BEGIN:VCALENDAR VERSION:2.0 PRODID:-//CalDiscovery//caldiscovery//EN CALSCALE:GREGORIAN METHOD:PUBLISH DESCRIPTION:Discovered and maintained by CalDiscovery (https://caldiscover y.com). Event details belong to their publishers. Contains information fro m CalDiscovery\, which is made available under the ODbL 1.0. SOURCE:https://caldiscovery.com/los-angeles-ca/theater.ics X-PUBLISHED-TTL:PT1H X-WR-CALDESC:Discovered and maintained by CalDiscovery (https://caldiscove ry.com). Event details belong to their publishers. Contains information fr om CalDiscovery\, which is made available under the ODbL 1.0. X-WR-CALNAME:CalDiscovery - los-angeles-ca (theater) BEGIN:VEVENT SUMMARY:Hallowe’en Spooktacular | Bob Baker Marionette Theater\, Los Ang eles DTSTART;VALUE=DATE:20260905 DTEND;VALUE=DATE:20261109 DTSTAMP:20260904T060016Z UID:10020047138-1788566400-1794182399@kidsguidemagazine.com CATEGORIES:family,holiday,theater DESCRIPTION:September 5 – November 8\, 2026 \nGet into the Halloween spi rit with an hour-long\, family-friendly “boo-sical” revue starring mor e than 100 spirited puppets. The whimsical show features everything from F rankenstein’s monster to an out-of-this-world Venusian dreamscape\, plus a Día de los Muertos sequence celebrating and honoring the holiday. \nIn October\, costumes are encouraged\, with costume parades held at every Sp ooktacular performance during that month. A sensory-friendly performance w ith sensory modifications will be offered October 10 at 10:30 a.m. \nAdmis sion: Ticketed event. \n————— \nBefore You Go: Check with the ev ent host or organizer for the most up-to-date details before attending. \n Looking for more family fun? Explore more family-friendly events on our bl og\, browse our calendar\, check out limited-time exhibits and experiences \, or subscribe to our newsletter for weekly updates. LAST-MODIFIED:20260904T060016Z LOCATION:Bob Baker Marrionette Theater\, 4949 York Blvd.\, Los Angeles URL:https://kidsguidemagazine.com/event/halloween-spooktacular-bob-baker-m arionette-theater-los-angeles/ X-SOURCE-NAME:Kidsguide X-SOURCE-URL:https://kidsguidemagazine.com/event/la-carnival-on-the-shaw-l iberation-plaza-los-angeles END:VEVENT BEGIN:VEVENT SUMMARY:Free Saturday Family Theatre in Long Beach DTSTART:20260905T150000Z DTEND:20260906T000000Z DTSTAMP:20260904T000023Z UID:10020047130-1788595200-1788627600@kidsguidemagazine.com CATEGORIES:family,theater DESCRIPTION:September 5\, 2026 – November 6\, 2027 \nIntroduce kids to t he magic of live theatre with a series of free family performances featuri ng stories inspired by cultures\, literature\, folklore\, and traditions f rom around the world. \nUpcoming Shows: \nSeptember 5\, 2026 – Cuentos d e la Familia\nBilingual stories celebrating Latino culture\, heritage\, la nguage\, and family values. \nNovember 14\, 2026 – The Season of Giving\ nStories exploring winter traditions and festivals of light\, including Ch ristmas and Hanukkah. \nMarch 6\, 2027 – Let Them Eat Books\nLiterature comes to life on stage through works by Sandburg\, Carroll\, Thurber\, Twa in\, and others\, encouraging kids to explore poetry\, prose\, and the pow er of imagination. \nMay 8\, 2027 – Feast From the East\nStories explore the traditions and connections shared among Eastern\, Middle Eastern\, an d Pacific Rim cultures. \nJune 19\, 2027 – Spirit of Black Folklore\nFol ktales and literature from African and African American cultures celebrate spirit\, pride\, and humor. \nSeptember 4\, 2027 – Cuentos de la Famili a\nBilingual stories celebrating Latino culture\, heritage\, language\, an d family values. \nNovember 6\, 2027 – The Season of Giving\nStories exp loring winter traditions and festivals of light\, including Christmas and Hanukkah. \nAdmission: FREE! Reservations are required. \n————— \nBefore You Go: Check with the event host or organizer for the most up-to -date details before attending. \nLooking for more family fun? Explore mor e family-friendly events on our blog\, browse our calendar\, check out lim ited-time exhibits and experiences\, or subscribe to our newsletter for we ekly updates. LAST-MODIFIED:20260904T000023Z LOCATION:Beverly O’Neill Theater\, 330 E Seaside Way\, Long Beach\, CA\, 90802 URL:https://kidsguidemagazine.com/event/free-saturday-family-theatre-in-lo ng-beach-2/2026-09-05/ X-SOURCE-NAME:Kidsguide X-SOURCE-URL:https://kidsguidemagazine.com/event/la-carnival-on-the-shaw-l iberation-plaza-los-angeles END:VEVENT BEGIN:VEVENT SUMMARY:Family Fun Day Movie Matinee: Who Framed Roger Rabbit | The Autry\ , Los Angeles DTSTART:20260905T170000Z DTEND:20260905T220000Z DTSTAMP:20260904T060016Z UID:10020047137-1788602400-1788620400@kidsguidemagazine.com CATEGORIES:film,theater DESCRIPTION:September 5\, 2026 \nCelebrate Los Angeles with a family day f eaturing a screening of Who Framed Roger Rabbit (1988) and activities insp ired by animation. \nBefore the movie\, kids can create flipbook animation s and cartoon crafts\, play games on the museum Plaza\, and complete an in -gallery scavenger hunt. The film screening begins at noon. \nAdmission: M useum admission rates apply. FREE for Autry members. Registration is requi red. \n————— \nBefore You Go: Check with the event host or organ izer for the most up-to-date details before attending. \nLooking for more family fun? Explore more family-friendly events on our blog\, browse our c alendar\, check out limited-time exhibits and experiences\, or subscribe t o our newsletter for weekly updates. LAST-MODIFIED:20260904T060016Z LOCATION:Autry Museum of the American West\, 4700 Western Heritage Way\, L os Angeles\, CA\, 90027 URL:https://kidsguidemagazine.com/event/family-fun-day-movie-matinee-who-f ramed-roger-rabbit-the-autry-los-angeles/ X-SOURCE-NAME:Kidsguide X-SOURCE-URL:https://kidsguidemagazine.com/event/la-carnival-on-the-shaw-l iberation-plaza-los-angeles END:VEVENT BEGIN:VEVENT SUMMARY:Dylan Brody's Thinking Allowed DTSTART:20260906T030000Z DTEND:20260906T040000Z DTSTAMP:20260901T185829Z UID:6722-1788638400-1788642000@fanaticsalon.com CATEGORIES:theater DESCRIPTION:If you want to be assured of a seat\, the best thing to do is to call The Fanatic Salon theater at (310) 622-2046 and leave a messge as to how many tickets you need and your name and you can pay for them at the door when you arrive. The tickets are $20 per person. \n  \n$20 LAST-MODIFIED:20260901T185829Z LOCATION:Fanatic Salon\, 3815 Sawtelle Blvd\, Culver City\, CA\, 90066\, U nited States URL:https://fanaticsalon.com/event/dylan-brody-thinking-allowed/2026-09-05 / X-SOURCE-NAME:Fanatic Salon Theater X-SOURCE-URL:https://fanaticsalon.com/ END:VEVENT BEGIN:VEVENT SUMMARY:The WPA DTSTART:20260910T020000Z DTEND:20260910T040000Z DTSTAMP:20260901T185829Z UID:6609-1788980400-1788987600@fanaticsalon.com CATEGORIES:education,theater DESCRIPTION:Write it. Hone it. Perform it. From page to stage. Jane Morris conducts a solo performance workshop that takes your work from idea to st aging\, to performing. The class works with actors and writers at any leve l of the process\, whether you’re just getting started\, or you feel alm ost ready to mount a whole solo show. Look at your work from various angle s\, as a personal story\, as satire\, as action\, as dialogue. \nStop wait ing to perform. Start working right now! The workshop\, now in its third y ear\, has produced 9 original shows. Every participant has finished work a nd taken their work to venues around Los Angeles. Our shows have traveled the country and won awards. Your performance can be next! \nYou’ll have the opportunity to rehearse and perform your work at the fanaticSalon when ever you’re ready! \nClick here to see a list of successful productions spawned by WPA LAST-MODIFIED:20260901T185829Z URL:https://fanaticsalon.com/event/writework-with-jane-morris/2026-09-09/ X-SOURCE-NAME:Fanatic Salon Theater X-SOURCE-URL:https://fanaticsalon.com/ END:VEVENT BEGIN:VEVENT SUMMARY:Pasadena Playhouse Parking Meter Zone Advisory Commission DTSTART:20260910T180000Z DTEND:20260910T200000Z DTSTAMP:20260901T121327Z UID:10016901-1789038000-1789038000@www.cityofpasadena.net CATEGORIES:theater DESCRIPTION:Pasadena Playhouse Parking Meter Zone Advisory Commission meet ings are held on the 2nd Thursday of every 3rd month. \nAgenda and Contact s LAST-MODIFIED:20260901T121327Z LOCATION:City Hall - Grand Conference Room\, 100 N Garfield Ave\, Room S03 8 (Basement Level)\, Pasadena\, CA\, 91101\, United States URL:https://www.cityofpasadena.net/event/pasadena-playhouse-parking-meter- zone-advisory-commission/2026-09-10/ X-SOURCE-NAME:City of Pasadena X-SOURCE-URL:https://www.cityofpasadena.net/library/branches/san-rafael-br anch/ END:VEVENT BEGIN:VEVENT SUMMARY:The Improvised Shakespeare Company (SOLD OUT) DTSTART:20260912T020000Z DTEND:20260912T031500Z DTSTAMP:20260903T071255Z UID:10006940-1789153200-1789157700@www.descansogardens.org CATEGORIES:theater DESCRIPTION:You’ve never seen the Bard like this before—The Improvised Shakespeare Company® creates a brand new\, fully improvised Shakespearea n masterpiece right before your eyes. \nThis event is sold out! Check out our calendar for more performances\, workshops\, and programs. \n\nNothing has been planned out\, rehearsed\, or written. All of the dialogue is sai d for the first time\, the characters are created as you watch\, and if yo u’re ever wondering where the story is going…so are they! \nMeets at t he Amphitheater. \n$40 for members\, $50 for non-members\, $10 for childre n ages 3-12 \nSpaces are limited—reserve your seat in advance. \n\nAbout The Improvised Shakespeare Company® \nThe Improvised Shakespeare Company ® is one of the most critically-acclaimed improv troupes in the world. It was founded in Chicago in 2005 where its hit show\, Improvised Shakespear e Chicago\, still runs today. LAST-MODIFIED:20260903T071255Z URL:https://www.descansogardens.org/event/the-improvised-shakespeare-compa ny-091126/ X-SOURCE-NAME:Descanso Gardens X-SOURCE-URL:https://www.descansogardens.org END:VEVENT BEGIN:VEVENT SUMMARY:The Improvised Shakespeare Company (SOLD OUT) DTSTART:20260913T020000Z DTEND:20260913T031500Z DTSTAMP:20260904T071318Z UID:10006941-1789239600-1789244100@www.descansogardens.org CATEGORIES:theater DESCRIPTION:You’ve never seen the Bard like this before—The Improvised Shakespeare Company® creates a brand new\, fully improvised Shakespearea n masterpiece right before your eyes. \nThis event is sold out! Check out our calendar for more performances\, workshops\, and programs. \n\nNothing has been planned out\, rehearsed\, or written. All of the dialogue is sai d for the first time\, the characters are created as you watch\, and if yo u’re ever wondering where the story is going…so are they! \nMeets at t he Amphitheater. \n$40 for members\, $50 for non-members\, $10 for childre n ages 3-12 \nSpaces are limited—reserve your seat in advance. \n\nAbout The Improvised Shakespeare Company® \nThe Improvised Shakespeare Company ® is one of the most critically-acclaimed improv troupes in the world. It was founded in Chicago in 2005 where its hit show\, Improvised Shakespear e Chicago\, still runs today. LAST-MODIFIED:20260904T071318Z URL:https://www.descansogardens.org/event/the-improvised-shakespeare-compa ny-091226/ X-SOURCE-NAME:Descanso Gardens X-SOURCE-URL:https://www.descansogardens.org END:VEVENT BEGIN:VEVENT SUMMARY:The WPA DTSTART:20260917T020000Z DTEND:20260917T040000Z DTSTAMP:20260901T185829Z UID:6624-1789585200-1789592400@fanaticsalon.com CATEGORIES:education,theater DESCRIPTION:Write it. Hone it. Perform it. From page to stage. Jane Morris conducts a solo performance workshop that takes your work from idea to st aging\, to performing. The class works with actors and writers at any leve l of the process\, whether you’re just getting started\, or you feel alm ost ready to mount a whole solo show. Look at your work from various angle s\, as a personal story\, as satire\, as action\, as dialogue. \nStop wait ing to perform. Start working right now! The workshop\, now in its third y ear\, has produced 9 original shows. Every participant has finished work a nd taken their work to venues around Los Angeles. Our shows have traveled the country and won awards. Your performance can be next! \nYou’ll have the opportunity to rehearse and perform your work at the fanaticSalon when ever you’re ready! \nClick here to see a list of successful productions spawned by WPA LAST-MODIFIED:20260901T185829Z URL:https://fanaticsalon.com/event/writework-with-jane-morris/2026-09-16/ X-SOURCE-NAME:Fanatic Salon Theater X-SOURCE-URL:https://fanaticsalon.com/ END:VEVENT BEGIN:VEVENT SUMMARY:The Visions of Simone Machard 2.0 DTSTART:20260918T020000Z DTEND:20260918T040000Z DTSTAMP:20260818T061758Z UID:tag:localist.com\,2008:EventInstance_53173437084068 CATEGORIES:theater DESCRIPTION:A New Adaptation of the Lion Feuchtwanger and Bertolt Brecht P lay by Oliver Mayer \nThis event will also be livestreamed on Zoom.