BEGIN:VCALENDAR VERSION:2.0 PRODID:-//CalDiscovery//caldiscovery//EN CALSCALE:GREGORIAN METHOD:PUBLISH DESCRIPTION:Kansas City: Monday (Mon Sep 21\, America/Chicago). Rolling: t he window moves forward every day\, so subscribe rather than download. Dis covered and maintained by CalDiscovery (https://caldiscovery.com). Event d etails belong to their publishers. Contains information from CalDiscovery\ , which is made available under the ODbL 1.0. SOURCE:https://caldiscovery.com/kansas-city-mo/monday.ics X-PUBLISHED-TTL:PT12H REFRESH-INTERVAL;VALUE=DURATION:PT12H X-WR-CALDESC:Kansas City: Monday (Mon Sep 21\, America/Chicago). Rolling: the window moves forward every day\, so subscribe rather than download. Di scovered and maintained by CalDiscovery (https://caldiscovery.com). Event details belong to their publishers. Contains information from CalDiscovery \, which is made available under the ODbL 1.0. X-WR-CALNAME:Kansas City · Monday · CalDiscovery BEGIN:VEVENT SUMMARY:Sport and Spectator Exhibit DTSTART;VALUE=DATE:20260612 DTEND;VALUE=DATE:20261207 DTSTAMP:20260730T122052Z UID:10029750-1781222400-1796601599@kcparent.com CATEGORIES:arts,free DESCRIPTION:June 12\, 2026 – December 6\, 2026\n\nH. Tony and Marti Oppe nheimer Gallery\; Dean E. Thompson Gallery\, First Floor \nFREE and open t o the public \n  \n\n\nSport and Spectator celebrates the dynamic interse ction of the visual arts and sports culture\, presenting an array of works that transform sports imagery and equipment such as basketballs\, helmets \, and jerseys into artworks. The exhibition invites viewers to consider h ow sports shape our society\, from their impact on the individual to their broader cultural influences. \nSport and Spectator features works by Bran don J. Donahue-Shipp\, Jeffrey Gibson\, Raul Rene Gonzalez\, Sophie Inard\ , Brian Jungen\, Justin Korver\, Betsy Odom\, Esmaa Mohamoud\, Hank Willis Thomas and Tyrrell Winston. Now at the Nerman Museum\, this exhibition is expanded further to include additional artworks from local\, national\, a nd international collections and artists\, including works by Felipe Barbo sa\, Sandow Birk\, Zoe Buckman\, Rob Carter\, Benjamin Degen\, Awol Erizku \, Archie Scott Gobber\, Hugh Hayden\, Samuel Levi Jones\, Esteban Ramón Pérez\, and Jake Troyli. \nThis exhibition\, originally on view at the Mc Nay Art Museum\, was organized by René Paul Barilleaux\, Head of Curatori al Affairs\; and Lauren Thompson\, Curator of Exhibitions. LAST-MODIFIED:20260730T122052Z LOCATION:Nerman Museum\, 12345 College Boulevard\, Overland Park\, Kansas\ , 66210\, United States URL:https://kcparent.com/event/sport-and-spectator/?utm_source=caldiscover y&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:KC Parent X-SOURCE-URL:https://kcparent.com/kansas-citys-farmers-markets END:VEVENT BEGIN:VEVENT SUMMARY:The Berlin Wall: A World Divided DTSTART;VALUE=DATE:20260706 DTEND;VALUE=DATE:20261214 DTSTAMP:20260907T051940Z UID:10027760-1783296000-1797206399@kcparent.com CATEGORIES:civic DESCRIPTION:The Berlin Wall. A World Divided. combines multiple perspecti ves and experiences through a unique collection of artifacts\, media and d iverse testimonies. The exhibition traces the origins and rise of the Cold War conflict. \nExtending its narrative to the fall of the Wall in 1989\, as a prelude to the end of the Cold War\, the exhibition hints at the leg acy of an era that continues\, in essence\, to shape the world and goes be yond the conventional narrative about the history of the Berlin Wall. \nIn cluded in your admission is an audio guide\, which provides additional inf ormation with a carefully crafted narrative. Audio guide available in Engl ish\, Spanish and French. \nThe Berlin Wall. A World Divided. is an exhib ition by the Spanish company Musealia in collaboration with the Berlin Wal l Foundation\, the German institution that looks after the historical lega cy and memory of the victims of the communist regime in East Germany. LAST-MODIFIED:20260907T051940Z LOCATION:Union Station\, 30 West Pershing Road\, Kansas City\, Missouri\, 64108\, United States URL:https://kcparent.com/event/the-berlin-wall-a-world-divided-2/?utm_sour ce=caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:KC Parent X-SOURCE-URL:https://kcparent.com/kansas-citys-farmers-markets END:VEVENT BEGIN:VEVENT SUMMARY:Eye of the Beholder DTSTART;VALUE=DATE:20260707 DTEND;VALUE=DATE:20261221 DTSTAMP:20260730T122056Z UID:8983-1783382400-1797811199@www.daummuseum.org CATEGORIES:arts DESCRIPTION:Seeing is not a neutral act. Our understanding of the visual w orld is shaped by our experiences\, cultural conditioning\, and surroundin g environment. Meaning does not reside solely within an object\; it arises from a participatory\, constructed process. As the author Anaïs Nin remi nds us\, “We don’t see things as they are. We see things as we are.” \nEye of the Beholder approaches perception from this point of view\, esp ecially as it relates to received notions of femininity. In this exhibitio n\, artworks that depict readable characteristics of the feminine are plac ed in conversation with abstract pieces that only allude to femininity’s essential qualities. The materiality of a Donna Sharrett textile\, the pa lette of a Helen Frankenthaler print\, and the imagery of a Michael Eastma n photograph can each become allegories of femininity. When these works ar e placed in dialogue\, the subsequent comparisons invite us to question wh ether the very suggestion of the feminine alters how we interpret what we see next. \nIn Eye of the Beholder\, the installation\, itself\, becomes p art of this inquiry. In one gallery\, a dense\, salon-style arrangement in vites a layered reading through close spatial relationships. In the other room\, a more traditional presentation offers space and visual separation\ , encouraging each work to stand on its own. Moving between these two envi ronments\, viewers may notice how associations carry over\, linger\, or di ssolve. We are invited to participate in this process\, to question our ow n habits of perception\, and to consider how suggestion and context shape what is seen. \nUltimately\, this exhibition asks us to consider how we co me to recognize and imagine femininity\, not only in what is depicted\, bu t in what is implied. What appears to be “feminine” may not reside in the object at all\, but in the expectations we bring to it. In the end\, t he key to the exhibition is not on the walls\, it is in the eye of the beh older. \nQuestions \n\nWhat three words describe femininity to you?