symphony\, New York Philharmonic\, Los Angeles Philharmonic\, Berlin Symphony\, and L ondon Philharmonic Orchestras. Ms. Oppens is also an avid chamber musician \, performing with the Arditti\, Juilliard\, and Pacifica quartets\, among others. \nUrsula Oppens joined the faculty of Mannes College in fall 2017 \, and is a Distinguished Professor of Music at Brooklyn College and the C UNY Graduate Center in New York City. \n  \nAmerican pianist Jerome Lowen thal has been a Juilliard faculty member since 1991. He has received priz es in international competitions in Brussels\, Bolzano\, and Darmstadt\, a nd has appeared with major orchestras in the U.S.\, including Chicago\, Bo ston\, Philadelphia\, New York\, Los Angeles\, Pittsburgh\, San Francisco\ , National\, Baltimore\, Cleveland\, St. Louis\, and Minnesota. He has pre miered solo music by Rochberg\, Capanna\, Reise\, and Rorem’s Piano Conc erto No. 3. He has played duo recitals with Denis Brott\, Itzhak Perlman\, Ronit Amir\, and Ursula Oppens. \nLowenthal is a regular participant in c hamber music festivals in Sitka\, Alaska\; Montreal\; and Santa Barbara’ s Music Academy of the West. He played the New York premiere of Liszt’s Piano Concerto No. 3 with New York Philharmonic. Lowenthal has made numero us recordings of solo concerto and chamber music repertoire. \nLowenthal  studied with Olga Samaroff\, William Kapell\, and at Juilliard with Edward Steuermann. He also studied with Alfred Cortot at the École Normale de M usique on a Fulbright Grant. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/ursula-oppens-jerome-lowenthal-join t-piano-concert/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Vienna Synergy: Quintets and Quartets of Mozart and Beethoven DTSTART:20261114T190000Z DTEND:20261114T210000Z DTSTAMP:20260729T050307Z UID:8078-1794664800-1794664800@www.bargemusic.org CATEGORIES:music DESCRIPTION:Mozart Selections from the string quintets \nBeethoven Selecti ons from the Opus 18 string quartets \nwith Mark Peskanov\, violin\, and S emplice Players LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/vienna-synergy-mozart-quintets-and- beethoven-quartets/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Duo Piano Recital with Alexander Peskanov and Coady Green DTSTART:20261115T190000Z DTEND:20261115T210000Z DTSTAMP:20260729T050307Z UID:8081-1794751200-1794751200@www.bargemusic.org CATEGORIES:music DESCRIPTION:Piano works by A. Rubenstein\, P. Tchaikovsky\, and A. Peskano v \nwith Alexander Peskanov and Coady Green\, piano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/vienna-synergy-quintets-and-quartet s-of-mozart-and-beethoven/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:"A Kaleidoscope of Favorites": piano recital with Asiya Korepanova DTSTART:20261121T190000Z DTEND:20261121T210000Z DTSTAMP:20260729T050307Z UID:8087-1795269600-1795269600@www.bargemusic.org CATEGORIES:music DESCRIPTION:“A Kaleidoscope of Favorites” \n\nBach-Hess Jesu Joy of Ma n’s Desire\nTchaikovsky-Pletnev excerpts from The Nutcracker Suite\nRach maninoff Two preludes\, Op. 23\nChopin Heroic Polonaise\nMussorgsky Pictu res at an Exhibition\n\nwith Asiya Korepanova\, piano \n\nBiography\nThe p ianist who performed the complete Rachmaninoff solo piano works within th e composer’s 150th-anniversary year in 2023\, Asiya Korepanova is a pian istic powerhouse hailed as a “tremendously gifted pianist who exhibits a singular affinity for Rachmaninoff’s Russian romantic idiom and possess es the blazing technique to fully realize his distinctive scores” (South Florida Classical Review)\, who is also highly recognized as a composer\, visual artist\, and poet. \nA herald of an enormous repertoire encompassi ng over 60 piano concertos and solo works ranging from early Baroque per iod to music of living composers\, Asiya is a quintessential completist. \ nShe finds unique joy in performing collections of works such as the 24 Li szt Etudes or the entire Well-Tempered Clavier by Bach. Her emotionally ch arged and colorfully nuanced performances have gained her the admiration o f audiences and resulted in many repeat engagements. \nAsiya\, a pianist a nd composer\, draws her musical inspiration from the legacy of Dmitry Shos takovich\, having studied composition under his direct disciple\, Albert L eman. \nShe is the author of original works in multiple genres and instrum entations. Her historic solo piano transcriptions of Richard Strauss’ ‘Ein Heldenleben’\, Rachmaninoff’s Cello Sonata\, Tchaikovsky’s ‘Manfred’ Symphony\,  Mussorgsky’s ‘Songs and Dances of Death’  have placed her among today’s formidable transcribers\, and attracted attention of  world-renown pianists such as Lang Lang and Polina Osetinsk aya\, who commissioned and recorded Asiya’s transcriptions. \nThe most r ecent composition events include the world premiere recording of Asiya’ s concerto for alto saxophone and piano\, Poéme\, performed by Thomas Gil es and Liana Pailodze Harron\; the publication of her transcription of Ra chmaninoff’s cello sonata\; the premiere of her Piano Quintet ‘I marve l at the sky’\, commissioned by the Third Dimension Music Festival\; and the premiere of Con Brio for two pianos\, performed with her duo partner Ilya Kazantsev as a part of the Dranoff Two Piano Foundation series. \nAn avid chamber musician\, Asiya collaborates with a wide array of musicians\ , such as David Shifrin\, the Balourdet Quartet\, the Hermitage Piano Trio \, Milena Pajaro-van de Stadt\, Rodney Marsalis\, Julian Schwarz\, Eleni K atz\, Irina Muresanu\, and Alexander Fiterstein. She regularly performs as part of the ’88 by 20′ piano duo with her friend and former classmate \, Grammy-nominated pianist Ilya Kazantsev. \nUninhibited in her artistic expression\, Asiya is also sought after her work as a visual artist and po et. Her multimedia projects featuring original poetry and visual art ser ve as interpretive commentary for a particular cycle of piano works. These cycles include Liszt’s Transcendental Etudes\, Bach’s Well-Tempered Clavier\, Tchaikovsky’s 18 Morceaux\, Op. 72\, and\, most recently\, M ussorgsky’s Pictures at an Exhibition. Asiya’s live performances of th ese compositions have astounded audiences and organizers alike. \nCaring a bout the development of society\, in 2017 Asiya founded Music for Minds\, a non-profit organization that brings classical performances into classro oms and creates music festivals featuring unique programming. From 2017 th rough 2019\, Asiya directed her brainchild ‘Festival Baltimore\,’ a tw o-week chamber music series and summer academy dedicated to the performanc e and study of complete cycles\, one of Music for Mind’s projects. Her n ew concert series\, ‘Flatiron Festival’\, premiered in June 2025 in Ne w York City and scheduled to continue in 2026.  \nBorn in Izhevsk\, Russi a\, to a musical family\, Asiya began learning the piano at 4 years old fr om her mother Soreya\, her first piano teacher. At the age of 6\, she was taught to read music in orchestral clefs by her father Sergey\, an exempla ry composer\, and started composing her own music. At 9\, she made her orc hestral debut\, playing Mozart Concerto No. 8 with her own cadenza\, and g ave her first full philharmonic recital. \n  \nSimultaneously\, she began studying composition with Albert Leman\, the chair of Moscow \nConservato ry’s composition department and a student of Dmitry Shostakovich\, conti nuing working with him until his passing in 1998. That short period has in fluenced all future aspects of her musical and artistic development. \n  \nIn 2012\, Asiya moved to the United States at the invitation of renowned pianist and maestro Santiago Rodriguez\, to earn a Doctoral degree under his guidance at the University of Miami. Later that year\, she was awarded the Gold Medal at the Nena Wideman International Piano Competition—an a chievement that proved invaluable in establishing her concertizing career in the U.S. In 2017\, she added a University of Miami Artist Diploma degre e to her portfolio\, having earned it in the studios of Kevin Kenner and T ian Ying. \n  \nAsiya has since continued to garner national attention wi th performances at the Stern Auditorium at Carnegie Hall\, the Phillips Co llection\, the Newport Classical Festival\, Miami International Piano Fest ival\, San Francisco International Piano Festival\, and many other notable series\, symphony orchestras\, and festivals throughout the country. She has been featured on CNN\, NPR stations\, WFMT\, and WETA. \n  \nIn 2025- 26 season\, Asiya makes her debut at the Tippet Rise Art Center\, returns to the San Francisco Piano Festival and Friends of Chamber Music of Miami series\; premieres Amy Beach piano concerto in Argentina\, making her debu t with Buenos Aires Philharmonic\; debuts with  National Symphony of Chil e\, Alabama Symphony and Abilene Philharmonic\; tours with the Balourdet Q uartet and records her debut album with Reference Recording label. In June 2026\, she directs the second season of her  Flatiron Festival\, a two-w eek chamber series on Manhattan\, NYC. \nShe also anticipates the releases of scores of her compositions: the Poéme for alto saxophone and piano\, Con Brio for two pianos\, and Triptych for clarinet and piano\, as well as her transcriptions for piano solo: Manfred Symphony by Peter Tchaikovsky\ , Songs and Dances of Death by Mussorgsky\, and various works by Chopin\, Berg\, Tchaikovsky\, Fauré\, and Bach. \n\nAsiya and her husband Dmitry r eside in a forest-rich Boston suburb\, where she is free to practice or li sten to music any time of the day or night. She is an avid runner and hike r\, and a vocal advocate for a clean lifestyle. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/a-kaleidoscope-of-favorites-piano-r ecital-with-asiya-korepanova/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Candide Quartet Plays Beethoven\, Bartok\, and Vrebalov DTSTART:20261122T190000Z DTEND:20261122T210000Z DTSTAMP:20260815T061932Z UID:8090-1795356000-1795356000@www.bargemusic.org CATEGORIES:music DESCRIPTION:Candide Quartet \n\nSelected works by Beethoven\, Bartok\, and Vrebalov\n\nwith the Candide Quartet \nChili Ekman\, violin \nHenry Roger s\, violin \nAmelia Krinke\, viola \nVanny Hu\, cello \n*Brought to you in part with the support of the Barnebl Fellowship from the Green Mountain C hamber Music Festival* \nBiography \nMeet the Candide Quartet\, a group of emerging young professionals committed to making a mark on a centuries-ol d tradition through their unique personalities\, energy\, and enthusiasm. \nThe quartet is especially passionate about sharing the camraderie\, conn ection\, and intimacy inherent to string quartet playing. Through communit y outreach\, collaborations with composers\, and experimentations with sty le\, these four young players are excited to shepherd the art of chamber m usic through a rapidly changing modern landscape. \n\n\n\n\n\n\n\n \n\n\n\ n\n\n\n\n\n\n\n\n\n\nChili Ekman\nViolinist Chili Ekman\, 21\, is studying with Professors Daniel Phillips and Stella Chen in his senior year at the Juilliard School. \nHe attended the San Francisco Conservatory of Music P recollege and has been part of various music organizations in the Bay Area of California\, such as the San Francisco Symphony Youth Orchestra and th e Young Chamber Musicians. \nIn 2022\, Chili made his solo debut with the Stockton Symphony. Ekman has worked with many of the world’s leading cha mber musicians\, including David Finckel\, Paul Neubauer\, Robert Levin an d Eugene Drucker\, among others. Chili has also worked with ensembles such as the Miro\, Pacifica\, Calidore\, Harlem and American quartets. \nRecen tly\, Chili founded the Candide Quartet at Juilliard and has attended resi dencies at Madeline Island and Music in the Vineyards festivals. \n\n\n\n\ n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nVanny Hu\nCanadian cellist V anny Hu\, 20\, is currently pursuing her bachelor’s degree at The Juilli ard School. \nOriginally from Stratford Canada\, she attended Pre-College at The Royal Conservatory of Music in Toronto where she studied with David Hetherington and Andrés Díaz. \nHu served as principal cello of the Jui lliard Chamber Orchestra at Alice Tully\, Baroque Orchestra at Aspen Music Festival\, and NYO of Canada. \nShe has played in classes for distinguish ed artists including Zuill Bailey and Zlatomir Fung\, and has had chamber music studies with David Finckel\, Daniel Phillips\, Paul Neubauer\, Julia n Martin\, Eric Bartlett\, and David Halen. \nHu has been studying with Ri chard Aaron\, and will continue her studies with Zvi Plesser. \n\n\n\n\n\n \n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nHenry Rogers\nViolinist Henry R ogers\, 22\, is pursuing his Master of Music degree at The Juilliard Schoo l under Joel Smirnoff. A native of Princeton\, New Jersey\, he first studi ed locally with Katarzyna Powichrowska and with Sally Thomas in New York C ity. He relocated to Cleveland at 15 to pursue intensive training and unde rgraduate coursework at the Cleveland Institute of Music’s Young Artists ’ Program\, which he graduated from in 2021 under Joan Kwuon. Henry rece ived his Bachelor of Music degree