BEGIN:VCALENDAR VERSION:2.0 PRODID:-//CalDiscovery//caldiscovery//EN CALSCALE:GREGORIAN METHOD:PUBLISH DESCRIPTION:Discovered and maintained by CalDiscovery (https://caldiscover y.com). Event details belong to their publishers. Contains information fro m CalDiscovery\, which is made available under the ODbL 1.0. SOURCE:https://caldiscovery.com/eugene-or/src-10926.ics X-PUBLISHED-TTL:PT1H X-WR-CALDESC:Discovered and maintained by CalDiscovery (https://caldiscove ry.com). Event details belong to their publishers. Contains information fr om CalDiscovery\, which is made available under the ODbL 1.0. X-WR-CALNAME:CalDiscovery - eugene-or BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260905 DTEND;VALUE=DATE:20260906 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075949427 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260905 DTEND;VALUE=DATE:20260906 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663030648 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260905T170000Z DTEND:20260906T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758793956 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260905T170000Z DTEND:20260906T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594086795 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Lonely Guy Radio Show with The Lonely Guy DTSTART:20260905T170000Z DTEND:20260905T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259214698470 CATEGORIES:music DESCRIPTION:Join us every Saturday at 10am for the Lonely Guy Radio Show w ith The Lonely Guy. New music each and every week! The Lonely Guy Radio Pr ogram has been part of my Saturdays for nearly 30 years. Thank you for mak ing it part of yours.\n\nTo see playlists from past shows: https://spinitr on.com/KWVA/show/203810/Lonely-Guy-Radio-Show LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/lonely-guy-radio-show-with-the-lone ly-guy X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260905T170000Z DTEND:20260906T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574681111 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260905T170000Z DTEND:20260906T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474348282 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260905T180000Z DTEND:20260906T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374092001 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Glitter Glitch Radio with DJ Bee-Sting and DJ Schizim DTSTART:20260905T190000Z DTEND:20260905T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259241874642 CATEGORIES:music DESCRIPTION:Join us every Saturday at noon for Glitter Glitch Radio with D J Bee-Sting and DJ Schizim.\n\nTo see playlists from past shows: https://s pinitron.com/KWVA/show/260045/Glitter-Glitch-Radio LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/glitter-glitch-radio-with-dj-bee-st ing-and-dj-schizim X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Station Rotation Variety Power Hour with DJ Taco Supreme DTSTART:20260905T210000Z DTEND:20260905T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259270102211 CATEGORIES:music DESCRIPTION:Join us every Saturday at 2pm for The Station Rotation Variety Power Hour with DJ Taco Supreme. Take a break from doomscrolling and tune in to hear two hours of brand new music and old favorites handpicked by w izards — sprinkled with sound clips from film\, TV and internet memes. I t's music in no particular order\, and eclectic with intention.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/276108/The-Stat ion-Rotation-Variety-Power-Hour LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-station-rotation-variety-power- hour-with-dj-taco-supreme X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260905T230000Z DTEND:20260906T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258994684390 CATEGORIES:music DESCRIPTION:Join us every Friday at 4pm for Soirée Gun with Soirée Gun. Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists fro m past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260905T230000Z DTEND:20260906T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259291014795 CATEGORIES:music DESCRIPTION:Join us every Saturday at 4pm for Soirée Gun with Soirée Gun . Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists f rom past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun-625 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260906 DTEND;VALUE=DATE:20260907 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075950452 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260906 DTEND;VALUE=DATE:20260907 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663031673 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Armchair Boogie DTSTART:20260906T030000Z DTEND:20260906T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53046809588478 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nJamgrass\, newgr ass\, funkgrass\, whatever you want to call it— Armchair Boogie is rapid ly becoming one of the country’s hottest acts. With an unbounded sound\, this Wisconsin-based quartet is known for their powerful harmonies\, time less originals\, and choice covers\, along with unforgettable live perform ances. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/armchair-boogie-5813 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260906T170000Z DTEND:20260907T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758794981 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260906T170000Z DTEND:20260907T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594086796 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260906T170000Z DTEND:20260907T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574682136 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20260906T170000Z DTEND:20260906T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010333870 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260906T170000Z DTEND:20260907T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474349307 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260906T180000Z DTEND:20260907T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374093026 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260907 DTEND;VALUE=DATE:20260908 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075952501 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260907 DTEND;VALUE=DATE:20260908 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663033722 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Mick's Tape with DJ Mick DTSTART:20260907T010000Z DTEND:20260907T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241193379789 CATEGORIES:music DESCRIPTION:Join us every Sunday evening at 6pm for Mick's Tape with DJ Mi ck. \n\nEvery week is a new Mick's Tape made just for you. I don't know wh at locker is yours or your homeroom so I'll just leave it here.\n\nStop on by for eclectic eccentricity. I'll bring it all: screeching noises and ye lling\, pleasing melodies\, shredding guitar\, ambient drone. Thoughtful i nterjections. Quality AND quantity. Your new favorite song.\n\nI've got sp onges for ears\, let me wash your dishes. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-micks-tape-with-dj-mick X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260907T180000Z DTEND:20260908T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374094051 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Wandering Sonically with ALIVEDJP DTSTART:20260907T190000Z DTEND:20260907T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241238942207 CATEGORIES:music DESCRIPTION:Join us every Monday at noon for Wandering Sonically with ALIV EDJP.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show /309066/Wandering-Sonically LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/wandering-sonically-with-alivedjp X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260908 DTEND;VALUE=DATE:20260909 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075953526 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260908 DTEND;VALUE=DATE:20260909 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663035771 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Haus of Plays works by Industrial Design Students and Industrial D esigners Society of America - Student Chapter DTSTART:20260908T150000Z DTEND:20260909T020000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53365501579831 CATEGORIES:arts DESCRIPTION:See industrial design works by two groups of students\n\nProdu ct Design Department’s second year students designed a portable wireless speaker. Students considered different use-case scenarios and associated needs for various user demographics from active outdoor lovers to café ow ners to office workers. They learned about injection molding manufacturing process and constraints\, to satisfy technical needs of housing for the i nternal electrical components in their speaker design. \n\nThe Industrial Designers Society of America's (IDSA) mission is to promote the practice of industrial design through education\, information\, community and advo cacy. Our IDSA UO student chapter is comprised of UO product design stud ents\, prospective product design students\, and others who are interested in engaging in the design world. We strive to build a collective of desig n students\, faculty\, and professionals who support each other and increa se the accessibility of industrial design. We facilitate connections betwe en students and professionals to inspire design quality and responsibility through professional development and education. \n\nStudent Org Engage pa ge https://uoregon.campuslabs.com/engage/organization/na LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/haus-of-plays-works-by-industrial-d esign-students-and-industrial-designers-society-of-america-student-chapter X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Latent 80s with Spidersound DTSTART:20260908T150000Z DTEND:20260908T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241281999578 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 8am for Latent 80s with Spidersound. Obscure and semi-obscure music the 1980s and thereabouts — new wave\, al ternative\, synthpop\, punk\, etc.\n\nTo see playlists from past shows: ht tps://spinitron.com/KWVA/show/140922/Latent-80s LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/latent-80s-with-spidersound X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:ABC's of Music with Uncle Manny DTSTART:20260908T170000Z DTEND:20260908T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241305005022 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 10am for ABC's of Music with Uncle Ma nny. An eclectic blend of music\, presented in alphabetical order (by arti st/band name). The goal is for every episode to contain music from at leas t five different genres\, and at least eight recently released songs (with in the past six months).\n\nTo see playlists from past shows: https://spin itron.com/KWVA/show/291176/ABC-s-of-Music LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/abcs-of-music-with-uncle-manny X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260908T180000Z DTEND:20260909T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374095076 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Discover the MS in Management DTSTART:20260908T230000Z DTEND:20260908T234500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53603943287106 CATEGORIES:education DESCRIPTION:Join the Lundquist admissions team to learn about the 10-month Master of Science in Management (MSM) program. This program is open to st udents from all undergraduate majors\, and specifically designed for non-b usiness majors. This session offers a unique opportunity to learn about th e MSM program\, admission requirements\, and the application process. Leav e prepared for the early decision deadline on November 15\, 2026. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/discover-the-ms-in-management-09082 6 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260909 DTEND;VALUE=DATE:20260910 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075954551 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260909 DTEND;VALUE=DATE:20260910 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663036796 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Transcendent Phase with Spacey Kasem DTSTART:20260909T030000Z DTEND:20260909T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241517091337 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 8pm for Transcendent Phase with Space y Kasem. \n\nVisionary music for third-eye voyagers ✨\n\nThank you for s pending some time with Transcendent Phase! \n\nAmbient\, new age\, crystal music\, deep listening\, kosmische\, psych folk\, space music\, cosmic Am ericana\, modular\, vaporwave\, field recordings\, tintinnabulation\, poss ible music\, binaural beats.\n\nTo see playlists from past shows: https:// spinitron.com/KWVA/show/249208/Transcendent-Phase LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/transcendent-phase-with-spacey-kase m X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Open Heart Operation with DJ Surgeon DTSTART:20260909T050000Z DTEND:20260909T070000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241550531772 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 10pm for Open Heart Operation with DJ Surgeon. From electric to electronic\, an open exploration of all music c reated with modern technology!\n\nTo see playlists from past shows: https: //spinitron.com/KWVA/show/285187/Open-Heart-Operation LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/open-heart-operation-with-dj-surgeo n X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Haus of Plays works by Industrial Design Students and Industrial D esigners Society of America - Student Chapter DTSTART:20260909T150000Z DTEND:20260910T020000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53365501579832 CATEGORIES:arts DESCRIPTION:See industrial design works by two groups of students\n\nProdu ct Design Department’s second year students designed a portable wireless speaker. Students considered different use-case scenarios and associated needs for various user demographics from active outdoor lovers to café ow ners to office workers. They learned about injection molding manufacturing process and constraints\, to satisfy technical needs of housing for the i nternal electrical components in their speaker design. \n\nThe Industrial Designers Society of America's (IDSA) mission is to promote the practice of industrial design through education\, information\, community and advo cacy. Our IDSA UO student chapter is comprised of UO product design stud ents\, prospective product design students\, and others who are interested in engaging in the design world. We strive to build a collective of desig n students\, faculty\, and professionals who support each other and increa se the accessibility of industrial design. We facilitate connections betwe en students and professionals to inspire design quality and responsibility through professional development and education. \n\nStudent Org Engage pa ge https://uoregon.campuslabs.com/engage/organization/na LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/haus-of-plays-works-by-industrial-d esign-students-and-industrial-designers-society-of-america-student-chapter X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Laboratory of Sound with Dr. Tom DTSTART:20260909T150000Z DTEND:20260909T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250396605258 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 8am for Laboratory of Sound with Dr . Tom. Electronic music\, trance\, drum and bass\, ambient\, experimental\ , minimal\, instrumental\, incidental. Sometimes with guest MCs MC Tiffleg rad\, MC Mr Blue\, and Maisy MC.\n\nTo see playlists from past shows: http s://spinitron.com/KWVA/show/205239/Laboratory-of-Sound LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/laboratory-of-sound-with-dr-tom X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260909T170000Z DTEND:20260910T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758794982 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260909T170000Z DTEND:20260910T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594087821 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260909T170000Z DTEND:20260910T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574683161 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260909T170000Z DTEND:20260910T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474349308 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260909T180000Z DTEND:20260910T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374096101 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Coop with ROOSTER DTSTART:20260909T190000Z DTEND:20260909T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250416899052 CATEGORIES:music DESCRIPTION:Join us every Wednesday at noon for The Coop with Rooster. Two hours of nonstop dance music!\n\nTo see playlists from past shows: https: //spinitron.com/KWVA/show/293264/The-Coop LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-coop-with-rooster X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Moot Court General Information Session DTSTART:20260909T190000Z DTEND:20260909T201500Z DTSTAMP:20260902T063250Z UID:tag:localist.com\,2008:EventInstance_53856642911745 CATEGORIES:education DESCRIPTION:Welcome to Moot Court! The Moot Court Executive Board will dis cuss the benefits of moot court and how it positively impacts careers and builds essential lawyering skills. We will also discuss each Moot Court ev ent and the timeline of Moot Court Selection Competitions for those who ar e interested in becoming a member. JD students of any year are encouraged to attend. Please reach out with any questions. LAST-MODIFIED:20260902T063250Z LOCATION:William W. Knight Law Center\, 175 URL:https://calendar.uoregon.edu/event/moot-court-general-information-sess ion X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Discover the Master of Accounting DTSTART:20260909T220000Z DTEND:20260910T103000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53603331459959 CATEGORIES:education DESCRIPTION:Join the Lundquist admissions team to learn about the 10-month Master of Accounting (MAcc) program. \n\nThis session offers a unique opp ortunity to find out how the MAcc program can jump start your career\, pre pare for the application process\, and plan for your next steps.\n\nYou'll also have an opportunity to ask the team questions. The next MAcc applica tion deadline is October 15\, 2026. This is the final deadline to start th e MAcc in winter or spring 2027\, and the early decision deadline to start the MAcc in fall 2027. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/discover-the-master-of-accounting-0 90926 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Hyperjump with Muttnik DTSTART:20260909T230000Z DTEND:20260910T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250437942113 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 4pm for Hyperjump with your host DJ Muttnik. Let's go on a journey along Earth’s orbit. ⭐️\n\nTo see pl aylists from past shows: https://spinitron.com/KWVA/show/297906/Hyperjump LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/hyperjump-with-muttnik X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260910 DTEND;VALUE=DATE:20260911 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075955576 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260910 DTEND;VALUE=DATE:20260911 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663037821 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Sports Product Management and Get Application-Ready DTSTART:20260910T000000Z DTEND:20260910T010000Z DTSTAMP:20260813T002753Z UID:tag:localist.com\,2008:EventInstance_53683758062906 CATEGORIES:education DESCRIPTION:Ready to turn your passion for sport and outdoor products into a career?\n\nJoin the University of Oregon Sports Product Management (SPM ) program for our first virtual information session of the new recruiting cycle. Discover what makes the SPM master's program unique and how our imm ersive\, industry-connected approach prepares students to break into and b uild careers in the sport and outdoor product industry.\n\nDuring this ses sion\, we'll cover:\n\nWhat sets the UO Sports Product Management program apartHow the program prepares students for careers in the sport and outdoo r product industryAn overview of the new applicationRequirements for apply ingKey application deadlines and important next stepsWith the application opening September 1\, this is a great opportunity to get your questions an swered early and understand what you'll need to submit a strong applicatio n.\n\nYou'll leave equipped with the information you need to take the next step toward joining the UO Sports Product Management community.\n\nRegist er today and start building your path into the sport and outdoor product i ndustry. LAST-MODIFIED:20260813T002753Z URL:https://calendar.uoregon.edu/event/explore-spm-get-application-ready X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Sonicwanderings with ALIVEDJP DTSTART:20260910T030000Z DTEND:20260910T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250853921727 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 8pm for Sonicwanderings with ALIVED JP. \n\nBrand new indie\, indietronica\, cold-wave\, dark-wave\, lowfi\, n ew music.\n\nNew EARWORMS for your EARHOLES.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/247748/Sonicwanderings LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/sonicwanderings-with-alivedjp X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Night Moves and Wild Rumpus Radio with Pigeon\, DJPJ\, DJ Dingo\, and DJ Unicorn Sprinkles DTSTART:20260910T070000Z DTEND:20260910T080000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250881766224 CATEGORIES:music DESCRIPTION:Join us every Thursday at midnight for Night Moves and Wild Ru mpus Radio with Pigeon\, DJPJ\, DJ Dingo\, and DJ Unicorn Sprinkles. \n\nW e love being back on KWVA! \n\nImagine a world\, where two DJs that dig mu sic stay home on Friday nights and play music for you. Brought to you by t he parents of the Wild Rumpus. Tune in to find out what happens when the d ay stops. Night Moves.\n\nGenre: RomCom/psychological thriller.\n\nSoundtr ack and score: DJPJ and Pigeon.\n\nTo see playlists from past shows: https ://spinitron.com/KWVA/show/212381/Night-Moves-and-Wild-Rumpus-Radio LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/night-moves-and-wild-rumpus-radio-w ith-pigeon-djpj-dj-dingo-and-dj-unicorn-sprinkles X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Haus of Plays works by Industrial Design Students and Industrial D esigners Society of America - Student Chapter DTSTART:20260910T150000Z DTEND:20260911T020000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53365501580857 CATEGORIES:arts DESCRIPTION:See industrial design works by two groups of students\n\nProdu ct Design Department’s second year students designed a portable wireless speaker. Students considered different use-case scenarios and associated needs for various user demographics from active outdoor lovers to café ow ners to office workers. They learned about injection molding manufacturing process and constraints\, to satisfy technical needs of housing for the i nternal electrical components in their speaker design. \n\nThe Industrial Designers Society of America's (IDSA) mission is to promote the practice of industrial design through education\, information\, community and advo cacy. Our IDSA UO student chapter is comprised of UO product design stud ents\, prospective product design students\, and others who are interested in engaging in the design world. We strive to build a collective of desig n students\, faculty\, and professionals who support each other and increa se the accessibility of industrial design. We facilitate connections betwe en students and professionals to inspire design quality and responsibility through professional development and education. \n\nStudent Org Engage pa ge https://uoregon.campuslabs.com/engage/organization/na LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/haus-of-plays-works-by-industrial-d esign-students-and-industrial-designers-society-of-america-student-chapter X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:ABC's of Music with Uncle Manny DTSTART:20260910T170000Z DTEND:20260910T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250901300500 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 10am for ABC's of Music with Uncle Manny. An eclectic blend of music\, presented in alphabetical order (by ar tist/band name). The goal is for every episode to contain music from at le ast five different genres\, and at least eight recently released songs (wi thin the past six months). LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/abcs-of-music-with-uncle-manny-2577 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260910T170000Z DTEND:20260911T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758796007 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260910T170000Z DTEND:20260911T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594088846 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260910T170000Z DTEND:20260911T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574683162 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260910T170000Z DTEND:20260911T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474350333 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260910T180000Z DTEND:20260911T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374096102 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America's Seed Fund Overview DTSTART:20260910T190000Z DTEND:20260910T203000Z DTSTAMP:20260902T063250Z UID:tag:localist.com\,2008:EventInstance_53728278153698 CATEGORIES:education,tech DESCRIPTION:Learn how to secure up to $2M in non-dilutive funding for your startup’s R&D. This single 90-minute session covers the basics — elig ibility\, and how to identify which of the 11 participating agencies best fits your technology — so you can decide whether Small Business Innovati on Research/Small Business Technology Transfer is a path worth seriously p ursuing. For UO personnel interested in learning more about R&D funding fo r their startup.