\nWhat artwork in the exhibit speaks to femininity the most in your opinion? Why? \n\nQuote \n“We don’t see things as they are. We see things as we are. ” -Anaïs Nin \nThis exhibition was curated by Marcie Teter\, Dr. Meghan McClellan\, and Elena Sofia Raineri. \nAnne Noggle\, "Mary: A Retrospecti ve"\, 1987\; Gelatin silver print\; Gift of Ricci Racela & Michael Bonahan .Anne Noggle\, "Mary: A Retrospective"\, 1987\; Gelatin silver print\; Gif t of Ricci Racela & Michael Bonahan. Paul Allen\, "Golden Arch Angel"\, 2 014-15\; Collage on paper mounted on board\; Gift of the estate of Dr. Har old F. Daum. Brian Novatny\, "Woman in Floral Dress"\, 1998\; Color Etchin g\; Gift of Dr. Harold F. Daum. Linda Connor\, "Hand with Shell"\, 1971\; Gelatin Silver Print\; Gift of Ricci Racela & Michael Bonahan. Andy Collin s\, Untitled\, 2006\; Oil on canvas\; Gift of Dr. Harold F. Daum.Andy Coll ins\, Untitled\, 2006\; Oil on canvas\; Gift of Dr. Harold F. Daum. Denni s Brokaw\, "Flower\, Water\, and Logs\, Jack Creek\, Oregon"\, 1984\; Dye Transfer print\; Gift of P. John Owen Estate. "Eye of the Beholder" instal lation shot."Eye of the Beholder" installation shot. "Eye of the Beholder " installation shot."Eye of the Beholder" installation shot. "Eye of the Beholder" installation shot."Eye of the Beholder" installation shot. "Eye of the Beholder" installation shot."Eye of the Beholder" installation sho t. "Eye of the Beholder" installation shot."Eye of the Beholder" installa tion shot. "Eye of the Beholder" installation shot."Eye of the Beholder" installation shot. "Eye of the Beholder" installation shot."Eye of the Be holder" installation shot. "Eye of the Beholder" installation shot."Eye o f the Beholder" installation shot. LAST-MODIFIED:20260730T122056Z URL:https://www.daummuseum.org/event/eye-of-the-beholder/?utm_source=caldi scovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Daum Museum of Contemporary Art X-SOURCE-URL:https://www.daummuseum.org END:VEVENT BEGIN:VEVENT SUMMARY:Under Pressure DTSTART;VALUE=DATE:20260707 DTEND;VALUE=DATE:20261221 DTSTAMP:20260730T122056Z UID:8991-1783382400-1797811199@www.daummuseum.org CATEGORIES:arts DESCRIPTION:Drawn from the collection of the Daum Museum of Contemporary A rt\, Under Pressure considers abstraction as a site of tension between ord er and disruption. Rather than offering escape\, abstraction here operates as a point of collision\, where systems intended to stabilize and contain begin to reveal their own instability. \nAcross the works presented\, a s ense of underlying tension becomes visible. Control and vulnerability coex ist in a state of friction\, producing a persistent and unresolved unease. The exhibition does not seek to resolve these conditions\, but to foregro und them. \nFormal structures such as grids and repeated systems are subje cted to pressure. They loosen\, fragment\, or give way to gesture. Surface s accumulate and thicken\, resisting restraint and asserting material pres ence. In this context\, structures associated with clarity\, protection\, or definition appear increasingly fragile and provisional. \nAbstraction e merges as a charged field in which instinct and control intersect. Systems falter\, and moments of excess or disruption come to the fore. What is re vealed is not collapse\, but a sustained state of instability in which ord er persists without ever fully securing itself. \nUnder Pressure was curat ed by Alex Britton and Garry Holstein. \nJack Tworkov\, "DA on P #4 Q1-73" \, 1978\; Acrylic on paper. Jim Shrosbree\, "Tom Tom (Blaze)\, 1999\; Glaz ed earthenware with flocking. James Brinsfield\, "Super Freak"\, 1998\; Ac rylic and paper on canvas. "Under Pressure" Installation shot."Under Press ure" Installation shot. "Under Pressure" Installation shot."Under Pressur e" Installation shot. "Under Pressure" Installation shot."Under Pressure" Installation shot. "Under Pressure" Installation shot."Under Pressure" I nstallation shot. "Under Pressure" Installation shot."Under Pressure" Ins tallation shot. "Under Pressure" Installation shot."Under Pressure" Insta llation shot. LAST-MODIFIED:20260730T122056Z URL:https://www.daummuseum.org/event/under-pressure/?utm_source=caldiscove ry&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Daum Museum of Contemporary Art X-SOURCE-URL:https://www.daummuseum.org END:VEVENT BEGIN:VEVENT SUMMARY:Contemporary Visions of the West DTSTART;VALUE=DATE:20260812 DTEND;VALUE=DATE:20261221 DTSTAMP:20260918T000728Z UID:8869-1786492800-1797811199@www.daummuseum.org CATEGORIES:arts DESCRIPTION:The American West occupies a complex place in the cultural ima gination\, shaped by frontier narratives\, industry\, migration\, land use \, resilience\, and mythmaking. Contemporary Visions of the West brings to gether artists from across the United States whose work reclaims and reima gines Western identities and landscapes beyond nostalgia and stereotype.\n \nThrough a contemporary lens\, the exhibition explores how ideas of the W est intersect with questions of place\, labor\, environment\, power\, belo nging\, and lived experience. Selected through a national juried process\, the works on view invite visitors to consider the evolving realities of t he American West and the diverse voices that continue to shape its story.\ n\nThis exhibition was partly sponsored by Douglas and Connie Kiburz and c reated in partnership with the National Cattle Trails Conference.