from Juilliard in 2025 with academic hon ors for extra studies in German at Columbia University. \nPrior to joining the Candide Quartet\, Henry attended festivals including Aspen\, Sarasota \, Brevard\, Heifetz\, and Meadowmount with mentors Alexander Kerr\, David Halen\, Jan Mark Sloman\, and Gerardo Ribeiro. He gave a solo performance with the Brevard Music Center Orchestra under longtime Boston Pops conduc tor Keith Lockhart in 2022 after winning their annual Jan and Beattie Wood Concerto Competition. Henry has performed with Princeton Symphony Orchest ra and New World Symphony\, and held principal positions with the Juilliar d Chamber Orchestra\, Juilliard Opera Orchestra\, and Aspen Festival Orche stra. Henry has given chamber performances in many venues across New York\ , including Carnegie’s Weill Recital Hall\, Alice Tully Hall\, Merkin Ha ll\, Bohemian National Hall\, Lincoln Center’s Rose Studio\, and St. Pau l’s Chapel at Columbia University. As a violist\, Henry has had past gro ups win top prizes at Chicago National Chamber and Coltman Competitions (2 021)\, as well as second prize in Fischoff National Chamber Competition \n \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nAmelia Krinke\nAmelia Krinke is a violist and conductor from New York City\, studying with Stev en Tenenbom and Misha Amory at the Juilliard School as a proud recipient o f a Kovner Fellowship. She won the Juilliard Viola Concerto Competition in 2022\, playing the Michael White Viola Concerto\, and was an Honorable Me ntion winner of the National YoungArts Competition 2022. She performed Moz art’s Sinfonia Concertante with the Grand Junction Symphony in March 202 4\, and was a member of the Classical Tahoe Festival Orchestra in July 202 4. Krinke has attended the Kneisel Hall Young Artists Program\, the Castle man Quartet Program and the Heifetz International Music Institute\, among others. \nShe was an Apprentice Conductor with the Philadelphia Ballet for two seasons\, and has conducted in select performances of the Nutcracker in 2022 and 2023. As a conductor\, Krinke also completed four years as a N ew York Youth Symphony Conducting Apprentice\, and attended the National O rchestral Institute and the Conductor’s Institute of South Carolina. She acted as a cover conductor for the Orlando Philharmonic in 2025\, and con ducted the Music Advancement Program’s composers’ concerts in 2024 and 2025. She graduated from Juilliard Pre-College in 2022 with distinction f or outstanding work in music theory and ear training\, under the tutelage of Molly Carr and Yi-Fang Huang. LAST-MODIFIED:20260815T061932Z LOCATION:NY URL:https://www.bargemusic.org/concert/candide-quartet-plays-beethoven-bar tok-and-vrebalov/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:"Divertimento": string trios by Mozart and Beethoven DTSTART:20261128T190000Z DTEND:20261128T210000Z DTSTAMP:20260729T050307Z UID:8093-1795874400-1795874400@www.bargemusic.org CATEGORIES:music DESCRIPTION:Mozart Divertimento in E-flat Major\, K. 563\n\nAllegro\nAdagi o\nMenuetto: Allegretto\nAndante\nMenuetto: Allegretto\nAllegro\n\n\nBeeth oven String Trio in G Major\, Op. 9\, No. 1\n\nAdagio – Allegro con bri o\nAdagio ma non tanto e cantabile\nScherzo. Allegro  – Trio\nPresto\n\ n\n\nwith Mark Peskanov\, violin\; Chauncey Patterson\, viola\; Julian Sch warz\, cello \n\nAmerican virtuoso violinist and artistic visionary Mark P eskanov was born in Odessa\, U.S.S.R. (now Odesa\, Ukraine). Peskanov sang before he could walk or talk\, and soon became a star violin student at t he famed Stolyarsky school. At fifteen\, he emigrated to the United States \, where he was immediately accepted at the Aspen Music Festival and the J uilliard School.\nHis phenomenal facility and musicianship won him both th e Aspen and Juilliard concerto competitions\, bringing him to the notice o f Isaac Stern and Mstislav Rostropovich and rocketing him into the top ech elons of the music world. Upon his debut with the Chicago Symphony\, the  Chicago Tribune called him a “sensational soloist.” The Cleveland Pl ain Dealer proclaimed\, “Violinist Adds Glory to Odessa” and the New York Times declared\, “Mark Peskanov is a tremendous young violinist a nd his Friday evening concert at Carnegie Hall was a triumph…He has it a ll—technique\, temperament\, and taste.” \nPeskanov is a staunch champ ion of American composers. He premiered the John Williams Concerto with th e St. Louis Symphony\, and the Stanley Wolfe Concerto (written for Peskano v) with the New York Philharmonic. He has performed more than fifty concer tos with virtually every major U.S. orchestra and in Europe\, the Middle E ast\, Australia\, South America and Japan. Peskanov’s major accolades in clude the Avery Fischer Career Grant\, the first Frederick R. Mann Award\, and Carnegie Hall’s first Isaac Stern Award. \nPeskanov inaugurated Tok yo’s Suntory Hall with Yo-Yo Ma and Stern\, and Weill Recital Hall with Stern\, Midori and Gil Shaham. Collaborating with these colleagues prompte d Peskanov to turn intensively to the chamber music repertoire’s more in timate\, complex\, and dialogical possibilities. His delight in chamber mu sic\, his independent artistic vision\, and his desire to mentor promising musicians as he had been mentored\, led to Peskanov’s present role. Sin ce 2005\, he is president and artistic/executive director of Bargemusic\, New York City’s cultural icon in Brooklyn Bridge Park. Over more than th ree decades of artistic involvement with Bargemusic\, Peskanov has curated in the neighborhood of five thousand chamber concerts\, encompassing a va st range of genres and styles in hundreds of concerts annually. Under his leadership Bargemusic continues to evolve as an innovative\, influential\, and integral component of New York City’s cultural world. \nPeskanov is known for his openness to an astonishing range of music and artists at al l stages of their careers. Muses the New York Times\, “One reason that openness seems to come so easily to Mr. Peskanov is that few proposals cr ossing his desk are likely to outpace his own vision of what Bargemusic ca n be.”\nChauncey Patterson is principal violist for Palm Beach Symphony\ , solo violist for Florida Grand Opera\, violist for the Bergonzi String Q uartet at the University of Miami\, and member of the Nu Deco Ensemble. He has been principal violist of the Denver and Buffalo Symphonies and\, for 15 years\, was the violist with the Miami String Quartet\, an internation ally renowned and extensively recorded ensemble.