\n\nVirtual and free. Register here.\n\n Presenter Amanda Barnhart joined BBCetc as principal consultant in 2020 after serving as th e director of business development and regulatory affairs for a Michigan m anufacturing facility producing medical isotopes for cancer therapy. In ad dition to her directorial responsibilities\, Amanda worked as a nuclear en gineer\, project manager\, and program manager to secure over $60 million in Department of Energy\, Department of Defense\, Department of Homeland S ecurity\, and private investor funds. Her grant writing and negotiation sk ills have won over 30 Phase I\, Phase II\, and Phase III contracts through the SBIR/STTR program and she has managed the post-award administration p rocess for five universities and six national laboratories. Amanda secured three licenses and 20 amendments from the Nuclear Regulatory Commission a nd established facility registration and Drug Master Files with the Food a nd Drug Administration. She has an executive MBA in integrative management from Michigan State University and a bachelor’s in materials science an d engineering from the University of Michigan\, Ann Arbor. LAST-MODIFIED:20260902T063250Z URL:https://calendar.uoregon.edu/event/sbirsttr-overview X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Hyperjump with Muttnik DTSTART:20260910T210000Z DTEND:20260910T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250922477818 CATEGORIES:music DESCRIPTION:Join us every Thursday at 2pm for Hyperjump with your host DJ Muttnik. Let's go on a journey along Earth’s orbit. ⭐️\n\nTo see pla ylists from past shows: https://spinitron.com/KWVA/show/297906/Hyperjump LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/hyperjump-with-muttnik-4284 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260911 DTEND;VALUE=DATE:20260912 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075957625 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260911 DTEND;VALUE=DATE:20260912 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663038846 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Group W Bench with Pee Wee DTSTART:20260911T030000Z DTEND:20260911T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250950199648 CATEGORIES:music DESCRIPTION:Join us every Thursday at 8pm for The Group W Bench with Pee W ee. The best two-hour community radio blues-focused show in Eugene\, Orego n.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/19 4495/The-Group-W-Bench LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-group-w-bench-with-pee-wee X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Kneescapes and Soundscrapes With Ladybug DTSTART:20260911T050000Z DTEND:20260911T070000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258901121478 CATEGORIES:music DESCRIPTION:Join us every Thursday at 10pm for a summertime special editio n show\, Kneescapes and Soundscrapes. Co-hosts Lady Bug and Contracate are dedicated to providing radio listeners with a peaceful soundtrack for the ir summer nights! As a mesh of two tastes\, this show spans various muscia l genres to mix and match moods and provide variety every week. From R&B t o alt rock and bossa novian to country to late italian orchestral... Knees crapes and Soundscrapes might just have a little something for you! Tune i n to find out \;-)\n\nTo see playlists from past shows: https://spinitron. com/KWVA/show/309259/Kneescapes-Soundscrapes LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kneescapes-soundscrapes-with-ladybu g X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Haus of Plays works by Industrial Design Students and Industrial D esigners Society of America - Student Chapter DTSTART:20260911T150000Z DTEND:20260912T020000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53365501581882 CATEGORIES:arts DESCRIPTION:See industrial design works by two groups of students\n\nProdu ct Design Department’s second year students designed a portable wireless speaker. Students considered different use-case scenarios and associated needs for various user demographics from active outdoor lovers to café ow ners to office workers. They learned about injection molding manufacturing process and constraints\, to satisfy technical needs of housing for the i nternal electrical components in their speaker design. \n\nThe Industrial Designers Society of America's (IDSA) mission is to promote the practice of industrial design through education\, information\, community and advo cacy. Our IDSA UO student chapter is comprised of UO product design stud ents\, prospective product design students\, and others who are interested in engaging in the design world. We strive to build a collective of desig n students\, faculty\, and professionals who support each other and increa se the accessibility of industrial design. We facilitate connections betwe en students and professionals to inspire design quality and responsibility through professional development and education. \n\nStudent Org Engage pa ge https://uoregon.campuslabs.com/engage/organization/na LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/haus-of-plays-works-by-industrial-d esign-students-and-industrial-designers-society-of-america-student-chapter X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Snap\, Crackle\, POP! with Craig Leve DTSTART:20260911T150000Z DTEND:20260911T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258943572612 CATEGORIES:music DESCRIPTION:Join us every Friday at 8am for Snap\, Crackle\, POP! with Cra ig Leve. Snap\, Crackle\, POP! features all things pop - soft pop and psyc h pop from the 60s\, power pop of the 70s\, synth pop\, new wave\, pub roc k\, power pop revival and more.\n\nTo see playlists from past shows: https ://spinitron.com/KWVA/show/140895/Snap-Crackle-POP LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/snap-crackle-pop-with-craig-leve X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260911T170000Z DTEND:20260912T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758797032 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260911T170000Z DTEND:20260912T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594088847 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260911T170000Z DTEND:20260912T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574684187 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260911T170000Z DTEND:20260912T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474350334 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260911T180000Z DTEND:20260912T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374097127 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Open Heart Operation with DJ Surgeon DTSTART:20260911T210000Z DTEND:20260911T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258965673525 CATEGORIES:music DESCRIPTION:Join us every Friday at 2pm for Open Heart Operation with DJ S urgeon. From electric to electronic\, an open exploration of all music cre ated with modern technology!\n\nTo see playlists from past shows: https:// spinitron.com/KWVA/show/285187/Open-Heart-Operation LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/open-heart-operation-with-dj-surgeo n-4572 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260911T230000Z DTEND:20260912T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258994685415 CATEGORIES:music DESCRIPTION:Join us every Friday at 4pm for Soirée Gun with Soirée Gun. Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists fro m past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260912 DTEND;VALUE=DATE:20260913 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075958650 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260912 DTEND;VALUE=DATE:20260913 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663039871 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Latent 80s with SpiderSound DTSTART:20260912T010000Z DTEND:20260912T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259017921406 CATEGORIES:music DESCRIPTION:Join us every Friday at 6pm for Latent 80s with SpiderSound. O bscure and semi-obscure music the 1980s and thereabouts — new wave\, alt ernative\, synthpop\, punk\, etc.\n\nTo see playlists from past shows: htt ps://spinitron.com/KWVA/show/140922/Latent-80s LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/latent-80s-with-spidersound-7426 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260912T170000Z DTEND:20260913T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758798057 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260912T170000Z DTEND:20260913T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594089872 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Haus of Plays works by Industrial Design Students and Industrial D esigners Society of America - Student Chapter DTSTART:20260912T170000Z DTEND:20260913T003000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53365501581883 CATEGORIES:arts DESCRIPTION:See industrial design works by two groups of students\n\nProdu ct Design Department’s second year students designed a portable wireless speaker. Students considered different use-case scenarios and associated needs for various user demographics from active outdoor lovers to café ow ners to office workers. They learned about injection molding manufacturing process and constraints\, to satisfy technical needs of housing for the i nternal electrical components in their speaker design. \n\nThe Industrial Designers Society of America's (IDSA) mission is to promote the practice of industrial design through education\, information\, community and advo cacy. Our IDSA UO student chapter is comprised of UO product design stud ents\, prospective product design students\, and others who are interested in engaging in the design world. We strive to build a collective of desig n students\, faculty\, and professionals who support each other and increa se the accessibility of industrial design. We facilitate connections betwe en students and professionals to inspire design quality and responsibility through professional development and education. \n\nStudent Org Engage pa ge https://uoregon.campuslabs.com/engage/organization/na LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/haus-of-plays-works-by-industrial-d esign-students-and-industrial-designers-society-of-america-student-chapter X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Lonely Guy Radio Show with The Lonely Guy DTSTART:20260912T170000Z DTEND:20260912T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259214699495 CATEGORIES:music DESCRIPTION:Join us every Saturday at 10am for the Lonely Guy Radio Show w ith The Lonely Guy. New music each and every week! The Lonely Guy Radio Pr ogram has been part of my Saturdays for nearly 30 years. Thank you for mak ing it part of yours.\n\nTo see playlists from past shows: https://spinitr on.com/KWVA/show/203810/Lonely-Guy-Radio-Show LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/lonely-guy-radio-show-with-the-lone ly-guy X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260912T170000Z DTEND:20260913T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574685212 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260912T170000Z DTEND:20260913T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474351359 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260912T180000Z DTEND:20260913T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374099176 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260912T180000Z DTEND:20260913T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816148787 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Glitter Glitch Radio with DJ Bee-Sting and DJ Schizim DTSTART:20260912T190000Z DTEND:20260912T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259241874643 CATEGORIES:music DESCRIPTION:Join us every Saturday at noon for Glitter Glitch Radio with D J Bee-Sting and DJ Schizim.\n\nTo see playlists from past shows: https://s pinitron.com/KWVA/show/260045/Glitter-Glitch-Radio LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/glitter-glitch-radio-with-dj-bee-st ing-and-dj-schizim X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Station Rotation Variety Power Hour with DJ Taco Supreme DTSTART:20260912T210000Z DTEND:20260912T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259270103236 CATEGORIES:music DESCRIPTION:Join us every Saturday at 2pm for The Station Rotation Variety Power Hour with DJ Taco Supreme. Take a break from doomscrolling and tune in to hear two hours of brand new music and old favorites handpicked by w izards — sprinkled with sound clips from film\, TV and internet memes. I t's music in no particular order\, and eclectic with intention.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/276108/The-Stat ion-Rotation-Variety-Power-Hour LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-station-rotation-variety-power- hour-with-dj-taco-supreme X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260912T230000Z DTEND:20260913T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258994685416 CATEGORIES:music DESCRIPTION:Join us every Friday at 4pm for Soirée Gun with Soirée Gun. Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists fro m past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260912T230000Z DTEND:20260913T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259291015820 CATEGORIES:music DESCRIPTION:Join us every Saturday at 4pm for Soirée Gun with Soirée Gun . Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists f rom past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun-625 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260913 DTEND;VALUE=DATE:20260914 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075959675 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260913 DTEND;VALUE=DATE:20260914 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663040896 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260913T170000Z DTEND:20260914T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758799082 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260913T170000Z DTEND:20260914T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594090897 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Haus of Plays works by Industrial Design Students and Industrial D esigners Society of America - Student Chapter DTSTART:20260913T170000Z DTEND:20260914T003000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53365501582908 CATEGORIES:arts DESCRIPTION:See industrial design works by two groups of students\n\nProdu ct Design Department’s second year students designed a portable wireless speaker. Students considered different use-case scenarios and associated needs for various user demographics from active outdoor lovers to café ow ners to office workers. They learned about injection molding manufacturing process and constraints\, to satisfy technical needs of housing for the i nternal electrical components in their speaker design. \n\nThe Industrial Designers Society of America's (IDSA) mission is to promote the practice of industrial design through education\, information\, community and advo cacy. Our IDSA UO student chapter is comprised of UO product design stud ents\, prospective product design students\, and others who are interested in engaging in the design world. We strive to build a collective of desig n students\, faculty\, and professionals who support each other and increa se the accessibility of industrial design. We facilitate connections betwe en students and professionals to inspire design quality and responsibility through professional development and education. \n\nStudent Org Engage pa ge https://uoregon.campuslabs.com/engage/organization/na LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/haus-of-plays-works-by-industrial-d esign-students-and-industrial-designers-society-of-america-student-chapter X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260913T170000Z DTEND:20260914T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574686237 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20260913T170000Z DTEND:20260913T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010334895 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260913T170000Z DTEND:20260914T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474351360 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260913T180000Z DTEND:20260914T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374100201 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260913T180000Z DTEND:20260914T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816149812 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260914 DTEND;VALUE=DATE:20260915 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075960700 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260914 DTEND;VALUE=DATE:20260915 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663041921 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Mick's Tape with DJ Mick DTSTART:20260914T010000Z DTEND:20260914T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241193380814 CATEGORIES:music DESCRIPTION:Join us every Sunday evening at 6pm for Mick's Tape with DJ Mi ck. \n\nEvery week is a new Mick's Tape made just for you. I don't know wh at locker is yours or your homeroom so I'll just leave it here.\n\nStop on by for eclectic eccentricity. I'll bring it all: screeching noises and ye lling\, pleasing melodies\, shredding guitar\, ambient drone. Thoughtful i nterjections. Quality AND quantity. Your new favorite song.\n\nI've got sp onges for ears\, let me wash your dishes. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-micks-tape-with-dj-mick X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Haus of Plays works by Industrial Design Students and Industrial D esigners Society of America - Student Chapter DTSTART:20260914T150000Z DTEND:20260915T020000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53365501582909 CATEGORIES:arts DESCRIPTION:See industrial design works by two groups of students\n\nProdu ct Design Department’s second year students designed a portable wireless speaker. Students considered different use-case scenarios and associated needs for various user demographics from active outdoor lovers to café ow ners to office workers. They learned about injection molding manufacturing process and constraints\, to satisfy technical needs of housing for the i nternal electrical components in their speaker design. \n\nThe Industrial Designers Society of America's (IDSA) mission is to promote the practice of industrial design through education\, information\, community and advo cacy. Our IDSA UO student chapter is comprised of UO product design stud ents\, prospective product design students\, and others who are interested in engaging in the design world. We strive to build a collective of desig n students\, faculty\, and professionals who support each other and increa se the accessibility of industrial design. We facilitate connections betwe en students and professionals to inspire design quality and responsibility through professional development and education. \n\nStudent Org Engage pa ge https://uoregon.campuslabs.com/engage/organization/na LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/haus-of-plays-works-by-industrial-d esign-students-and-industrial-designers-society-of-america-student-chapter X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260914T180000Z DTEND:20260915T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374101226 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260914T180000Z DTEND:20260915T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816149813 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Wandering Sonically with ALIVEDJP DTSTART:20260914T190000Z DTEND:20260914T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241238943232 CATEGORIES:music DESCRIPTION:Join us every Monday at noon for Wandering Sonically with ALIV EDJP.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show /309066/Wandering-Sonically LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/wandering-sonically-with-alivedjp X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Law of Intellectual Property (LIP) First General Meeting DTSTART:20260914T190000Z DTEND:20260914T200000Z DTSTAMP:20260829T003340Z UID:tag:localist.com\,2008:EventInstance_53812406003859 CATEGORIES:education DESCRIPTION:First general meeting for LIP and all those interested in lear ning more about IP law at U of O. In person meeting but you can attend via Zoom if you are unable to be physically present. LAST-MODIFIED:20260829T003340Z LOCATION:William W. Knight Law Center\, 184 URL:https://calendar.uoregon.edu/event/law-of-intellectual-property-lip-fi rst-general-meeting X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260915 DTEND;VALUE=DATE:20260916 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075961725 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260915 DTEND;VALUE=DATE:20260916 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663041922 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Dana and Alden DTSTART:20260915T030000Z DTEND:20260915T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53249735251907 CATEGORIES:theater DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nOn Monday\, Sept ember 14\, 2026\, the Community Center for the Performing Arts proudly wel comes Dana and Alden to the WOW Hall for the Papa’s Boat Tour. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/dana-and-alden X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Latent 80s with Spidersound DTSTART:20260915T150000Z DTEND:20260915T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241281999579 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 8am for Latent 80s with Spidersound. Obscure and semi-obscure music the 1980s and thereabouts — new wave\, al ternative\, synthpop\, punk\, etc.\n\nTo see playlists from past shows: ht tps://spinitron.com/KWVA/show/140922/Latent-80s LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/latent-80s-with-spidersound X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260915T150000Z DTEND:20260916T020000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434678397 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Corporate Sponsored Research — Pitch Perfect: Presenting to Indu stry Research Sponsors DTSTART:20260915T160000Z DTEND:20260916T000000Z DTSTAMP:20260902T063250Z UID:tag:localist.com\,2008:EventInstance_53738359882252 CATEGORIES:education DESCRIPTION:The second workshop in OVPRI's Corporate Sponsored Research se ries for UO faculty:\n\nLearn how companies make decisions about their aca demic collaborations\, understand the benefits and challenges of industry engagement\, and receive practical advice for successful industry interact ions.\n For UO faculty seeking industry research fundingSTEM-focused\, but other disciplines are welcomeIn follow-up 1:1 sessions\, select faculty w ill have the chance to get direct feedback. Morning workshop 9:00 a.m.–n oon\; afternoon 1:1s 1:00–5:00 p.m. on the UO campus. Consultation slots are limited and selective — indicating interest early is best. \n\nIn p erson event — Register.\n\nLed by Todd Cleland\, who leverages his exten sive background in facilitating collaborations between industry and academ ia to deliver exceptional client service. With twenty plus years of practi cal corporate experience in developing technology strategy\, incubating ne w businesses\, and managing strategic engagements with outside companies\, and eleven years developing corporate partnerships at a major research un iversity\, he brings both a university and industry perspective to client projects.\n\nTodd most recently served as senior director for corporate re lations at the University of Washington\, where he led the central corpora te relations team\, managing some of the university’s most important cor porate relationships while driving strategic projects to enhance industry engagements. Prior to his academic career\, Todd held a variety of researc h and development management roles during his two decades at Hewlett-Packa rd.\n\nBased in Washington State\, Todd received a BSE in chemical enginee ring from Princeton and a PhD in chemical engineering from UC Berkeley. He also holds an SM/MBA in technology management from MIT’s Sloan School o f Business. LAST-MODIFIED:20260902T063250Z LOCATION:Knight Library\, 106 Browsing Room URL:https://calendar.uoregon.edu/event/corporate-sponsored-research-pitch- perfect-presenting-to-industry-research-sponsors X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:ABC's of Music with Uncle Manny DTSTART:20260915T170000Z DTEND:20260915T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241305005023 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 10am for ABC's of Music with Uncle Ma nny. An eclectic blend of music\, presented in alphabetical order (by arti st/band name). The goal is for every episode to contain music from at leas t five different genres\, and at least eight recently released songs (with in the past six months).