\n\n\nDen ise DeBusk\, "Cross Grained"\, 2024\; Gouache painting on sanded cigar box \; Courtesy of the artist. Luis Saenz\, "Corral"\, 2025\; Black and white photo on metal print\, Courtesy of the artist. Joseph Graves\, Jr.\, "The Modern Cowboy"\, 2025\; Acrylic\, map\, and aerosol on canvas\; Courtesy o f Joseph Graves Jr. Art.Joseph Graves\, Jr.\, "The Modern Cowboy"\, 2025\; Acrylic\, map\, and aerosol on canvas\; Courtesy of Joseph Graves Jr. Art . Installation shot of "Contemporary Visions of the West" Installation sh ot of Bob Culver's "Bronco Buster"\, 2025. Denita Benyshek\, "Radiant Bein g: Sunset and Storm in the Desert"\, 2026\; Mixed media: Drawing\, paintin g\, photography\, archival ink printmaking\, soft pastel\, on cotton rag p aper\; Courtesy of the artist. Malcolm Jackson\, "Florida Cowboy Summer '2 5"\, 2025\; Digital print\; Courtesy of the artist. Installation shot of " Contemporary Visions of the West" Dana Fritz\, "Post-Fire postscript"\, 20 24\; Archival pigment prints and adhesive\; Courtesy of the artist. Dan St apleton\, "The Fringe Jacket"\, 2023\; Acrylic on Masonite board\; Courtes y of the artist. Installation shot of "Contemporary Visions of the West" D onald Pollack\, "Big Horn Easement"\, 2024\; Graphite on drafting paper\; Courtesy of Marcia Wood Gallery.Donald Pollack\, "Big Horn Easement"\, 202 4\; Graphite on drafting paper\; Courtesy of Marcia Wood Gallery. Darryl Furtkamp\, "Augery"\, 2024\; Oil and map on panel\; Courtesy of the artist . Diane Lamboley\, "Desert Bouncer"\, 2023\; Digital Photography on textur ed aluminum\; Courtesy of the artist. Charlene Adkins\, "Ascent"\, 2026\; Panorama printed with Epson materials and pigmented inks on archival paper \; Courtesy of the artist. Kimberly Turcios\, "Soda Pop"\, 2026\; Acrylic paint on canvas\; Courtesy of the artist. Joshua Heimsoth\, "Scrimshaw Sku ll with Halo"\, 2024\; Cow skull and discarded hay cutter parts\, Courtesy of the artist. Marsha Wilson-Johnson\, "Yukon Water Horse"\, 2023\; Veget able tanned cowhide leather\, pyrography with a hand-held wood burner\, wh ite ink\, shoe polish\, blue knotty pine frame\; Courtesy of High Desert F ine Art Gallery. Installation shot of "Contemporary Visions of the West" C arol Carter\, "REACH"\, 2023\; Watercolor on archival arches cp paper\; Co urtesy of the artist. Devon Mozdierz\, "Windswept Landscape: Currency Bird s"\, 2023\; Oil and graphite on panel\, Courtesy of the artist. Denise DeB usk\, "Sage Hen"\, 2023\; Gouache painting on sanded cigar box\; Courtesy of the artist.Denise DeBusk\, "Sage Hen"\, 2023\; Gouache painting on sand ed cigar box\; Courtesy of the artist. Cody Strecker\, "Golden Spirit"\, 2026\; Mixed media\, Courtesy of artist.Cody Strecker\, "Golden Spirit"\, 2026\; Mixed media\, Courtesy of artist. Installation shot of "Contempora ry Visions of the West" Installation shot of "Contemporary Visions of the West" Karen Jacobi\, "White Washed"\, 2025\; Oil on canvas\; Courtesy of t he artist. Shaun Collins\, "Wagon at Ghost Ranch"\, 2026\; Digital print i n barn wood frame\; Courtesy of Lucid TLC Arts. Installation shot of "Cont emporary Visions of the West" Installation shot of Glory Hartsfield's "Fre edom"\, 2026. Installation shot of Bob Culver's "Bronco Buster"\, 2025. Jo hn Brand\, "The Rare Crown"\, 2026\; Archival pigment print on museum-grad e acrylic\, Courtesy of the artist. Installation shot of Glory Hartsfield' s "Freedom"\, 2026. Installation shot of "Contemporary Visions of the West " Stephanie White\, "There Was a Home"\, 2026\; Mixed media\, Courtesy of the artist. Installation shot of "Contemporary Visions of the West" Instal lation shot of "Contemporary Visions of the West" Sharon Pittman\, "Plaids "\, 2026\; acrylic on canvas\, Courtesy of the artist. Installation shot o f "Contemporary Visions of the West" Nikayla Nielson\, "Emergence"\, 2025\ ; Mixed media: Blank skateboard desk\, donated deer antlers\, air-dry clay \, acrylic paint\, archival adhesives\, varnish\; Courtesy of the artist.N ikayla Nielson\, "Emergence"\, 2025\; Mixed media: Blank skateboard desk\, donated deer antlers\, air-dry clay\, acrylic paint\, archival adhesives\ , varnish\; Courtesy of the artist. Douglas Kiburz\, "Spirit of the Plain s"\, 2026\; Aged redwood slab\, copper\, resin\; Courtesy of the artist. H eidi Herrman\, "Sinclair"\, 2026\; Mixed media: vintage handkerchief\, pho tograph printed on mulberry paper\, encaustic\; Courtesy of the artist.Hei di Herrman\, "Sinclair"\, 2026\; Mixed media: vintage handkerchief\, photo graph printed on mulberry paper\, encaustic\; Courtesy of the artist. Ins tallation shot of "Contemporary Visions of the West" Leann Martin\, "The K id"\, 2025\; acrylic on paper\, courtesy of the artist. Installation shot of "Contemporary Visions of the West" Robert Coomer\, "Memory Tree"\, 2026 \; Digital photograph printed on hand-distressed industrial aluminum with painted patina\, stained plywood\, and aged hardware\; Courtesy of the art ist. Debra Keirce\, "HeartFelt"\, 2023\; Oil on panel\; Courtesy of the ar tist. Installation shot of "Contemporary Visions of the West" Oscar Gonzal ez\, "El Maricón del Norte"\, 2026\; Charcoal and oil on stretched canvas \; Courtesy of the artist.Oscar Gonzalez\, "El Maricón del Norte"\, 2026\ ; Charcoal and oil on stretched canvas\; Courtesy of the artist.