\nPatterson started playin g the viola at age seven in the public school system of Burlington\, North Carolina. He attended the University of North Carolina at Chapel Hill\, t he Cleveland Institute of Music\, and the Curtis Institute\, where he stud ied with Ann Woodward\, Robert Vernon\, Karen Tuttle\, and Michael Tree re spectively. He began his professional career at age 23 as assistant princi pal viola of the Denver Symphony. He was eventually appointed principal vi ola by Music Director Philippe Entremont. His next post was principal viol a of the Buffalo Philharmonic under the direction of Semyon Bychkov. Durin g his stay in Buffalo\, Patterson accepted the viola position in the award -winning Miami String Quartet. During his 15-year tenure\, the MSQ garnere d awards in the quartet competitions of London and Evian and became the fi rst string quartet to win the Concert Artist Guild New York Competition. T he quartet recorded a number of CD’s\, most notably\, The Ginastera Quar tets\, The Quartets of Pēteris Vasks\, and The Saint-Saens and Faure Stri ng Quartets for the BMG Conifer label. The MSQ toured the U.S. extensively \, playing at virtually every high-profile venue\, including Lincoln Cente r\, the Kennedy Center\, Carnegie Hall\, and the Hollywood Bowl. Internati onal performances (both with and without the MSQ) have taken Patterson to Mexico\, Canada\, Puerto Rico\, Barbados\, Panama\, Brazil\, Hong Kong\, T aiwan\, Turkey\, Spain\, Italy\, Germany\, France\, Switzerland\, England\ , and the Netherlands. \nMr. Patterson has shared the chamber music stage with such distinguished artists as: Gil Shaham\, Garrick Ohlsson\, Cho-Lia ng Lin\, Robert Chen\, Jaime Laredo\, Sharon Robinson\, Paul Neubauer\, Aa ron Rosand\, Menahem Pressler\, Peter Wiley\, Andre-Michel Schub\, Bill Pr eucil\, Ida Kavafian\, Lynn Harrell\, Arto Noras\, Mark Johnson\, Eugene D ruckman\, and Robert Vernon. Following his tenure with the MSQ\, Patterson served as interim violist of the world-renowned Fine Arts Quartet. Educat ion has been a major component of Patterson’s career. \nHis faculty affi liations include: The Cleveland Institute of Music\, Blossom School of Mus ic\, Kent State University\, Hartt School of Music\, Encore School for Str ings\, Eastern Music Festival\, University of Charleston (W.V.)\, Universi ty of Denver\, New World School of the Arts\, Florida International Univer sity\, the University of Wisconsin at Milwaukee\, and the Frost School of Music at the University of Miami. Patterson currently lives in Miami\, Flo rida.\n Julian Schwarz has been heralded from a young age as a cellist de stined to rank among the greatest of the 21st century\, Julian’s powerfu l tone\, effortless virtuosity\, and extraordinarily large color palette a re hallmarks of his style.\nAfter making his concerto debut at the age of 11 with the Seattle Symphony\, he made his US touring debut with the Mosco w Radio Symphony Orchestra in 2010. Since being awarded first prize at the inaugural Schoenfeld International String Competition in Hong Kong\, he h as led an active career as soloist\, performing with the symphony orchestr as of Annapolis\, Arizona\, Boise\, Buffalo\, Charlotte\, Columbus\, Delaw are\, Des Moines\, Hartford\, Jacksonville\, Louisville\, Memphis\, Modest o\, Omaha\, Puerto Rico\, Richmond\, Rochester\, San Antonio\, San Jose\, Sarasota\, Syracuse\, Toledo\, Tucson\, Virginia\, West Virginia\, Wichita \, and Winston-Salem\, among many others. Internationally\, he made his Au stralian debut with the Queensland Symphony\, his Mexican debuts with the Boca del Rio Philharmonic in Veracruz and the Mexico City Philharmonic wit h frequent collaborator Jorge Mester. \nAs a chamber musician\, Mr. Schwar z performs extensively in recital with pianist Marika Bournaki. In 2016 Sc hwarz & Bournaki were awarded first prize at the inaugural Boulder Interna tional Chamber Music Competition’s “The Art of Duo”\, and subsequent ly embarked on an extensive 10-recital tour of China in March 2017. Mr. Sc hwarz is a founding member of the New York based touring ensemble “Friss on” and was recently appointed the newest core member of the Olmos Ensem ble in San Antonio\, TX. He is a member of the Palladium Chamber Players ( St Petersburg FL)\, the Alaria Ensemble (New York NY)\, and has given over 100 performances at Brooklyn’s Bargemusic. He has appeared at the Cape Cod Chamber Music Festival\, Orcas Island Chamber Music Festival\, Seattle Chamber Music Festival\, Josef Gingold Chamber Music Festival\, Verbier F estival\, and the Salzburg Mozarteum. In addition\, he runs programming fo r the Tuesday evening chamber music series at the Eastern Music Festival i n Greensboro\, NC. \nMr. Schwarz is deeply committed to the future of Amer ican music\, and will present the world premiere of Jennifer Higdon’s fi rst Cello Concertro with a large consortium of orchestras spring 2026. His championing the cello music of Arthur Foote will result in the first comm ercial recording of Foote’s Cello Concerto (1894) with the Buffalo Philh armonic\, to be released on the Delos label. Past commissioning projects i nclude concertos by Lowell Liebermann (recorded with the Annapolis Symphon y for release in 2025)\, Richard Danielpour\, and Samuel Jones (recorded w ith the All Star Orchestra for public television in 2012\, subsequently re leased as a DVD on Naxos). Other premieres include recital works by Paul F rucht\, Scott Ordway\, Jonathan Cziner\, Gavin Fraser\, Alex Weiser\, Ofer Ben-Amots\, Michael Ippolito\, chamber music by Adolphus Hailstork\, Henr i Lazarof\, Jonathan Newman\, Bright Sheng\, and the US Premiere of Dobrin ka Tabakova’s Cello Concerto. Of special note is Mr. Schwarz’s ongoing commitment to the music of Jewish experience\, including projects with th e YIVO Institute for Jewish Research (music of Joachim Stutschewsky and hi s circle)\, the Defiant Requiem Foundation (music of Holocaust composers a nd their influence) Central Synagogue (yearly feature on Jewish Broadcasti ng)\, the Milken Archive of American Jewish Music—for which he has recor ded the complete cello/piano works of Ernest Bloch\, and a new association with South Florida Public Broadcasting to raise awareness of the history of Jewish music. \nA devoted teacher\, Mr. Schwarz serves as Associate Pro fessor of Cello and String Area Coordinator at Shenandoah Conservatory of Shenandoah University (Winchester\, VA)\, and on the artist faculty of NYU ’s Steinhardt School of Music. In the summer\, he teaches and performs a t the Eastern Music Festival and the Josef Gingold Festival. In 2023\, he was one of the first cellists to record pedagogical