\n\nTo see playlists from past shows: https://spin itron.com/KWVA/show/291176/ABC-s-of-Music LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/abcs-of-music-with-uncle-manny X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:OLLI-UO Fall Term Expo DTSTART:20260915T173000Z DTEND:20260915T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53481049701986 CATEGORIES:community,education,market DESCRIPTION:Are you new to the Eugene/Springfield area? Or new to retireme nt?Have you been to OLLI-UO in the past and want to know what’s happenin g now?Are you a new member and want to meet more colleagues in person?Are you a long time member but want to learn more about the new programs and a ctivities this term?Any “YES” means this event is for YOU!\n\nEVENT SC HEDULE\n\n10:30 a.m. Enjoy refreshments\, visit information tables\n\n11:0 0 a.m. Presentation: What Is OLLI-UO and How Does It Work?\n\n11:30 a.m. V isit information tables\; meet facilitators and instructors\n\nLimited fre e parking available in “CPE Permit” lot\, located at the UO Baker Down town Center\, near 325 E. 10th Ave. No permit required for this special ev ent. LAST-MODIFIED:20260730T015158Z LOCATION:Baker Downtown Center URL:https://calendar.uoregon.edu/event/olli-uo-fall-term-expo X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260915T180000Z DTEND:20260916T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374102251 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260915T180000Z DTEND:20260916T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816150838 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:UO Commute Planning and Support: Drop-in Sessions DTSTART:20260915T190000Z DTEND:20260915T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53481935247995 CATEGORIES:education DESCRIPTION:Get personalized UO commute planning help at a drop-in session on Zoom! Talk with Rachel Glaeser (UO Transportation Services) about your commute options to the Eugene campus. Learn about the many options beyond driving alone to campus. Find out how active and sustainable commute mode s can save you money\, reduce stress\, and lower your carbon footprint.\n\ nDrop-in sessions are open to any UO employee and student. Sessions will b e held on Zoom every Tuesday at noon from September 15 to October 13. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/uo-commute-planning-support-drop-in -session X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260916 DTEND;VALUE=DATE:20260917 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075963774 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260916 DTEND;VALUE=DATE:20260917 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663042947 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Transcendent Phase with Spacey Kasem DTSTART:20260916T030000Z DTEND:20260916T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241517092362 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 8pm for Transcendent Phase with Space y Kasem. \n\nVisionary music for third-eye voyagers ✨\n\nThank you for s pending some time with Transcendent Phase! \n\nAmbient\, new age\, crystal music\, deep listening\, kosmische\, psych folk\, space music\, cosmic Am ericana\, modular\, vaporwave\, field recordings\, tintinnabulation\, poss ible music\, binaural beats.\n\nTo see playlists from past shows: https:// spinitron.com/KWVA/show/249208/Transcendent-Phase LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/transcendent-phase-with-spacey-kase m X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:R.A. The Rugged Man DTSTART:20260916T030000Z DTEND:20260916T040000Z DTSTAMP:20260815T062801Z UID:tag:localist.com\,2008:EventInstance_53700968917904 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nR.A. The Rugged Man is one of the most fascinating figures in hip-hop history. His career spans decades\, and defies simple narratives. The Rugged Man has been an up-and-coming star\, an industry outcast banished and forgotten\, an unde rground cult hero\, an independent success story\, and an influential mast er of the art form. He can obliterate rappers with ferocious battle rhyme s\, craft heartfelt personal songs fans can relate to\, offend sensitive l isteners with shocking vulgarity\, challenge corrupt politicians and corpo rations\, paint pictures with captivating storytelling\, and deliver jaw-d ropping flows that prove his lyrical skills are unmatched. LAST-MODIFIED:20260815T062801Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/ra-the-rugged-man X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Open Heart Operation with DJ Surgeon DTSTART:20260916T050000Z DTEND:20260916T070000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241550531773 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 10pm for Open Heart Operation with DJ Surgeon. From electric to electronic\, an open exploration of all music c reated with modern technology!\n\nTo see playlists from past shows: https: //spinitron.com/KWVA/show/285187/Open-Heart-Operation LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/open-heart-operation-with-dj-surgeo n X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Laboratory of Sound with Dr. Tom DTSTART:20260916T150000Z DTEND:20260916T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250396605259 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 8am for Laboratory of Sound with Dr . Tom. Electronic music\, trance\, drum and bass\, ambient\, experimental\ , minimal\, instrumental\, incidental. Sometimes with guest MCs MC Tiffleg rad\, MC Mr Blue\, and Maisy MC.\n\nTo see playlists from past shows: http s://spinitron.com/KWVA/show/205239/Laboratory-of-Sound LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/laboratory-of-sound-with-dr-tom X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260916T150000Z DTEND:20260917T020000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434679422 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260916T170000Z DTEND:20260917T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474352385 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260916T180000Z DTEND:20260917T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374103276 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260916T180000Z DTEND:20260917T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816151863 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Coop with ROOSTER DTSTART:20260916T190000Z DTEND:20260916T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250416901101 CATEGORIES:music DESCRIPTION:Join us every Wednesday at noon for The Coop with Rooster. Two hours of nonstop dance music!\n\nTo see playlists from past shows: https: //spinitron.com/KWVA/show/293264/The-Coop LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-coop-with-rooster X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Hyperjump with Muttnik DTSTART:20260916T230000Z DTEND:20260917T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250437942114 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 4pm for Hyperjump with your host DJ Muttnik. Let's go on a journey along Earth’s orbit. ⭐️\n\nTo see pl aylists from past shows: https://spinitron.com/KWVA/show/297906/Hyperjump LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/hyperjump-with-muttnik X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260917 DTEND;VALUE=DATE:20260918 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075964799 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260917 DTEND;VALUE=DATE:20260918 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663043972 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Discover the Oregon MBA DTSTART:20260917T000000Z DTEND:20260917T004500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53603413017509 CATEGORIES:education DESCRIPTION:Curious about what sets the Oregon MBA apart? Join the Lundqui st admissions team to learn about the unique features and benefits of the two-year program. Get insights into the curriculum\, faculty\, and opportu nities that make the Oregon MBA a standout choice. Don’t miss this chanc e to explore how the Oregon MBA can transform your career! \n\nThe next Or egon MBA application deadline is November 15\, 2026. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/discover-the-oregon-mba-091626 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Sonicwanderings with ALIVEDJP DTSTART:20260917T030000Z DTEND:20260917T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250853923776 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 8pm for Sonicwanderings with ALIVED JP. \n\nBrand new indie\, indietronica\, cold-wave\, dark-wave\, lowfi\, n ew music.\n\nNew EARWORMS for your EARHOLES.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/247748/Sonicwanderings LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/sonicwanderings-with-alivedjp X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Night Moves and Wild Rumpus Radio with Pigeon\, DJPJ\, DJ Dingo\, and DJ Unicorn Sprinkles DTSTART:20260917T070000Z DTEND:20260917T080000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250881769297 CATEGORIES:music DESCRIPTION:Join us every Thursday at midnight for Night Moves and Wild Ru mpus Radio with Pigeon\, DJPJ\, DJ Dingo\, and DJ Unicorn Sprinkles. \n\nW e love being back on KWVA! \n\nImagine a world\, where two DJs that dig mu sic stay home on Friday nights and play music for you. Brought to you by t he parents of the Wild Rumpus. Tune in to find out what happens when the d ay stops. Night Moves.\n\nGenre: RomCom/psychological thriller.\n\nSoundtr ack and score: DJPJ and Pigeon.\n\nTo see playlists from past shows: https ://spinitron.com/KWVA/show/212381/Night-Moves-and-Wild-Rumpus-Radio LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/night-moves-and-wild-rumpus-radio-w ith-pigeon-djpj-dj-dingo-and-dj-unicorn-sprinkles X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260917T150000Z DTEND:20260918T020000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434680447 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:UO Natural Areas Restoration Day DTSTART:20260917T160000Z DTEND:20260917T180000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53295489556022 CATEGORIES:community,outdoors DESCRIPTION:Want to help restore the UO natural areas this summer? We will be having an invasive species removal day on the Millrace every other Thu rsday.\n\nWater and snacks will be provided. No experience necessary\, jus t make sure to wear closed-toed shoes and weather-appropriate clothing. Me et in front of Wilkinson House\, 1291 Franklin Blvd. See you there! LAST-MODIFIED:20260730T015158Z LOCATION:Wilkinson House URL:https://calendar.uoregon.edu/event/uo-natural-areas-restoration-day X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:ABC's of Music with Uncle Manny DTSTART:20260917T170000Z DTEND:20260917T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250901301525 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 10am for ABC's of Music with Uncle Manny. An eclectic blend of music\, presented in alphabetical order (by ar tist/band name). The goal is for every episode to contain music from at le ast five different genres\, and at least eight recently released songs (wi thin the past six months). LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/abcs-of-music-with-uncle-manny-2577 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260917T180000Z DTEND:20260918T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374104301 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260917T180000Z DTEND:20260918T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816151864 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Hyperjump with Muttnik DTSTART:20260917T210000Z DTEND:20260917T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250922478843 CATEGORIES:music DESCRIPTION:Join us every Thursday at 2pm for Hyperjump with your host DJ Muttnik. Let's go on a journey along Earth’s orbit. ⭐️\n\nTo see pla ylists from past shows: https://spinitron.com/KWVA/show/297906/Hyperjump LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/hyperjump-with-muttnik-4284 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260918 DTEND;VALUE=DATE:20260919 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075965824 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260918 DTEND;VALUE=DATE:20260919 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663044997 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:MS in Finance Alumni Panel DTSTART:20260918T003000Z DTEND:20260918T013000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53603506240109 CATEGORIES:education DESCRIPTION:Join a panel of Master of Science in Finance (MSF) alumni to h ear about their experiences in the program and how the program has benefit ed them post-graduation. This is your chance to ask questions about the pr ogram and its real-world applications ahead of the early decision applicat ion deadline on November 15\, 2026. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/msf-alumni-panel-091726 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Group W Bench with Pee Wee DTSTART:20260918T030000Z DTEND:20260918T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250950200673 CATEGORIES:music DESCRIPTION:Join us every Thursday at 8pm for The Group W Bench with Pee W ee. The best two-hour community radio blues-focused show in Eugene\, Orego n.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/19 4495/The-Group-W-Bench LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-group-w-bench-with-pee-wee X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Kneescapes and Soundscrapes With Ladybug DTSTART:20260918T050000Z DTEND:20260918T070000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258901125575 CATEGORIES:music DESCRIPTION:Join us every Thursday at 10pm for a summertime special editio n show\, Kneescapes and Soundscrapes. Co-hosts Lady Bug and Contracate are dedicated to providing radio listeners with a peaceful soundtrack for the ir summer nights! As a mesh of two tastes\, this show spans various muscia l genres to mix and match moods and provide variety every week. From R&B t o alt rock and bossa novian to country to late italian orchestral... Knees crapes and Soundscrapes might just have a little something for you! Tune i n to find out \;-)\n\nTo see playlists from past shows: https://spinitron. com/KWVA/show/309259/Kneescapes-Soundscrapes LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kneescapes-soundscrapes-with-ladybu g X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Snap\, Crackle\, POP! with Craig Leve DTSTART:20260918T150000Z DTEND:20260918T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258943573637 CATEGORIES:music DESCRIPTION:Join us every Friday at 8am for Snap\, Crackle\, POP! with Cra ig Leve. Snap\, Crackle\, POP! features all things pop - soft pop and psyc h pop from the 60s\, power pop of the 70s\, synth pop\, new wave\, pub roc k\, power pop revival and more.\n\nTo see playlists from past shows: https ://spinitron.com/KWVA/show/140895/Snap-Crackle-POP LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/snap-crackle-pop-with-craig-leve X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260918T150000Z DTEND:20260919T020000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434681472 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260918T170000Z DTEND:20260919T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758803181 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260918T170000Z DTEND:20260919T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594092948 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260918T170000Z DTEND:20260919T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574688288 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260918T170000Z DTEND:20260919T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474352386 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260918T180000Z DTEND:20260919T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374105326 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260918T180000Z DTEND:20260919T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816152889 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:O'Connell Conference DTSTART:20260918T193000Z DTEND:20260918T231500Z DTSTAMP:20260829T003340Z UID:tag:localist.com\,2008:EventInstance_52396841328291 CATEGORIES:education DESCRIPTION:Join us for a dynamic\, half-day professional development even t. Open to alumni\, faculty\, students\, and legal professionals. "Decisio ns\, Trends\, & the Road Ahead: 2025-26 U.S. Supreme Court Term" features an opening session from Rick Hasen\, the Gary T. Schwartz Endowed Chair in Law\, Director of the Safeguarding Democracy Project at UCLA School of La w. He is an internationally recognized expert in election law. Registrati on requested. Full panel description and speaker biographies on the O'Conn ell website and registration here. \n\n3.25 Oregon State Bar CLE credits p ending LAST-MODIFIED:20260829T003340Z LOCATION:William W. Knight Law Center\, Gleaves Room 110 URL:https://calendar.uoregon.edu/event/o039connell-conference X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Open Heart Operation with DJ Surgeon DTSTART:20260918T210000Z DTEND:20260918T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258965673526 CATEGORIES:music DESCRIPTION:Join us every Friday at 2pm for Open Heart Operation with DJ S urgeon. From electric to electronic\, an open exploration of all music cre ated with modern technology!\n\nTo see playlists from past shows: https:// spinitron.com/KWVA/show/285187/Open-Heart-Operation LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/open-heart-operation-with-dj-surgeo n-4572 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260918T230000Z DTEND:20260919T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258994686441 CATEGORIES:music DESCRIPTION:Join us every Friday at 4pm for Soirée Gun with Soirée Gun. Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists fro m past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260919 DTEND;VALUE=DATE:20260920 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075966849 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260919 DTEND;VALUE=DATE:20260920 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663046022 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Latent 80s with SpiderSound DTSTART:20260919T010000Z DTEND:20260919T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259017922431 CATEGORIES:music DESCRIPTION:Join us every Friday at 6pm for Latent 80s with SpiderSound. O bscure and semi-obscure music the 1980s and thereabouts — new wave\, alt ernative\, synthpop\, punk\, etc.\n\nTo see playlists from past shows: htt ps://spinitron.com/KWVA/show/140922/Latent-80s LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/latent-80s-with-spidersound-7426 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Kawaii Rave DTSTART:20260919T040000Z DTEND:20260919T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53046815663743 CATEGORIES:dance,music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nKawaii Rave is a n anime-inspired dance party and a full-on light-up\, jump around rave exp erience made for adults. Expect to hear EDM\, K-Pop\, Hyperpop and familia r pop anthems. Costumes are encouraged and you might find yourself dressin g up as any of your favorite characters from all and every anime! Be loud\ , be silly\, and be YOURSELF! LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/kawaii-rave X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon Law Pennoyer Run/Walk/Roll DTSTART:20260919T160000Z DTEND:20260919T170000Z DTSTAMP:20260829T003340Z UID:tag:localist.com\,2008:EventInstance_53817663402660 CATEGORIES:outdoors DESCRIPTION:Lace up and join in for the return of the Pennoyer Fun Run/Wal k/Roll—an Oregon Law tradition revived! Whether you run\, walk\, or roll \, all are welcome in this all-abilities event. You don't have to be a Law Duck to participate in this short 2-mile loop through campus. You can si gn up and see the route here.\n\nQuestions? Contact lawalum@uoregon.edu LAST-MODIFIED:20260829T003340Z LOCATION:Hayward Field\, Olympic Plaza URL:https://calendar.uoregon.edu/event/oregon-law-pennoyer-runwalkroll X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260919T170000Z DTEND:20260920T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758805230 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260919T170000Z DTEND:20260920T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594092949 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Lonely Guy Radio Show with The Lonely Guy DTSTART:20260919T170000Z DTEND:20260919T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259214699496 CATEGORIES:music DESCRIPTION:Join us every Saturday at 10am for the Lonely Guy Radio Show w ith The Lonely Guy. New music each and every week! The Lonely Guy Radio Pr ogram has been part of my Saturdays for nearly 30 years. Thank you for mak ing it part of yours.\n\nTo see playlists from past shows: https://spinitr on.com/KWVA/show/203810/Lonely-Guy-Radio-Show LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/lonely-guy-radio-show-with-the-lone ly-guy X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260919T170000Z DTEND:20260920T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574689313 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260919T170000Z DTEND:20260920T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474353411 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260919T170000Z DTEND:20260920T003000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434681473 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260919T180000Z DTEND:20260920T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374106351 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260919T180000Z DTEND:20260920T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816153914 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260919T180000Z DTEND:20260920T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689476181 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:GOLDEN: A K-Pop Kids Party! DTSTART:20260919T190000Z DTEND:20260919T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53046826060828 CATEGORIES:dance,family DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nPrepare yourselv es for a family-friendly dance party featuring remixes inspired by familia r soundtracks\, K-Pop songs\, and iconic pop anthems from the hit movie. C ostumes\, dancing\, and shining bright are encouraged! Brought to you by @ thekawaiirave and VNK Entertainment. Family 4-ticket packs available while supplies last. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/golden-a-k-pop-kids-party-6144 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Glitter Glitch Radio with DJ Bee-Sting and DJ Schizim DTSTART:20260919T190000Z DTEND:20260919T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259241875668 CATEGORIES:music DESCRIPTION:Join us every Saturday at noon for Glitter Glitch Radio with D J Bee-Sting and DJ Schizim.\n\nTo see playlists from past shows: https://s pinitron.com/KWVA/show/260045/Glitter-Glitch-Radio LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/glitter-glitch-radio-with-dj-bee-st ing-and-dj-schizim X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Station Rotation Variety Power Hour with DJ Taco Supreme DTSTART:20260919T210000Z DTEND:20260919T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259270103237 CATEGORIES:music DESCRIPTION:Join us every Saturday at 2pm for The Station Rotation Variety Power Hour with DJ Taco Supreme. Take a break from doomscrolling and tune in to hear two hours of brand new music and old favorites handpicked by w izards — sprinkled with sound clips from film\, TV and internet memes. I t's music in no particular order\, and eclectic with intention.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/276108/The-Stat ion-Rotation-Variety-Power-Hour LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-station-rotation-variety-power- hour-with-dj-taco-supreme X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260919T230000Z DTEND:20260920T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258994687466 CATEGORIES:music DESCRIPTION:Join us every Friday at 4pm for Soirée Gun with Soirée Gun. Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists fro m past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260919T230000Z DTEND:20260920T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259291016845 CATEGORIES:music DESCRIPTION:Join us every Saturday at 4pm for Soirée Gun with Soirée Gun . Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists f rom past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun-625 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260920 DTEND;VALUE=DATE:20260921 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075967874 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260920 DTEND;VALUE=DATE:20260921 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663046023 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SASS Consent Prom DTSTART:20260920T020000Z DTEND:20260920T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53249751790023 CATEGORIES:community DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nThe Community Ce nter for the Performing Arts and Sexual Assault Support Services of Lane C ounty are pleased to present the Consent Prom to the WOW Hall on Saturday\ , September 19th. \n\nTo celebrate 35 years in operation\, SASS is reclaim ing prom as a night of joy\, community\, and consent! Since 1991\, Sexual Assault Support Services has provided confidential support to survivors of sexual violence and their loved ones throughout Lane County. SASS provide s round the clock care\, every day of the year through the 24/7 Crisis and Support Line\, Emergency Medical Advocacy\, legal advocacy and accompanim ent\, transitional housing\, support groups\, prevent education and outrea ch\, and more. So throw on your best 90’s prom ensemble and join us at C onsent Prom to celebrate over three decades of survivor support with danci ng\, prom photos\, silent auction\, and more.