\n Install ation shot of "Contemporary Visions of the West" Installation shot of Bob Culver's "Bronco Buster"\, 2025. Installation shot of Dana Fritz's "Post-f ire postscript"\, 2024. Glory Hartsfield\, "Freedom"\, 2026\; Barb wire\, tie wire\, and steel\; Courtesy of the artist.Glory Hartsfield\, "Freedom" \, 2026\; Barb wire\, tie wire\, and steel\; Courtesy of the artist. Anth ony Huff\, "J. Pollock Memorial Big Weiner Double Dogging"\, from the "Wes tern Weiner Series"\, 2026\; Acrylic latex\, acrylic paint pens on canvas\ ; Courtesy of the artist. Bob Culver\, A.K.A. Nebraska Kid\, "Bronco Buste r"\, 2025\; 3-D painted sculpture\, made of MDF\, thermal plastic and popl ar wood\, oil on acrylic\; Courtesy of the artist. LAST-MODIFIED:20260918T000728Z URL:https://www.daummuseum.org/event/contemporary-visions-of-the-west/?utm _source=caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Daum Museum of Contemporary Art X-SOURCE-URL:https://www.daummuseum.org END:VEVENT BEGIN:VEVENT SUMMARY:Prohibition Pub Crawl DTSTART:20260903T003000Z DTEND:20261001T050000Z DTSTAMP:20260907T051940Z UID:10031510-1788373800-1790809200@kcparent.com CATEGORIES:drink DESCRIPTION:Step back in time for our blockbuster Prohibition Pub Crawls t hrough Downtown Shawnee! Hosted by Shawnee Town 1929 Museum’s expert his torians\, this deep-dive into life 100 years ago features locally crafted drinks\, behind-the-scenes stories\, and original “then-and-now” photo graphs at surprise stops along the tour. \n\n\n\n\n\n\n\n\n\n\n\n\nTour Da tes & Times\nTours run every Wednesday in September. Each session begins p romptly at 6:30 pm and lasts approximately two hours. Tours will begin at City Hall (11110 Johnson Drive) \n\nSeptember 2 Cancelled due to extreme h eat\nSeptember 9\nSeptember 16\nSeptember 23\nSeptember 30 LAST-MODIFIED:20260907T051940Z LOCATION:Downtown Shawnee\, 11110 Johnson Drive\, Shawnee\, Kansas\, 66203 \, United States URL:https://kcparent.com/event/prohibition-pub-crawl/2026-09-02/?utm_sourc e=caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:KC Parent X-SOURCE-URL:https://kcparent.com/kansas-citys-farmers-markets END:VEVENT BEGIN:VEVENT SUMMARY:Fall Harvest Container Workshops DTSTART;VALUE=DATE:20260911 DTEND;VALUE=DATE:20261014 DTSTAMP:20260914T060037Z UID:10031511-1789084800-1791935999@kcparent.com CATEGORIES:education DESCRIPTION:Create a beautiful harvest-themed arrangement with provided ma terials. LAST-MODIFIED:20260914T060037Z LOCATION:Family Tree Nursery Locations across the Metro\, 8424 Farley\, Ov erland Park\, Kansas\, United States URL:https://kcparent.com/event/fall-harvest-container-workshops/?utm_sourc e=caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:KC Parent X-SOURCE-URL:https://kcparent.com/kansas-citys-farmers-markets END:VEVENT BEGIN:VEVENT SUMMARY:Fall 2026 Tree Keepers DTSTART:20260914T233000Z DTEND:20261013T013000Z DTSTAMP:20260730T122059Z UID:4708-1789410600-1791837000@bridgingthegap.org CATEGORIES:education DESCRIPTION:Our Heartland Tree Alliance program is offering a Tree Keepers course this fall in Roeland Park\, KS. Tree Keepers is perfect for city e mployees\, landscape providers\, Master Gardeners\, Master Naturalists\, s tudents\, and retirees. Learn more and register. LAST-MODIFIED:20260730T122059Z LOCATION:Roeland Park Community Center\, 6850 Rosewood Drive\, Roeland Par k\, KS\, 66205 URL:https://bridgingthegap.org/event/fall-2026-tree-keepers/?utm_source=ca ldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Bridging The Gap X-SOURCE-URL:https://bridgingthegap.org/event/marlborough-trees END:VEVENT BEGIN:VEVENT SUMMARY:Round Up at Macy’s DTSTART;VALUE=DATE:20260915 DTEND;VALUE=DATE:20261016 DTSTAMP:20260813T000608Z UID:17390-1789430400-1792108799@www.harvesters.org CATEGORIES:community DESCRIPTION:Doing a little shopping? Make your change count! From Septembe r 15 through October 15\, customers at Macy’s Overland Park can round up their purchase to the nearest dollar (up to 99¢) and donate the differen ce to Harvesters. It’s a simple way to turn your shopping trip into an o pportunity to help provide food and hope for neighbors facing hunger in ou r community. \n11201 W 95th St\, Overland Park\, KS 66214 LAST-MODIFIED:20260813T000608Z URL:https://www.harvesters.org/event/round-up-at-macys?utm_source=caldisco very&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Harvesters X-SOURCE-URL:https://www.harvesters.org/how-to-help/volunteer/volunteer-op portunities END:VEVENT BEGIN:VEVENT SUMMARY:Cross-Pollination DTSTART;VALUE=DATE:20260918 DTEND;VALUE=DATE:20270301 DTSTAMP:20260730T122056Z UID:8870-1789689600-1803859199@www.daummuseum.org CATEGORIES:arts DESCRIPTION:Presented at the Daum Museum of Contemporary Art\, Cross-Poll ination brings together works from the museum’s permanent collection wi th significant loans by invited contemporary artists to explore the interc onnected relationships that shape the natural world. Across generations\, media\, and artistic perspectives\, the exhibition considers nature not as a static subject\, but as a dynamic network of exchange in which every en counter has the potential to transform what follows. \nThe phenomenon of c ross-pollination offers both a biological process and a curatorial framewo rk. As butterflies\, bees\, birds\, and wind carry pollen between plants\, they sustain biodiversity through movement and connection. Likewise\, the works assembled in this exhibition generate new meaning through proximity . Historical works from the Daum Museum’s collection enter into conversa tion with contemporary practices\, creating moments of resonance that exte nd beyond chronology and reveal the collection as an evolving body of idea s. \nWorking across painting\, photography\, sculpture\, textiles\, and in stallation\, the artists engage recurring themes of growth\, migration\, a daptation\, fragility\, and resilience. Plants and pollinators appear thro ughout the exhibition as enduring symbols of interdependence\, reminding u s that life flourishes through relationships rather than isolation. These ecological systems become a lens through which to consider artistic influe nce\, cultural memory\, and the continual exchange between past and presen t. \nCross-Pollination invites visitors to experience the museum as an eco system where works of art\, like living organisms\, exist within a web of connections that expands with every new encounter. The temporary presence of invited artists does not stand apart from the permanent collection\, bu t activates it\, allowing ideas to circulate across time and media. Togeth er\, these works reflect the vitality of nature itself\, demonstrating tha t renewal emerges through diversity\, dialogue\, and