\n\nADM ISSION: \nAdmission is free and open to everyone. Reservations required. R SVP beginning Monday\, August 3\, at 10 a.m. \n\nRSVP\n\nDESCRIPTION: \nEx perience an engaging staged reading of Oliver Mayer’s new adaptation of The Visions of Simone Machard\, a classic play co-written by Lion Feuchtw anger and Bertolt Brecht in 1942 exploring themes of oppression and resist ance. \n\nMore about The Visions of Simone Machard: \nThe original play f eatured a teenage girl working at a gas station and oil field during the G erman invasion of France in 1940. In dream sequences\, she identifies with Joan of Arc and sees herself leading the Resistance. Mayer’s adaptation is set in a dystopian Los Angeles shaped by oil production and constant s urveillance. Performed by USC School of Dramatic Arts students and faculty with design and staging by Evidence Room founding artistic director Bart DeLorenzo\, this thought-provoking presentation evokes both our powerlessn ess in the midst of political upheaval and the urge to resist against all odds. \n\nPost-Performance Conversation: \nFollowing the reading\, Oliver Mayer\, Bart DeLorenzo\, USC Dornsife professors Manuel Pastor and Béatri ce Mousli\, and student performers will discuss the creative process behin d the adaptation and themes of resistance\, community\, and social change. \n\nBios: \nOliver Mayer is a playwright\, poet\, librettist\, and profes sor of dramatic writing at the USC School of Dramatic Arts. The author of more than 30 plays\, his works include Blade to the Heat\, Members Only\, Ghost Waltz\, The Dragon Tree\, and Yerma in the Desert. He has also writt en libretti for several operas and musicals\, including 3 Paderewskis\, wh ich premiered at the Kennedy Center. A regular contributor to Zócalo Publ ic Square\, Mayer is also the author of the poetry collection Body Languag es. His work has received numerous honors\, including The American Prize f or new opera. \n\nBart DeLorenzo is the founding artistic director of Evi dence Room theater\, where he has directed numerous local and world premi eres. Recent productions include The False Servant\, Passion Play\, Annapu rna\, Ivanov\, Margo Veil\, and The Receptionist. He is a graduate of Yale University and the American Repertory Theater’s Institute for Advanced Theater Training at Harvard and a faculty member at CalArts. DeLorenzo’s work has earned widespread recognition\, including four Los Angeles Drama Critics Circle Awards\, six LA Weekly Awards\, three Backstage Garland Aw ards\, and the Alan Schneider Director Award. \n\nManuel Pastor is a Disti nguished Professor of Sociology and American Studies and Ethnicity at the University of Southern California. He currently directs the Equity Researc h Institute at USC. He holds an economics Ph.D. from the University of Mas sachusetts\, Amherst\, and is the inaugural holder of the Turpanjian Chair in Civil Society and Social Change at USC. Pastor’s research has genera lly focused on issues of the economic\, environmental\, and social conditi ons facing low-income urban communities—and the social movements seeking to change those realities. \n\nBéatrice Mousli received her doctorate fr om the University of Paris-IV Sorbonne in 1993 and is currently a professo r in French at USC Dornsife. Her work has three main focuses: French and F rancophone 20th and 21st century literatures\, French colonial history\, a nd literary institutions and networks in France and in the United States a nd transatlantic literary exchanges. \n\nPresented by USC Visions and Voic es. Organized by Taylor Dwyer (Feuchtwanger Memorial Library\, USC Librari es)\, William Dotson (USC Libraries)\, and Oliver Mayer (USC School of Dra matic Arts. Co-sponsored by the USC Libraries and USC School of Dramatic A rts. LAST-MODIFIED:20260818T061758Z LOCATION:USC Brain and Creativity Institute's Joyce J. Cammilleri Hall (BC I) URL:https://calendar.usc.edu/event/the-visions-of-simone-machard X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:The Broad Presents - Ocean Child: I Am Yoko DTSTART:20260920T023000Z DTEND:20260920T040000Z DTSTAMP:20260901T004026Z UID:2767@colburnschool.edu CATEGORIES:music,theater DESCRIPTION:In this first-look musical presentation of OCEAN CHILD: I AM Y OKO\, the audience becomes Yoko Ono\, a cultural icon who defies expectati ons and surface-level categorizations. Take a deep dive into Ono’s life\ , from her childhood and travels across continents to her relationships an d artistic evolution. Written\, designed\, and directed by musician Yuka H onda and artist Glenn Kaino—both of whom also perform alongside an ensem ble of renowned musicians and vocalists—OCEAN CHILD: I AM YOKO is a work -in-progress experiment which encourages us to embody Ono’s complexity\, not just observe it. Presented in conjunction with the special exhibition \, Yoko Ono: Music of the Mind. LAST-MODIFIED:20260901T004026Z LOCATION:Zipper Hall\, 200 S Grand Ave\, Los Angeles\, CA\, 90031\, United States URL:https://colburnschool.edu/calendar/events/the-broad-presents-ocean-chi ld-i-am-yoko/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Scene Night: Two-Year Conservatory Culmination (Summer 2026) DTSTART:20260924T020000Z DTEND:20260924T033000Z DTSTAMP:20260811T061802Z UID:10000151-1790190000-1790195400@strasberg.edu CATEGORIES:theater DESCRIPTION:The Institute holds a Scene Night at the end of each term that features five available scene slots and is open to Strasberg students\, s taff\, faculty and invited guests. \n\n\n\nStudents in their final term o f the Two-Year Conservatory are guaranteed a spot and must present a stage d and costumed scene (4-7 minutes) which will be evaluated by Artistic Dir ector\, David Strasberg.Remaining scene slots are open to all students to submit for and will be selected via a lottery-system. Students\, see the F AQ for more details. \n\n\n\nOpen to invited guests. LAST-MODIFIED:20260811T061802Z LOCATION:Lee Strasberg Theatre & Film Institute- LA\, 7936 Santa Monica Bl vd\, West Hollywood\, CA\, 90046\, United States URL:https://strasberg.edu/event/scene-night-two-year-conservatory-culminat ion-summer-2026/ X-SOURCE-NAME:The Lee Strasberg Theatre & Film Institute X-SOURCE-URL:https://strasberg.edu/los-angeles/about/academic-calendar-la- campus END:VEVENT BEGIN:VEVENT SUMMARY:The WPA DTSTART:20260924T020000Z DTEND:20260924T040000Z DTSTAMP:20260901T185829Z UID:6636-1790190000-1790197200@fanaticsalon.com CATEGORIES:education,theater DESCRIPTION:Write it. Hone it. Perform it. From page to stage. Jane Morris conducts a solo performance workshop that takes your work from idea to st aging\, to performing. The class works with actors and writers at any leve l of the process\, whether you’re just getting started\, or you feel alm ost ready to mount a whole solo show. Look at your work from various angle s\, as a personal story\, as satire\, as action\, as dialogue. \nStop wait ing to perform. Start working right now! The workshop\, now in its third y ear\, has produced 9 original shows. Every participant has finished work a nd taken their work to venues around Los Angeles. Our shows have traveled the country and won awards. Your performance can be next! \nYou’ll have the opportunity to rehearse and perform your work at the fanaticSalon when ever you’re ready! \nClick here to see a list of successful productions spawned by WPA LAST-MODIFIED:20260901T185829Z URL:https://fanaticsalon.com/event/writework-with-jane-morris/2026-09-23/ X-SOURCE-NAME:Fanatic Salon Theater X-SOURCE-URL:https://fanaticsalon.com/ END:VEVENT BEGIN:VEVENT SUMMARY:Experience L.A.: Antigone at the Getty Villa DTSTART:20260925T011500Z DTEND:20260925T053000Z DTSTAMP:20260803T062854Z UID:tag:localist.com\,2008:EventInstance_53543530917676 CATEGORIES:theater DESCRIPTION:ADMISSION: \nAdmission is free and open to current USC student s only\, who must use the provided transportation to attend. Space is limi ted and advance registration is required. RSVP beginning Monday\, August 3 \, at 10 a.m.\n\nTickets will be distributed at check-in on the day of the event. Check-in will begin at 5:30 p.m. on campus. Buses will depart at 6 :15 p.m. and return to campus at 10:30 p.m. Dinner will be provided.\n\nRS VP\n\nDESCRIPTION: \nAntigone: In the Language of Kings\nAdapted from Soph ocles by Evelina Fernández\nDirected by José Luis Valenzuela\nCo-produce d by Latino Theater Company\n\nSet in the vibrant world of pre-conquest Te nochtitlan\, Mexico\, this powerful reimagining of a classic tragedy confr onts themes of loyalty\, familial duty\, and the clash between divine law and state edict. Weaving in pre-Hispanic music and poetry\, this timeless story brings Aztec mythology to life in a rich historical tapestry that re sonates across cultures\, pitting love and defiance against tyranny.\n\nUS C students are invited to this Experience LA trip to see Antigone: In the Language of Kings\, presented by The Getty Villa’s Outdoor Classical The ater series. This unique venue is modeled after ancient Greek and Roman pr ototypes\, continuing an 8\,000-year-old architectural tradition. Working with local and nationally acclaimed theater companies\, this series ambiti ously reimagines and revives the myths and plays of antiquity\, from the m ost venerated to long-overlooked works.\n\nAntigone: In the Language of Ki ngs runs at the Getty Villa from September 10 to October 3. To attend on y our own and purchase tickets\, visit https://www.getty.edu.​​​​​ ​​\n\nPresented by USC Visions and Voices. LAST-MODIFIED:20260803T062854Z LOCATION:Getty Villa URL:https://calendar.usc.edu/event/experience-la-antigone X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Shag with a Twist A Murder Mystery Musical DTSTART:20260927T030000Z DTEND:20260927T050000Z DTSTAMP:20260902T001943Z UID:10001027-1790452800-1790452800@grandvision.org CATEGORIES:theater DESCRIPTION:Come early to the show! You will be met at the door by Shag ac tors and welcomed into their tiki cocktail party. \nLet’s Shag! \nThe on e and only SHAG himself will be at every show of this murder mystery music al set at a Tupperware party! “Shag with a Twist” serves up an evocati ve cocktail of vibrant music and performers that brings to life the art of Shag when pupu platters and bouffants were all the rage. Guests are encou raged to come dressed in their finest tiki\, pin-up girl style or 60s Mod attire and join the party. \nThis event is produced by Shag with a Twist P roductions. LAST-MODIFIED:20260902T001943Z LOCATION:The Grand Annex\, 434 W. 6th St.\, San Pedro\, CA\, 90731 URL:https://grandvision.org/event/shag-with-a-twist-a-murder-mystery-music al-2/ X-SOURCE-NAME:Grandvision.org X-SOURCE-URL:https://www.grandvision.org/ END:VEVENT BEGIN:VEVENT SUMMARY:EMSI Critical Interventions Seminar with Dr. Farah Karim-Cooper\, Folger Shakespeare Library DTSTART:20260930T230000Z DTEND:20261001T000000Z DTSTAMP:20260819T001756Z UID:tag:localist.com\,2008:EventInstance_53631349377937 CATEGORIES:education,theater DESCRIPTION:The USC-Huntington Early Modern Studies Institute Critical Inv entions Seminar will hold its inaugural meeting with Dr. Farah Karim-Coope r\, Director of the Folger Shakespeare Library\, on Wednesday\, September 30. Prior to joining the Folger\, Dr. Karim-Cooper was Professor of Shakes peare Studies at King’s College London\, and Director of Education at Sh akespeare’s Globe. She has published multiple books on Shakespeare\, inc luding The Great White Bard: How to Love Shakespeare While Talking About R ace (2023).