tutorials for the onli ne teaching platform Tonebase\, including comprehensive examinations of th e Elgar Concerto\, Piatti Caprices\, tone production\, and vocal elements in cello playing. As a writer\, he has contributed frequently to Strings M agazine’s Artist Blog\, has written learner’s guides for The Violin Ch annel\, and has edited a series of Ernest Bloch editions with written pref aces for Carl Fischer Publishing. Past faculty appointments include artist -in-residence at the Lunenburg Academy of Music Performance (Nova Scotia\, Canada) and faculty teaching assistant to Joel Krosnick at The Juilliard School. \nBorn in Seattle\, WA in 1991 to a multigenerational musical fami ly\, Mr. Schwarz studied at the Academy of Music Northwest and the Lakesid e School. He continued to the Colburn School in Los Angeles under Ronald L eonard\, and then moved to New York City to study with mentor Joel Krosnic k at The Juilliard School (BM 14\, MM 16). Other influential teachers incl ude the late David Tonkonogui\, the late Toby Saks\, the late Lynn Harrell \, Neal Cary\, and chamber music mentors Andre Roy\, Arnold Steinhardt\, J onathan Feldman\, Toby Appel and Paul Coletti. Julian plays a Neapolitan c ello made by Gennaro Gagliano in 1743 and American bows by Paul Martin Sie fried. A Pirastro and Melos artist\, he endorses and plays the “Perpetua l” medium and edition sets of cello strings and Melos light rosin. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/divertimento-string-trios-by-mozart -and-beethoven/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:"Divertimento": String Trios of Mozart and Beethoven DTSTART:20261129T190000Z DTEND:20261129T210000Z DTSTAMP:20260729T050307Z UID:8096-1795960800-1795960800@www.bargemusic.org CATEGORIES:music DESCRIPTION:Mozart Divertimento in E-flat Major\, K. 563\n\nAllegro\nAdagi o\nMenuetto: Allegretto\nAndante\nMenuetto: Allegretto\nAllegro\n\n\nBeeth oven String Trio in G Major\, Op. 9\, No. 1\n\nAdagio – Allegro con bri o\nAdagio ma non tanto e cantabile\nScherzo. Allegro  – Trio\nPresto\n\ n\n\nwith Mark Peskanov\, violin\; Chauncey Patterson\, viola\; Julian Sch warz\, cello \n\nAmerican virtuoso violinist and artistic visionary Mark P eskanov was born in Odessa\, U.S.S.R. (now Odesa\, Ukraine). Peskanov sang before he could walk or talk\, and soon became a star violin student at t he famed Stolyarsky school. At fifteen\, he emigrated to the United States \, where he was immediately accepted at the Aspen Music Festival and the J uilliard School.\nHis phenomenal facility and musicianship won him both th e Aspen and Juilliard concerto competitions\, bringing him to the notice o f Isaac Stern and Mstislav Rostropovich and rocketing him into the top ech elons of the music world. Upon his debut with the Chicago Symphony\, the  Chicago Tribune called him a “sensational soloist.” The Cleveland Pl ain Dealer proclaimed\, “Violinist Adds Glory to Odessa” and the New York Times declared\, “Mark Peskanov is a tremendous young violinist a nd his Friday evening concert at Carnegie Hall was a triumph…He has it a ll—technique\, temperament\, and taste.” \nPeskanov is a staunch champ ion of American composers. He premiered the John Williams Concerto with th e St. Louis Symphony\, and the Stanley Wolfe Concerto (written for Peskano v) with the New York Philharmonic. He has performed more than fifty concer tos with virtually every major U.S. orchestra and in Europe\, the Middle E ast\, Australia\, South America and Japan. Peskanov’s major accolades in clude the Avery Fischer Career Grant\, the first Frederick R. Mann Award\, and Carnegie Hall’s first Isaac Stern Award. \nPeskanov inaugurated Tok yo’s Suntory Hall with Yo-Yo Ma and Stern\, and Weill Recital Hall with Stern\, Midori and Gil Shaham. Collaborating with these colleagues prompte d Peskanov to turn intensively to the chamber music repertoire’s more in timate\, complex\, and dialogical possibilities. His delight in chamber mu sic\, his independent artistic vision\, and his desire to mentor promising musicians as he had been mentored\, led to Peskanov’s present role. Sin ce 2005\, he is president and artistic/executive director of Bargemusic\, New York City’s cultural icon in Brooklyn Bridge Park. Over more than th ree decades of artistic involvement with Bargemusic\, Peskanov has curated in the neighborhood of five thousand chamber concerts\, encompassing a va st range of genres and styles in hundreds of concerts annually. Under his leadership Bargemusic continues to evolve as an innovative\, influential\, and integral component of New York City’s cultural world. \nPeskanov is known for his openness to an astonishing range of music and artists at al l stages of their careers. Muses the New York Times\, “One reason that openness seems to come so easily to Mr. Peskanov is that few proposals cr ossing his desk are likely to outpace his own vision of what Bargemusic ca n be.”\nChauncey Patterson is principal violist for Palm Beach Symphony\ , solo violist for Florida Grand Opera\, violist for the Bergonzi String Q uartet at the University of Miami\, and member of the Nu Deco Ensemble. He has been principal violist of the Denver and Buffalo Symphonies and\, for 15 years\, was the violist with the Miami String Quartet\, an internation ally renowned and extensively recorded ensemble.\nPatterson started playin g the viola at age seven in the public school system of Burlington\, North Carolina. He attended the University of North Carolina at Chapel Hill\, t he Cleveland Institute of Music\, and the Curtis Institute\, where he stud ied with Ann Woodward\, Robert Vernon\, Karen Tuttle\, and Michael Tree re spectively. He began his professional career at age 23 as assistant princi pal viola of the Denver Symphony. He was eventually appointed principal vi ola by Music Director Philippe Entremont. His next post was principal viol a of the Buffalo Philharmonic under the direction of Semyon Bychkov. Durin g his stay in Buffalo\, Patterson accepted the viola position in the award -winning Miami String Quartet. During his 15-year tenure\, the MSQ garnere d awards in the quartet competitions of London and Evian and became the fi rst string quartet to win the Concert Artist Guild New York Competition. T he quartet recorded a number of CD’s\, most notably\, The Ginastera Quar tets\, The Quartets of Pēteris Vasks\, and The Saint-Saens and Faure Stri ng Quartets for the BMG Conifer label. The MSQ toured the U.S. extensively \, playing at virtually every high-profile venue\, including Lincoln Cente r\, the Kennedy Center\, Carnegie Hall\, and the