the continual movemen t of ideas. LAST-MODIFIED:20260730T122056Z URL:https://www.daummuseum.org/event/cross-pollination/?utm_source=caldisc overy&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Daum Museum of Contemporary Art X-SOURCE-URL:https://www.daummuseum.org END:VEVENT BEGIN:VEVENT SUMMARY:Bede Clarke: King's Highway DTSTART;VALUE=DATE:20260918 DTEND;VALUE=DATE:20270301 DTSTAMP:20260730T122056Z UID:9011-1789689600-1803859199@www.daummuseum.org CATEGORIES:arts DESCRIPTION:The Daum Museum of Contemporary Art presents Bede Clarke: King ’s Highway\, on view September 18\, 2026\, through February 28\, 2027. B ringing together ceramics and works on paper\, the exhibition examines Cla rke’s enduring exploration of the vessel\, drawing\, and the expressive potential of the handmade mark. \nFor more than four decades\, Clarke has investigated the relationship between form\, surface\, and touch. While th e vessel remains central to his practice\, his work extends beyond traditi onal ceramics through an ongoing dialogue with drawing\, color\, and gestu re. The resulting works record both the physical act of making and the qui et rhythms that shape the creative process. \nClarke describes his practic e as one guided by touch and by an intuitive response to both material and process: “I think I have always cast a pretty wide net in terms of my e xploration of clay. Pots and the vessel have held the center but there has been a strong overlay of interest in drawing\, color and leaving a trace of the hand. I navigate both the clay and drawing with an emphasis on ‘t ouch’ and a felt response to the materials and to my own inner rhythms a nd sensibilities. I am guided by a dialogue with the work and find myself in agreement when it speaks in a voice that has commitment and conviction\ , but also the allure of mystery and enigma. I am always most pleased when the work strikes a balance between wildness and restraint. Through all th is work I am most interested in distinguishing the record\, the moment of the hand touching clay\, and the actual quality of feeling surrounding the work.” \nThe exhibition highlights Clarke’s sustained interest in bal ancing spontaneity with restraint\, allowing each object to embody both th e evidence of its making and a sense of quiet contemplation. Through layer ed surfaces\, expressive line\, and carefully considered form\, King’s H ighway invites viewers to consider clay as both a material and a record of human experience. \nBede Clarke is Professor Emeritus at the University o f Missouri-Columbia\, where he taught ceramics from 1992 to 2021. He recei ved an MFA from the University of Iowa and a BFA from Eckerd College. His work is represented in museum collections throughout the United States and internationally\, including the Daum Museum of Contemporary Art\, the Tai pei County Yingge Ceramics Museum\, the Icheon World Ceramic Center\, the South Bend Museum of Art\, the Martin Museum of Art\, and the Nora Eccles Harrison Museum of Art. Clarke lives and works in Columbia\, Missouri. LAST-MODIFIED:20260730T122056Z URL:https://www.daummuseum.org/event/bede-clarke-kings-highway/?utm_source =caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Daum Museum of Contemporary Art X-SOURCE-URL:https://www.daummuseum.org END:VEVENT BEGIN:VEVENT SUMMARY:Child Passenger Safety Week DTSTART;VALUE=DATE:20260920 DTEND;VALUE=DATE:20260927 DTSTAMP:20260918T001545Z UID:2670-1789862400-1790467199@waytogokc.org CATEGORIES:community DESCRIPTION:What is the Green Commute Challenge? \n \n \n \n Each year\, WAY TO GO puts on a month-long Green Commute Challenge – a fun way to introduce new ways of getting around\, reduce traffic con gestion and improve regional air quality in the KC metro region. It is com pletely free to participate in the challenge. \n \n \n \n \n \n \n \n \n \n \n \n How long has the Gr een Commute Challenge been going on? \n \n \n \n The f irst Green Commute Challenge took place in 2008. \n \n \n \n \n \n \n \n \n \n \n \n Where is the Gre en Commute Challenge happening? \n \n \n \n The Green Commute Challenge is open to people and employers who live/work within Joh nson\, Leavenworth\, Miami\, Platte and Wyandotte counties in Kansas and C ass\, Clay\, Jackson and Ray counties in Missouri. \n \n \n \n \n \n \n \n \n \n \n \n What is a gree n commute? \n \n \n \n A green commute is a trip to an d from university/college or work and business-related trips.  The key is to avoid riding in your car by yourself. \n \n \n \n \n \n \n \n \n \n \n \n How do I earn points ? \n \n \n \n Points can be earned for the following green modes: Carpooling/vanpoolingBikingWalking/rollingScootingTaking the busRiding the streetcar \n \n \n \n \n \n \n \ n \n \n \n \n How do I participate in the Green Commute Challenge? \n \n \n \n Participation is an easy 4-ste p process. Visit www.my.waytogokc.org to create a profile. Select “2026 Green Commute Challenge” under the Events section. Find your employer te am\, create one of your own or join a community team. Start recording gree n commutes beginning Oct. 1. You can spread the word and download promotio nal materials through our partner toolkit. \n \n \n \n \n \n \n \n \n \n \n \n Are there minimum or m aximum numbers for teams? \n \n \n \n No. You can crea te a team of 1 or team of your entire office. We encourage teams of 1 to j oin the BikeWalk KC team. \n \n \n \n \n \n \n \n \n \n \n \n How do I create a community team? \n \n \n \n Community teams can be made up of neighbors\, c ounties or individuals spread across different cities. Team captains shoul d select “Team” in the “Challenges” module of the app to add team members. To be added to an existing team or if your captain hasn’t been identified\, fill out the team request form. \n \n \n \n \n \n \n \n \n \n \n \n How do I join my emp loyer team? \n \n \n \n When you create your profile\, make sure your employer information is filled out. You will automatically be added to the employer’s team upon completion. \n \n \ n \n \n \n \n \n \n \n \n \n Can my child participate in the Green Commute Challenge? \n \n \n \n Participants must be a minimum of 18 years old to participate in the Gr een Commute Challenge. WAY TO GO often works with BikeShare KC to promote bike buses and learn-to-ride classes that are available to kids and adults . \n \n \n \n \n \n \n \n \n \n \n \n What are some of the prizes? \n \n \n \n Th ere will be two prize drawings each week of the challenge. Prizes were don ated from OverBoard Coffee\, Urban Hikes\, Betty Rae’s Ice Cream\, Elite Cycling\, BikeShare KC\, Kemper Museum of Contemporary Art\, Screenland A rmour\, Chicken N Pickle\, Penny’s in the Village\, Broadway Roasting Co mpany\, Powell Gardens\, Headrush Roasters\, Messenger Coffee Co and The R oasterie\, Made in Kansas City and Front Range to name a few. \n \n \n \n \n \n \n \n \n \n \n \n Can I earn points for commuting outside of work and school? \n \n \n \n No\, you can only earn points for the green commute challen ge based on commutes to and from a university/college or work and business -related trips. When the challenge is not taking place\, you can earn poin ts in the WAY TO GO app for green trips that include professional and pers onal activities. \n \n \n \n \n \n \n \n \n \n \n \n Can I increase my chances of winning using diffe rent modes? \n \n \n \n Each week of the challenge foc uses on a different mode of transportation. The weekly prize lottery will focus on those specific modes exclusively\, but all green commutes recorde d during the month will count towards your total. Week 1: Carpool/VanpoolW eek 2: Walking/RollingWeek 3: Transit (bus or streetcar)Week 4: Two-wheels \n \n \n \n \n \n \n \n \n \n \n \n When does the Green Commute Challenge start? When does it end? \n \n \n \n The Green Commute Challenge starts Oct. 1\, 2026. The challenge ends Oct. 31\, 2026. Participants can record their tri ps from Oct. 1 through Nov. 2\, 2026\, to be eligible to win. \n \n \n \n \n \n \n \n \n \n \n \n Do you have teams that compete against each other? \n \n \n \n All teams are competing against each other. The first and second pla ce winners will receive $300 and $150 cash along with award plaques at the finale party on Thursday\, Nov. 5. \n \n \n \n \n \n \n \n \n \n \n \n If I won last year\, can I wi n again? \n \n \n \n Winners of the 2025 Green Commute Challenge are eligible for the weekly prize drawings but cannot receive t he first or second place prizes for the 2026 challenge. Individual prizes are based on a lottery system after meeting the 24-trip minimum. Team priz es are based on total collective points. \n \n \n \n \ n \n \n \n \n \n \n \n How are winners determin ed? \n \n \n \n Individuals must record a minimum of 2 4 trips to be eligible for the first and second place prizes. Teams are aw arded based on the most points collected. LAST-MODIFIED:20260918T001545Z URL:https://waytogokc.org/event/child-passenger-safety-week/?utm_source=ca ldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Way To Go KC X-SOURCE-URL:https://waytogokc.org/transit END:VEVENT BEGIN:VEVENT SUMMARY:Monday Dispensary Deals DTSTART;VALUE=DATE:20260921 DTEND;VALUE=DATE:20260922 DTSTAMP:20260817T052330Z UID:10001346-1789948800-1790035199@sacredleafkc.com CATEGORIES:drink DESCRIPTION:Sacred Leaf KC Monday Dispensary Deals\nBOGO 50% vape carts (s elect brands) \nCome to either location and buy 1 vape cart and get 50% of f your second vape cart. LAST-MODIFIED:20260817T052330Z URL:https://sacredleafkc.com/event/monday-dispensary-deals-2/2026-09-21/?u tm_source=caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:SacredLeafKC X-SOURCE-URL:https://sacredleafkc.com END:VEVENT BEGIN:VEVENT SUMMARY:Online Term D Classes Begin DTSTART;VALUE=DATE:20260921 DTEND;VALUE=DATE:20260922 DTSTAMP:20260901T061734Z UID:10001341-1789948800-1790035199@www.mbts.edu CATEGORIES:education DESCRIPTION:Graduate and Undergraduate Online Term D Classes begin Septemb er 21\, 2026 for Fall 2026 at Midwestern Seminary and Spurgeon College. LAST-MODIFIED:20260901T061734Z URL:https://www.mbts.edu/event/online-term-d-classes-begin-fa26/?utm_sourc e=caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Midwestern Baptist Theological Seminary X-SOURCE-URL:https://www.mbts.edu/events/category/academic-calendar/month END:VEVENT BEGIN:VEVENT SUMMARY:SOMO KC Metro Walking Club DTSTART:20260921T150000Z DTEND:20260921T160000Z DTSTAMP:20260912T180247Z UID:31982-1789984800-1789988400@somo.org CATEGORIES:outdoors,wellness DESCRIPTION:Step into fitness\, fun\, and friendship with the Special Olym pics Missouri Walking Club! We meet every Monday from 10:00–11:00 AM\n\ n📍 Meetup Location: Summer/ Early Fall:\n8255 Summit St\, Kansas City\, MO 64114-2243\n\n \n📍 Meetup Location: During Inclement Weather starti ng June 2026:The View Community Center: 13500 Byars Rd\, Grandview\, MO 64 030\n\nTo register please click this link:https://form.jotform.com/2519557 49937174\n\nAll fitness levels are welcome — come move with us\, stay ac tive\, and connect with \ngreat people. Bring comfortable shoes\, a water bottle\, and your best attitude! \nLet's walk and roll together! LAST-MODIFIED:20260912T180247Z URL:https://somo.org/calendar/somo-kc-metro-walking-club/2026-09-21/?utm_s ource=caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:Special Olympics Missouri X-SOURCE-URL:https://somo.org/calendar/kc-sports-experience-4 END:VEVENT BEGIN:VEVENT SUMMARY:Trauma Work and It’s Impact on You DTSTART:20260921T170000Z DTEND:20260921T213000Z DTSTAMP:20260910T191523Z UID:10001843-1789992000-1790008200@kccommongood.org CATEGORIES:community DESCRIPTION:Big change rarely happens because of one person or one organiz ation. It happens when people unite around a common objective\, build rela tionships\, recognize opportunities\, and transform innovative ideas into tangible actions. The ethos of KC 360 subcommittees is that we are stronge r together. Subcommittees give KC 360 participants a place to move beyond conversation and get