\n\n \n\nAll EMSI events are free and open to the public. LAST-MODIFIED:20260819T001756Z LOCATION:The Huntington\, Seaver 1 & 2 URL:https://calendar.usc.edu/event/emsi-critical-interventions-seminar-wit h-dr-farah-karim-cooper-folger-shakespeare-library X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:The WPA DTSTART:20261001T020000Z DTEND:20261001T040000Z DTSTAMP:20260901T185829Z UID:6646-1790794800-1790802000@fanaticsalon.com CATEGORIES:education,theater DESCRIPTION:Write it. Hone it. Perform it. From page to stage. Jane Morris conducts a solo performance workshop that takes your work from idea to st aging\, to performing. The class works with actors and writers at any leve l of the process\, whether you’re just getting started\, or you feel alm ost ready to mount a whole solo show. Look at your work from various angle s\, as a personal story\, as satire\, as action\, as dialogue. \nStop wait ing to perform. Start working right now! The workshop\, now in its third y ear\, has produced 9 original shows. Every participant has finished work a nd taken their work to venues around Los Angeles. Our shows have traveled the country and won awards. Your performance can be next! \nYou’ll have the opportunity to rehearse and perform your work at the fanaticSalon when ever you’re ready! \nClick here to see a list of successful productions spawned by WPA LAST-MODIFIED:20260901T185829Z URL:https://fanaticsalon.com/event/writework-with-jane-morris/2026-09-30/ X-SOURCE-NAME:Fanatic Salon Theater X-SOURCE-URL:https://fanaticsalon.com/ END:VEVENT BEGIN:VEVENT SUMMARY:The Visit DTSTART:20261003T030000Z DTEND:20261003T050000Z DTSTAMP:20260804T003213Z UID:25660-1790971200-1790971200@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260804T003213Z URL:https://www.pasadenaplayhouse.org/show_event/the-visit-21/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:The Visit DTSTART:20261003T210000Z DTEND:20261003T230000Z DTSTAMP:20260729T054546Z UID:25661-1791036000-1791036000@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/the-visit-22/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:The Visit DTSTART:20261004T030000Z DTEND:20261004T050000Z DTSTAMP:20260729T054546Z UID:25662-1791057600-1791057600@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/the-visit-23/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:The Visit DTSTART:20261004T210000Z DTEND:20261004T230000Z DTSTAMP:20260729T054546Z UID:25663-1791122400-1791122400@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/the-visit-24/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Rhythms and Revelry: Manuel de Falla’s Three-Cornered Hat DTSTART:20261004T220000Z DTEND:20261005T000000Z DTSTAMP:20260822T004258Z UID:2565@colburnschool.edu CATEGORIES:music,theater DESCRIPTION:The Colburn Orchestra season kicks off with a boisterous after noon of storytelling and surprising soundscapes. Opening the concert is th e irresistibly rhythmic Danzón No. 2 by Mexican composer Arturo Márquez. Next\, the woody and melodic tones of the marimba take centerstage in Kev in Puts’s Mozart-inspired concerto. Finally\, a comic tale of romance\, trickery\, and comeuppance is brought to life in Manuel de Falla’s rambu nctious Three-Cornered Hat. LAST-MODIFIED:20260822T004258Z LOCATION:The Soraya\, 18111 Nordhoff St\, Northridge\, CA\, 91330\, United States URL:https://colburnschool.edu/calendar/events/rhythms-and-revelry-manuel-d e-fallas-three-cornered-hat/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Visit DTSTART:20261005T020000Z DTEND:20261005T040000Z DTSTAMP:20260729T054546Z UID:25664-1791140400-1791140400@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/the-visit-25/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Freak Nature Presents: Freak Nature DTSTART:20261007T020000Z DTEND:20261007T030000Z DTSTAMP:20260901T062203Z UID:tag:localist.com\,2008:EventInstance_53490713749512 CATEGORIES:arts,comedy,music,theater DESCRIPTION:ADMISSION: \nAdmission is free and open to everyone. Reservati ons required. RSVP beginning Tuesday\, September 1\, at 10 a.m. \n\nRSVP\n \nDESCRIPTION: \n“Puppetry is booming in L.A. Meet the new generation of performers making it cool again.”—Los Angeles Times \n\n“The bad ki ds of the alt-puppet scene…”—Hollywood Entertainment \n\nLos Angeles –based artist collective Freak Nature Puppets presents an imaginative pe rformance that combines giant puppets\, live theatre\, music\, comedy\, an d visual storytelling. \n\nMore about Freak Nature: \nPack your carry-on a nd board your flight to Freak Nature Park\, a most unique and unnatural wo nder. You and your fellow tourists will encounter gentle giants\, lovelorn copilots\, a lonely lavatory\, cursed Crankmen\, and creatures of all kin ds. Just don’t get too close—if you die in Freak Nature Park\, you die in real life. Please exit through the gift shop. \n\nWhat to Expect: \nDe scribed by Currant Jam Magazine as a collective where “event planning me ets arts & crafts\, sculpture\, sketch comedy\, clowning\, music\, and exp erimental performance art\,” Freak Nature’s work offers a fun entry po int into the joyful\, creative world of contemporary puppetry and performa nce. \n \n\n\nThis Is One Part of a Series! \nThis performance is a part o f Freak Nature at USC\, a two-part series featuring the dreamlike and fant astical work of L.A.–based artist collective Freak Nature Puppets. \n\nR elated Event: \nFreak March: A DIY Community Parade with Freak Nature Pupp ets \nWednesday\, September 16\, from 12 to 5:30 p.m. \nFounders Park \nI nfo and RSVP \n\nBio: \nFreak Nature Puppets is a Los Angeles–based arti st collective creating dreamlike worlds through giant puppetry\, physical theater\, music\, and participatory performance. Inspired by the radical p uppetry of Bread and Puppet Theater\, the visual imagination of Mummenscha nz\, and the joyful absurdity of Pee-wee Herman\, Freak Nature crafts imme rsive experiences that invite audiences into playful acts of creativity an d wonder. Their collaborators have included Dead & Company\, Childish Gamb ino\, Bob Baker Marionette Theater\, and Poncili Creación\, and they deve loped the collective as the inaugural artists-in-residence at Los Angeles ’ Elysian Theater. \n\nPresented by USC Visions and Voices. Organized by the USC School of Dramatic Arts. Co-sponsored by Freak Nature Puppets\, T he Elysian Theater\, and the USC Roski School of Art and Design. LAST-MODIFIED:20260901T062203Z LOCATION:Bing Theatre (BIT) URL:https://calendar.usc.edu/event/freak-nature-presents-freak-nature X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261010T030000Z DTEND:20261010T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175807745 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Opening Notes: Discover the Magic of Music\, featuring the 12 Stri ng Trio DTSTART:20261010T170000Z DTEND:20261010T190000Z DTSTAMP:20260822T004258Z UID:2617@colburnschool.edu CATEGORIES:family,music,theater DESCRIPTION:Designed for children ages 13 and under but open to all\, the Opening Notes concerts spark imagination and make learning about music fee l easy and exciting. Led by Conservatory students\, this lively 40-minute performance combines music\, storytelling\, and theatrical adventure as pe rformers bring characters and an engaging story to life onstage. These per formances feature lighting effects and sudden noises. A sensory-friendly b reakout space will be available for children who wish to step away from th e performance as needed. No prior musical experience is required. Just com e ready to listen and explore! LAST-MODIFIED:20260822T004258Z LOCATION:Zipper Hall\, 200 S Grand Ave\, Los Angeles\, CA\, 90012\, United States URL:https://colburnschool.edu/calendar/events/opening-notes-discover-the-m agic-of-music-featuring-the-12-string-trio/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261011T030000Z DTEND:20261011T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175810818 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261012T030000Z DTEND:20261012T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175813891 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:EASC Guest Speaker Series: Writing Against Erasure: Courtesans\, P erformance\, and the Making of Late Ming Drama - Talk by Prof. Peng Xu DTSTART:20261012T210000Z DTEND:20261012T222000Z DTSTAMP:20260730T182347Z UID:tag:localist.com\,2008:EventInstance_53428846554014 CATEGORIES:literary,theater DESCRIPTION:Writing Against Erasure: Courtesans\, Performance\, and the Ma king of Late Ming Drama\nMonday\, October 12 | 2:00PM-3:20PM | DML 240 | R SVP\n\nEASC Guest Speaker Series: Talk by Prof. Peng Xu (Associate Profess or\, ShanghaiTech University) with Faculty Moderator Prof. Mengxiao Wang ( EALC 145: Introduction to Chinese Culture Art and Literature)\n\nPeng Xu ’s The Courtesan’s Memory\, Voice\, and Late Ming Drama (University of Michigan Press\, 2025) reinterprets late Ming drama by foregrounding cour tesan performance culture as a generative force in theatrical production. Drawing on a wide range of sources—including scripts\, city guides\, bio graphies\, diaries\, letters\, and visual materials—the book argues that courtesans were not merely subjects of representation but active agents w ho reshaped theatrical form\, performance conditions\, and literary style. In doing so\, it challenges male-centered historiography and offers a new framework for understanding gender\, media\, and creativity in early mode rn Chinese theater.\n\nThis event is co-sponsored by the USC East Asian Li brary. LAST-MODIFIED:20260730T182347Z LOCATION:Doheny Memorial Library (DML)\, 240 URL:https://calendar.usc.edu/event/easc-guest-speaker-series-writing-again st-erasure-courtesans-performance-and-the-making-of-late-ming-drama-talk-b y-peng-xu X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261013T030000Z DTEND:20261013T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175814916 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261014T030000Z DTEND:20261014T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175843589 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261015T030000Z DTEND:20261015T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175844614 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Haunting of the Hannon XIV - My Heart Has Teeth DTSTART;VALUE=DATE:20261016 DTEND;VALUE=DATE:20261017 DTSTAMP:20260827T183040Z UID:tag:localist.com\,2008:EventInstance_53197814713246 CATEGORIES:theater DESCRIPTION:Join us on October 16-17 for the 14th annual Haunting of Hanno n Library\, when LMU Theatre Arts haunt the library\, promising thrills an d chills in the stacks. \n\nThis event is free and open to all. Note that this program is not recommended for children. Families are encouraged to j oin us at Saturday's Haunting of Hannon Library which is more appropriate for audiences 6-12 yrs.\n\n \n\nOctober 16 and 17 at 8-11 p.m.: Adult vers ion\n\nTours leave every 10 minutes beginning at 8 p.m. each night. The la st tour leaves at 11 p.m. Due to the close-up nature of the performance\, space is limited on each tour to 10 persons. There are a limited number of online pre-registration slots available (link coming soon). Otherwise\, s ign-ups for the tours open at the library’s entrance at 7:50 p.m. each n ight and are first-come\, first-served. Tours last approximately 55 minute s. \n\n \n\nOctober 17 at 2-3:30 p.m.: Family-Friendly version (Kids ages 6-12)\n\nNote: This tour has a different script from the adult version and includes notable characters from children’s literature. Tours leave eve ry 10 minutes beginning at 2 p.m. The last tour leaves at 3:30 p.m. Due to the close-up nature of the performance\, space is limited on each tour to 10 persons. There are a limited number of online pre-registration slots a vailable (link coming soon). Otherwise\, sign-ups for the tours open at th e library’s entrance at 1:50 p.m. and are first-come\, first-served. Tou rs last approximately 45 minutes.\n\n \n\nCostumes are encouraged. Tricks and treats are guaranteed! LAST-MODIFIED:20260827T183040Z LOCATION:William H. Hannon Library URL:https://cal.lmu.edu/event/haunting-of-the-hannon-xiv-my-heart-has-teet h X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261016T030000Z DTEND:20261016T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175845639 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Haunting of the Hannon XIV - My Heart Has Teeth DTSTART;VALUE=DATE:20261017 DTEND;VALUE=DATE:20261018 DTSTAMP:20260827T183040Z UID:tag:localist.com\,2008:EventInstance_53197814713247 CATEGORIES:theater DESCRIPTION:Join us on October 16-17 for the 14th annual Haunting of Hanno n Library\, when LMU Theatre Arts haunt the library\, promising thrills an d chills in the stacks. \n\nThis event is free and open to all. Note that this program is not recommended for children. Families are encouraged to j oin us at Saturday's Haunting of Hannon Library which is more appropriate for audiences 6-12 yrs.\n\n \n\nOctober 16 and 17 at 8-11 p.m.: Adult vers ion\n\nTours leave every 10 minutes beginning at 8 p.m. each night. The la st tour leaves at 11 p.m. Due to the close-up nature of the performance\, space is limited on each tour to 10 persons. There are a limited number of online pre-registration slots available (link coming soon). Otherwise\, s ign-ups for the tours open at the library’s entrance at 7:50 p.m. each n ight and are first-come\, first-served. Tours last approximately 55 minute s. \n\n \n\nOctober 17 at 2-3:30 p.m.: Family-Friendly version (Kids ages 6-12)\n\nNote: This tour has a different script from the adult version and includes notable characters from children’s literature. Tours leave eve ry 10 minutes beginning at 2 p.m. The last tour leaves at 3:30 p.m. Due to the close-up nature of the performance\, space is limited on each tour to 10 persons. There are a limited number of online pre-registration slots a vailable (link coming soon). Otherwise\, sign-ups for the tours open at th e library’s entrance at 1:50 p.m. and are first-come\, first-served. Tou rs last approximately 45 minutes.