Hollywood Bowl. Internati onal performances (both with and without the MSQ) have taken Patterson to Mexico\, Canada\, Puerto Rico\, Barbados\, Panama\, Brazil\, Hong Kong\, T aiwan\, Turkey\, Spain\, Italy\, Germany\, France\, Switzerland\, England\ , and the Netherlands. \nMr. Patterson has shared the chamber music stage with such distinguished artists as: Gil Shaham\, Garrick Ohlsson\, Cho-Lia ng Lin\, Robert Chen\, Jaime Laredo\, Sharon Robinson\, Paul Neubauer\, Aa ron Rosand\, Menahem Pressler\, Peter Wiley\, Andre-Michel Schub\, Bill Pr eucil\, Ida Kavafian\, Lynn Harrell\, Arto Noras\, Mark Johnson\, Eugene D ruckman\, and Robert Vernon. Following his tenure with the MSQ\, Patterson served as interim violist of the world-renowned Fine Arts Quartet. Educat ion has been a major component of Patterson’s career. \nHis faculty affi liations include: The Cleveland Institute of Music\, Blossom School of Mus ic\, Kent State University\, Hartt School of Music\, Encore School for Str ings\, Eastern Music Festival\, University of Charleston (W.V.)\, Universi ty of Denver\, New World School of the Arts\, Florida International Univer sity\, the University of Wisconsin at Milwaukee\, and the Frost School of Music at the University of Miami. Patterson currently lives in Miami\, Flo rida.\n Julian Schwarz has been heralded from a young age as a cellist de stined to rank among the greatest of the 21st century\, Julian’s powerfu l tone\, effortless virtuosity\, and extraordinarily large color palette a re hallmarks of his style.\nAfter making his concerto debut at the age of 11 with the Seattle Symphony\, he made his US touring debut with the Mosco w Radio Symphony Orchestra in 2010. Since being awarded first prize at the inaugural Schoenfeld International String Competition in Hong Kong\, he h as led an active career as soloist\, performing with the symphony orchestr as of Annapolis\, Arizona\, Boise\, Buffalo\, Charlotte\, Columbus\, Delaw are\, Des Moines\, Hartford\, Jacksonville\, Louisville\, Memphis\, Modest o\, Omaha\, Puerto Rico\, Richmond\, Rochester\, San Antonio\, San Jose\, Sarasota\, Syracuse\, Toledo\, Tucson\, Virginia\, West Virginia\, Wichita \, and Winston-Salem\, among many others. Internationally\, he made his Au stralian debut with the Queensland Symphony\, his Mexican debuts with the Boca del Rio Philharmonic in Veracruz and the Mexico City Philharmonic wit h frequent collaborator Jorge Mester. \nAs a chamber musician\, Mr. Schwar z performs extensively in recital with pianist Marika Bournaki. In 2016 Sc hwarz & Bournaki were awarded first prize at the inaugural Boulder Interna tional Chamber Music Competition’s “The Art of Duo”\, and subsequent ly embarked on an extensive 10-recital tour of China in March 2017. Mr. Sc hwarz is a founding member of the New York based touring ensemble “Friss on” and was recently appointed the newest core member of the Olmos Ensem ble in San Antonio\, TX. He is a member of the Palladium Chamber Players ( St Petersburg FL)\, the Alaria Ensemble (New York NY)\, and has given over 100 performances at Brooklyn’s Bargemusic. He has appeared at the Cape Cod Chamber Music Festival\, Orcas Island Chamber Music Festival\, Seattle Chamber Music Festival\, Josef Gingold Chamber Music Festival\, Verbier F estival\, and the Salzburg Mozarteum. In addition\, he runs programming fo r the Tuesday evening chamber music series at the Eastern Music Festival i n Greensboro\, NC. \nMr. Schwarz is deeply committed to the future of Amer ican music\, and will present the world premiere of Jennifer Higdon’s fi rst Cello Concertro with a large consortium of orchestras spring 2026. His championing the cello music of Arthur Foote will result in the first comm ercial recording of Foote’s Cello Concerto (1894) with the Buffalo Philh armonic\, to be released on the Delos label. Past commissioning projects i nclude concertos by Lowell Liebermann (recorded with the Annapolis Symphon y for release in 2025)\, Richard Danielpour\, and Samuel Jones (recorded w ith the All Star Orchestra for public television in 2012\, subsequently re leased as a DVD on Naxos). Other premieres include recital works by Paul F rucht\, Scott Ordway\, Jonathan Cziner\, Gavin Fraser\, Alex Weiser\, Ofer Ben-Amots\, Michael Ippolito\, chamber music by Adolphus Hailstork\, Henr i Lazarof\, Jonathan Newman\, Bright Sheng\, and the US Premiere of Dobrin ka Tabakova’s Cello Concerto. Of special note is Mr. Schwarz’s ongoing commitment to the music of Jewish experience\, including projects with th e YIVO Institute for Jewish Research (music of Joachim Stutschewsky and hi s circle)\, the Defiant Requiem Foundation (music of Holocaust composers a nd their influence) Central Synagogue (yearly feature on Jewish Broadcasti ng)\, the Milken Archive of American Jewish Music—for which he has recor ded the complete cello/piano works of Ernest Bloch\, and a new association with South Florida Public Broadcasting to raise awareness of the history of Jewish music. \nA devoted teacher\, Mr. Schwarz serves as Associate Pro fessor of Cello and String Area Coordinator at Shenandoah Conservatory of Shenandoah University (Winchester\, VA)\, and on the artist faculty of NYU ’s Steinhardt School of Music. In the summer\, he teaches and performs a t the Eastern Music Festival and the Josef Gingold Festival. In 2023\, he was one of the first cellists to record pedagogical tutorials for the onli ne teaching platform Tonebase\, including comprehensive examinations of th e Elgar Concerto\, Piatti Caprices\, tone production\, and vocal elements in cello playing. As a writer\, he has contributed frequently to Strings M agazine’s Artist Blog\, has written learner’s guides for The Violin Ch annel\, and has edited a series of Ernest Bloch editions with written pref aces for Carl Fischer Publishing. Past faculty appointments include artist -in-residence at the Lunenburg Academy of Music Performance (Nova Scotia\, Canada) and faculty teaching assistant to Joel Krosnick at The Juilliard School. \nBorn in Seattle\, WA in 1991 to a multigenerational musical fami ly\, Mr. Schwarz studied at the Academy of Music Northwest and the Lakesid e School. He continued to the Colburn School in Los Angeles under Ronald L eonard\, and then moved to New York City to study with mentor Joel Krosnic k at The Juilliard School (BM 14\, MM 16). Other influential teachers incl ude the late David Tonkonogui\, the late Toby Saks\, the late Lynn Harrell \, Neal Cary\, and chamber music mentors Andre Roy\, Arnold Steinhardt\, J onathan Feldman\, Toby Appel and Paul Coletti. Julian plays a Neapolitan c ello made by Gennaro Gagliano in 1743 and American bows by Paul Martin Sie fried. A Pirastro and Melos artist\, he endorses and plays the “Perpetua l” medium and edition sets of cello strings and Melos light rosin. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/divertimento-string-trios-of-mozart -and-beethoven/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Holiday Concert: Bach Sonatas for Violin and Keyboard with Mark Pe skanov and Rita Sloan DTSTART:20261205T190000Z DTEND:20261205T210000Z DTSTAMP:20260729T050307Z UID:7923-1796479200-1796479200@www.bargemusic.org CATEGORIES:music DESCRIPTION:Bach Sonatas for violin and keyboard \nwith Mark Peskanov\, vi olin\, and Rita Sloan\, piano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/holiday-concert-bach-sonatas-for-vi olin-and-keyboard-with-mark-peskanov-and-rita-sloan-3/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Holiday Concert: Bach Sonatas for Violin and Keyboard with Mark Pe skanov and Rita Sloan DTSTART:20261206T190000Z DTEND:20261206T210000Z DTSTAMP:20260729T050307Z UID:7926-1796565600-1796565600@www.bargemusic.org CATEGORIES:music DESCRIPTION:Bach Sonatas for violin and keyboard \nwith Mark Peskanov\, vi olin\, and Rita Sloan\, piano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/holiday-concert-bach-sonatas-for-vi olin-and-keyboard-with-mark-peskanov-and-rita-sloan-4/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Holiday Winter Here and Now Concert: ENSEMBLE DÉRIVE DTSTART:20261212T190000Z DTEND:20261212T210000Z DTSTAMP:20260729T050307Z UID:7929-1797084000-1797084000@www.bargemusic.org CATEGORIES:music DESCRIPTION:ENSEMBLE DÉRIVE is a collective of young musicians – the fi rst of its kind –  dedicated to the music of our time. The artists spea k fluently about these complex works with the audience and deliver world-c lass performances. ENSEMBLE DÉRIVE will present contemporary music inclu ding world premieres\, led by co-directors David Fulmer and Laurentia Woo. \n\nTHE MUSICIANS\n\nMichael Sun\, 14\, is a clarinetist at Juilliard Pre -College\, studying under Professor Ayako Oshima Neidich. He performs as p art of the Juilliard Pre-College Symphony and a Juilliard Pre-College Wind Quintet. Michael has won the first prize in the Charleston International Music Competition and the Gold International Classical Music Competition. He has received numerous other recognitions\, including First Prize in the National League of Performing Arts Competition\, First Prize in the Elite International Music Competition\, Grand Prize in the Young Musician Olymp ia Competition\, 2nd place in the PIMF Virtual Concerto Competition\, 3rd place in the International Clarinet Association Junior Performance Competi tion\, and becoming a finalist in the Chamber Music Society of Lincoln Cen ter Young Ensembles competition. He was selected to the New York State Ban d Directors Association (NYSBDA) Honor Band and has served three times as principal clarinetist in the All-County Band. Michael has also attended th e Kitakaruizawa Music Seminar\, and has performed in reputable halls inclu ding Carnegie Hall and Merkin Hall.\nAlyson Lee is a 15 year old high scho ol sophomore attending the music major at Bergen County Academies. She is currently studying flute under Bart Feller at Juilliard Precollege and lik es to share the joys of music through performing with her peers!  Alyson has performed as a soloist\, orchestral member\, and as a chamber musician . She is passionate about helping those with health issues through her mus ic and has performed at veteran homes and medical centers. Alyson enjoys p erforming for and bringing music to her community.\nEdward Lee\, 17\, is a high school junior at Bergen County Academies in Hackensack\, NJ\, and a violist studying under Professor Sophie Arbuckle at Juilliard Pre-College. He has been a member of the NYYS Chamber Program for four years\, earned a full scholarship to the 2024 Morningside Music Bridge Program\, and rece ntly was accepted to the National Youth Orchestra for the summer of 2025. His musical journey includes training at the Paris International Music Aca demy and Astona Summer Music Academy\, and masterclasses with renowned vio lists such as Lawrence Dutton\, Carol Rodland\, and Roberto Diaz. Outside music\, Edward enjoys basketball\, history\, sociology\, and discovering n ew cultures through travel and food.\nNoah Chung-Igelman (cello)\, 18\, li ves in New York\, NY\, and attends the High School for Mathematics\, Scien ce\, and Engineering. He is a student at Juilliard Pre-College\, where he studies with Clara Kim. Noah has been awarded top prizes in competitions s uch as the New York MTNA Competition\, Lyra Music Competition\, Internatio nal Grande Music Competition\, and National League of Performing Arts Scho larship Competition\, and recently had the opportunity to perform with the New York Chamber Players Orchestra at the DiMenna Center in New York\, NY . He has also participated in Morningside Music Bridge and New York Youth Symphony chamber music programs.\nFifteen-year-old pianist Anwen Deng was born in Brisbane\, Australia. She began piano at the age of three and was accepted into the Juilliard School pre-college at six\, currently studying with Dr. Yoheved Kaplinsky. Anwen has received top prizes in numerous pia no competitions in Australia\, Poland\, America\, and Germany\, becoming a 2025 YoungArts winner with distinction. She has been invited to perform a s a soloist with the Vancouver Symphony Orchestra\, Brisbane Symphony Orch estra\, Little Orchestra Society of New York\, Aspen Chamber Symphony\, Or chestra Lumos\, and Sarasota Symphony Orchestra\, conducted by Arie Vardi\ , David Alan Miller\, and Michael Stern. Moreover\, Anwen has attended ren owned international festivals such as Aspen Music Festival and Piano Texas \, performing for acclaimed pianists including Arie Vardi\, Tamas Ungar\, Angela Cheng\, and Sa Chen. Anwen’s passion for music extends to composi tion. With numerous original pieces\, Anwen pushes the boundaries of music al expression\, showcasing her creativity and versatility. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/winter-holiday-here-and-now-concert -ensemble-derive-2/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Holiday Winter Here and Now Concert: ENSEMBLE DÉRIVE DTSTART:20261213T190000Z DTEND:20261213T210000Z DTSTAMP:20260729T050307Z UID:7897-1797170400-1797170400@www.bargemusic.org CATEGORIES:music DESCRIPTION:ENSEMBLE DÉRIVE is a collective of young musicians – the fi rst of its kind –  dedicated to the music of our time. The artists spea k fluently about these complex works with the audience and deliver world-c lass performances. ENSEMBLE DÉRIVE will present contemporary music inclu ding world premieres\, led by co-directors David Fulmer and Laurentia Woo. \n\nTHE MUSICIANS\n\nMichael Sun\, 14\, is a clarinetist at Juilliard Pre -College\, studying under Professor Ayako Oshima Neidich. He performs as p art of the Juilliard Pre-College Symphony and a Juilliard Pre-College Wind Quintet. Michael has won the first prize in the Charleston International Music Competition and the Gold International Classical Music Competition. He has received numerous other recognitions\, including First Prize in the National League of Performing Arts Competition\, First Prize in the Elite International Music Competition\, Grand Prize in the Young Musician Olymp ia Competition\, 2nd place in the PIMF Virtual Concerto Competition\, 3rd place in the International Clarinet Association Junior Performance Competi tion\, and becoming a finalist in the Chamber Music Society of Lincoln Cen ter Young Ensembles competition. He was selected to the New York State Ban d Directors Association (NYSBDA) Honor Band and has served three times as principal clarinetist in the All-County Band. Michael has also attended th e Kitakaruizawa Music Seminar\, and has performed in reputable halls inclu ding Carnegie Hall and Merkin Hall.\nAlyson Lee is a 15 year old high scho ol sophomore attending the music major at Bergen County Academies. She is currently studying flute under Bart Feller at Juilliard Precollege and lik es to share the joys of music through performing with her peers!  Alyson has performed as a soloist\, orchestral member\, and as a chamber musician . She is passionate about helping those with health issues through her mus ic and has performed at veteran homes and medical centers. Alyson enjoys p erforming for and bringing music to her community.\nEdward Lee\, 17\, is a high school junior at Bergen County Academies in Hackensack\, NJ\, and a violist studying under Professor Sophie Arbuckle at Juilliard Pre-College. He has been a member of the NYYS Chamber Program for four years\, earned a full scholarship to the 2024 Morningside Music Bridge Program\, and rece ntly was accepted to the National Youth Orchestra for the summer of 2025. His musical journey includes training at the Paris International Music Aca demy and Astona Summer Music Academy\, and masterclasses with renowned vio lists such as Lawrence Dutton\, Carol Rodland\, and Roberto Diaz. Outside music\, Edward enjoys basketball\, history\, sociology\, and discovering n ew cultures through travel and food.\nNoah Chung-Igelman (cello)\, 18\, li ves in New York\, NY\, and attends the High School for Mathematics\, Scien ce\, and Engineering. He is a student at Juilliard Pre-College\, where he studies with Clara Kim. Noah has been awarded top prizes in competitions s uch as the New York MTNA Competition\, Lyra Music Competition\, Internatio nal Grande Music Competition\, and National League of Performing Arts Scho larship Competition\, and recently had the opportunity to perform with the New York Chamber Players Orchestra at the DiMenna Center in New York\, NY . He has also participated in Morningside Music Bridge and New York Youth Symphony chamber music programs.\nFifteen-year-old pianist Anwen Deng was born in Brisbane\, Australia. She began piano at the age of three and was accepted into the Juilliard School pre-college at six\, currently studying with Dr. Yoheved Kaplinsky. Anwen has received top prizes in numerous pia no competitions in Australia\, Poland\, America\, and Germany\, becoming a 2025 YoungArts winner with distinction. She has been invited to perform a s a soloist with the Vancouver Symphony Orchestra\, Brisbane Symphony Orch estra\, Little Orchestra Society of New York\, Aspen Chamber Symphony\, Or chestra Lumos\, and Sarasota Symphony Orchestra\, conducted by Arie Vardi\ , David Alan Miller\, and Michael Stern. Moreover\, Anwen has attended ren owned international festivals such as Aspen Music Festival and Piano Texas \, performing for acclaimed pianists including Arie Vardi\, Tamas Ungar\, Angela Cheng\, and Sa Chen. Anwen’s passion for music extends to composi tion. With numerous original pieces\, Anwen pushes the boundaries of music al expression\, showcasing her creativity and versatility. LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/winter-holiday-here-and-now-concert -ensemble-derive/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Holiday Concert in Celebration of Christmas: Goldberg Variations w ith Steven Beck DTSTART:20261219T190000Z DTEND:20261219T210000Z DTSTAMP:20260729T050307Z UID:7909-1797688800-1797688800@www.bargemusic.org CATEGORIES:holiday,music DESCRIPTION:Bach Goldberg Variations\, BWV 988 \nwith  \nSteven Beck\, pi ano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/holiday-concert-goldberg-variations -with-steven-beck/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Holiday Concert in Celebration of Christmas: Goldberg Variations w ith Steven Beck DTSTART:20261220T190000Z DTEND:20261220T210000Z DTSTAMP:20260729T050307Z UID:7912-1797775200-1797775200@www.bargemusic.org CATEGORIES:holiday,music DESCRIPTION:Bach Goldberg Variations\, BWV 988 \nwith  \nSteven Beck\, pi ano LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/holiday-concert-goldberg-variations -with-steven-beck-2/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Holiday Concert in Celebration of New Year's: Vivaldi's Four Seaso ns and More DTSTART:20261226T190000Z DTEND:20261226T210000Z DTSTAMP:20260729T050307Z UID:7900-1798293600-1798293600@www.bargemusic.org CATEGORIES:holiday,music DESCRIPTION:Welcoming the Coming New Year with Vivaldi’s Four Seasons an d other surprises \nWith: \nMark Peskanov\, violin\, and Semplice Players LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/holiday-concert-vivaldis-four-seaso ns-and-more-2/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT BEGIN:VEVENT SUMMARY:Holiday Concert in Celebration of New Year's: Vivaldi's Seasons an d More DTSTART:20261227T190000Z DTEND:20261227T210000Z DTSTAMP:20260729T050307Z UID:7903-1798380000-1798380000@www.bargemusic.org CATEGORIES:holiday,music DESCRIPTION:Welcoming the Coming New Year with Vivaldi’s Four Seasons an d other surprises \nWith: \nMark Peskanov\, violin\, and Semplice Players LAST-MODIFIED:20260729T050307Z LOCATION:NY URL:https://www.bargemusic.org/concert/holiday-concert-vivaldis-seasons-an d-more/ X-SOURCE-NAME:Bargemusic X-SOURCE-URL:https://www.bargemusic.org END:VEVENT END:VCALENDAR