to work. They gather individuals with diverse experie nces\, expertise\, and viewpoints to tackle specific challenges and opport unities\, crafting practical solutions that enhance Kansas City neighborho ods. \n \n \n \n \n \n \n \n What Are KC 360 Subcommittees?We have established four s ubcommittees focused on community safety\, opportunity\, and well-being. T he action that Kansas City needs cannot be achieved through our weekly one -hour KC 360 meetings alone. Subcommittees allow us to concentrate efforts on specific areas where collaboration can make a real difference. Partici pants identify needs\, exchange ideas\, form partnerships\, set priorities \, and create action plans. This structure transforms ideas into actionabl e steps. In 2025\, 596 individuals representing 296 organizations have att ended a KC 360\, and 106 individuals have been involved in our subcommitte es. An additional 473 individuals have attended workshops hosted by KC 360 subcommittees. These included two Criminal Justice 101 workshops\, a trau ma response training\, Business 360 Marketing Workshop\, and multiple Lunc h and Learns. Currently\, KC 360 features subcommittees dedicated to: Comm unity-Police RelationsYouth EmpowermentCommunity Care 360Business 360Each subcommittee has distinct focuses and objectives\, yet they share a common belief: thatstronger communities are built through partnership\, trust\, and collective action. Why Subcommittees MatterCommunity challenges are co mplex. Issues such as public safety\, youth well-being\, economic opportun ity\, relationships with the justice system\, and community healing are in terconnected\, and no single organization or sector can address them alone . Subcommittees foster a collaborative environment where community members \, organizations\, businesses\, faith leaders\, educators\, public systems \, and concerned citizens work together\, ensuring that those closest to t he challenges are involved in finding solutions. Moreover\, subcommittees promote accountability. A promising idea gains strength when there are ind ividuals willing to ask: What are the next steps? Who else should be invol ved? What actions can we take? Who has done this before? How will we measu re success? From Ideas to ActionThe work within a subcommittee often start s with a conversation. A participant might highlight a challenge\, another brings a different viewpoint\, a partner shares resources\, and the group identifies a gap\, prompting them to consider possible actions. From thes e discussions\, ideas evolve into specific goals and action steps connecte d to partnerships and resources. \n \n \n \n \n \n \n \n For instance\, the Youth Emp owerment Subcommittee aims to link families with resources that help youth thrive safely and empower them to prevent and interrupt violence. Its mem bers address pathways to violence by: Enhancing community understanding of the justice system and improving navigationof its complexities.Investigat ing barriers to program participation and school attendance.Emphasizing co nflict resolution and de-escalation strategies.Establishing a Youth 360 Bo ard of Advisors for youth aged 13-18 to provide insights on how to better support young people and their families.The Community-Police Relations Sub committee utilizes a multi-tiered engagement model to encourage collaborat ion between KCPD and community partners\, which includes: Participation du ring KC 360 meetingsShifts in mindset\, knowledge\, and communicationActio n items such as:Community presenceConflict resolutionCultural competencyTr ust-building initiativesRestorative justice trainingEducation on the crimi nal justice systemThe Community Care 360 Subcommittee focuses on fostering a safe and harmonious community where neighbors empower one another to le ad meaningful lives. Their initiatives include spiritual-based grief suppo rt\, providing faith leaders with resources to better serve their congrega tions\, and ensuring a visible faith presence in local neighborhoods. \n \n \n \n \n \n \n \n Business 360 showcases how the business community can actively en gage in public safety and neighborhood opportunities. Its mission involves collaborating with businesses to enhance public safety\, expand workforce opportunities\, and support thriving neighborhoods across Kansas City. Th e action plan outlines clear goals for broadening the business network\, e ducating businesses about shared responsibility for public safety\, activa ting them in workforce and youth engagement\, and promoting neighborhood e conomic development. \n \n \n \n \n \n \n \n Everyone Has Something to ContributeSubc ommittees are structured around the concept of partnership because collabo rative work is essential to build stronger relationships throughout Kansas City. You don’t have to be an expert to get involved. Whether you have a professional skill\, a neighborhood connection\, an idea\, personal expe rience\, or simply a willingness to listen and assist\, your input is valu able. How to Get InvolvedIf you care about the future of Kansas City\, the re’s a place for you at the table. Start by identifying the issue that r esonates most with you: Interested in strengthening relationships between communities and law enforcement? Explore our Community-Police Relations Su bcommitteeWant to help young people and families thrive? Check out our You th Empowerment Subcommittee.Interested in assisting in healing\, faith com munities\, and neighbors affected by violence? Look into Community Care 36 0.Eager to help businesses become partners in public safety and neighborho od investment? Consider Business 360.You can also start by attending a KC 360 meeting to connect with other participants and discover where your exp eriences and interests can make the most significant impact. Your Idea Cou ld Be the Next ActionEvery action plan has to start somewhere. It might be gin with a question\, a concern from a neighbor\, a connection between two organizations\, or a belief to create