\n\n \n\nCostumes are encouraged. Tricks and treats are guaranteed! LAST-MODIFIED:20260827T183040Z LOCATION:William H. Hannon Library URL:https://cal.lmu.edu/event/haunting-of-the-hannon-xiv-my-heart-has-teet h X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261017T030000Z DTEND:20261017T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175846664 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261017T210000Z DTEND:20261017T220000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175847689 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261018T030000Z DTEND:20261018T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175849738 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Antigone DTSTART:20261018T210000Z DTEND:20261018T220000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53197175851787 CATEGORIES:theater DESCRIPTION:Sophocles' Antigone comes alive in this new translation that w ill be useful for both academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatrica lity. She provides an analytical introduction and comprehensive notes\, an d the edition includes an essay by director Karen Libman.\n\nAntigone begi ns after Oedipus and Jocasta's sons have killed each other in a battle ove r the kingship. The new king\, Kreon\, decrees that the brother who attack ed with a foreign army remain unburied and promises death to anyone who de fies him. The play centers on Antigone's refusal to obey Kreon's law and K reon's refusal to allow her brother's burial. Each acts on principle color ed by gender\, personality\, and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for com promise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/antigone X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:in the same place DTSTART:20261023T200000Z DTEND:20261023T210000Z DTSTAMP:20260901T062203Z UID:tag:localist.com\,2008:EventInstance_53173703830386 CATEGORIES:theater DESCRIPTION:A 46-Hour Durational Performance by Raegan Truax \n\nADMISSION : \nAdmission is free and open to everyone. Reservations requested. RSVP beginning Tuesday\, September 1\, at 10 a.m.\n\nRSVP\n\nDESCRIPTION: \nPer formance artist Raegan Truax will perform in the same place\, a 46-hour du rational performance that draws inspiration from the queer heritages held both at ONE Archives and within Truax’s own body as a living archive. Th e work showcases Truax’s queer feminist methodologies of staying with\, listening through\, and laboring beside traces that refuse to settle. \n\n In a political moment haunted by violence against queer and trans life\, T ruax asks what it means to stand where others once stood—to breathe in p roximity to their desire\, fear\, labor\, refusal\, and survival. Have we arrived “in the same place\,” or does queer time fold strangely around us\, collapsing there into now\, the future into something already rememb ered in the body? \n\nHow to Experience in the same place: \nBecause the p erformance unfolds continuously over an entire weekend\, no two visits wil l be the same. Visitors are welcome throughout the performance\, which beg ins Friday afternoon at 1 p.m. and concludes with a brunch on Sunday morni ng at 11 a.m. \n\nThis Is One Part of a Series! \nin the same place is a p art of a month-long residency with durational performance artist Raegan Tr uax at ONE Archives that explores themes of power\, connection\, exhaustio n\, and embodiment. The residency will also include archival research\, a student workshop\, an artist talkback\, and an exhibition at ONE Archives. \n\nRelated Events: \nUntimely Practices: A Workshop with Raegan Truax \n Wednesday\, October 14\, 10:30 a.m. to 12 p.m.\nONE Archives \nMore info a nd RSVP\n\nON DURATION: A Talkback with Raegan Truax and Alexis Bard Johns on \nTuesday\, October 27\, at 7 p.m. \nONE Archives \nMore info and RSVP\ n\nBio: \nRaegan Truax is a durational performance artist\, scholar\, and educator whose work explores time\, embodiment\, and queer feminist perfor mance practices. They hold a PhD in Theater and Performance Studies from S tanford University and MA degrees in Performance Studies and Gender Politi cs from New York University. Truax is the founder of ON DURATION and execu tive director of Creative Body Institute. Their work has been presented in ternationally at venues including CounterPulse in San Francisco\, Berlin A rt Week\, ZK/U Berlin\, Cité internationale des Arts in Paris\, and SOMAr ts in San Francisco. Their work is also featured in Marina Abramović Inst itute’s Immaterial Archive. They are committed to an overtly queer and f eminist durational practice that challenges masochistic tropes of enduranc e. For them\, it is a practice of risk\, struggle\, vulnerability\, connec tion\, presence\, and possibility. @raegan.truax\n\nPresented by USC Visio ns and Voices. Organized by Alexis Bard Johnson (ONE Archives at the USC L ibraries). LAST-MODIFIED:20260901T062203Z LOCATION:ONE Archives at the USC Libraries URL:https://calendar.usc.edu/event/in-the-same-place X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:in the same place DTSTART;VALUE=DATE:20261024 DTEND;VALUE=DATE:20261025 DTSTAMP:20260901T062203Z UID:tag:localist.com\,2008:EventInstance_53178615283818 CATEGORIES:theater DESCRIPTION:A 46-Hour Durational Performance by Raegan Truax \n\nADMISSION : \nAdmission is free and open to everyone. Reservations requested. RSVP beginning Tuesday\, September 1\, at 10 a.m.\n\nRSVP\n\nDESCRIPTION: \nPer formance artist Raegan Truax will perform in the same place\, a 46-hour du rational performance that draws inspiration from the queer heritages held both at ONE Archives and within Truax’s own body as a living archive. Th e work showcases Truax’s queer feminist methodologies of staying with\, listening through\, and laboring beside traces that refuse to settle. \n\n In a political moment haunted by violence against queer and trans life\, T ruax asks what it means to stand where others once stood—to breathe in p roximity to their desire\, fear\, labor\, refusal\, and survival. Have we arrived “in the same place\,” or does queer time fold strangely around us\, collapsing there into now\, the future into something already rememb ered in the body? \n\nHow to Experience in the same place: \nBecause the p erformance unfolds continuously over an entire weekend\, no two visits wil l be the same. Visitors are welcome throughout the performance\, which beg ins Friday afternoon at 1 p.m. and concludes with a brunch on Sunday morni ng at 11 a.m. \n\nThis Is One Part of a Series! \nin the same place is a p art of a month-long residency with durational performance artist Raegan Tr uax at ONE Archives that explores themes of power\, connection\, exhaustio n\, and embodiment. The residency will also include archival research\, a student workshop\, an artist talkback\, and an exhibition at ONE Archives. \n\nRelated Events: \nUntimely Practices: A Workshop with Raegan Truax \n Wednesday\, October 14\, 10:30 a.m. to 12 p.m.\nONE Archives \nMore info a nd RSVP\n\nON DURATION: A Talkback with Raegan Truax and Alexis Bard Johns on \nTuesday\, October 27\, at 7 p.m. \nONE Archives \nMore info and RSVP\ n\nBio: \nRaegan Truax is a durational performance artist\, scholar\, and educator whose work explores time\, embodiment\, and queer feminist perfor mance practices. They hold a PhD in Theater and Performance Studies from S tanford University and MA degrees in Performance Studies and Gender Politi cs from New York University. Truax is the founder of ON DURATION and execu tive director of Creative Body Institute. Their work has been presented in ternationally at venues including CounterPulse in San Francisco\, Berlin A rt Week\, ZK/U Berlin\, Cité internationale des Arts in Paris\, and SOMAr ts in San Francisco. Their work is also featured in Marina Abramović Inst itute’s Immaterial Archive. They are committed to an overtly queer and f eminist durational practice that challenges masochistic tropes of enduranc e. For them\, it is a practice of risk\, struggle\, vulnerability\, connec tion\, presence\, and possibility. @raegan.truax\n\nPresented by USC Visio ns and Voices. Organized by Alexis Bard Johnson (ONE Archives at the USC L ibraries). LAST-MODIFIED:20260901T062203Z LOCATION:ONE Archives at the USC Libraries URL:https://calendar.usc.edu/event/in-the-same-place X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Clockshop/LaRissa Rogers Art Installation: Opening Reception DTSTART;VALUE=DATE:20261024 DTEND;VALUE=DATE:20261025 DTSTAMP:20260808T002520Z UID:1a7a27oj33fpunp0uvsaocllq5@google.com CATEGORIES:arts,theater DESCRIPTION:Join us to celebrate the opening of subterranean convergence\ , a sculptural installation and score for performance\, by artist LaRissa Rogers. Rogers will present an original performance based on the score co -developed with her collaborator\, artist Michelle Sui.subterranean conve rgence\, by artist LaRissa Rogers\, is a sculptural installation and score for performance that draws on the geographies of the transcontinental rai lroad between the American South and West to investigate the ways liberati on has been conceptualized—and where it might still be. Over 50 communit y members and institutions between Los Angeles and New Orleans were invite d to contribute objects of personal or historical significance. Within a s imulated railroad\, chinoiserie-style tracks hold tabby-cast reproductions of these objects on the former site of the Southern Pacific River Station . This project explores collective memory and memorial by archiving the mo vements of people and goods across generations and geographies.RSVP Heresu bterranean convergence: Opening Reception and PerformanceSaturday\, Octobe r 24\, 2026 from 2:00–4:00 PMLos Angeles State Historic Park LAST-MODIFIED:20260808T002520Z LOCATION:Cobblestone/Lawn area between Cargo and WP X-SOURCE-NAME:(PUBLIC) LASHP Community Programming & Events X-SOURCE-URL:https://lastatehistoricpark.org/events END:VEVENT BEGIN:VEVENT SUMMARY:in the same place DTSTART:20261025T070000Z DTEND:20261025T180000Z DTSTAMP:20260901T062203Z UID:tag:localist.com\,2008:EventInstance_53178596767671 CATEGORIES:theater DESCRIPTION:A 46-Hour Durational Performance by Raegan Truax \n\nADMISSION : \nAdmission is free and open to everyone. Reservations requested. RSVP beginning Tuesday\, September 1\, at 10 a.m.\n\nRSVP\n\nDESCRIPTION: \nPer formance artist Raegan Truax will perform in the same place\, a 46-hour du rational performance that draws inspiration from the queer heritages held both at ONE Archives and within Truax’s own body as a living archive. Th e work showcases Truax’s queer feminist methodologies of staying with\, listening through\, and laboring beside traces that refuse to settle. \n\n In a political moment haunted by violence against queer and trans life\, T ruax asks what it means to stand where others once stood—to breathe in p roximity to their desire\, fear\, labor\, refusal\, and survival. Have we arrived “in the same place\,” or does queer time fold strangely around us\, collapsing there into now\, the future into something already rememb ered in the body? \n\nHow to Experience in the same place: \nBecause the p erformance unfolds continuously over an entire weekend\, no two visits wil l be the same. Visitors are welcome throughout the performance\, which beg ins Friday afternoon at 1 p.m. and concludes with a brunch on Sunday morni ng at 11 a.m. \n\nThis Is One Part of a Series! \nin the same place is a p art of a month-long residency with durational performance artist Raegan Tr uax at ONE Archives that explores themes of power\, connection\, exhaustio n\, and embodiment. The residency will also include archival research\, a student workshop\, an artist talkback\, and an exhibition at ONE Archives. \n\nRelated Events: \nUntimely Practices: A Workshop with Raegan Truax \n Wednesday\, October 14\, 10:30 a.m. to 12 p.m.