\n\n– Ticket Tiers –\n\nT ier 1: Freshman – covers warm clothes for a survivor leaving the hospit alTier 2: Super Senior – covers an overnight shift on the 24/7 Crisis a nd Support HotlineTier 3: Prom Royalty – covers the cost of a support gr oup session for 15 survivors LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/sass-consent-prom X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Student Entrance Exam: Music Theory (online via Canv as) DTSTART:20260920T070000Z DTEND:20260921T065900Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196777301406 CATEGORIES:education DESCRIPTION:The Graduate Entrance Exams (GEE) in Music Theory\, Aural Skil ls and History are mandatory for incoming music graduate students.\n\n(NOT E: Students who are awarded a Graduate Employee (GE) position in music the ory are exempt from the Music Theory & Aural Skills portion of the GEE.)\n \nPassing the GEE determines eligibility for graduate-level music history and theory courses.\n\nPlease visit https://musicanddance.uoregon.edu/grad uate-students-week-welcome for more information\, including GEE study guid es.\n\nThe Music Theory Entrace Exam will be available online starting Sun day 9/20/26 at 8:00 a.m. through Tuesday 9/22/26 at noon.\n\nCanvas Page*S tudents will be added to the Canvas page by July 31. Be sure to check your email for a notification about this! LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/somd-graduate-student-entrance-exam -music-theory-online-via-canvas X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260920T170000Z DTEND:20260921T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758806255 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260920T170000Z DTEND:20260921T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594093974 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260920T170000Z DTEND:20260921T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574690338 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20260920T170000Z DTEND:20260920T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010335920 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260920T170000Z DTEND:20260921T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474353412 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260920T170000Z DTEND:20260921T003000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434682498 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260920T180000Z DTEND:20260921T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374106352 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260920T180000Z DTEND:20260921T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816153915 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260920T180000Z DTEND:20260921T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689477206 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260921 DTEND;VALUE=DATE:20260922 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075968899 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260921 DTEND;VALUE=DATE:20260922 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663047048 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Mick's Tape with DJ Mick DTSTART:20260921T010000Z DTEND:20260921T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241193381839 CATEGORIES:music DESCRIPTION:Join us every Sunday evening at 6pm for Mick's Tape with DJ Mi ck. \n\nEvery week is a new Mick's Tape made just for you. I don't know wh at locker is yours or your homeroom so I'll just leave it here.\n\nStop on by for eclectic eccentricity. I'll bring it all: screeching noises and ye lling\, pleasing melodies\, shredding guitar\, ambient drone. Thoughtful i nterjections. Quality AND quantity. Your new favorite song.\n\nI've got sp onges for ears\, let me wash your dishes. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-micks-tape-with-dj-mick X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tommy Castro & The Painkillers DTSTART:20260921T023000Z DTEND:20260921T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53249758043444 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nMultiple award-w inning\, California-based blues and rock sensation Tommy Castro is the gui tar slinging\, soul-singing leader of the telepathically tight and wildly raucous Tommy Castro & The Painkillers. He’s released 17 previous albums over the course of his four-decade career. Each release features its own individual sound and style\, ranging from horn-fueled R&B to piping hot bl ues and soul to fiery\, stripped-down rock ‘n’ roll. With his new albu m\, Closer To The Bone\, Castro has returned to his roots\, delivering wha t he calls “a real blues record\, the way they would have made them back in the day.” Closer To The Bone is the most unvarnished\, straight-ahea d blues release of Castro’s career\, one that bristles with every ounce of his dynamic energy and raw emotion. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/tommy-castro-the-painkillers-2908 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Student Entrance Exam: Music Theory (online via Canv as) DTSTART:20260921T070000Z DTEND:20260922T065900Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196777302431 CATEGORIES:education DESCRIPTION:The Graduate Entrance Exams (GEE) in Music Theory\, Aural Skil ls and History are mandatory for incoming music graduate students.\n\n(NOT E: Students who are awarded a Graduate Employee (GE) position in music the ory are exempt from the Music Theory & Aural Skills portion of the GEE.)\n \nPassing the GEE determines eligibility for graduate-level music history and theory courses.\n\nPlease visit https://musicanddance.uoregon.edu/grad uate-students-week-welcome for more information\, including GEE study guid es.\n\nThe Music Theory Entrace Exam will be available online starting Sun day 9/20/26 at 8:00 a.m. through Tuesday 9/22/26 at noon.\n\nCanvas Page*S tudents will be added to the Canvas page by July 31. Be sure to check your email for a notification about this! LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/somd-graduate-student-entrance-exam -music-theory-online-via-canvas X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260921T140000Z DTEND:20260922T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434683523 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Employee Meeting for New and Returning GEs DTSTART:20260921T160000Z DTEND:20260921T180000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196804250915 CATEGORIES:community DESCRIPTION:All new and returning Music GEs are required to attend the mee ting. Featuring introductions from select SOMD staff and a visit from the GTFF. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 163 URL:https://calendar.uoregon.edu/event/somd-graduate-student-meeting-for-n ew-returning-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260921T180000Z DTEND:20260922T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374107377 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260921T180000Z DTEND:20260922T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816154940 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260921T180000Z DTEND:20260922T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689478231 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Wandering Sonically with ALIVEDJP DTSTART:20260921T190000Z DTEND:20260921T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241238943233 CATEGORIES:music DESCRIPTION:Join us every Monday at noon for Wandering Sonically with ALIV EDJP.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show /309066/Wandering-Sonically LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/wandering-sonically-with-alivedjp X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Employee Meeting and Keyboard Lab Orientation DTSTART:20260921T200000Z DTEND:20260921T220000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53197048275160 CATEGORIES:education DESCRIPTION:All new graduate students who will be a Graduate Employee assi gned to teach in the Keyboard Lab (FMB 111) during the 2026-27 Academic Ye ar are required to attend the meeting. Returning Graduate students who pre viously held GEs in AY 25-26 and who taught in the Keyboard Lab are not re quired to attend.\n\nThis orientation will cover the "house rules" require d for this specialized classroom and the technology within. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 111 URL:https://calendar.uoregon.edu/event/somd-graduate-employee-meeting-keyb oard-skills X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Employee Meeting for CMI's Piano Program and Seconda ry Piano DTSTART:20260921T200000Z DTEND:20260921T220000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53197142686718 CATEGORIES:education DESCRIPTION:All new and returning students who have a GE in Secondary Pian o and/or will be working as an instructor for CMI's Suzuki Piano Program d uring the 2026-27 academic year are required to attend the meeting. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 150 URL:https://calendar.uoregon.edu/event/somd-graduate-employee-meeting-for- cmis-piano-program-secondary-piano X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Employee Meeting: Jazz GEs DTSTART:20260921T200000Z DTEND:20260921T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196754306257 CATEGORIES:community,music DESCRIPTION:All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to at tend the meeting. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/somd-graduate-employee-meeting-jazz -ges X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Employee Meeting: Music Education DTSTART:20260921T200000Z DTEND:20260921T220000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196994978773 CATEGORIES:education DESCRIPTION:All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to at tend the meeting. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 140 URL:https://calendar.uoregon.edu/event/copy-of-somd-graduate-employee-meet ing-music-theory X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Employee Meeting: Music Theory DTSTART:20260921T200000Z DTEND:20260921T220000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53197054095868 CATEGORIES:education DESCRIPTION:All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to at tend the meeting. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 142 URL:https://calendar.uoregon.edu/event/somd-graduate-employee-meeting-musi c-theory X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Employee Meeting: Musicology DTSTART:20260921T200000Z DTEND:20260921T220000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53197019275392 CATEGORIES:education DESCRIPTION:All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to at tend the meeting. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 163 URL:https://calendar.uoregon.edu/event/somd-graduate-employee-meeting-musi cology X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260922 DTEND;VALUE=DATE:20260923 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075970948 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260922 DTEND;VALUE=DATE:20260923 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663048073 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:"Oregon Modernism Through the Lens of Open Space": A Film Screenin g and Conversation DTSTART:20260922T001500Z DTEND:20260922T021500Z DTSTAMP:20260827T002907Z UID:tag:localist.com\,2008:EventInstance_53808674258476 CATEGORIES:film DESCRIPTION:Restore Oregon is excited to host the final event in their 202 6 Modernism Calendar\, the annual lecture\, with the support of the UO Sch ool of Architecture & Environment. The co-founders of Open Space\, Elias T ebache and Mick Aure\, will return to Portland for a film screening and co nversation titled\, "Oregon Modernism Through the Lens of Open Space."\n\n Last year\, Open Space turned its lens toward Oregon\, exploring five arch itectural treasures that define the Pacific Northwest Modern style. Throug h their distinctive storytelling and cinematography\, the series highlight s two homes designed by John Yeon\, two homes by Pietro Belluschi\, and Wi lliam Fletcher’s personal home.\n\nTime: Doors open at 5:15pm\nPresentat ion starts at 5:45pm\nLocation: Innovation Commons (3rd Floor\, Innovation Building)\, UO Portland. Public entry via the courtyard at the north side of the building. Free\, on-campus parking is available in the adjacent lo t. \n\nTickets: Free for UO faculty\, staff\, and students. Promo code: U OFriend or Student.\n\n$30 general admission (Modernist Society members re ceive one complimentary ticket as part of their membership). LAST-MODIFIED:20260827T002907Z LOCATION:UO Portland Innovation Building\, Commons (3rd floor) URL:https://calendar.uoregon.edu/event/oregon-modernism-through-the-lens-o f-open-space-a-film-screening-and-conversation X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Student Entrance Exam: Music Theory (online via Canv as) DTSTART:20260922T070000Z DTEND:20260922T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196777304480 CATEGORIES:education DESCRIPTION:The Graduate Entrance Exams (GEE) in Music Theory\, Aural Skil ls and History are mandatory for incoming music graduate students.\n\n(NOT E: Students who are awarded a Graduate Employee (GE) position in music the ory are exempt from the Music Theory & Aural Skills portion of the GEE.)\n \nPassing the GEE determines eligibility for graduate-level music history and theory courses.\n\nPlease visit https://musicanddance.uoregon.edu/grad uate-students-week-welcome for more information\, including GEE study guid es.\n\nThe Music Theory Entrace Exam will be available online starting Sun day 9/20/26 at 8:00 a.m. through Tuesday 9/22/26 at noon.\n\nCanvas Page*S tudents will be added to the Canvas page by July 31. Be sure to check your email for a notification about this! LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/somd-graduate-student-entrance-exam -music-theory-online-via-canvas X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260922T140000Z DTEND:20260923T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434684548 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Latent 80s with Spidersound DTSTART:20260922T150000Z DTEND:20260922T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241282000604 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 8am for Latent 80s with Spidersound. Obscure and semi-obscure music the 1980s and thereabouts — new wave\, al ternative\, synthpop\, punk\, etc.\n\nTo see playlists from past shows: ht tps://spinitron.com/KWVA/show/140922/Latent-80s LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/latent-80s-with-spidersound X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Student Entrance Exam: Music History DTSTART:20260922T160000Z DTEND:20260922T180000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196749032119 CATEGORIES:education DESCRIPTION:The Graduate Entrance Exams (GEE) in Music Theory\, Aural Skil ls and History are mandatory for incoming music graduate students.\n\n(NOT E: Students who are awarded a Graduate Employee (GE) position in music the ory are exempt from the Music Theory & Aural Skills portion of the GEE.)\n \nPassing the GEE determines eligibility for graduate-level music history and theory courses.\n\nPlease visit https://musicanddance.uoregon.edu/grad uate-students-week-welcome for more information\, including GEE study guid es. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 178 URL:https://calendar.uoregon.edu/event/somd-graduate-student-entrance-exam -music-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:ABC's of Music with Uncle Manny DTSTART:20260922T170000Z DTEND:20260922T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241305006048 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 10am for ABC's of Music with Uncle Ma nny. An eclectic blend of music\, presented in alphabetical order (by arti st/band name). The goal is for every episode to contain music from at leas t five different genres\, and at least eight recently released songs (with in the past six months).\n\nTo see playlists from past shows: https://spin itron.com/KWVA/show/291176/ABC-s-of-Music LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/abcs-of-music-with-uncle-manny X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260922T180000Z DTEND:20260923T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374108402 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260922T180000Z DTEND:20260923T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816155965 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260922T180000Z DTEND:20260923T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689478232 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:UO Commute Planning and Support: Drop-in Sessions DTSTART:20260922T190000Z DTEND:20260922T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53481935249020 CATEGORIES:education DESCRIPTION:Get personalized UO commute planning help at a drop-in session on Zoom! Talk with Rachel Glaeser (UO Transportation Services) about your commute options to the Eugene campus. Learn about the many options beyond driving alone to campus. Find out how active and sustainable commute mode s can save you money\, reduce stress\, and lower your carbon footprint.\n\ nDrop-in sessions are open to any UO employee and student. Sessions will b e held on Zoom every Tuesday at noon from September 15 to October 13. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/uo-commute-planning-support-drop-in -session X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Student Entrance Exam: Aural Skills (Dictation) DTSTART:20260922T190000Z DTEND:20260922T200000Z DTSTAMP:20260826T182917Z UID:tag:localist.com\,2008:EventInstance_53196792563134 CATEGORIES:education DESCRIPTION:The Graduate Entrance Exams (GEE) in Music Theory\, Aural Skil ls and History are mandatory for incoming music graduate students.\n\n(NOT E: Students who are awarded a Graduate Employee (GE) position in music the ory are exempt from the Music Theory & Aural Skills portion of the GEE.)\n \nPassing the GEE determines eligibility for graduate-level music history and theory courses.\n\nPlease visit https://musicanddance.uoregon.edu/grad uate-students-week-welcome for more information\, including GEE study guid es.\n\nFor Aural Skills\, students will attend an in-person Dictation exam \, followed by individual appointments for the Sight-Singing exam. LAST-MODIFIED:20260826T182917Z LOCATION:Frohnmayer Music Building\, 163 URL:https://calendar.uoregon.edu/event/somd-graduate-student-entrance-exam -aural-skills-dictation X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Transfer Auditions and Jazz Theory Advisory Exams DTSTART:20260922T200000Z DTEND:20260922T223000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196963596735 CATEGORIES:music DESCRIPTION:Jazz transfer placement auditions and a theory advisory exam m ay be needed for incoming jazz studies majors with previous college-level jazz experience. \n\nVisit the UO Jazz Website for more information.\n\nPl ease reach out to Paul Krueger at kruegerp@uoregon.edu if you have any que stions. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/somd-undergraduate-jazz-transfer-st udents X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Student Entrance Exam: Aural Skills (Sight Singing) DTSTART:20260922T200000Z DTEND:20260922T220000Z DTSTAMP:20260826T182917Z UID:tag:localist.com\,2008:EventInstance_53196796707322 CATEGORIES:education DESCRIPTION:The Graduate Entrance Exams (GEE) in Music Theory\, Aural Skil ls and History are mandatory for incoming music graduate students.\n\n(NOT E: Students who are awarded a Graduate Employee (GE) position in music the ory are exempt from the Music Theory & Aural Skills portion of the GEE.)\n \nPassing the GEE determines eligibility for graduate-level music history and theory courses.\n\nPlease visit https://musicanddance.uoregon.edu/grad uate-students-week-welcome for more information\, including GEE study guid es.\n\nFor Aural Skills\, students will attend an in-person Dictation exam \, followed by individual appointments for the Sight-Singing exam. LAST-MODIFIED:20260826T182917Z LOCATION:Frohnmayer Music Building\, 140\, 142\, 150\, 163 URL:https://calendar.uoregon.edu/event/somd-graduate-student-entrance-exam -aural-skills-sight-singing X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Meeting for New Jazz Studies Graduate Students DTSTART:20260922T230000Z DTEND:20260923T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196787716271 CATEGORIES:education,music DESCRIPTION:All new graduate students in Jazz Music are required to attend the meeting. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/somd-meeting-for-new-jazz-studies-g raduate-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260923 DTEND;VALUE=DATE:20260924 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075971973 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260923 DTEND;VALUE=DATE:20260924 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663049098 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon MBA Alumni Panel DTSTART:20260923T003000Z DTEND:20260923T013000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53603558753060 CATEGORIES:education DESCRIPTION:Join a panel of Oregon MBA alumni to hear about their experien ces in the program and how the program has benefited them post-graduation. This is your chance to ask questions about the program and its real-world applications ahead of the early decision application deadline of November 15\, 2026. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/oregon-mba-alumni-panel-092226 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Transcendent Phase with Spacey Kasem DTSTART:20260923T030000Z DTEND:20260923T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241517093387 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 8pm for Transcendent Phase with Space y Kasem. \n\nVisionary music for third-eye voyagers ✨\n\nThank you for s pending some time with Transcendent Phase! \n\nAmbient\, new age\, crystal music\, deep listening\, kosmische\, psych folk\, space music\, cosmic Am ericana\, modular\, vaporwave\, field recordings\, tintinnabulation\, poss ible music\, binaural beats.\n\nTo see playlists from past shows: https:// spinitron.com/KWVA/show/249208/Transcendent-Phase LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/transcendent-phase-with-spacey-kase m X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Open Heart Operation with DJ Surgeon DTSTART:20260923T050000Z DTEND:20260923T070000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241550532798 CATEGORIES:music DESCRIPTION:Join us every Tuesday at 10pm for Open Heart Operation with DJ Surgeon. From electric to electronic\, an open exploration of all music c reated with modern technology!\n\nTo see playlists from past shows: https: //spinitron.com/KWVA/show/285187/Open-Heart-Operation LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/open-heart-operation-with-dj-surgeo n X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260923T140000Z DTEND:20260924T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434685573 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Laboratory of Sound with Dr. Tom DTSTART:20260923T150000Z DTEND:20260923T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250396606284 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 8am for Laboratory of Sound with Dr . Tom. Electronic music\, trance\, drum and bass\, ambient\, experimental\ , minimal\, instrumental\, incidental. Sometimes with guest MCs MC Tiffleg rad\, MC Mr Blue\, and Maisy MC.\n\nTo see playlists from past shows: http s://spinitron.com/KWVA/show/205239/Laboratory-of-Sound LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/laboratory-of-sound-with-dr-tom X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260923T170000Z DTEND:20260924T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758808304 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260923T170000Z DTEND:20260924T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594094999 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260923T170000Z DTEND:20260924T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574691363 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260923T170000Z DTEND:20260924T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474354437 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260923T180000Z DTEND:20260924T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374109427 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260923T180000Z DTEND:20260924T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816155966 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260923T180000Z DTEND:20260924T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689479257 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Coop with ROOSTER DTSTART:20260923T190000Z DTEND:20260923T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250416903150 CATEGORIES:music DESCRIPTION:Join us every Wednesday at noon for The Coop with Rooster. Two hours of nonstop dance music!