positive change. Subcommittees offe r the framework needed to transform that initial thought into a collaborat ive project. Moving the needle forward isn’t always easy. You need to be willing to be persistent through barriers\, and pivots\, momentum loss\, and needing to start over\, but you’ll get to work alongside a group of people who are just as hopeful as you are. If you have an idea\, a skill\, a connection\, or simply a passion for helping to create safer\, stronger \, and more connected neighborhoods\, we welcome you to join us. Bring you r voice. Bring your ideas. Bring your eagerness to act\, and together\, we can turn ideas into actions and those actions into a lasting impact on ou r community. To learn more\, reach out to our KC 360 Coordinator\, Julia K esarwani\, at julia@kccommongood.org and see our Community Calendar for su bcommittee time and location information. LAST-MODIFIED:20260910T191523Z LOCATION:Park 39\, 300 E 39th St.\, Kansas City\, 64111\, United States URL:https://kccommongood.org/community-event/trauma-work-and-its-impact-on -you/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:KC Common Good X-SOURCE-URL:https://kccommongood.org/venue/southeast-community-center END:VEVENT BEGIN:VEVENT SUMMARY:BAND MEETING DTSTART:20260921T190000Z DTEND:20260921T200000Z DTSTAMP:20260909T062809Z UID:DF32B49F-F555-44A4-BCF1-767748D50430 CATEGORIES:music LAST-MODIFIED:20260909T062809Z LOCATION:BRC Audio Productions\n1933 N Tenth St\, Kansas City\, KS 66104\ , United States X-SOURCE-NAME:Sean McNown-Band (Public) X-SOURCE-URL:https://kclive411.com END:VEVENT BEGIN:VEVENT SUMMARY:Open Jam Night Hosted by Emmitt Rickey DTSTART:20260921T230000Z DTEND:20260922T020000Z DTSTAMP:20260725T072315Z UID:1pcp9j3n4ljc424ejjbia87fmb@google.com CATEGORIES:music LAST-MODIFIED:20260725T072315Z X-SOURCE-NAME:AM Live events and website X-SOURCE-URL:https://kclive411.com END:VEVENT BEGIN:VEVENT SUMMARY:Chicken N Pickle Adaptive Pickleball Practice DTSTART:20260921T230000Z DTEND:20260922T010000Z DTSTAMP:20260731T003028Z UID:10000198-1790013600-1790020800@varietykc.org CATEGORIES:free,sports DESCRIPTION:Overland Park CNP – 5901 W. 135th St. Overland Park\, Kansas 66223\n3rd Monday of the Month | 6:00 – 8:00 PM \nFREE TO ATTEND & EQUI PMENT IS PROVIDED!\nJoin us for a fun-filled night where we welcome indivi duals with physical disabilities to learn\, enjoy\, and bring awareness to adaptive pickleball!\nFor more information contact Adaptive Pickleball Li aison: adaptivewarriorkc@gmail.com LAST-MODIFIED:20260731T003028Z LOCATION:Chicken N Pickle OP\, 5901 W. 135th Street\, Overland Park\, KS\, 66223\, United States URL:https://varietykc.org/event/chicken-n-pickle-adaptive-pickleball-pract ice/2026-09-21/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=kansas -city-mo X-SOURCE-NAME:Variety KC the Children's Charity X-SOURCE-URL:https://varietykc.org END:VEVENT BEGIN:VEVENT SUMMARY:National WWI Museum and Memorial's Centennial Gala DTSTART:20260921T230000Z DTEND:20260922T010000Z DTSTAMP:20260811T061021Z UID:10000626-1790013600-1790013600@kcindependent.com CATEGORIES:arts DESCRIPTION:Celebrating 100 Years of honor\, legacy\, and remembrance. Be part of history in the making at the once-in-a-century Centennial Gala\, a n unforgettable black-tie celebration marking 100 years of preserving the sacred legacy of World War I. Join distinguished guests\, civic leaders\, and passionate supporters from across the nation as we honor Kansas City ’s extraordinary century of stewardship. \n\n\nMission Statement:\nThe o rganization is America’s leading institution dedicated to remembering\, interpreting\, and understanding the Great War and its enduring impact on the global community. LAST-MODIFIED:20260811T061021Z LOCATION:Kauffman Center for the Performing Arts URL:https://kcindependent.com/event/national-wwi-museum-and-memorials-cent ennial-gala/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=kansas-ci ty-mo X-SOURCE-NAME:The Independent X-SOURCE-URL:https://kcindependent.com/food-truck-brings-a-taste-of-hawaii an-tradition-to-kansas-city END:VEVENT BEGIN:VEVENT SUMMARY:Peter Schlamb Duo DTSTART:20260921T230000Z DTEND:20260922T030000Z DTSTAMP:20260823T000714Z UID:7246-1790013600-1790028000@raphaelkc.com CATEGORIES:music DESCRIPTION:Peter Schlamb is Adjunct Instructor of of Jazz Vibes\, Rhythm Section Lab and Jazz Improv\, and a vibraphonist and pianist based in Kans as City\, MO. He recently released his second album Electric Tinks and ma intains a busy schedule performing locally\, nationally and internationall y. Peter spent several years in New York City where he graduated from The New School. Peter is an active member of several ensembles including Logan Richardson’s Blues People\, Matt Villinger’s All Night Trio\, and the Marcus Lewis Quintet in addition to leading his own group\, Electric Tink s. LAST-MODIFIED:20260823T000714Z LOCATION:Chaz Restaurant\, 325 Ward Parkway\, Kansas City\, 64112\, United States URL:https://raphaelkc.com/event-calendar/peter-schlamb-duo-7/?utm_source=c aldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:The Raphael Hotel X-SOURCE-URL:https://raphaelkc.com END:VEVENT BEGIN:VEVENT SUMMARY:Funk on the Rooftop DTSTART:20260921T233000Z DTEND:20260922T023000Z DTSTAMP:20260821T060014Z UID:10006333-1790015400-1790026200@odowdskc.com CATEGORIES:dance,music DESCRIPTION:Who says Mondays can’t be fun? We’re bringing the Funk to the Rooftop with an epic lineup of DJs every Monday starting at 6:30pm! Gr ab your friends\, hit the dance floor\, and let’s turn up the good vibes on the first and best rooftop deck at the Country Club Plaza. See you at O’Dowd’s! LAST-MODIFIED:20260821T060014Z LOCATION:O’Dowd’s\, 4742 Pennsylvania Ave\, Kansas City\, MO\, 64112\, United States URL:https://odowdskc.com/event/funk-on-the-rooftop-2/2026-09-21/?utm_sourc e=caldiscovery&utm_medium=ics&utm_campaign=kansas-city-mo X-SOURCE-NAME:O'Dowd's KC X-SOURCE-URL:https://odowdskc.com/event/irish-musician-damian-mccarthy END:VEVENT END:VCALENDAR