\nONE Archives \nMore info a nd RSVP\n\nON DURATION: A Talkback with Raegan Truax and Alexis Bard Johns on \nTuesday\, October 27\, at 7 p.m. \nONE Archives \nMore info and RSVP\ n\nBio: \nRaegan Truax is a durational performance artist\, scholar\, and educator whose work explores time\, embodiment\, and queer feminist perfor mance practices. They hold a PhD in Theater and Performance Studies from S tanford University and MA degrees in Performance Studies and Gender Politi cs from New York University. Truax is the founder of ON DURATION and execu tive director of Creative Body Institute. Their work has been presented in ternationally at venues including CounterPulse in San Francisco\, Berlin A rt Week\, ZK/U Berlin\, Cité internationale des Arts in Paris\, and SOMAr ts in San Francisco. Their work is also featured in Marina Abramović Inst itute’s Immaterial Archive. They are committed to an overtly queer and f eminist durational practice that challenges masochistic tropes of enduranc e. For them\, it is a practice of risk\, struggle\, vulnerability\, connec tion\, presence\, and possibility. @raegan.truax\n\nPresented by USC Visio ns and Voices. Organized by Alexis Bard Johnson (ONE Archives at the USC L ibraries). LAST-MODIFIED:20260901T062203Z LOCATION:ONE Archives at the USC Libraries URL:https://calendar.usc.edu/event/in-the-same-place X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Hidden Heroes Recognition Awards and Dramatized Narratives Perform ance DTSTART:20261025T210000Z DTEND:20261025T220000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_52818192373485 CATEGORIES:theater DESCRIPTION:Each year\, the CSJ Center for Reconciliation and Justice reco gnizes LMU faculty\, staff\, students\, alumni and community partners thro ugh an award named "Hidden Heroes." The individuals and groups who are nom inated unassumingly exemplify justice and reconciliation in their lives an d their work.\n\nJoin us on Sunday\, October 25\, 2026 at 2 p.m. Pacific t o honor members of our community through the telling of their story in a d ramatic narrative with formal awards presented at the conclusion of the pe rformance.\n\nHonorees announcement is forthcoming\n\nThe performance is d irected by Judith Royer\, C.S.J.\, professor emerita of theatre arts and d irector emerita of the CSJ Center\, with Doris Baizley as story editor.\n\ nTo Attend\nThis virtual performance and presentation is free and open to the public\; registration is will open in the summer. For further informat ion\, please contact the CSJ Center at (310) 568-8864 or email csjcenter@l mu.edu. LAST-MODIFIED:20260729T180857Z URL:https://cal.lmu.edu/event/hidden-heroes-2026 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:ON DURATION: A Talkback with Raegan Truax and Alexis Bard Johnson DTSTART:20261028T020000Z DTEND:20261028T030000Z DTSTAMP:20260901T062203Z UID:tag:localist.com\,2008:EventInstance_53173733376981 CATEGORIES:theater DESCRIPTION:ADMISSION: \nAdmission is free and open to everyone. Reservati ons required. RSVP beginning Tuesday\, September 1\, at 10 a.m. \n\nRSVP\n \nDESCRIPTION: \nGo behind the scenes of Raegan Truax’s 46-hour duration al performance in the same place in a conversation with Truax and ONE Arch ives curator Alexis Bard Johnson. They will discuss the ideas\, research\, and preparation behind the work\, including Truax’s commitment to a que er feminist performance practice that emphasizes risk\, vulnerability\, co nnection\, and possibility. The conversation will conclude with an audienc e Q&A\, giving attendees the chance to engage directly with the artist and continue exploring questions raised by the work. \n\nThis Is One Part of a Series! \nThis talkback is part of a month-long residency with durationa l performance artist Raegan Truax at ONE Archives that explores themes of power\, connection\, exhaustion\, and embodiment. The residency will also include archival research\, a student workshop\, a durational performance\ , and an exhibition at ONE Archives. \n\nRelated Events: \nUntimely Pract ices: A Workshop with Raegan Truax \nWednesday\, October 14\, 10:30 a.m. t o 12 p.m.\nONE Archives \nMore info and RSVP\n\nin the same place \nA 46-H our Durational Performance by Raegan Truax \nFriday\, October 23 at 1 p.m. to Sunday\, October 25\, at 11 a.m. \nONE Archives \nMore info and RSVP \ n\nBio: \nRaegan Truax is a durational performance artist\, scholar\, and educator whose work explores time\, embodiment\, and queer feminist perfor mance practices. They hold a PhD in Theater and Performance Studies from S tanford University and MA degrees in Performance Studies and Gender Politi cs from New York University. Truax is the founder of ON DURATION and execu tive director of Creative Body Institute. Their work has been presented in ternationally at venues including CounterPulse in San Francisco\, Berlin A rt Week\, ZK/U Berlin\, Cité internationale des Arts in Paris\, and SOMAr ts in San Francisco. Their work is also featured in Marina Abramović Inst itute’s Immaterial Archive. They are committed to an overtly queer and f eminist durational practice that challenges masochistic tropes of enduranc e. For them\, it is a practice of risk\, struggle\, vulnerability\, connec tion\, presence\, and possibility. @raegan.truax\n\nPresented by USC Visio ns and Voices. Organized by Alexis Bard Johnson (ONE Archives at the USC L ibraries). LAST-MODIFIED:20260901T062203Z LOCATION:ONE Archives at the USC Libraries URL:https://calendar.usc.edu/event/on-duration X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261031T030000Z DTEND:20261031T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006713513 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261101T030000Z DTEND:20261101T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006714538 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:See the Music\, Hear the Dance DTSTART:20261102T010000Z DTEND:20261102T030000Z DTSTAMP:20260822T004258Z UID:2589@colburnschool.edu CATEGORIES:dance,music,theater DESCRIPTION:Join us for a conversation and performance exploring the relat ionship between music and movement in the work of Christopher Wheeldon. Tr udl Zipper Dance Institute Artistic Director Janie Taylor is joined by Jas on Fowler—former New York City Ballet dancer and stager of Wheeldon's wo rks—for a discussion spanning his career as performer and guardian of th ese ballets. Polyphonia\, Wheeldon's breakthrough work set to music by Gy örgy Ligeti\, comes to life in excerpts performed by artists from LA Ball et. LAST-MODIFIED:20260822T004258Z LOCATION:Zipper Hall\, 200 S Grand Ave\, Los Angeles\, CA\, 90012\, United States URL:https://colburnschool.edu/calendar/events/see-the-music-hear-the-dance -7/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261102T040000Z DTEND:20261102T050000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006715563 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261103T040000Z DTEND:20261103T050000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006715564 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261104T040000Z DTEND:20261104T050000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006716589 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261105T033000Z DTEND:20261105T053000Z DTSTAMP:20260729T054546Z UID:25667-1793820600-1793820600@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261105T040000Z DTEND:20261105T050000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006717614 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261106T033000Z DTEND:20261106T053000Z DTSTAMP:20260729T054546Z UID:25668-1793907000-1793907000@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-2/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261106T040000Z DTEND:20261106T050000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006717615 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261107T040000Z DTEND:20261107T050000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006718640 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261107T040000Z DTEND:20261107T060000Z DTSTAMP:20260729T054546Z UID:25669-1793995200-1793995200@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-3/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261107T220000Z DTEND:20261107T230000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006719665 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261107T220000Z DTEND:20261108T000000Z DTSTAMP:20260729T054546Z UID:25670-1794060000-1794060000@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-4/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261108T040000Z DTEND:20261108T050000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006719666 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261108T040000Z DTEND:20261108T060000Z DTSTAMP:20260729T054546Z UID:25671-1794081600-1794081600@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-5/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Mrs. California DTSTART:20261108T220000Z DTEND:20261108T230000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198006720691 CATEGORIES:theater DESCRIPTION:The time is pre-women's lib 1955\, the place a Los Angeles hot el\, where a homemakers contest is in progress—the winner to embody the epitome (at the time) of the ideal woman: “a happy\, good and beautiful homemaker.” Entered as Mrs. L.A.\, Dot\, sponsored by the local gas comp any\, vies with the others in ironing a man's shirt\, sewing an apron from an original pattern\, setting a table\, preparing a meal and delivering a monologue entitled “My Proudest Moment”—which\, for Dot\, was when she saved an American naval force from submarine attack while serving as a decoder in the WAVES during World War II. She is also abetted by her tart -tongued friend Babs\, an electronics wizard who is not above tampering wi th sewing machines and stoves as the contest comes down to the finals\, wi th Mrs. Modesto\, Mrs. San Bernardino and Mrs. San Francisco going head-to -head with Dot for the victory.\n\nUrged one way by the brassy Babs (who c an't resist showing up the contest for the ridiculous farce it is) and ano ther by the fatuous man from the gas company (who pleads with Dot to play by the rules)\, Dot ultimately decides to do what she thinks is right rath er than what she is told to do—the result\, of course\, being that the f inal nod goes to the contestant who best fulfills the image ordained by th e macho men who run the contest and the one who manages to blend a good he lping of sex appeal with her compliance. LAST-MODIFIED:20260729T180857Z LOCATION:Barnelle Theatre URL:https://cal.lmu.edu/event/mrs-california X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Veteran Voices Performance DTSTART:20261111T220000Z DTEND:20261112T033000Z DTSTAMP:20260814T060110Z UID:10000145-1794405600-1794425400@strasberg.edu CATEGORIES:theater DESCRIPTION:Our second annual Veteran Voices workshops present their culmi nation performance—a wide range of original scenes\, monologues\, and sh ort films written\, directed\, and performed by military veterans who are alumni or students of The Lee Strasberg Theatre & Film Institute. \n\n\n\ nShowtimes are Nov 11 @ 2pm and Nov 11 @ 7pm. LAST-MODIFIED:20260814T060110Z LOCATION:Marilyn Monroe Theatre (LA)\, 7936 Santa Monica Blvd\, West Holly wood\, CA\, 90046 URL:https://strasberg.edu/event/veteran-voices-performance/ X-SOURCE-NAME:The Lee Strasberg Theatre & Film Institute X-SOURCE-URL:https://strasberg.edu/los-angeles/about/academic-calendar-la- campus END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261112T033000Z DTEND:20261112T053000Z DTSTAMP:20260729T054546Z UID:25672-1794425400-1794425400@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-6/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261113T033000Z DTEND:20261113T053000Z DTSTAMP:20260729T054546Z UID:25673-1794511800-1794511800@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-7/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261114T040000Z DTEND:20261114T060000Z DTSTAMP:20260729T054546Z UID:25674-1794600000-1794600000@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-8/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261114T220000Z DTEND:20261115T000000Z DTSTAMP:20260729T054546Z UID:25675-1794664800-1794664800@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-9/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261115T040000Z DTEND:20261115T060000Z DTSTAMP:20260729T054546Z UID:25676-1794686400-1794686400@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-10/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261115T220000Z DTEND:20261116T000000Z DTSTAMP:20260729T054546Z UID:25677-1794751200-1794751200@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-11/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261119T033000Z DTEND:20261119T053000Z DTSTAMP:20260729T054546Z UID:25678-1795030200-1795030200@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-12/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261120T033000Z DTEND:20261120T053000Z DTSTAMP:20260729T054546Z UID:25679-1795116600-1795116600@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-13/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:USC Thornton Opera: "The Light in the Piazza" DTSTART:20261120T033000Z DTEND:20261120T043000Z DTSTAMP:20260828T002338Z UID:tag:localist.com\,2008:EventInstance_53818301416695 CATEGORIES:theater DESCRIPTION:The Light in the Piazza\nBook by Craig Lucas\nMusic and Lyrics by Adam Guettel\n\nBrent McMunn\, conductor\nKen Cazan\, stage director & set concept\n\nBing Theatre\nUSC University Park Campus\n\nNov. 19\, 2026 | 7:30pm\nNov. 20\, 2026 | 7:30pm\nNov. 21\, 2026 | 7:30pm\nNov. 22\, 202 6 | 2:00pm\n\nTickets will be available through the USC Ticket Office onli ne or call 213-740-4672.