\n\nTo see playlists from past shows: https: //spinitron.com/KWVA/show/293264/The-Coop LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-coop-with-rooster X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Orientation and Advising: Masters of Music in Perfor mance DTSTART:20260923T210000Z DTEND:20260923T223000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196829304085 CATEGORIES:education DESCRIPTION:For Master’s Students in Music Performance\, Jazz Studies\, Conducting\, and Graduate Performance Certificate.\n\nAll incoming graduat e students are required to attend their assigned Orientation & Academic Ad vising session. During this session\, we will build your class schedule\, register for classes\, and make sample schedules. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 167 URL:https://calendar.uoregon.edu/event/somd-graduate-orientation-advising- mm-jazz-performance-conducting-certificate X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Jazz Ensemble Auditions - Piano DTSTART:20260923T220000Z DTEND:20260924T003000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196955746745 CATEGORIES:music DESCRIPTION:UO jazz ensembles (Big Bands\, Combos\, Latin Jazz Ensemble\, Jazz Guitar Ensemble) are open to all University of Oregon students (inclu ding part-time and Continuing Education students) by audition\, regardless of major.\n\nAuditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Band s\, Combos\, Latin\, and Guitar ensembles. Students auditioning for these ensembles in the Fall term need not re-audition in winter or spring terms. \n\nEach audition will last roughly 5-15 minutes. Please visit the jazz w ebsite to sign up for your audition time and download audition materials ( available July 1st).\n\nProfessor Paul Krueger\, Director of Jazz Studies\ , is your contact for questions\, kruegerp@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/jazz-ensemble-auditions-piano X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Hyperjump with Muttnik DTSTART:20260923T230000Z DTEND:20260924T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250437943139 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 4pm for Hyperjump with your host DJ Muttnik. Let's go on a journey along Earth’s orbit. ⭐️\n\nTo see pl aylists from past shows: https://spinitron.com/KWVA/show/297906/Hyperjump LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/hyperjump-with-muttnik X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260924 DTEND;VALUE=DATE:20260925 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075972998 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260924 DTEND;VALUE=DATE:20260925 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663050123 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Jazz Ensemble Auditions - Merker/Sandine Scholarship Combo DTSTART:20260924T013000Z DTEND:20260924T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196952896277 CATEGORIES:music DESCRIPTION:Thanks to the generosity of Herb Merker and Ken Sandine\, the members of two UO small groups will be awarded a scholarship. Scholarship recipients are chosen annually in a separate audition prior to the start o f Fall term each school year. These groups are open to students of any maj or. Auditions are held in a group format and judged by a faculty panel. Th ese ensembles\, which include JazzArts Oregon\, will represent the UO's Ja zz Studies Program in concerts throughout the region.\n\nSince this is a g roup audition\, students are expected to attend the entire audition time. Please visit the jazz website to sign up for your audition and see this ye ar's required repertoire list (available July 1st).\n\nProfessor Paul Krue ger\, Director of Jazz Studies\, is your contact for questions\, kruegerp@ uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/jazz-ensemble-auditions-merker-scho larship-combo X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon Executive MBA Virtual Information Session - Evening Edition ! DTSTART:20260924T013000Z DTEND:20260924T023000Z DTSTAMP:20260820T183148Z UID:tag:localist.com\,2008:EventInstance_53621977720296 CATEGORIES:education DESCRIPTION:Zoom into a virtual Oregon Executive MBA information session t o explore the program\, admissions process\, and the career impact of earn ing an executive MBA.\n\nYou'll hear from these 2026 grads and see how the MBA program helped them grow as leaders while balancing work\, school and life:\n\nJaimie Small\, Program Director\, NBA All Star\, Phoenix SunsSar ah Chapman\, Manager\, Product Portfolio\, SuterraGet the inside scoop on the student experience\, curriculum\, and the program's flexible weekend f ormat. Bring your questions and discover how the Oregon Executive MBA can help you achieve your professional goals.\n\nSIGN UP: https://uobiz.co/oem ba-info-092326 LAST-MODIFIED:20260820T183148Z URL:https://calendar.uoregon.edu/event/oregon-executive-mba-information-se ssion-5168 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Sonicwanderings with ALIVEDJP DTSTART:20260924T030000Z DTEND:20260924T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250853925825 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 8pm for Sonicwanderings with ALIVED JP. \n\nBrand new indie\, indietronica\, cold-wave\, dark-wave\, lowfi\, n ew music.\n\nNew EARWORMS for your EARHOLES.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/247748/Sonicwanderings LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/sonicwanderings-with-alivedjp X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Night Moves and Wild Rumpus Radio with Pigeon\, DJPJ\, DJ Dingo\, and DJ Unicorn Sprinkles DTSTART:20260924T070000Z DTEND:20260924T080000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250881793874 CATEGORIES:music DESCRIPTION:Join us every Thursday at midnight for Night Moves and Wild Ru mpus Radio with Pigeon\, DJPJ\, DJ Dingo\, and DJ Unicorn Sprinkles. \n\nW e love being back on KWVA! \n\nImagine a world\, where two DJs that dig mu sic stay home on Friday nights and play music for you. Brought to you by t he parents of the Wild Rumpus. Tune in to find out what happens when the d ay stops. Night Moves.\n\nGenre: RomCom/psychological thriller.\n\nSoundtr ack and score: DJPJ and Pigeon.\n\nTo see playlists from past shows: https ://spinitron.com/KWVA/show/212381/Night-Moves-and-Wild-Rumpus-Radio LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/night-moves-and-wild-rumpus-radio-w ith-pigeon-djpj-dj-dingo-and-dj-unicorn-sprinkles X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260924T140000Z DTEND:20260925T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434685574 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Unpack the Quack DTSTART:20260924T150000Z DTEND:20260925T000000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53835589165760 CATEGORIES:community DESCRIPTION:Kicking off Week of Welcome\, Unpack the Quack is the UO’s t wo-day move-in experience for all new and continuing Ducks. Students arriv e to campus during their assigned move-in time and with the help of staff and student volunteers\, move into their new home and get settled for the academic year. Be sure to stop by the Student Welcome Center in Unthank Ha ll for any housing-related questions. LAST-MODIFIED:20260831T183211Z LOCATION:All Residence Halls\; Headquarters in the Student Welcome Center in Unthank Hall URL:https://calendar.uoregon.edu/event/unpack-the-quack-1650 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Undergraduate Orientation DTSTART:20260924T160000Z DTEND:20260924T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196915189516 CATEGORIES:education DESCRIPTION:All new undergraduate Music majors are required to attend the orientation\, led by Music Undergraduate Advisor\, Beverly Taflinger. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 163 URL:https://calendar.uoregon.edu/event/somd-undergraduate-orientation-musi c-education X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Saxophone DTSTART:20260924T163000Z DTEND:20260924T175000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196600183546 CATEGORIES:music DESCRIPTION:Auditions for the 2026-27 academic year are open to students f rom all majors. Personnel for the various orchestras\, bands\, and wind en sembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-person auditio ns. Participation in Campus Band and Campus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1st) and sign-ups.\n\nDr. Dennis Llin as is your contact for questions\, dllinas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-saxophone X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Jazz Ensemble Auditions - Trumpet DTSTART:20260924T163000Z DTEND:20260924T180000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196883375641 CATEGORIES:music DESCRIPTION:UO jazz ensembles (Big Bands\, Combos\, Latin Jazz Ensemble\, Jazz Guitar Ensemble) are open to all University of Oregon students (inclu ding part-time and Continuing Education students) by audition\, regardless of major.\n\nAuditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Band s\, Combos\, Latin\, and Guitar ensembles. Students auditioning for these ensembles in the Fall term need not re-audition in winter or spring terms. \n\nEach audition will last roughly 5-15 minutes. Please visit the jazz w ebsite to sign up for your audition time and download audition materials ( available July 1st).\n\nProfessor Paul Krueger\, Director of Jazz Studies\ , is your contact for questions\, kruegerp@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/jazz-ensemble-auditions-trumpet X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:ABC's of Music with Uncle Manny DTSTART:20260924T170000Z DTEND:20260924T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250901302550 CATEGORIES:music DESCRIPTION:Join us every Wednesday at 10am for ABC's of Music with Uncle Manny. An eclectic blend of music\, presented in alphabetical order (by ar tist/band name). The goal is for every episode to contain music from at le ast five different genres\, and at least eight recently released songs (wi thin the past six months). LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/abcs-of-music-with-uncle-manny-2577 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260924T170000Z DTEND:20260925T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758809329 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260924T170000Z DTEND:20260925T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594096024 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260924T170000Z DTEND:20260925T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574692388 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Parent and Family Lounge DTSTART:20260924T170000Z DTEND:20260924T233000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53543301787368 CATEGORIES:community,family DESCRIPTION:We invite you to visit us at the Parent and Family Lounge duri ng move-in. Relax with complimentary refreshments\, write a note of encour agement to your student\, and connect with other University of Oregon fami lies. This is an informal space\, and families are welcome to come and go as they please. LAST-MODIFIED:20260831T183211Z LOCATION:Ford Alumni Center\, Lower Lobby URL:https://calendar.uoregon.edu/event/parent-family-lounge X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Orientation and Advising: Master of Music in Academi cs DTSTART:20260924T170000Z DTEND:20260924T183000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196905838679 CATEGORIES:education DESCRIPTION:For Master’s Students in Musicology\, Music Theory\, Music E ducation\, Music Composition\, and Intermedia Music Technology.\n\nAll inc oming graduate students are required to attend their assigned Orientation and Academic Advising session. During this session\, we will build your cl ass schedule\, register for classes\, and make sample schedules. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 167 URL:https://calendar.uoregon.edu/event/somd-graduate-orientation-advising- masters-musicology-theory-music-education-composition-imt X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Veteran and Military Affiliated Welcome DTSTART:20260924T170000Z DTEND:20260924T223000Z DTSTAMP:20260821T003100Z UID:tag:localist.com\,2008:EventInstance_53755899973155 CATEGORIES:community DESCRIPTION:The Veteran Student Welcome and Information Session is recomme nded for all incoming first years\, graduate students\, current student v eterans\, transfers\, and family seeking information about veteran and mil itary connected student resources on campus. You may identify as a militar y connected student if you are active duty\, veteran\, guard\, reserve\, o r a family member. \n\nWe will provide a free lunch! This session will pro vide information about resources\, helpful specifically to military connec ted students\, and include ways to connect and network on campus\, as well as opportunity to meet other new and returning military connected student s. LAST-MODIFIED:20260821T003100Z LOCATION:Knight Library\, Browsing Room URL:https://calendar.uoregon.edu/event/veteran-and-military-affiliated-wel come X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260924T170000Z DTEND:20260925T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474354438 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Ducks Family Welcome Hub DTSTART:20260924T170000Z DTEND:20260924T220000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53835408169781 CATEGORIES:community DESCRIPTION:Immerse yourself in the traditions of the UO through activitie s and events and connect with community partners who want to welcome you a nd your Ducks family to the city of Eugene. Students\, parents\, and famil y members are welcomed! LAST-MODIFIED:20260831T183211Z LOCATION:Student Welcome Center URL:https://calendar.uoregon.edu/event/duck-family-welcome-hub X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Select Choirs DTSTART:20260924T173000Z DTEND:20260925T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196942589435 CATEGORIES:music DESCRIPTION:Auditions in the Fall of 2026 for Chamber Choir\, University S ingers\, and Repertiore Singers will take place over three days during the Week of Welcome (9.24\, 9.25\, and 9.27)\, and during the first three day s of fall term. All UO students\, no matter their major\, are welcome in a ny of our choirs. We have choirs appropriate for all experience levels\, f rom people who have sung in a choir for many years\, to people who would l ike to join a choir for the first time.\n\nSign up for an audition here \n \nInterested students need only sign up for one time slot.\n\nIf you are i nterested in auditioning for choir but are unable to sign up for a Week of Welcome audition\, please come to the first day of whichever choir(s) you are interested in joining and we will arrange an audition at that time. I f you have any questions\, please contact Dr. Paul at sjpaul@uoregon.edu.\ n\nPlease note that Chamber Choir (M/W 2:00 PM-2:50 PM & T/TH 12:00 PM-1:2 0 PM) and University Singers (MWF 11:00 AM-11:50 AM) audition in the Fall only\, and require a one-year commitment. (University Singers will auditio n new members mid-year if openings are avaialble. Please contact Dr. Melis sa Brunkan at mbrunkan@uoregon.edu for any inquiries.\n\nRepertoire Singer s (T/TH 3:00 PM-3:50 PM) will accept new members each term. If you miss Fa ll auditions for Repertoire Singers and would like to join in Winter or Sp ring terms\, please contact Dr. Sharon J. Paul at sjpaul@uoregon.edu to ar range a brief audition.\n\nWHAT TO PREPARE\n\nPlease have one song prepare d – it can be an art song\, aria\, folk song\, or musical theater piece. A pianist will be provided for you. You will also be asked to perform bri ef exercises that assess your range\, aural skills\, and music literacy le vel.\n\nFIRST DAY OF EACH CHOIR\n\nChamber Choir: Monday\, September 28: 2 :00 PM-2:50 PM\, Frohnmayer Music Building Room 163\nRepertoire Singers: T uesday\, September 29: 3:00 PM-3:50 PM\, Frohnmayer Music Building Room 16 3\nUniversity Singers: Monday\, September 28: 11:00 AM-11:50 AM\, Frohnmay er Music Building Room 163\n\nQUESTIONS\n\nDr. Sharon J. Paul at sjpaul@uo regon.edu for questions about Chamber Choir or Repertoire Singers\nDr. Mel issa Brunkan at mbrunkan@uoregon.edu for questions about University Singer s\nIf you have general questions about the choirs\, please feel free to co ntact either of us! LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 163 URL:https://calendar.uoregon.edu/event/ensemble-auditions-select-choirs-76 64 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260924T180000Z DTEND:20260925T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374109428 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260924T180000Z DTEND:20260925T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816156991 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Horn DTSTART:20260924T180000Z DTEND:20260924T191000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196887616128 CATEGORIES:music DESCRIPTION:Auditions for the 2026-27 academic year are open to students f rom all majors. Personnel for the various orchestras\, bands\, and wind en sembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-person auditio ns. Participation in Campus Band and Campus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1st) and sign-ups.\n\nDr. Dennis Llin as is your contact for questions\, dllinas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-horn X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260924T180000Z DTEND:20260925T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689480282 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Meeting for Undergraduate Jazz Majors DTSTART:20260924T183000Z DTEND:20260924T193000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196899114446 CATEGORIES:music DESCRIPTION:All new undergraduate Jazz Studies majors are required to atte nd this meeting\, led by Director of Jazz Studies\, Paul Krueger LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/meeting-for-undergraduate-jazz-majo rs X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Studio Placement Auditions - Piano DTSTART:20260924T190000Z DTEND:20260924T220000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196866183720 CATEGORIES:education DESCRIPTION:For details about what to prepare\, or general questions\, ple ase contact Dr. Alexandre Dossin. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, Beall Performance Hall\, 160 URL:https://calendar.uoregon.edu/event/studio-placement-auditions-piano X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Trumpet DTSTART:20260924T200000Z DTEND:20260924T213000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196576432608 CATEGORIES:music DESCRIPTION:Auditions for the 2026-27 academic year are open to students f rom all majors. Personnel for the various orchestras\, bands\, and wind en sembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-person auditio ns. Participation in Campus Band and Campus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1st) and sign-ups.\n\nDr. Dennis Llin as is your contact for questions\, dllinas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-trumpet X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Jazz Ensemble Auditions - Trombone DTSTART:20260924T200000Z DTEND:20260924T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196655604810 CATEGORIES:music DESCRIPTION:UO jazz ensembles (Big Bands\, Combos\, Latin Jazz Ensemble\, Jazz Guitar Ensemble) are open to all University of Oregon students (inclu ding part-time and Continuing Education students) by audition\, regardless of major.\n\nAuditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Band s\, Combos\, Latin\, and Guitar ensembles. Students auditioning for these ensembles in the fall term need not re-audition in winter or spring terms. \n\nEach audition will last roughly 5-15 minutes. Please visit the jazz w ebsite to sign up for your audition time and download audition materials ( available July 1st).\n\nProfessor Paul Krueger\, Director of Jazz Studies\ , is your contact for questions\, kruegerp@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/jazz-ensemble-auditions-trombone X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Meeting for Graduate Students in Music Education DTSTART:20260924T200000Z DTEND:20260924T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53197009982024 CATEGORIES:education DESCRIPTION:All new and returning graduate students in Music Education are required to attend the meeting\, led by Music Education faculty. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 140 URL:https://calendar.uoregon.edu/event/somd-meeting-for-graduate-students- in-music-education X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Hyperjump with Muttnik DTSTART:20260924T210000Z DTEND:20260924T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250922479868 CATEGORIES:music DESCRIPTION:Join us every Thursday at 2pm for Hyperjump with your host DJ Muttnik. Let's go on a journey along Earth’s orbit. ⭐️\n\nTo see pla ylists from past shows: https://spinitron.com/KWVA/show/297906/Hyperjump LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/hyperjump-with-muttnik-4284 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Graduate Orientation and Advising: New Doctoral Students DTSTART:20260924T210000Z DTEND:20260924T223000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53391762148731 CATEGORIES:education DESCRIPTION:For Music Doctoral Students (PhD and DMA).\n\nAll incoming gra duate students are required to attend their assigned Orientation and Acade mic Advising session. During this session\, we will build your class sched ule\, register for classes\, and make sample schedules. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 167 URL:https://calendar.uoregon.edu/event/somd-graduate-orientation-advising- new-doctoral-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Meeting for Undergraduate Students in Music Education DTSTART:20260924T210000Z DTEND:20260924T220000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196923934967 CATEGORIES:education DESCRIPTION:All new and returning undergraduate Music Education majors are required to attend the meeting.\n\nGet to know your cohort\, meet Music E ducation faculty\, and learn about NAfME (National Association for Music E ducation) from current members. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 140 URL:https://calendar.uoregon.edu/event/somd-meeting-for-undergraduate-stud ents-in-music-education X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Jazz Ensemble Auditions - Saxophone DTSTART:20260924T213000Z DTEND:20260925T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196947293492 CATEGORIES:music DESCRIPTION:UO jazz ensembles (Big Bands\, Combos\, Latin Jazz Ensemble\, Jazz Guitar Ensemble) are open to all University of Oregon students (inclu ding part-time and Continuing Education students) by audition\, regardless of major.\n\nAuditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Band s\, Combos\, Latin\, and Guitar ensembles. Students auditioning for these ensembles in the Fall term need not re-audition in winter or spring terms. \n\nEach audition will last roughly 5-15 minutes. Please visit the jazz w ebsite to sign up for your audition time and download audition materials ( available July 1st).\n\nProfessor Paul Krueger\, Director of Jazz Studies\ , is your contact for questions\, kruegerp@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/jazz-ensemble-auditions-saxophone X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Trombone DTSTART:20260924T214000Z DTEND:20260924T225500Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196894888188 CATEGORIES:music DESCRIPTION:Auditions for the 2026-27 academic year are open to students f rom all majors. Personnel for the various orchestras\, bands\, and wind en sembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-person auditio ns. Participation in Campus Band and Campus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1st) and sign-ups.\n\nDr. Dennis Llin as is your contact for questions\, dllinas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-trombone X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Clark Honors College New Student and Family Welcome Reception DTSTART:20260924T230000Z DTEND:20260925T003000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51907133120689 CATEGORIES:community DESCRIPTION:The Clark Honors College invites all incoming CHC students and their families to Chapman Hall and McCaslin Lawn for a light reception.\n \nThis event is open to CHC faculty and staff\, and new students in the Cl ark Honors College. LAST-MODIFIED:20260730T015158Z LOCATION:Chapman Hall\, McCaslin Lawn URL:https://calendar.uoregon.edu/event/clark-honors-college-new-student-fa mily-welcome-reception X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - UO Opera DTSTART:20260924T230000Z DTEND:20260925T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196847417127 CATEGORIES:music,theater DESCRIPTION:The University Opera Ensemble is open to all members of the un iversity community by audition only. All SOMD music majors must have their studio teacher's permission to participate.\n\nAUDITION DETAILS\n\nAuditi ons for the February 2027 opera\, Florencia en el Amazonas by Daniel Catá n\, will take place Thursday\, September 24\, 2026\, from 4:00-6:00 p.m.We will also be performing an extensive Opera Scenes Program in May 2027.SIG N UP FOR AN AUDITION HEREWHAT TO PREPARE \n\nPlease email Dr. Karen Esquiv el or Dr. Gustavo Castro for the music if you want to audition for a speci fic role. If you are interested only in the chorus\, you can bring in an a ria or art song in Spanish for the auditions.ROLES\n\nFlorencia Grimaldi\, soprano with a solid high CRosalba\, soprano with a solid high CPaula\, m ezzoArcádio\, tenorÁlvaro\, baritoneRiolobo\, bass-baritoneCapitán\, ba ssChorusADDITIONAL INFORMATION\n\nThis is a full-year course.Bring a one-p age resumé and headshot\, if you have one\, to your audition. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, Beall Performance Hall\, FMB 160 URL:https://calendar.uoregon.edu/event/ensemble-auditions-uo-opera X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Tuba and Euphonium DTSTART:20260924T230500Z DTEND:20260925T002000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196891996124 CATEGORIES:music DESCRIPTION:Auditions for the 2026-27 academic year are open to students f rom all majors. Personnel for the various orchestras\, bands\, and wind en sembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-person auditio ns. Participation in Campus Band and Campus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1st) and sign-ups.\n\nDr. Dennis Llin as is your contact for questions\, dllinas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-tuba-euphonium X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260925 DTEND;VALUE=DATE:20260926 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075974023 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260925 DTEND;VALUE=DATE:20260926 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663051148 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Flute DTSTART:20260925T010000Z DTEND:20260925T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196530377533 CATEGORIES:music DESCRIPTION:Auditions for the 2026-27 academic year are open to students f rom all majors. Personnel for the various orchestras\, bands\, and wind en sembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-person auditio ns. Participation in Campus Band and Campus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1st) and sign-ups.\n\nDr. Dennis Llin as is your contact for questions\, dllinas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-flute X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Jazz Ensemble Auditions - Drums DTSTART:20260925T010000Z DTEND:20260925T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196861576787 CATEGORIES:music DESCRIPTION:UO jazz ensembles (Big Bands\, Combos\, Latin Jazz Ensemble\, Jazz Guitar Ensemble) are open to all University of Oregon students (inclu ding part-time and Continuing Education students) by audition\, regardless of major.\n\nAuditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Band s\, Combos\, Latin\, and Guitar ensembles. Students auditioning for these ensembles in the fall term need not re-audition in winter or spring terms. \n\nEach audition will last roughly 5-15 minutes. Please visit the jazz w ebsite to sign up for your audition time and download audition materials ( available July 1st).\n\nProfessor Paul Krueger\, Director of Jazz Studies\ , is your contact for questions\, kruegerp@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/jazz-ensemble-auditions-drums X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Residence Hall Welcome Events DTSTART:20260925T010000Z DTEND:20260925T020000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53835499177052 CATEGORIES:community DESCRIPTION:Kick off your UO experience with residence hall welcome events ! Meet your neighbors\, get to know Housing staff\, and discover what it's like to live on campus while participating in exciting activities through out the residence halls. From games and competitions to social gatherings\ , there's something for everyone. Attend events for a chance to win prizes \, make new connections\, and create lasting memories from the very start of the year. LAST-MODIFIED:20260831T183211Z LOCATION:In Your Residence Hall URL:https://calendar.uoregon.edu/event/residence-hall-welcome-events X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Unpack the Quack After Dark with the Residence Hall Association DTSTART:20260925T020000Z DTEND:20260925T060000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53835350583435 CATEGORIES:community,gaming,music DESCRIPTION:Experience residence hall life at its best with an evening pac ked with entertainment\, music\, games\, and unforgettable fun! Hosted by the Residence Hall Association\, this campuswide event features laser tag on the Global Scholars Hall (GSH) lawn\, casino games in the GSH Great Roo m\, a silent disco on the Living Learning Center (LLC) lawn\, and even mor e exciting activities throughout the halls. Explore different locations\, meet fellow residents\, and make new connections while enjoying unique exp eriences around campus. LAST-MODIFIED:20260831T183211Z LOCATION:Various Residence Halls (See Description) URL:https://calendar.uoregon.edu/event/unpack-the-quack-after-dark-with-th e-residence-hall-association X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Group W Bench with Pee Wee DTSTART:20260925T030000Z DTEND:20260925T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53250950200674 CATEGORIES:music DESCRIPTION:Join us every Thursday at 8pm for The Group W Bench with Pee W ee. The best two-hour community radio blues-focused show in Eugene\, Orego n.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/19 4495/The-Group-W-Bench LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-group-w-bench-with-pee-wee X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Kneescapes and Soundscrapes With Ladybug DTSTART:20260925T050000Z DTEND:20260925T070000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258901127624 CATEGORIES:music DESCRIPTION:Join us every Thursday at 10pm for a summertime special editio n show\, Kneescapes and Soundscrapes. Co-hosts Lady Bug and Contracate are dedicated to providing radio listeners with a peaceful soundtrack for the ir summer nights! As a mesh of two tastes\, this show spans various muscia l genres to mix and match moods and provide variety every week. From R&B t o alt rock and bossa novian to country to late italian orchestral... Knees crapes and Soundscrapes might just have a little something for you! Tune i n to find out \;-)\n\nTo see playlists from past shows: https://spinitron. com/KWVA/show/309259/Kneescapes-Soundscrapes LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kneescapes-soundscrapes-with-ladybu g X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260925T140000Z DTEND:20260926T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434686599 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Snap\, Crackle\, POP! with Craig Leve DTSTART:20260925T150000Z DTEND:20260925T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258943574662 CATEGORIES:music DESCRIPTION:Join us every Friday at 8am for Snap\, Crackle\, POP! with Cra ig Leve. Snap\, Crackle\, POP! features all things pop - soft pop and psyc h pop from the 60s\, power pop of the 70s\, synth pop\, new wave\, pub roc k\, power pop revival and more.\n\nTo see playlists from past shows: https ://spinitron.com/KWVA/show/140895/Snap-Crackle-POP LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/snap-crackle-pop-with-craig-leve X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:It's Duck Friday! DTSTART:20260925T150000Z DTEND:20260926T000000Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791764652548 CATEGORIES:community DESCRIPTION:Show your UO spirit and wear Ducks gear today! Stop by the Stu dent Welcome Center in your green and yellow gear and receive a special Du ck Friday giveaway. Students\, parents\, and family members are welcomed! LAST-MODIFIED:20260825T003017Z LOCATION:Student Welcome Center URL:https://calendar.uoregon.edu/event/its-duck-friday-6820 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Unpack the Quack DTSTART:20260925T150000Z DTEND:20260926T000000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53835604545273 CATEGORIES:community DESCRIPTION:Kicking off Week of Welcome\, Unpack the Quack is the UO’s t wo-day move-in experience for all new and continuing Ducks. Students arriv e to campus during their assigned move-in time and with the help of staff and student volunteers\, move into their new home and get settled for the academic year. Be sure to stop by the Student Welcome Center in Unthank Ha ll for any housing-related questions. LAST-MODIFIED:20260831T183211Z LOCATION:All Residence Halls\; Headquarters in the Student Welcome Center in Unthank Hall URL:https://calendar.uoregon.edu/event/unpack-the-quack-9889 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions and Studio Placement Auditions - Percussio n DTSTART:20260925T153000Z DTEND:20260925T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196595067688 CATEGORIES:music DESCRIPTION:Studio placement auditions are required for all new and return ing students who will register for MUP Percussion lessons during the 2026- 27 academic year. Studio placement auditions for percussion will coincide with ensemble auditions for that instrument.\n\nAuditions for the 2026-27 academic year are open to students from all majors. Personnel for the vari ous orchestras\, bands\, and wind ensembles will be formed from these audi tions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symph onic Band requires in-person auditions. Participation in Campus Band and C ampus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1 st) and sign-ups.\n\nDr. Dennis Llinas is your contact for questions\, dll inas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-studio-placement -auditions-percussion X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Jazz Ensemble Auditions - Bass DTSTART:20260925T160000Z DTEND:20260925T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196742435124 CATEGORIES:music DESCRIPTION:UO jazz ensembles (Big Bands\, Combos\, Latin Jazz Ensemble\, Jazz Guitar Ensemble) are open to all University of Oregon students (inclu ding part-time and Continuing Education students) by audition\, regardless of major.\n\nAuditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Band s\, Combos\, Latin\, and Guitar ensembles. Students auditioning for these ensembles in the fall term need not re-audition in winter or spring terms. \n\nEach audition will last roughly 5-15 minutes. Please visit the jazz w ebsite to sign up for your audition time and download audition materials ( available July 1st).\n\nProfessor Paul Krueger\, Director of Jazz Studies\ , is your contact for questions\, kruegerp@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/jazz-ensemble-auditions-bass X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Undergraduate Orientation: Dance DTSTART:20260925T163000Z DTEND:20260925T170000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53364300272019 CATEGORIES:dance DESCRIPTION:All new undergraduate Dance majors (BA\, BS\, BFA) are require d to attend this orientation. Dance minors are welcome but not required to attend.\n\nRegister to Attend: Dance Orientation\, Dance Placement & BFA Auditions here LAST-MODIFIED:20260730T015158Z LOCATION:Gerlinger Annex\, 352 URL:https://calendar.uoregon.edu/event/somd-undergraduate-orientation-danc e X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260925T170000Z DTEND:20260926T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758810354 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260925T170000Z DTEND:20260926T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594096025 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260925T170000Z DTEND:20260926T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574692389 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Auditions: Dance Placements and Auditions DTSTART:20260925T170000Z DTEND:20260925T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53364345285296 CATEGORIES:dance DESCRIPTION:Register to Attend: Dance Orientation\, Dance Placement & BFA Auditions here\n\nAll incoming Dance majors and minors are required to att end this Placement Class.\n\nWhen registering for technique classes prior to the placement class\, all Dance majors should register for level I. If that placement changes\, you will be notified after placement class.\n\nDa nce minors and other non-dance majors may only register for the following classes prior to placement.\n\nDANC 150 Contemp Foundations\n\nDANC 152 Ba llet Foundations\n\nDANC 175 Hip Hop I\n\nDANC 185 African I LAST-MODIFIED:20260730T015158Z LOCATION:Gerlinger Annex\, 353\, 354 URL:https://calendar.uoregon.edu/event/somd-auditions-dance-placements-aud itions X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Select Choirs DTSTART:20260925T170000Z DTEND:20260926T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196733065945 CATEGORIES:music DESCRIPTION:Auditions in the Fall of 2026 for Chamber Choir\, University S ingers\, and Repertiore Singers will take place over three days during the Week of Welcome (9.24\, 9.25\, and 9.27)\, and during the first three day s of fall term. All UO students\, no matter their major\, are welcome in a ny of our choirs. We have choirs appropriate for all experience levels\, f rom people who have sung in a choir for many years\, to people who would l ike to join a choir for the first time.\n\nSign up for an audition here \n \nInterested students need only sign up for one time slot.\n\nIf you are i nterested in auditioning for choir but are unable to sign up for a Week of Welcome audition\, please come to the first day of whichever choir(s) you are interested in joining and we will arrange an audition at that time. I f you have any questions\, please contact Dr. Paul at sjpaul@uoregon.edu.\ n\nPlease note that Chamber Choir (M/W 2:00 PM-2:50 PM & T/TH 12:00 PM-1:2 0 PM) and University Singers (MWF 11:00 AM-11:50 AM) audition in the Fall only\, and require a one-year commitment. (University Singers will auditio n new members mid-year if openings are avaialble. Please contact Dr. Melis sa Brunkan at mbrunkan@uoregon.edu for any inquiries.\n\nRepertoire Singer s (T/TH 3:00 PM-3:50 PM) will accept new members each term. If you miss Fa ll auditions for Repertoire Singers and would like to join in Winter or Sp ring terms\, please contact Dr. Sharon J. Paul at sjpaul@uoregon.edu to ar range a brief audition.\n\nWHAT TO PREPARE\n\nPlease have one song prepare d – it can be an art song\, aria\, folk song\, or musical theater piece. A pianist will be provided for you. You will also be asked to perform bri ef exercises that assess your range\, aural skills\, and music literacy le vel.\n\nFIRST DAY OF EACH CHOIR\n\nChamber Choir: Monday\, September 28: 2 :00 PM-2:50 PM\, Frohnmayer Music Building Room 163\nRepertoire Singers: T uesday\, September 29: 3:00 PM-3:50 PM\, Frohnmayer Music Building Room 16 3\nUniversity Singers: Monday\, September 28: 11:00 AM-11:50 AM\, Frohnmay er Music Building Room 163\n\nQUESTIONS\n\nDr. Sharon J. Paul at sjpaul@uo regon.edu for questions about Chamber Choir or Repertoire Singers\nDr. Mel issa Brunkan at mbrunkan@uoregon.edu for questions about University Singer s\nIf you have general questions about the choirs\, please feel free to co ntact either of us! LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 163 URL:https://calendar.uoregon.edu/event/ensemble-auditions-select-choirs-79 30 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Undergraduate Exam: Music Theory DTSTART:20260925T170000Z DTEND:20260925T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196737664497 CATEGORIES:education DESCRIPTION:REQUIRED FOR TRANSFER STUDENTS\; Optional for freshmen wishing to test out of Music Theory sequence courses.\n\nStudy Guide available he re. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 140 URL:https://calendar.uoregon.edu/event/somd-undergraduate-exam-music-theor y X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Undergraduate Placement Exam: Keyboard Skills DTSTART:20260925T170000Z DTEND:20260925T210000Z DTSTAMP:20260801T002848Z UID:tag:localist.com\,2008:EventInstance_53560979667598 CATEGORIES:education DESCRIPTION:REQUIRED FOR TRANSFER STUDENTS\; optional for freshmen wishing to test out of Keyboard Skills sequence courses.\n\n2026 Sign-Up Link com ing soon!\n\nFor students who are taking all three placement exams (includ ing Theory and Aural Skills) and who need a Keyboard Skills appointment ou tside of 10a-2p\, please email Dr. S.\n\nStudy Guide available here. LAST-MODIFIED:20260801T002848Z LOCATION:Frohnmayer Music Building\, 111 URL:https://calendar.uoregon.edu/event/somd-undergraduate-exam-keyboard-sk ills X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260925T170000Z DTEND:20260926T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474355463 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Duck Friday Crafts with the Craft Center DTSTART:20260925T170000Z DTEND:20260925T220000Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791671905729 CATEGORIES:arts DESCRIPTION:Join us in the Student Welcome Center in Unthank Hall to duck out your day with specialty UO crafts with the Craft Center. Students\, pa rents\, and family members are welcomed! LAST-MODIFIED:20260825T003017Z LOCATION:Student Welcome Center URL:https://calendar.uoregon.edu/event/duck-friday-crafts-with-the-craft-c enter-3308 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Therapy Dogs DTSTART:20260925T170000Z DTEND:20260925T193000Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791778023802 CATEGORIES:community DESCRIPTION:Take a break from settling into your new nest and hang out wit h therapy dogs from FETCH (Friends Eager To Come Help)\, a volunteer thera py dog group in Eugene. Students\, parents\, and family members are welcom ed! LAST-MODIFIED:20260825T003017Z LOCATION:Student Welcome Center URL:https://calendar.uoregon.edu/event/therapy-dogs-422 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Ducks Family Welcome Hub DTSTART:20260925T170000Z DTEND:20260925T220000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53835429601545 CATEGORIES:community DESCRIPTION:Immerse yourself in the traditions of the UO through activitie s and events and connect with community partners who want to welcome you a nd your Ducks family to the city of Eugene. Students\, parents\, and famil y members are welcomed! LAST-MODIFIED:20260831T183211Z LOCATION:Student Welcome Center URL:https://calendar.uoregon.edu/event/duck-family-welcome-hub-9104 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Parent and Family Lounge DTSTART:20260925T170000Z DTEND:20260925T233000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53851147118234 CATEGORIES:community,family DESCRIPTION:We invite you to visit us at the Parent and Family Lounge duri ng move-in. Relax with complimentary refreshments\, write a note of encour agement to your student\, and connect with other University of Oregon fami lies. This is an informal space\, and families are welcome to come and go as they please. LAST-MODIFIED:20260831T183211Z LOCATION:Ford Alumni Center\, Lower Lobby URL:https://calendar.uoregon.edu/event/parent-family-lounge X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Clarinet DTSTART:20260925T171000Z DTEND:20260925T184000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196919310627 CATEGORIES:music DESCRIPTION:Auditions for the 2026-27 academic year are open to students f rom all majors. Personnel for the various orchestras\, bands\, and wind en sembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-person auditio ns. Participation in Campus Band and Campus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1st) and sign-ups.\n\nDr. Dennis Llin as is your contact for questions\, dllinas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-clarinet X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260925T180000Z DTEND:20260926T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374110453 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260925T180000Z DTEND:20260926T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816158016 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260925T180000Z DTEND:20260926T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689481307 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Bassoon DTSTART:20260925T185000Z DTEND:20260925T195000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196562271937 CATEGORIES:music DESCRIPTION:Auditions for the 2026-27 academic year are open to students f rom all majors. Personnel for the various orchestras\, bands\, and wind en sembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-person auditio ns. Participation in Campus Band and Campus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1st) and sign-ups.\n\nDr. Dennis Llin as is your contact for questions\, dllinas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-bassoon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Undergraduate Exam: Aural Skills Dictation DTSTART:20260925T190000Z DTEND:20260925T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196724677893 CATEGORIES:education DESCRIPTION:REQUIRED FOR TRANSFER STUDENTS\; Optional for freshmen wishing to test out of Aural Skills sequence courses. \n\nTo be paired with the A ural Skills sight singing exam. \n\nStudy Guide available here. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 140 URL:https://calendar.uoregon.edu/event/somd-undergraduate-exam-aural-skill s-dictation X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Clark Honors College New Student Welcome DTSTART:20260925T193000Z DTEND:20260925T223000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51907075836001 CATEGORIES:community DESCRIPTION:The Clark Honors College invites all incoming CHC students to McCaslin Lawn to gather and participate in group activities.\n\nThis event is open to CHC faculty and staff\, and new students in the Clark Honors C ollege. LAST-MODIFIED:20260730T015158Z LOCATION:Chapman Hall\, McCaslin Lawn URL:https://calendar.uoregon.edu/event/clark-honors-college-new-student-we lcome X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Auditions: BFA in Dance DTSTART:20260925T193000Z DTEND:20260925T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53364356469882 CATEGORIES:dance DESCRIPTION:Register to Attend: Dance Orientation\, Dance Placement & BFA Auditions here\n\nBachelor of Fine Arts (BFA) candidates will participate in the morning placement class\, present a 3-5 minute solo\, and have a br ief interview with the dance faculty.\n\nGuidelines for solo \n\nPerform a 3-5 minute solo from any idiom or style that you feel presents you in you r very best light. The movement may be choreographed (by you or another) o r improvised. A separate studio will be available to prepare for solo perf ormances. We will provide aux cable and adapters to play your music from y our phone or other device during the audition.\n\nBe prepared to change ea sily between:\n\nsoft slippers or thin cotton socks for ballet (no point s hoes)\;bare feet for contemporary and African\;and clean sneakers for hip hop.Please be prepared to answer the following questions in the interview with faculty:\n\nWhat would you like to tell us about your movement backgr ound?Why are you interested in earning a BFA in Dance at the University of Oregon?How do you see yourself working and collaborating with the communi ty in our dance program as well as the greater community at the University of Oregon? LAST-MODIFIED:20260730T015158Z LOCATION:Gerlinger Annex\, 353\, 354 URL:https://calendar.uoregon.edu/event/somd-auditions-bfa-in-dance X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Jazz Ensemble Auditions - Guitar DTSTART:20260925T193000Z DTEND:20260925T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196663188750 CATEGORIES:music DESCRIPTION:UO jazz ensembles (Big Bands\, Combos\, Latin Jazz Ensemble\, Jazz Guitar Ensemble) are open to all University of Oregon students (inclu ding part-time and Continuing Education students) by audition\, regardless of major.\n\nAuditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Band s\, Combos\, Latin\, and Guitar ensembles. Students auditioning for these ensembles in the fall term need not re-audition in winter or spring terms. \n\nEach audition will last roughly 5-15 minutes. Please visit the jazz w ebsite to sign up for your audition time and download audition materials ( available July 1st).\n\nProfessor Paul Krueger\, Director of Jazz Studies\ , is your contact for questions\, kruegerp@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 184 URL:https://calendar.uoregon.edu/event/jazz-ensemble-auditions-guitar X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Studio Placement Auditions - Voice DTSTART:20260925T200000Z DTEND:20260925T233000Z DTSTAMP:20260814T002926Z UID:tag:localist.com\,2008:EventInstance_53196607205856 CATEGORIES:education DESCRIPTION:Auditions required for BMME Choral\, BM Voice\, BA/BS Applied Study: Voice\, MM Voice\, MM Choral Conducting\, DMA Voice and all voice s cholarship recipients.\n\nSign up link \n\nInstructions:\n\nClick the sign -up link above.On the page The Jury System\, select Booking -> Book a Time (you must be logged in with your UO duck id to proceed).Fill out the form labeled Jury Booking for the voice studio placements on Friday September 25 in Beall Hall.Complete the process by clicking "Submit"Please plan to p resent one (1) selection. It can be one of the pieces you sang for your SO MD audition\, or something new. Here are some general guidelines:\n\nUNDER GRADUATE: A classical piece in English\, Italian\, French\, Spanish or Ger man.\nGRADUATE: An art song (Lied\, mélodie\, etc.)\, or an aria from an opera or oratorio.