\n\nWalk up purchases will be available at the the ater box office.\nFree admission to anyone with a valid USC ID.\n\n--\nAdm ission is free and open to the public. Complete programming and ticketing information for this event will be announced soon. Any details currently l isted may represent only a portion of the full program and ticketing infor mation. Please check back for updates! LAST-MODIFIED:20260828T002338Z LOCATION:Bing Theatre (BIT) URL:https://calendar.usc.edu/event/usc-thornton-opera-20261119 X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:USC Thornton Opera: "The Light in the Piazza" DTSTART:20261121T033000Z DTEND:20261121T043000Z DTSTAMP:20260828T002338Z UID:tag:localist.com\,2008:EventInstance_53818450908144 CATEGORIES:theater DESCRIPTION:The Light in the Piazza\nBook by Craig Lucas\nMusic and Lyrics by Adam Guettel\n\nBrent McMunn\, conductor\nKen Cazan\, stage director & set concept\n\nBing Theatre\nUSC University Park Campus\n\nNov. 19\, 2026 | 7:30pm\nNov. 20\, 2026 | 7:30pm\nNov. 21\, 2026 | 7:30pm\nNov. 22\, 202 6 | 2:00pm\n\nTickets will be available through the USC Ticket Office onli ne or call 213-740-4672.\n\nWalk up purchases will be available at the the ater box office.\nFree admission to anyone with a valid USC ID.\n\n--\nAdm ission is free and open to the public. Complete programming and ticketing information for this event will be announced soon. Any details currently l isted may represent only a portion of the full program and ticketing infor mation. Please check back for updates! LAST-MODIFIED:20260828T002338Z LOCATION:Bing Theatre (BIT) URL:https://calendar.usc.edu/event/usc-thornton-opera-the-light-in-the-pia zza-20261120 X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261121T040000Z DTEND:20261121T060000Z DTSTAMP:20260729T054546Z UID:25680-1795204800-1795204800@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-14/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing StrangeCHILDCARE MATINEE DTSTART:20261121T220000Z DTEND:20261122T000000Z DTSTAMP:20260813T002918Z UID:25681-1795269600-1795269600@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260813T002918Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-15/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Opera Scenes DTSTART:20261122T030000Z DTEND:20261122T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53180271438929 CATEGORIES:theater DESCRIPTION:Join us for a whirlwind of opera and operetta favorites featur ing the wit of The Pirates of Penzance\, magical moments from Hansel and G retel\, and beloved scenes from The Marriage of Figaro and Così fan tutte . Running time: 50 minutes with no intermission. LAST-MODIFIED:20260729T180857Z LOCATION:Murphy Recital Hall URL:https://cal.lmu.edu/event/opera-scenes X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:USC Thornton Opera: "The Light in the Piazza" DTSTART:20261122T033000Z DTEND:20261122T043000Z DTSTAMP:20260828T002338Z UID:tag:localist.com\,2008:EventInstance_53818457218016 CATEGORIES:theater DESCRIPTION:The Light in the Piazza\nBook by Craig Lucas\nMusic and Lyrics by Adam Guettel\n\nBrent McMunn\, conductor\nKen Cazan\, stage director & set concept\n\nBing Theatre\nUSC University Park Campus\n\nNov. 19\, 2026 | 7:30pm\nNov. 20\, 2026 | 7:30pm\nNov. 21\, 2026 | 7:30pm\nNov. 22\, 202 6 | 2:00pm\n\nTickets will be available through the USC Ticket Office onli ne or call 213-740-4672.\n\nWalk up purchases will be available at the the ater box office.\nFree admission to anyone with a valid USC ID.\n\n--\nAdm ission is free and open to the public. Complete programming and ticketing information for this event will be announced soon. Any details currently l isted may represent only a portion of the full program and ticketing infor mation. Please check back for updates! LAST-MODIFIED:20260828T002338Z LOCATION:Bing Theatre (BIT) URL:https://calendar.usc.edu/event/usc-thornton-opera-the-light-in-the-pia zza-20261121 X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261122T040000Z DTEND:20261122T060000Z DTSTAMP:20260729T054546Z UID:25682-1795291200-1795291200@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-16/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing StrangeACCESS PERFORMANCE DTSTART:20261122T220000Z DTEND:20261123T000000Z DTSTAMP:20260813T002918Z UID:25683-1795356000-1795356000@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260813T002918Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-17/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:USC Thornton Opera: "The Light in the Piazza" DTSTART:20261122T220000Z DTEND:20261122T230000Z DTSTAMP:20260828T002338Z UID:tag:localist.com\,2008:EventInstance_53818462420787 CATEGORIES:theater DESCRIPTION:The Light in the Piazza\nBook by Craig Lucas\nMusic and Lyrics by Adam Guettel\n\nBrent McMunn\, conductor\nKen Cazan\, stage director & set concept\n\nBing Theatre\nUSC University Park Campus\n\nNov. 19\, 2026 | 7:30pm\nNov. 20\, 2026 | 7:30pm\nNov. 21\, 2026 | 7:30pm\nNov. 22\, 202 6 | 2:00pm\n\nTickets will be available through the USC Ticket Office onli ne or call 213-740-4672.\n\nWalk up purchases will be available at the the ater box office.\nFree admission to anyone with a valid USC ID.\n\n--\nAdm ission is free and open to the public. Complete programming and ticketing information for this event will be announced soon. Any details currently l isted may represent only a portion of the full program and ticketing infor mation. Please check back for updates! LAST-MODIFIED:20260828T002338Z LOCATION:Bing Theatre (BIT) URL:https://calendar.usc.edu/event/usc-thornton-opera-the-light-in-the-pia zza-20261122 X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261123T030000Z DTEND:20261123T050000Z DTSTAMP:20260729T054546Z UID:25684-1795374000-1795374000@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-18/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261125T033000Z DTEND:20261125T053000Z DTSTAMP:20260729T054546Z UID:25685-1795548600-1795548600@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-19/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261126T033000Z DTEND:20261126T053000Z DTSTAMP:20260729T054546Z UID:25686-1795635000-1795635000@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-20/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261128T040000Z DTEND:20261128T060000Z DTSTAMP:20260729T054546Z UID:25687-1795809600-1795809600@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-21/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261128T220000Z DTEND:20261129T000000Z DTSTAMP:20260729T054546Z UID:25688-1795874400-1795874400@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-22/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261129T040000Z DTEND:20261129T060000Z DTSTAMP:20260729T054546Z UID:25689-1795896000-1795896000@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-23/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261129T220000Z DTEND:20261130T000000Z DTSTAMP:20260729T054546Z UID:25690-1795960800-1795960800@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-24/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Passing Strange DTSTART:20261130T030000Z DTEND:20261130T050000Z DTSTAMP:20260729T054546Z UID:25691-1795978800-1795978800@www.pasadenaplayhouse.org CATEGORIES:theater LAST-MODIFIED:20260729T054546Z URL:https://www.pasadenaplayhouse.org/show_event/passing-strange-25/ X-SOURCE-NAME:Pasadena Playhouse X-SOURCE-URL:https://www.pasadenaplayhouse.org END:VEVENT BEGIN:VEVENT SUMMARY:Experience L.A.: Oh\, Mary! at the Ahmanson Theatre DTSTART:20261202T023000Z DTEND:20261202T054500Z DTSTAMP:20260729T054545Z UID:tag:localist.com\,2008:EventInstance_53543585996846 CATEGORIES:theater DESCRIPTION:ADMISSION: \nAdmission is free and open to current USC student s only\, who must use the provided transportation to attend. Space is limi ted and advance registration is required. RSVP beginning Monday\, November 2\, at 10 a.m.\n\nTickets will be distributed at check-in on the day of t he event. Check-in for the event will begin at 5:45 p.m. on campus. Buses will depart at 6:30 p.m. and return to campus at 9:45 p.m. Dinner will be provided.\n\nDESCRIPTION: \nOh\, Mary! \nWritten by Cole Escola\nDirected by Sam Pinkleton\n\n"80 minutes of almost uninterrupted laughter. A work o f genius."–The Hollywood Reporter\n\nThe Tony Award–Winning and Pulitz er Prize finalist hit comedy makes its Los Angeles premiere!\n\nUSC studen ts will have the opportunity to catch Oh\, Mary!\, a dark comedy about a m iserable\, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning\, alcoholism\, and suppres sed desires abound in this 80-minute play that finally examines the forgot ten life and dreams of Mrs. Lincoln through the lens of an idiot (playwrig ht Cole Escola).\n\nDeclared "one of the best comedies in years" by The Ne w York Times\, Oh\, Mary! received two Tony Awards\, including Best Direct ion of a Play (Sam Pinkleton)\, Drama League Awards for Outstanding Play a nd Outstanding Direction of a Play\, as well as a special citation from th e New York Drama Critics’ Circle. It was named a finalist for the Pulitz er Prize for Drama.\n\nOh\, Mary! runs at the Ahmanson Theatre from Novemb er 10 to December 6\, 2026. To attend on your own and purchase tickets\, v isit http://centertheatregroup.org.\n\nPresented by USC Visions and Voices . LAST-MODIFIED:20260729T054545Z LOCATION:Ahmanson Theatre URL:https://calendar.usc.edu/event/experience-la-oh-mary X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Opening Notes: Discover the Orchestra DTSTART:20261205T180000Z DTEND:20261205T200000Z DTSTAMP:20260822T004258Z UID:2620@colburnschool.edu CATEGORIES:family,music,theater DESCRIPTION:Designed for children ages 13 and under but open to all\, Open ing Notes concerts spark imagination and make learning about music feel ea sy and exciting. Led by Conservatory students\, this lively 40-minute perf ormance combines music\, storytelling\, and theatrical adventure as perfor mers bring characters and an engaging story to life onstage. These perform ances feature lighting effects and sudden noises. A sensory-friendly break out space will be available for children who wish to step away from the pe rformance as needed. No prior musical experience is required\; just come r eady to listen and explore! LAST-MODIFIED:20260822T004258Z LOCATION:Zipper Hall\, 200 S Grand Ave\, Los Angeles\, CA\, 90012\, United States URL:https://colburnschool.edu/calendar/events/opening-notes-discover-the-o rchestra/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Winter Musical Theatre Performance DTSTART:20270125T010000Z DTEND:20270125T020000Z DTSTAMP:20260822T004258Z UID:2713@colburnschool.edu CATEGORIES:theater DESCRIPTION:Colburn’s Musical Theatre students have been singing\, danci ng and acting their way through beloved musicals while also deepening skil ls in solos and duets from the musical theatre cannon. See the product of their hard work and talent! LAST-MODIFIED:20260822T004258Z LOCATION:Zipper Hall\, 200 S Grand Ave\, Los Angeles\, CA\, 90012\, United States URL:https://colburnschool.edu/calendar/events/winter-musical-theatre-perfo rmance/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Opera Scenes DTSTART:20270206T030000Z DTEND:20270206T060000Z DTSTAMP:20260828T002338Z UID:tag:localist.com\,2008:EventInstance_53808760729968 CATEGORIES:theater DESCRIPTION:Admission is free and open to the public. Complete programming and ticketing information for this event will be announced soon. Any deta ils currently listed may represent only a portion of the full program and ticketing information. Please check back for updates! LAST-MODIFIED:20260828T002338Z LOCATION:Newman Recital Hall (AHF 151) URL:https://calendar.usc.edu/event/usc-thornton-opera-scenes-270205 X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Opening Notes: Discover the Magic of Music DTSTART:20270206T180000Z DTEND:20270206T200000Z DTSTAMP:20260822T004258Z UID:2622@colburnschool.edu CATEGORIES:family,music,theater DESCRIPTION:Designed for children ages 13 and under but open to all\, thes