\n\nMemorization is required\, except for selections fro m the oratorio repertoire. An accompanist will be provided. LAST-MODIFIED:20260814T002926Z LOCATION:Frohnmayer Music Building\, 160 Beall Performance Hall URL:https://calendar.uoregon.edu/event/studio-placement-auditions-voice X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Undergraduate Exam: Aural Skills Sight Singing DTSTART:20260925T200000Z DTEND:20260925T220000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196697919859 CATEGORIES:education DESCRIPTION:REQUIRED FOR TRANSFER STUDENTS\; Optional for freshmen wishing to test out of Aural Skills sequence courses. \n\nTo be paired with the w ritten Aural Skills dictation exam. Students will sign up for an individua l appointment during the time listed for the sight singing exam portion.\n \nStudy Guide available here. LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 140\, 142\, 150\, 178 URL:https://calendar.uoregon.edu/event/somd-undergraduate-exam-aural-skill s-sight-singing X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Open Heart Operation with DJ Surgeon DTSTART:20260925T210000Z DTEND:20260925T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258965674551 CATEGORIES:music DESCRIPTION:Join us every Friday at 2pm for Open Heart Operation with DJ S urgeon. From electric to electronic\, an open exploration of all music cre ated with modern technology!\n\nTo see playlists from past shows: https:// spinitron.com/KWVA/show/285187/Open-Heart-Operation LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/open-heart-operation-with-dj-surgeo n-4572 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Oboe DTSTART:20260925T210000Z DTEND:20260925T221000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196568116623 CATEGORIES:music DESCRIPTION:Auditions for the 2026-27 academic year are open to students f rom all majors. Personnel for the various orchestras\, bands\, and wind en sembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-person auditio ns. Participation in Campus Band and Campus Orchestra does not require an audition.\n\nPlease visit the ensemble website for audition information\, including excerpts (available August 1st) and sign-ups.\n\nDr. Dennis Llin as is your contact for questions\, dllinas@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-oboe X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:College Block Party DTSTART:20260925T210000Z DTEND:20260925T230000Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791596941058 CATEGORIES:community,festival DESCRIPTION:College Block Party is a chance to explore your school or coll ege and get to know the people and opportunities that will be part of your UO experience. Schools and colleges across campus will host interactive a ctivities where you can meet faculty\, staff\, and other students\; learn more about majors and programs\; and get a feel for what happens outside t he classroom. Start at the EMU Amphitheater and then explore participatin g schools and colleges across campus. Come ask questions\, try something n ew\, and start finding your people at UO. LAST-MODIFIED:20260825T003017Z LOCATION:Erb Memorial Union (EMU)\, Amphitheater URL:https://calendar.uoregon.edu/event/college-block-party X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Piano Proficency Exam: Composition DTSTART:20260925T220000Z DTEND:20260926T000000Z DTSTAMP:20260806T003504Z UID:tag:localist.com\,2008:EventInstance_53577966602640 CATEGORIES:education DESCRIPTION:Required for all new incoming master's students in composition \, and optional for undergraduates (to be determined during advising).\n\n Access the Piano Proficiency study guide\n\n \n\nThe exam is offered by ap pointment only and held in person.\n\n2026 SIGN UP LINK COMING SOON\n\n \n \nTo test out of Fall\, Winter\, and Spring sequences\, student needs to d emonstrate the following proficiencies:\n\n1. Major scales: hands together in two octaves\, systematic fingerings\, all keys\n\n2. Minor scales (har monic & melodic): hands together in two octaves\, systematic fingerings\, all keys\n\n3. Arpeggios: hands together in three octaves\, systematic fin gerings\, all major and minor keys\n\n4. Sight-reading: ability to sight-r ead excerpts comparable to the level of Anna Magdalena Bach Notebook or Ba rtok’s "For Children" Book 1\, with 2 minutes of preparation\n\n5. Reper toire (Baroque): a Baroque repertoire at early advance level or comparable .\n\na. Examples: JS Bach’s Two-Part Inventions or a dance movement of J S Bach’s French Suites\n\n6. Repertoire (Classical): a first movement of a Classical sonatina at early advance level or comparable.\n\na. Examples : Clementi’s Sonatinas\, Op. 36 Nos. 2 or 4\, Kuhlau’s Sonatinas Op. 2 0 No. 1 or Op. 55 No. 3\n\n7. Repertoire (Romantic or Contemporary): a Rom antic or contemporary character piece at early advance level or comparable .\n\na. Examples: Schumann's Kinderszenen\, Grieg's Lyric Pieces\, Bartok' s Mikrokosmos Volume 5\, or A. Tcherepnin's Bagatelles Op. 5\n\n \n\nIf th e exam is not passed\, students must enroll in three consecutive terms of MUP 163: Functional Piano for Composers. LAST-MODIFIED:20260806T003504Z LOCATION:Frohnmayer Music Building\, 140 URL:https://calendar.uoregon.edu/event/somd-piano-proficency-exam-composit ion X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Lyllye Reynolds-Parker Black Cultural Center (BCC) Open House DTSTART:20260925T220000Z DTEND:20260926T000000Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791546060874 CATEGORIES:community DESCRIPTION:The Lyllye Reynolds-Parker Black Cultural Center (BCC) invites students to join us for our open house to discover the many resources\, p rograms\, and opportunities available through the BCC. Enjoy a sweet treat while meeting our staff\, connecting with fellow students\, and learning how the BCC fosters community\, cultural engagement\, and academic success . LAST-MODIFIED:20260825T003017Z LOCATION:Lyllye Reynolds-Parker Black Cultural Center URL:https://calendar.uoregon.edu/event/lyllye-reynolds-parker-black-cultur al-center-bcc-open-house X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260925T230000Z DTEND:20260926T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258994688491 CATEGORIES:music DESCRIPTION:Join us every Friday at 4pm for Soirée Gun with Soirée Gun. Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists fro m past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260926 DTEND;VALUE=DATE:20260927 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075976072 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260926 DTEND;VALUE=DATE:20260927 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663052173 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Ducks vs. USC Football Watch Party for Students DTSTART;VALUE=DATE:20260926 DTEND;VALUE=DATE:20260927 DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53799767200688 CATEGORIES:sports DESCRIPTION:Join us on Memorial Quad to get your first taste of the footba ll gameday experience! Bring a chair or blanket and cheer on the Ducks on a big screen for their away game at USC. Free snacks and Oregon Ducks give aways available while supplies last.\n\nNote: Kickoff time is TBD. Big Ten Conference games are typically announced 12 - 14 days before the game\, b ut it can be as close as 6 days prior to game day. LAST-MODIFIED:20260826T003027Z LOCATION:Memorial Quadrangle URL:https://calendar.uoregon.edu/event/ducks-vs-usc-football-watch-party-f or-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Movie on the Lawn DTSTART;VALUE=DATE:20260926 DTEND;VALUE=DATE:20260927 DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53799820775918 CATEGORIES:film DESCRIPTION:Following the football game\, stick around to enjoy a movie on the lawn. Relax with friends\, grab a spot on the grass\, and take in a m emorable evening as part of your Week of Welcome experience. Be sure to br ing a blanket and enjoy this fun campus tradition under the stars.\n\nNote : This event will follow the football watch party on Memorial Quad. Kickof f time for the UO vs. USC football game is TBD. Big Ten Conference games a re typically announced 12 - 14 days before the game\, but it can be as clo se as 6 days prior to game day. LAST-MODIFIED:20260826T003027Z LOCATION:Memorial Quadrangle URL:https://calendar.uoregon.edu/event/movie-on-the-lawn-4103 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Parent and Family Oregon Ducks Football Watch Party DTSTART;VALUE=DATE:20260926 DTEND;VALUE=DATE:20260927 DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53799919341680 CATEGORIES:family,sports DESCRIPTION:Cheer on the Oregon Ducks as they take on the USC Trojans and connect with fellow Ducks fans for an electrifying game day experience! En joy meeting other Ducks families while your student is at their on-campus watch party with Oregon Pit Crew\, the UO's official student section.\n\nN ote: Kickoff time is TBD. Big Ten Conference games are typically announced 12 - 14 days before the game\, but it can be as close as 6 days prior to game day. LAST-MODIFIED:20260826T003027Z LOCATION:Graduate by Hilton Eugene URL:https://calendar.uoregon.edu/event/parent-and-family-oregon-ducks-foot ball-watch-party X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Latent 80s with SpiderSound DTSTART:20260926T010000Z DTEND:20260926T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259017922432 CATEGORIES:music DESCRIPTION:Join us every Friday at 6pm for Latent 80s with SpiderSound. O bscure and semi-obscure music the 1980s and thereabouts — new wave\, alt ernative\, synthpop\, punk\, etc.\n\nTo see playlists from past shows: htt ps://spinitron.com/KWVA/show/140922/Latent-80s LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/latent-80s-with-spidersound-7426 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Residence Hall Welcome Events DTSTART:20260926T010000Z DTEND:20260926T020000Z DTSTAMP:20260904T003255Z UID:tag:localist.com\,2008:EventInstance_53835511567043 CATEGORIES:community DESCRIPTION:Kick off your UO experience with residence hall welcome events ! Meet your neighbors\, get to know Housing staff\, and discover what it's like to live on campus while participating in exciting activities through out the residence halls. From games and competitions to social gatherings\ , there's something for everyone. Attend events for a chance to win prizes \, make new connections\, and create lasting memories from the very start of the year. LAST-MODIFIED:20260904T003255Z LOCATION:In Your Residence Hall URL:https://calendar.uoregon.edu/event/residence-hall-welcome-events-761 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Duck Into the Rec DTSTART:20260926T020000Z DTEND:20260926T040000Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791663738868 CATEGORIES:community,food,gaming,music,outdoors DESCRIPTION:Kick off your first weekend at the UO with music\, live perfor mances\, free food\, games\, and inflatable competitions! Come hang out an d see everything the Rec Center has to offer during your time as a student . LAST-MODIFIED:20260825T003017Z LOCATION:Student Recreation Center (SRC)\, Turf Field #1 URL:https://calendar.uoregon.edu/event/duck-into-the-rec-6473 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Lane County Farmers Market DTSTART:20260926T160000Z DTEND:20260926T210000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53800080195535 CATEGORIES:food,market DESCRIPTION:Savor fresh\, locally grown produce and artisanal foods from o ver 100 Oregon farmers and makers. Students\, parents\, and family members are welcomed! LAST-MODIFIED:20260826T003027Z LOCATION:Farmers Market Pavilion and Plaza\, 85 E 8th Ave\, Eugene URL:https://calendar.uoregon.edu/event/lane-county-farmers-market X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260926T170000Z DTEND:20260927T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758811379 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260926T170000Z DTEND:20260927T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594097050 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Lonely Guy Radio Show with The Lonely Guy DTSTART:20260926T170000Z DTEND:20260926T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259214700521 CATEGORIES:music DESCRIPTION:Join us every Saturday at 10am for the Lonely Guy Radio Show w ith The Lonely Guy. New music each and every week! The Lonely Guy Radio Pr ogram has been part of my Saturdays for nearly 30 years. Thank you for mak ing it part of yours.\n\nTo see playlists from past shows: https://spinitr on.com/KWVA/show/203810/Lonely-Guy-Radio-Show LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/lonely-guy-radio-show-with-the-lone ly-guy X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260926T170000Z DTEND:20260927T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574693414 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260926T170000Z DTEND:20260927T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474356488 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Ducks Downtown DTSTART:20260926T170000Z DTEND:20260927T050000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53799964406734 CATEGORIES:community DESCRIPTION:The City of Eugene welcomes the incoming class and their famil ies to explore downtown and be immersed in Eugene’s vibrant culture and Ducks pride. Pick up a map for this event from the Student Welcome Center on Thursday\, September 24\, and Friday\, September 25\, from 8:00 a.m. – 5:00 p.m. Find more information about the event on the website: https: //www.downtowneugene.com/events/ducks-downtown/\n\nStudents who stop by th e Student Welcome Center before heading to Ducks Downtown will receive a s pecial gift to start their downtown Eugene experience. In addition to pick ing up your map at the Student Welcome Center\, you can also learn about p ublic transportation to downtown! LAST-MODIFIED:20260826T003027Z LOCATION:Downtown Eugene (see event website for specific locations) URL:https://calendar.uoregon.edu/event/ducks-downtown X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Eugene Saturday Market DTSTART:20260926T170000Z DTEND:20260926T230000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53800075105099 CATEGORIES:food,market DESCRIPTION:Shop locally and enjoy delicious food from the oldest open-air Saturday Market in the country.\n\nStudents\, parents\, and family member s are welcomed! LAST-MODIFIED:20260826T003027Z URL:https://calendar.uoregon.edu/event/eugene-saturday-market X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Taste of Tracktown DTSTART:20260926T170000Z DTEND:20260927T050000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53799992170638 CATEGORIES:drink,food DESCRIPTION:Taste your way through Eugene at Taste of TrackTown\, where 30 downtown restaurants serve up delicious bites and sips all for just $5 ea ch while they last! Find a full list of the food and beverage options on t he event website: https://www.tasteoftracktown.com\n\nStudents\, parents\, and family members are welcomed! LAST-MODIFIED:20260826T003027Z LOCATION:Downtown Eugene (see event website for specific locations) URL:https://calendar.uoregon.edu/event/taste-of-tracktown X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Vintage Clothing Pop-Up Market DTSTART:20260926T170000Z DTEND:20260926T230000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53800039994244 CATEGORIES:market DESCRIPTION:Explore Eugene’s vintage clothing scene and connect with loc al shops offering styles from the 80s\, 90s\, and 2000s today. Students\, parents\, and family members are welcomed! LAST-MODIFIED:20260826T003027Z LOCATION:Downtown Eugene (see event website for specific locations) URL:https://calendar.uoregon.edu/event/vintage-clothing-pop-up-market X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260926T170000Z DTEND:20260927T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434687624 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:First-Year Interest Group (FIG) Welcome Meetings DTSTART:20260926T170000Z DTEND:20260926T190000Z DTSTAMP:20260904T003255Z UID:tag:localist.com\,2008:EventInstance_53791827485181 CATEGORIES:community,education DESCRIPTION:Meet your First-Year Interest Group (FIG) faculty\, peer mento r\, and fellow students before classes begin. In this welcome meeting you will explore an introduction to your FIG topic\, learn about the courses y ou will be taking with your cohort\, and have fun beginning to build your community with your FIG faculty and FIG assistant. LAST-MODIFIED:20260904T003255Z LOCATION:Various Locations URL:https://calendar.uoregon.edu/event/first-year-interest-group-fig-welco me-meetings X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260926T180000Z DTEND:20260927T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374111478 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260926T180000Z DTEND:20260927T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816158017 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260926T180000Z DTEND:20260927T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689482332 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Find Your Classes Tours DTSTART:20260926T184500Z DTEND:20260926T200000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53800189177113 CATEGORIES:education DESCRIPTION:Get ready to explore campus during our Find Your Campus Tours. Bring your fall schedule and your walking shoes as you get familiar with the buildings\, paths\, and classrooms you’ll visit throughout the year. By the end of your tour with one of our ambassadors\, you’ll feel more confident navigating campus and ready for your first day of classes. LAST-MODIFIED:20260826T003027Z LOCATION:Erb Memorial Union (EMU)\, Amphitheater URL:https://calendar.uoregon.edu/event/find-your-classes-tours-7549 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Glitter Glitch Radio with DJ Bee-Sting and DJ Schizim DTSTART:20260926T190000Z DTEND:20260926T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259241876693 CATEGORIES:music DESCRIPTION:Join us every Saturday at noon for Glitter Glitch Radio with D J Bee-Sting and DJ Schizim.\n\nTo see playlists from past shows: https://s pinitron.com/KWVA/show/260045/Glitter-Glitch-Radio LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/glitter-glitch-radio-with-dj-bee-st ing-and-dj-schizim X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Cello and Classical Bass DTSTART:20260926T190000Z DTEND:20260926T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196671609560 CATEGORIES:music DESCRIPTION:Ensemble auditions for the 2026-27 academic year are open to s tudents from all majors. Personnel for the various orchestras\, bands\, an d wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-perso n auditions. Participation in Campus Band and Campus Orchestra does not re quire an audition.\n\nPlease visit the ensemble website for audition infor mation\, including excerpts (available August 1st) and sign-ups.\n\nDr. Ja cobs is your contact for questions\, djacobs@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-cello-classical- bass X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Erb Memorial Union (EMU) Open House DTSTART:20260926T190000Z DTEND:20260926T220000Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791853622148 CATEGORIES:community DESCRIPTION:Join us for the Erb Memorial Union (EMU) Student Welcome Open House and discover the many programs\, services\, and opportunities that m ake the EMU the heart of campus. Pick up a passport and explore offices\, departments\, and student resources throughout the building\, collecting s tamps as you go for a chance to win prizes. Along the way\, you'll meet st aff\, learn about ways to get involved\, and discover the spaces and servi ces available to support you throughout your time at the UO. Whether you'r e new to campus or just haven't explored the EMU yet\, this is a fun and e asy way to get connected. LAST-MODIFIED:20260825T003017Z LOCATION:Erb Memorial Union (EMU) URL:https://calendar.uoregon.edu/event/erb-memorial-union-emu-open-house-7 695 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Station Rotation Variety Power Hour with DJ Taco Supreme DTSTART:20260926T210000Z DTEND:20260926T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259270104262 CATEGORIES:music DESCRIPTION:Join us every Saturday at 2pm for The Station Rotation Variety Power Hour with DJ Taco Supreme. Take a break from doomscrolling and tune in to hear two hours of brand new music and old favorites handpicked by w izards — sprinkled with sound clips from film\, TV and internet memes. I t's music in no particular order\, and eclectic with intention.\n\nTo see playlists from past shows: https://spinitron.com/KWVA/show/276108/The-Stat ion-Rotation-Variety-Power-Hour LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/the-station-rotation-variety-power- hour-with-dj-taco-supreme X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260926T230000Z DTEND:20260927T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53258994688492 CATEGORIES:music DESCRIPTION:Join us every Friday at 4pm for Soirée Gun with Soirée Gun. Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists fro m past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soirée Gun with Soirée Gun DTSTART:20260926T230000Z DTEND:20260927T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53259291017870 CATEGORIES:music DESCRIPTION:Join us every Saturday at 4pm for Soirée Gun with Soirée Gun . Beach party spy music from the 60s and 70s mostly.\n\nTo see playlists f rom past shows: https://spinitron.com/KWVA/show/298143/Soirée-Gun LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/soiree-gun-with-soiree-gun-625 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260927 DTEND;VALUE=DATE:20260928 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075977097 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260927 DTEND;VALUE=DATE:20260928 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663053198 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Eugene BRiGHT Parade and AfterParty DTSTART:20260927T023000Z DTEND:20260927T053000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53800163621152 CATEGORIES:community,festival DESCRIPTION:This vibrant\, one-of-a-kind celebration brings glowing costum es\, illuminated art\, and creative community spirit together for a dazzli ng human- and electric-powered spectacle. Dance the night away at the BRiG HT Parade AfterParty. Visit the event website for more details: https://eu genebrightparade.com\n\nThe parade will be from 7:30-8:30 p.m. with the af ter party from 7:30-10:30 p.m. LAST-MODIFIED:20260903T183445Z URL:https://calendar.uoregon.edu/event/eugene-bright-parade-and-afterparty X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Groundation DTSTART:20260927T030000Z DTEND:20260927T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53294459037499 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nGROUNDATION has performed in over 35 countries on 5 continents taking the main stages at w orld renown reggae festivals including Germany’s Summer Jam\, France’s No Logo\, and Brazil’s Republica do Reggae. The group has released 10 s tudio albums to critical acclaim and their 2003 release Hebron Gate has ma de many industry lists of the greatest reggae albums of all time. GROUNDAT ION’s latest studio album\, One Rock keeps their sound and legacy moving ever forward with 9 powerful songs featuring complex arrangements\, movin g melodies and lyrics that touch on the human condition\, the human spirit and the state of the world. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/groundation X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Knight at Night DTSTART:20260927T030000Z DTEND:20260927T050000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53799847154576 CATEGORIES:arts,festival,gaming,music DESCRIPTION:Come to the Knight Library for an evening filled with live mus ic\, mini-golf and other carnival games with prizes\, DIY crafts (tote bag s\, friendship bracelets\, and more!)\, trivia\, video game lounge\, and a photobooth to commemorate the night! There’s something for everyone at Knight at Night.