e concerts spark imagination and make learning about music feel easy and e xciting. Led by Conservatory students\, this lively 40-minute performance combines music\, storytelling\, and theatrical adventure as performers bri ng characters and an engaging story to life onstage. These performances fe ature lighting effects and sudden noises. A sensory-friendly breakout spac e will be available for children who wish to step away from the performanc e as needed. No prior musical experience is required\; just come ready to listen and explore! LAST-MODIFIED:20260822T004258Z LOCATION:Zipper Hall\, 200 S Grand Ave\, Los Angeles\, CA\, 90012\, United States URL:https://colburnschool.edu/calendar/events/discover-the-magic-of-music/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Pitt: Medical Drama and Clinical Reality DTSTART:20270208T200000Z DTEND:20270208T210000Z DTSTAMP:20260729T054545Z UID:tag:localist.com\,2008:EventInstance_53179635704599 CATEGORIES:theater DESCRIPTION:ADMISSION: \nAdmission is free and open to everyone. Reservati ons required. RSVP beginning Monday\, January 4\, at 10 a.m. \n\nDESCRIPTI ON: \nOne of television’s most talked-about medical dramas\, The Pitt ha s captivated audiences with its striking realism and unflinching portrayal of life inside a hospital emergency room. Join writers and actors from th e series alongside health care professionals and media experts for a behin d-the-scenes conversation about the show’s impact on medical education a nd clinical care\, with a particular emphasis on representations of clinic al team relationships\, burnout\, and health justice. \n\nThe conversation will feature special guests from The Pitt\, Erica Rosenthal from the USC Norman Lear Center\, and Stuart Swadron from the Keck School of USC Depart ment of Emergency Medicine. \n\nThis Is One Part of a Series! \nThis conve rsation is part of “As Seen on TV”: Medical Education\, Entertainment\ , and the Reality of Healthcare\, a Medical Humanities\, Arts\, and Ethics event series exploring how medical shows have captivated audiences and sh aped our understanding of health care\, illness\, and the people who provi de care. \n\nRelated Event: \nSeeing Patients: Empathy in TV Medical Drama s \nTuesday\, February 9\, at 7 p.m. \nGinsburg Hall \nMore info and RSVP \n\nBios: \nErica L. Rosenthal is Director of Research at the USC Annenber g Norman Lear Center and the Media Impact Project. A social psychologist w ith more than 20 years of experience\, she studies how media narratives in fluence audiences’ knowledge\, attitudes\, and behavior. Her research ha s explored topics including health equity\, immigration\, reproductive rig hts\, and gender-based violence. Rosenthal holds a PhD from Claremont Grad uate University and regularly speaks and writes about the social impact of storytelling and media.\n\nStuart P. Swadron\, MD\, FACEP\, is Adjunct Cl inical Professor of Emergency Medicine and Medical Education at the Keck S chool of Medicine of USC and Editor-in-Chief of CorePendium\, an online re ference for emergency and acute care medicine. After beginning his career as a general practitioner in underserved communities in British Columbia\, he completed specialty training in emergency medicine and joined USC\, wh ere he served in leadership roles including residency program director\, v ice chair for education\, and assistant dean.\n\nPresented by USC Visions and Voices. Organized by Erika Wright (Medical Education and English) and Adam Scott Weissman (School of Cinematic Arts). Co-sponsored by the HEAL ( Humanities\, Ethics\, Art\, and the Law) Program. LAST-MODIFIED:20260729T054545Z LOCATION:Mayer Auditorium URL:https://calendar.usc.edu/event/the-pitt X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Seeing Patients: Empathy in TV Medical Dramas DTSTART:20270210T030000Z DTEND:20270210T043000Z DTSTAMP:20260729T054545Z UID:tag:localist.com\,2008:EventInstance_53179692806484 CATEGORIES:theater DESCRIPTION:ADMISSION: \nAdmission is free and open to everyone. Reservati ons required. RSVP beginning Monday\, January 4\, at 10 a.m. \n\nDESCRIPTI ON: \nHow do medical dramas shape the way we understand illness and patien t care? Through clips\, conversation\, and firsthand perspectives\, this e ngaging program brings together clinicians\, television writers\, actors\, and disability justice advocates to examine how shows such as The Pitt\, The Good Doctor\, and Chicago Med influence public attitudes toward health and access. Explore the power of storytelling to build empathy\, challeng e assumptions\, and spark conversations about the realities of living with illness and navigating the health care system. \n\nThis Is One Part of a Series! \nThis conversation is a part of “As Seen on TV”: Medical Educ ation\, Entertainment\, and the Reality of Healthcare\, a Medical Humaniti es\, Arts\, and Ethics event series exploring how medical shows have capti vated audiences and shaped our understanding of health care\, illness\, an d the people who provide care. \n\nRelated Event: \nThe Pitt: Medical Dram a and Clinical Reality \nMonday\, February 8\, at 12 p.m. \nMayer Auditori um\, Health Sciences Campus \nMore info and RSVP \n\nSpeaker Bios: \nAdam Scott Weissman is a writer\, producer\, educator\, and USC alumnus whose credits include The Good Doctor\, where he spent five seasons and finished as co-producer\, and episodes of CSI: NY and Proven Innocent. He has also developed television pilots and award-winning stage work. Weissman teache s in USC’s John Wells Division of Writing for Screen & Television and ha s led creative writing programs for incarcerated and formerly incarcerated writers throughout Los Angeles. \n\nKate Folb is Director and Principal I nvestigator of Hollywood\, Health & Society at the USC Annenberg Norman Le ar Center. For more than 20 years\, she has worked at the intersection of entertainment and public health\, collaborating with television and film c reators on issues including substance use\, reproductive health\, and adol escent well-being. Prior to joining USC\, she led entertainment education initiatives for organizations including the Kaiser Family Foundation\, Pla nned Parenthood Federation of America\, and the Robert Wood Johnson Founda tion. Folb holds degrees from the University of Denver and UCLA. \n\nPrese nted by USC Visions and Voices. Organized by Erika Wright (Medical Educati on and English) and Adam Scott Weissman (School of Cinematic Arts). Co-spo nsored by the HEAL (Humanities\, Ethics\, Art\, and the Law) Program. LAST-MODIFIED:20260729T054545Z LOCATION:Ginsburg Hall URL:https://calendar.usc.edu/event/seeing-patients X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:"Tea" – Revisiting an American Classic DTSTART:20270306T220000Z DTEND:20270307T010000Z DTSTAMP:20260827T001734Z UID:tag:localist.com\,2008:EventInstance_53507199854225 CATEGORIES:theater DESCRIPTION:Tea – Revisiting an American Classic features a staged readi ng of Velina Hasu Houston’s play Tea\, which has been designated an Amer ican theatre canon classic. A post-play panel featuring the producer of a forthcoming film based upon the play\, the film’s director\, and the scr eenwriter will follow. The play Tea was written in the early 1980s and has enjoyed continuous production globally since its inception. An opera adap ted from the play opens at Hawai’i Opera Theatre in 2027. At the end of World War II\, nearly 50\,000 women left Japan in a mass exodus that dispe rsed Japanese culture globally. Such a monumental departure never before h ad occurred in Japan and has never happened since. For Japanese women\, it was a time of cultural significance and personal renewal as they challeng ed systems that historically had disadvantaged women. Upholding their agen cy\, worth\, and equity\, the women emigrated to various countries\, inclu ding the U.S. The play Tea focuses on five such women who landed in the Am erican heartland in Kansas. \n\n \n\nRSVP LAST-MODIFIED:20260827T001734Z URL:https://calendar.usc.edu/event/tea-revisiting-an-american-classic X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Maurice Ravel’s L’Enfant et les sortilèges presented by the S inatra Opera Workshop DTSTART;VALUE=DATE:20270320 DTEND;VALUE=DATE:20270321 DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53180458144101 CATEGORIES:education,theater DESCRIPTION:Step into a magical world where furnitures dance\, animals tal k\, and a mischievous child learns the power of kindness. Maurice Ravel’ s L’Enfant et les sortilèges is a whimsical one-act opera bursting with imagination\, humor\, and dazzling music. Running time: approximately 50 minutes with no intermission. LAST-MODIFIED:20260729T180857Z LOCATION:Murphy Recital Hall URL:https://cal.lmu.edu/event/opera-through-time X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Maurice Ravel’s L’Enfant et les sortilèges presented by the S inatra Opera Workshop DTSTART;VALUE=DATE:20270321 DTEND;VALUE=DATE:20270322 DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53180458145126 CATEGORIES:education,theater DESCRIPTION:Step into a magical world where furnitures dance\, animals tal k\, and a mischievous child learns the power of kindness. Maurice Ravel’ s L’Enfant et les sortilèges is a whimsical one-act opera bursting with imagination\, humor\, and dazzling music. Running time: approximately 50 minutes with no intermission. LAST-MODIFIED:20260729T180857Z LOCATION:Murphy Recital Hall URL:https://cal.lmu.edu/event/opera-through-time X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:A Night at the Opera with the Galvin Cello Quartet DTSTART:20270410T020000Z DTEND:20270410T040000Z DTSTAMP:20260822T004258Z UID:2585@colburnschool.edu CATEGORIES:music,theater DESCRIPTION:“A Night at the Opera” puts a fresh\, playful spin on oper atic favorites\, using just four cellos to bring big drama to an intimate setting. Iconic works such as Mozart’s The Marriage of Figaro and Bizet ’s Carmen are reimagined alongside lyrical and virtuosic showpieces. Rem arkable solo artists on their own\, as a quartet the Galvin Cello Quartet delivers a program that’s vibrant\, engaging\, and full of unexpected ch arm. LAST-MODIFIED:20260822T004258Z LOCATION:Thayer Hall\, 200 S Grand Ave\, Los Angeles\, CA\, 90012\, United States URL:https://colburnschool.edu/calendar/events/a-night-at-the-opera-with-th e-galvin-cello-quartet/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Orchestral Choreography: Ravel\, Prokofiev\, Turina\, and Strauss DTSTART:20270418T020000Z DTEND:20270418T040000Z DTSTAMP:20260822T004258Z UID:2571@colburnschool.edu CATEGORIES:music,theater DESCRIPTION:Movement is the central theme for this exhilarating concert of programmatic works. Turina’s vivid Danzas fantásticas incorporates Spa nish dance melodies. The sensual “Dance of the Seven Veils” from Strau ss’s opera Salome depicts a frantic final dance while Ravel’s Daphnis et Chloé ballet suite illustrates a happier ending. Prokofiev’s Piano C oncerto No. 3 rounds out the program with its dance-like drive and infecti ous rhythms. LAST-MODIFIED:20260822T004258Z LOCATION:Royce Hall\, UCLA\, 340 Royce Drive\, Los Angeles\, \, CA\, 90095 \, United States URL:https://colburnschool.edu/calendar/events/orchestral-choreography-rave l-prokofiev-turina-and-strauss/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:USC Thornton Opera: "La Calisto" DTSTART:20270422T020000Z DTEND:20270422T030000Z DTSTAMP:20260828T002338Z UID:tag:localist.com\,2008:EventInstance_53818375560085 CATEGORIES:theater DESCRIPTION:La Calisto\nBy Francesco Cavalli\nLibretto by Giovanni Faustin i\n\nBrent McMunn\, conductor\nKen Cazan\, stage director & set concept\n\ nBing Theatre\nUSC University Park Campus\n\nApr. 21\, 2027 | 7:00pm\nApr. 23\, 2027 | 7:00pm\n\nTickets will be available through the USC Ticket Of fice online or call 213-740-4672.\n\nWalk up purchases will be available a t the theater box office.\nFree admission to anyone with a valid USC ID.\n \n--\nAdmission is free and open to the public. Complete programming and t icketing information for this event will be announced soon. Any details cu rrently listed may represent only a portion of the full program and ticket ing information. Please check back for updates! LAST-MODIFIED:20260828T002338Z LOCATION:Bing Theatre (BIT) URL:https://calendar.usc.edu/event/usc-thornton-opera-20270421 X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:USC Thornton Opera: "La Calisto" DTSTART:20270424T020000Z DTEND:20270424T030000Z DTSTAMP:20260828T002338Z UID:tag:localist.com\,2008:EventInstance_53818414640733 CATEGORIES:theater DESCRIPTION:La Calisto\nBy Francesco Cavalli\nLibretto by Giovanni Faustin i\n\nBrent McMunn\, conductor\nKen Cazan\, stage director & set concept\n\ nBing Theatre\nUSC University Park Campus\n\nApr. 21\, 2027 | 7:00pm\nApr. 23\, 2027 | 7:00pm\n\nTickets will be available through the USC Ticket Of fice online or call 213-740-4672.\n\nWalk up purchases will be available a t the theater box office.\nFree admission to anyone with a valid USC ID.\n \n--\nAdmission is free and open to the public. Complete programming and t icketing information for this event will be announced soon. Any details cu rrently listed may represent only a portion of the full program and ticket ing information. Please check back for updates! LAST-MODIFIED:20260828T002338Z LOCATION:Bing Theatre (BIT) URL:https://calendar.usc.edu/event/usc-thornton-opera-la-calisto-20270423 X-SOURCE-NAME:Event Calendar Calendar X-SOURCE-URL:https://calendar.usc.edu/event/kiyo-gutierrez-bocas-indomable suntamable-mouths-mfa-solo-thesis-exhibtion END:VEVENT BEGIN:VEVENT SUMMARY:Theatre Arts Senior Showcase DTSTART:20270509T030000Z DTEND:20270509T040000Z DTSTAMP:20260729T180857Z UID:tag:localist.com\,2008:EventInstance_53198382850195 CATEGORIES:theater DESCRIPTION:Each spring\, LMU's Theatre Arts program\, faculty and staff p resent a senior showcase to Los Angeles and Hollywood Entertainment indust ry professionals. Senior Theatre Arts majors who are interested in perform ing in the showcase are required to audition. LAST-MODIFIED:20260729T180857Z LOCATION:Strub Theatre URL:https://cal.lmu.edu/event/theatre-arts-senior-showcase-2027 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Spring Musical Theatre Performance DTSTART:20270510T000000Z DTEND:20270510T010000Z DTSTAMP:20260822T004258Z UID:2714@colburnschool.edu CATEGORIES:theater DESCRIPTION:Colburn’s Musical Theatre students have been singing\, danci ng and acting their way through beloved musicals while also deepening skil ls in solos and duets from the musical theatre cannon. See the product of their hard work and talent! LAST-MODIFIED:20260822T004258Z LOCATION:Zipper Hall\, 200 S Grand Ave\, Los Angeles\, CA\, 90012\, United States URL:https://colburnschool.edu/calendar/events/spring-musical-theatre-perfo rmance/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Community School Senior Recognition DTSTART:20270522T200000Z DTEND:20270522T220000Z DTSTAMP:20260822T004258Z UID:2764@colburnschool.edu CATEGORIES:theater DESCRIPTION:Join us as we celebrate the Community School of Performing Art s’s graduating high school seniors. The event will feature student perfo rmances and remarks. LAST-MODIFIED:20260822T004258Z LOCATION:Zipper Hall\, 200 S Grand Ave\, Los Angeles\, CA\, 90012\, United States URL:https://colburnschool.edu/calendar/events/community-school-senior-reco gnition-7/ X-SOURCE-NAME:Summer Dance Camps Los Angeles X-SOURCE-URL:https://colburnschool.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: The 10th Anniversary DTSTART:20270611T030000Z DTEND:20270611T040000Z DTSTAMP:20260731T000720Z UID:tag:localist.com\,2008:EventInstance_53198776553621 CATEGORIES:theater DESCRIPTION:Coming to the Drollinger Family Stage in 2027.\n\nThe War of t he Roses:\nHenry VI\, Part 1 (June 10–12)\nHenry VI\, Part 2 (July 8–1 0)\nHenry VI\, Part 3 (July 29–31)\n\nBeing the Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260731T000720Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/shakespeare-on-the-bluff-the-10th-anniversar y X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: Henry VI\, Part 1 DTSTART:20270611T030000Z DTEND:20270611T040000Z DTSTAMP:20260731T000720Z UID:tag:localist.com\,2008:EventInstance_53569582932392 CATEGORIES:theater DESCRIPTION:The War of the Roses:\n\nHenry VI\, Part 1 (June 10–12)\nHen ry VI\, Part 2 (July 8–10)\nHenry VI\, Part 3 (July 29–31)\n\nBeing th e Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260731T000720Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/henry-vi-part-1 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: The 10th Anniversary DTSTART:20270612T030000Z DTEND:20270612T040000Z DTSTAMP:20260731T000720Z UID:tag:localist.com\,2008:EventInstance_53198776555670 CATEGORIES:theater DESCRIPTION:Coming to the Drollinger Family Stage in 2027.\n\nThe War of t he Roses:\nHenry VI\, Part 1 (June 10–12)\nHenry VI\, Part 2 (July 8–1 0)\nHenry VI\, Part 3 (July 29–31)\n\nBeing the Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260731T000720Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/shakespeare-on-the-bluff-the-10th-anniversar y X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: Henry VI\, Part 1 DTSTART:20270612T030000Z DTEND:20270612T040000Z DTSTAMP:20260731T000720Z UID:tag:localist.com\,2008:EventInstance_53569582933417 CATEGORIES:theater DESCRIPTION:The War of the Roses:\n\nHenry VI\, Part 1 (June 10–12)\nHen ry VI\, Part 2 (July 8–10)\nHenry VI\, Part 3 (July 29–31)\n\nBeing th e Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260731T000720Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/henry-vi-part-1 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: The 10th Anniversary DTSTART:20270613T030000Z DTEND:20270613T040000Z DTSTAMP:20260731T000720Z UID:tag:localist.com\,2008:EventInstance_53198776556695 CATEGORIES:theater DESCRIPTION:Coming to the Drollinger Family Stage in 2027.\n\nThe War of t he Roses:\nHenry VI\, Part 1 (June 10–12)\nHenry VI\, Part 2 (July 8–1 0)\nHenry VI\, Part 3 (July 29–31)\n\nBeing the Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260731T000720Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/shakespeare-on-the-bluff-the-10th-anniversar y X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: Henry VI\, Part 1 DTSTART:20270613T030000Z DTEND:20270613T040000Z DTSTAMP:20260731T000720Z UID:tag:localist.com\,2008:EventInstance_53569582934442 CATEGORIES:theater DESCRIPTION:The War of the Roses:\n\nHenry VI\, Part 1 (June 10–12)\nHen ry VI\, Part 2 (July 8–10)\nHenry VI\, Part 3 (July 29–31)\n\nBeing th e Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260731T000720Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/henry-vi-part-1 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: Henry VI\, Part 2 DTSTART:20270709T030000Z DTEND:20270709T040000Z DTSTAMP:20260809T121553Z UID:tag:localist.com\,2008:EventInstance_53569604140467 CATEGORIES:theater DESCRIPTION:The War of the Roses:\n\nHenry VI\, Part 1 (June 10–12)\nHen ry VI\, Part 2 (July 8–10)\nHenry VI\, Part 3 (July 29–31)\n\nBeing th e Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260809T121553Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/henry-vi-part-2 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: The 10th Anniversary DTSTART:20270709T030000Z DTEND:20270709T040000Z DTSTAMP:20260809T121553Z UID:tag:localist.com\,2008:EventInstance_53569552788828 CATEGORIES:theater DESCRIPTION:Coming to the Drollinger Family Stage in 2027.\n\nThe War of t he Roses:\nHenry VI\, Part 1 (June 10–12)\nHenry VI\, Part 2 (July 8–1 0)\nHenry VI\, Part 3 (July 29–31)\n\nBeing the Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260809T121553Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/shakespeare-on-the-bluff-the-10th-anniversar y X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: Henry VI\, Part 2 DTSTART:20270710T030000Z DTEND:20270710T040000Z DTSTAMP:20260810T122342Z UID:tag:localist.com\,2008:EventInstance_53569604142516 CATEGORIES:theater DESCRIPTION:The War of the Roses:\n\nHenry VI\, Part 1 (June 10–12)\nHen ry VI\, Part 2 (July 8–10)\nHenry VI\, Part 3 (July 29–31)\n\nBeing th e Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260810T122342Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/henry-vi-part-2 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: The 10th Anniversary DTSTART:20270710T030000Z DTEND:20270710T040000Z DTSTAMP:20260810T122342Z UID:tag:localist.com\,2008:EventInstance_53569552789853 CATEGORIES:theater DESCRIPTION:Coming to the Drollinger Family Stage in 2027.\n\nThe War of t he Roses:\nHenry VI\, Part 1 (June 10–12)\nHenry VI\, Part 2 (July 8–1 0)\nHenry VI\, Part 3 (July 29–31)\n\nBeing the Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260810T122342Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/shakespeare-on-the-bluff-the-10th-anniversar y X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: Henry VI\, Part 2 DTSTART:20270711T030000Z DTEND:20270711T040000Z DTSTAMP:20260811T122418Z UID:tag:localist.com\,2008:EventInstance_53569604143541 CATEGORIES:theater DESCRIPTION:The War of the Roses:\n\nHenry VI\, Part 1 (June 10–12)\nHen ry VI\, Part 2 (July 8–10)\nHenry VI\, Part 3 (July 29–31)\n\nBeing th e Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260811T122418Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/henry-vi-part-2 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: The 10th Anniversary DTSTART:20270711T030000Z DTEND:20270711T040000Z DTSTAMP:20260811T122418Z UID:tag:localist.com\,2008:EventInstance_53569552790878 CATEGORIES:theater DESCRIPTION:Coming to the Drollinger Family Stage in 2027.\n\nThe War of t he Roses:\nHenry VI\, Part 1 (June 10–12)\nHenry VI\, Part 2 (July 8–1 0)\nHenry VI\, Part 3 (July 29–31)\n\nBeing the Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260811T122418Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/shakespeare-on-the-bluff-the-10th-anniversar y X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: Henry VI\, Part 3 DTSTART:20270730T030000Z DTEND:20270730T040000Z DTSTAMP:20260830T122927Z UID:tag:localist.com\,2008:EventInstance_53569620980949 CATEGORIES:theater DESCRIPTION:The War of the Roses:\n\nHenry VI\, Part 1 (June 10–12)\nHen ry VI\, Part 2 (July 8–10)\nHenry VI\, Part 3 (July 29–31)\n\nBeing th e Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260830T122927Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/henry-vi-part-3 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: The 10th Anniversary DTSTART:20270730T030000Z DTEND:20270730T040000Z DTSTAMP:20260830T122927Z UID:tag:localist.com\,2008:EventInstance_53569552791903 CATEGORIES:theater DESCRIPTION:Coming to the Drollinger Family Stage in 2027.\n\nThe War of t he Roses:\nHenry VI\, Part 1 (June 10–12)\nHenry VI\, Part 2 (July 8–1 0)\nHenry VI\, Part 3 (July 29–31)\n\nBeing the Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260830T122927Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/shakespeare-on-the-bluff-the-10th-anniversar y X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: Henry VI\, Part 3 DTSTART:20270731T030000Z DTEND:20270731T040000Z DTSTAMP:20260831T123055Z UID:tag:localist.com\,2008:EventInstance_53569620982998 CATEGORIES:theater DESCRIPTION:The War of the Roses:\n\nHenry VI\, Part 1 (June 10–12)\nHen ry VI\, Part 2 (July 8–10)\nHenry VI\, Part 3 (July 29–31)\n\nBeing th e Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260831T123055Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/henry-vi-part-3 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: The 10th Anniversary DTSTART:20270731T030000Z DTEND:20270731T040000Z DTSTAMP:20260831T123055Z UID:tag:localist.com\,2008:EventInstance_53569552792928 CATEGORIES:theater DESCRIPTION:Coming to the Drollinger Family Stage in 2027.\n\nThe War of t he Roses:\nHenry VI\, Part 1 (June 10–12)\nHenry VI\, Part 2 (July 8–1 0)\nHenry VI\, Part 3 (July 29–31)\n\nBeing the Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260831T123055Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/shakespeare-on-the-bluff-the-10th-anniversar y X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: Henry VI\, Part 3 DTSTART:20270801T030000Z DTEND:20270801T040000Z DTSTAMP:20260901T123203Z UID:tag:localist.com\,2008:EventInstance_53569620984023 CATEGORIES:theater DESCRIPTION:The War of the Roses:\n\nHenry VI\, Part 1 (June 10–12)\nHen ry VI\, Part 2 (July 8–10)\nHenry VI\, Part 3 (July 29–31)\n\nBeing th e Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260901T123203Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/henry-vi-part-3 X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT BEGIN:VEVENT SUMMARY:Shakespeare on the Bluff: The 10th Anniversary DTSTART:20270801T030000Z DTEND:20270801T040000Z DTSTAMP:20260901T123203Z UID:tag:localist.com\,2008:EventInstance_53569552793953 CATEGORIES:theater DESCRIPTION:Coming to the Drollinger Family Stage in 2027.\n\nThe War of t he Roses:\nHenry VI\, Part 1 (June 10–12)\nHenry VI\, Part 2 (July 8–1 0)\nHenry VI\, Part 3 (July 29–31)\n\nBeing the Whole Contention betwixt the two Houses\, Lancaster and Yorke LAST-MODIFIED:20260901T123203Z LOCATION:Drollinger Family Stage at Lawton Plaza URL:https://cal.lmu.edu/event/shakespeare-on-the-bluff-the-10th-anniversar y X-SOURCE-NAME:Loyola Marymount University Calendar X-SOURCE-URL:https://cal.lmu.edu END:VEVENT END:VCALENDAR