\n\nTo see the full range of activities\, check out the Gu ide to Knight at Night. LAST-MODIFIED:20260826T003027Z LOCATION:Knight Library URL:https://calendar.uoregon.edu/event/knight-at-night X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260927T170000Z DTEND:20260928T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758812404 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260927T170000Z DTEND:20260928T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594098075 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260927T170000Z DTEND:20260928T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574694439 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20260927T170000Z DTEND:20260927T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010336945 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260927T170000Z DTEND:20260928T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474356489 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Find Your Classes Tours DTSTART:20260927T170000Z DTEND:20260927T181500Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53800203032357 CATEGORIES:education DESCRIPTION:Get ready to explore campus during our Find Your Campus Tours. Bring your fall schedule and your walking shoes as you get familiar with the buildings\, paths\, and classrooms you’ll visit throughout the year. By the end of your tour with one of our ambassadors\, you’ll feel more confident navigating campus and ready for your first day of classes. LAST-MODIFIED:20260826T003027Z LOCATION:Erb Memorial Union (EMU)\, Amphitheater URL:https://calendar.uoregon.edu/event/find-your-classes-tours-2772 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260927T170000Z DTEND:20260928T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434688649 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260927T180000Z DTEND:20260928T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374111479 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260927T180000Z DTEND:20260928T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816159042 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Flock Party - Activities Fair DTSTART:20260927T180000Z DTEND:20260927T200000Z DTSTAMP:20260807T003045Z UID:tag:localist.com\,2008:EventInstance_53622525184859 CATEGORIES:community DESCRIPTION:The Flock Party activities fair is the place to find your comm unity from hobbies to academic interests there is a club for tha t. Come join us to meet student organization leaders\, get free swag\, f ind an organization to join\, and have a great time at Flock Party! LAST-MODIFIED:20260807T003045Z LOCATION:Erb Memorial Union (EMU)\, Ballroom\, Crater Lakes\, Redwood\, Sw indells\, Cedar\, and Spruce URL:https://calendar.uoregon.edu/event/flock-party-activities-fair-9228 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260927T180000Z DTEND:20260928T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689483357 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Select Choirs DTSTART:20260927T190000Z DTEND:20260928T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196586257404 CATEGORIES:music DESCRIPTION:Auditions in the Fall of 2026 for Chamber Choir\, University S ingers\, and Repertiore Singers will take place over three days during the Week of Welcome (9.24\, 9.25\, and 9.27)\, and during the first three day s of fall term. All UO students\, no matter their major\, are welcome in a ny of our choirs. We have choirs appropriate for all experience levels\, f rom people who have sung in a choir for many years\, to people who would l ike to join a choir for the first time.\n\nSign up for an audition here \n \nInterested students need only sign up for one time slot.\n\nIf you are i nterested in auditioning for choir but are unable to sign up for a Week of Welcome audition\, please come to the first day of whichever choir(s) you are interested in joining and we will arrange an audition at that time. I f you have any questions\, please contact Dr. Paul at sjpaul@uoregon.edu.\ n\nPlease note that Chamber Choir (M/W 2:00 PM-2:50 PM & T/TH 12:00 PM-1:2 0 PM) and University Singers (MWF 11:00 AM-11:50 AM) audition in the Fall only\, and require a one-year commitment. (University Singers will auditio n new members mid-year if openings are avaialble. Please contact Dr. Melis sa Brunkan at mbrunkan@uoregon.edu for any inquiries.\n\nRepertoire Singer s (T/TH 3:00 PM-3:50 PM) will accept new members each term. If you miss Fa ll auditions for Repertoire Singers and would like to join in Winter or Sp ring terms\, please contact Dr. Sharon J. Paul at sjpaul@uoregon.edu to ar range a brief audition.\n\nWHAT TO PREPARE\n\nPlease have one song prepare d – it can be an art song\, aria\, folk song\, or musical theater piece. A pianist will be provided for you. You will also be asked to perform bri ef exercises that assess your range\, aural skills\, and music literacy le vel.\n\nFIRST DAY OF EACH CHOIR\n\nChamber Choir: Monday\, September 28: 2 :00 PM-2:50 PM\, Frohnmayer Music Building Room 163\nRepertoire Singers: T uesday\, Septemner 29: 3:00 PM-3:50 PM\, Frohnmayer Music Building Room 16 3\nUniversity Singers: Monday\, September 28: 11:00 AM-11:50 AM\, Frohnmay er Music Building Room 163\n\nQUESTIONS\n\nDr. Sharon J. Paul at sjpaul@uo regon.edu for questions about Chamber Choir or Repertoire Singers\nDr. Mel issa Brunkan at mbrunkan@uoregon.edu for questions about University Singer s\nIf you have general questions about the choirs\, please feel free to co ntact either of us! LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 163 URL:https://calendar.uoregon.edu/event/ensemble-auditions-select-choirs X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Violin and Viola DTSTART:20260927T200000Z DTEND:20260928T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53196643623904 CATEGORIES:music DESCRIPTION:Ensemble auditions for the 2026-27 academic year are open to s tudents from all majors. Personnel for the various orchestras\, bands\, an d wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra\, Wind Ensemble\, and Symphonic Band requires in-perso n auditions. Participation in Campus Band and Campus Orchestra does not re quire an audition.\n\nPlease visit the ensemble website for audition infor mation\, including excerpts (available August 1st) and sign-ups.\n\nDr. Ja cobs is your contact for questions\, djacobs@uoregon.edu LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 190 URL:https://calendar.uoregon.edu/event/ensemble-auditions-violin-viola X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Walk to Autzen and Incoming Class Photo DTSTART:20260927T220000Z DTEND:20260928T004500Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53800262642116 CATEGORIES:community DESCRIPTION:Join your fellow first-year and transfer Ducks to make your wa y over the river and through the woods to Autzen Stadium for our tradition al incoming class photo on the field! This is where you will receive your class t-shirt and learn some fun UO traditions during a pep rally hosted b y Student Orientation Programs\, Pit Crew\, and the Oregon Marching Band!\ n\nFor accommodations related to disability\, please contact Student Orien tation Programs at 541-346-1159 to learn more about the Access Shuttle to Autzen Stadium.\n\nMeet outside the Student Welcome Center in Unthank Hall at 3:00 p.m. to participate in the walk to Autzen or join us at Autzen St adium at 3:45 p.m. just for the pep rally and photo. LAST-MODIFIED:20260826T003027Z LOCATION:Student Welcome Center URL:https://calendar.uoregon.edu/event/walk-to-autzen-incoming-class-photo X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Walk to Autzen and Incoming Class Photo for Parents and Families DTSTART:20260927T220000Z DTEND:20260928T004500Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53800279588125 CATEGORIES:community,family DESCRIPTION:Join the new students to make your way over the river and thro ugh the woods to Autzen Stadium to watch them take our traditional incomin g class photo on the field! You'll be also able to hang out in our Parent & Family section and learn some fun UO traditions during a pep rally hoste d by Student Orientation Programs\, Pit Crew\, and the Oregon Marching Ban d.\n\nFor accommodations related to disability\, please contact Student Or ientation Programs at 541-346-1159 to learn more about the Access Shuttle to Autzen Stadium.\n\nMeet outside the Student Welcome Center in Unthank H all at 3:00 p.m. to participate in the walk to Autzen or join us at Autzen Stadium at 3:45 p.m. just for the pep rally and photo. LAST-MODIFIED:20260826T003027Z LOCATION:Student Welcome Center URL:https://calendar.uoregon.edu/event/walk-to-autzen-incoming-class-photo -for-parents-and-families X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260928 DTEND;VALUE=DATE:20260929 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075978122 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260928 DTEND;VALUE=DATE:20260929 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663054223 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Mick's Tape with DJ Mick DTSTART:20260928T010000Z DTEND:20260928T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53241193382864 CATEGORIES:music DESCRIPTION:Join us every Sunday evening at 6pm for Mick's Tape with DJ Mi ck. \n\nEvery week is a new Mick's Tape made just for you. I don't know wh at locker is yours or your homeroom so I'll just leave it here.\n\nStop on by for eclectic eccentricity. I'll bring it all: screeching noises and ye lling\, pleasing melodies\, shredding guitar\, ambient drone. Thoughtful i nterjections. Quality AND quantity. Your new favorite song.\n\nI've got sp onges for ears\, let me wash your dishes. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-micks-tape-with-dj-mick X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Starting Line: Special Convocation for the 150th Entering Class DTSTART:20260928T013000Z DTEND:20260928T030000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53835681827494 CATEGORIES:community DESCRIPTION:A special celebration welcoming the university's 150th enterin g class and officially commemorating the sesquicentennial year. LAST-MODIFIED:20260831T183211Z URL:https://calendar.uoregon.edu/event/starting-line-special-convocation-f or-the-150th-entering-class X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260928T140000Z DTEND:20260929T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434689674 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260928T180000Z DTEND:20260929T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374112504 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260928T180000Z DTEND:20260929T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816160067 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260928T180000Z DTEND:20260929T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689484382 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20260928T190000Z DTEND:20260928T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913753984 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:SOMD Ensemble Auditions - Select Choirs DTSTART:20260928T221000Z DTEND:20260929T003000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53479756212867 CATEGORIES:music DESCRIPTION:Auditions in the Fall of 2026 for Chamber Choir\, University S ingers\, and Repertiore Singers will take place over three days during the Week of Welcome (9.24\, 9.25\, and 9.27)\, and during the first three day s of fall term. All UO students\, no matter their major\, are welcome in a ny of our choirs. We have choirs appropriate for all experience levels\, f rom people who have sung in a choir for many years\, to people who would l ike to join a choir for the first time.\n\nSign up for an audition here \n \nInterested students need only sign up for one time slot.\n\nIf you are i nterested in auditioning for choir but are unable to sign up for a Week of Welcome audition\, please come to the first day of whichever choir(s) you are interested in joining and we will arrange an audition at that time. I f you have any questions\, please contact Dr. Paul at sjpaul@uoregon.edu.\ n\nPlease note that Chamber Choir (M/W 2:00 PM-2:50 PM and T/TH 12:00 PM-1 :20 PM) and University Singers (MWF 11:00 AM-11:50 AM) audition in the fal l only\, and require a one-year commitment. (University Singers will audit ion new members mid-year if openings are avaialble. Please contact Dr. Mel issa Brunkan at mbrunkan@uoregon.edu for any inquiries.\n\nRepertoire Sing ers (T/TH 3:00 PM-3:50 PM) will accept new members each term. If you miss fall auditions for Repertoire Singers and would like to join in winter or spring terms\, please contact Dr. Sharon J. Paul at sjpaul@uoregon.edu to arrange a brief audition.\n\nWHAT TO PREPARE\n\nPlease have one song prepa red – it can be an art song\, aria\, folk song\, or musical theater piec e. A pianist will be provided for you. You will also be asked to perform b rief exercises that assess your range\, aural skills\, and music literacy level.\n\nFIRST DAY OF EACH CHOIR\n\nChamber Choir: Monday\, September 28: 2:00 PM-2:50 PM\, Frohnmayer Music Building Room 163\nRepertoire Singers: Tuesday\, Septemner 29: 3:00 PM-3:50 PM\, Frohnmayer Music Building Room 163\nUniversity Singers: Monday\, September 28: 11:00 AM-11:50 AM\, Frohnm ayer Music Building Room 163\n\nQUESTIONS\n\nDr. Sharon J. Paul at sjpaul@ uoregon.edu for questions about Chamber Choir or Repertoire Singers\nDr. M elissa Brunkan at mbrunkan@uoregon.edu for questions about University Sing ers\nIf you have general questions about the choirs\, please feel free to contact either of us! LAST-MODIFIED:20260730T015158Z LOCATION:Frohnmayer Music Building\, 127 (office) URL:https://calendar.uoregon.edu/event/copy-of-somd-ensemble-auditions-sel ect-choirs X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260929 DTEND;VALUE=DATE:20260930 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075980171 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260929 DTEND;VALUE=DATE:20260930 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663055248 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20260929T010000Z DTEND:20260929T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817948363 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260929T140000Z DTEND:20260930T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434690699 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260929T180000Z DTEND:20260930T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374113529 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260929T180000Z DTEND:20260930T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816160068 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260929T180000Z DTEND:20260930T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689485407 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20260929T190000Z DTEND:20260929T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043921425 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:UO Commute Planning and Support: Drop-in Sessions DTSTART:20260929T190000Z DTEND:20260929T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53481935250045 CATEGORIES:education DESCRIPTION:Get personalized UO commute planning help at a drop-in session on Zoom! Talk with Rachel Glaeser (UO Transportation Services) about your commute options to the Eugene campus. Learn about the many options beyond driving alone to campus. Find out how active and sustainable commute mode s can save you money\, reduce stress\, and lower your carbon footprint.\n\ nDrop-in sessions are open to any UO employee and student. Sessions will b e held on Zoom every Tuesday at noon from September 15 to October 13. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/uo-commute-planning-support-drop-in -session X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Department of History Fall Get-Together DTSTART:20260929T220000Z DTEND:20260930T010000Z DTSTAMP:20260827T002907Z UID:tag:localist.com\,2008:EventInstance_53807154304174 CATEGORIES:community DESCRIPTION:The history department welcomes our students back to campus wi th a casual get-together! Join us for free pizza and beverages\; learn wha t’s happening in the department this year\; and connect with the history community.\n\nFree and open to all history undergraduates\, graduates\, f aculty\, and staff! LAST-MODIFIED:20260827T002907Z LOCATION:McKenzie Hall\, Courtyard URL:https://calendar.uoregon.edu/event/department-of-history-fall-get-toge ther X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20260930 DTEND;VALUE=DATE:20261001 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075981196 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20260930 DTEND;VALUE=DATE:20261001 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663055249 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20260930T140000Z DTEND:20261001T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434691724 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20260930T170000Z DTEND:20261001T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758814453 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20260930T170000Z DTEND:20261001T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594099100 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20260930T170000Z DTEND:20261001T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574695464 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20260930T170000Z DTEND:20261001T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474357514 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20260930T180000Z DTEND:20261001T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374114554 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20260930T180000Z DTEND:20261001T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816161093 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20260930T180000Z DTEND:20261001T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689486432 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20260930T190000Z DTEND:20260930T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913755009 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:20th Annual Rennard Strickland Lecture: "The Vanishing Indian Prop erty Rights: How Federal Courts are Stripping Indians of the Rights to The ir Own Lands" Featuring Bryan Newland DTSTART:20260930T190000Z DTEND:20260930T203000Z DTSTAMP:20260902T183549Z UID:tag:localist.com\,2008:EventInstance_53862442154071 CATEGORIES:education DESCRIPTION:The University of Oregon's Environmental and Natural Resources Law (ENR) Center and cross-campus partners will present the 20th Annual R ennard Strickland Lecture—featuring Bryan Newland (Ojibwe)\, former US A ssistant Secretary of the Interior for Indian Affairs—via Zoom Webinar. Register for the webinar through Zoom or on our event page. \n\nNewland wi ll present his virtual talk\, "The Vanishing Indian Property Rights: How F ederal Courts are Stripping Indians of the Rights to Their Own Lands." \n\ nBryan Newland is a citizen of the Bay Mills Indian Community\, where he s erved as Tribal President from 2017 to 2021 and Chief Judge from 2013 to 2 017. From 2021 to 2025\, he served as Assistant Secretary for Indian Affai rs in the US Department of the Interior\, where he led the Bureau of India n Affairs\, Bureau of Indian Education\, and Bureau of Trust Funds Adminis tration. As Assistant Secretary\, Newland helped coordinate a historic $45 B investment in Indian Country\; led the development of a co-stewardship p olicy to promote public-land management agreements between federal agencie s and Tribal Nations\; and worked to implement the Federal Indian Boarding School Initiative\, a comprehensive effort to recognize the troubled lega cy of federal Indian boarding school policies and to address these policie s' intergenerational impact. Today\, Newland is a principal attorney at Po wers\, Pyles\, Sutter & Verville\, PC\, where he represents Tribal governm ents\, Tribal business entities\, and inter-Tribal organizations on a broa d range of legal and policy matters. Newland received a JD from Michigan S tate University (MSU) College of Law\, where he also earned an Indian Law Certificate\, and a BA from James Madison College at MSU. He is a recipien t of the National American Indian Court Judges Association's Judicial Exce llence Award (2024) and the Clean Water Action Great Lakes Protectors Awar d (2020). \n\nThrough its Native Environmental Sovereignty Project\, the E NR Center established the Rennard Strickland Lecture series in 2006 to hon or the legacy of former Oregon Law Professor and Dean Rennard Strickland\, who retired that year and passed in 2021. An Osage citizen of the Cheroke e Nation\, Strickland contributed mightily to the field of Indian Law\, th e practice of legal education\, and Oregon Law's ENR and Indian Law progra ms throughout his lifetime. In keeping with his assertion that "[i]f there is to be a post-Columbian future—a future for any of us—it will be an Indian future..." (Tonto's Revenge\, 1997)\, the Rennard Strickland Lectu re series has a thematic focus on Indigenous environmental-legal leadershi p and Tribal sovereignty in the twenty-first century. \n\nThe 20th Annual Rennard Strickland Lecture is co-sponsored by the UO Department of Native American and Indigenous Studies\, Oregon Law's Native American Law Student s Association\, and the Wayne Morse Center for Law and Politics. \n\nOrego n CLE credit pending. LAST-MODIFIED:20260902T183549Z URL:https://calendar.uoregon.edu/event/20th-annual-rennard-strickland-lect ure-featuring-bryan-newland X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Multicultural Center (MCC) Open House DTSTART:20260930T200000Z DTEND:20260930T230000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53835469036641 CATEGORIES:community DESCRIPTION:The Multicultural Center (MCC) is hosting our open house to sh are with students curious about connecting with identity-based student uni ons/organizations\, learning about MCC programs and resources\, and gettin g to know our space. We will have treats and activities to help start your journey in connecting with fellow students and MCC staff while learning h ow the MCC fosters a vibrant community on campus\, cultural engagement\, a nd academic success. See you there! LAST-MODIFIED:20260831T183211Z LOCATION:Erb Memorial Union (EMU)\, 109 URL:https://calendar.uoregon.edu/event/multicultural-center-mcc-open-house X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261001 DTEND;VALUE=DATE:20261002 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075982221 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261001 DTEND;VALUE=DATE:20261002 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663056274 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Beyond the Brand: Inside Sports Product Management's Asia Experien ce DTSTART:20261001T000000Z DTEND:20261001T010000Z DTSTAMP:20260813T002753Z UID:tag:localist.com\,2008:EventInstance_53683930833214 CATEGORIES:education DESCRIPTION:What if you could see how products from multiple global brands are made\, before starting your career with just one?\n\nEach year\, UO S ports Product Management students take their learning global. In Asia\, th ey step inside manufacturing facilities in Vietnam to experience footwear and apparel production firsthand\, then travel to Japan to explore product \, retail\, consumers\, and culture. The experience is intentionally part of SPM's broader global learning journey.\n\nDuring this fireside chat-sty le info session\, a panel of current students will share:\n\nWhat it's rea lly like to step onto a factory floor in VietnamWhat surprised them about how global sports products are madeHow the experience changed their unders tanding of the industry and their future careersHear their stories. Ask yo ur questions. See where the SPM program can take you.\n\nRegister today. LAST-MODIFIED:20260813T002753Z URL:https://calendar.uoregon.edu/event/beyond-the-brand-inside-sports-prod uct-managements-asia-experience X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trivia in the EMU DTSTART:20261001T010000Z DTEND:20261001T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499018007497 CATEGORIES:community DESCRIPTION:🎉 Get ready for tons of fun and a chance to show off your b rainpower. Grab a friend (or three) and join the competition—every round your team wins scores each member $5! Are you up for the challenge?\n\nBr ing a team or come and join a new team.\n\nCan't stay for all 4 rounds\, n o problem. stop in for 1\, 2\, 3 or 4 rounds\, your choice!\n\nFREE- Every Wednesday in the EMU LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/trivia-in-the-emu-4043 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Holywatr DTSTART:20261001T030000Z DTEND:20261001T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53249762204409 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nHolywatr is a un ique\, gritty blend of alternative metal\, emo\, and metalcore\, forging a new path that transcends genres and leaves audiences begging for more. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/holywatr X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261001T140000Z DTEND:20261002T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434692749 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261001T170000Z DTEND:20261002T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339758816502 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261001T170000Z DTEND:20261002T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594099101 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261001T170000Z DTEND:20261002T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574696489 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261001T170000Z DTEND:20261002T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474357515 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261001T180000Z DTEND:20261002T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374114555 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261001T180000Z DTEND:20261002T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816161094 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261001T180000Z DTEND:20261002T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689487457 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:A Family Affair: Welcome Mixer at the Black Cultural Center DTSTART:20261001T233000Z DTEND:20261002T013000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53800303523855 CATEGORIES:community DESCRIPTION:Join the Lyllye Reynolds-Parker Black Cultural Center for A Fa mily Affair\, our annual welcome event celebrating the start of a new acad emic year. Connect with Black student organizations\, Black-owned student businesses\, and campus partners while building community and learning abo ut opportunities to get involved. Whether you're new to campus or returnin g\, A Family Affair is a chance to find your people\, make connections\, a nd kick off the year in community. LAST-MODIFIED:20260826T003027Z LOCATION:Lyllye Reynolds-Parker Black Cultural Center URL:https://calendar.uoregon.edu/event/a-family-affair-welcome-mixer-black -cultural-center-event X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:HIST and IRES Welcome Back Barbecue DTSTART:20261001T233000Z DTEND:20261002T020000Z DTSTAMP:20260827T002907Z UID:tag:localist.com\,2008:EventInstance_53808680268303 CATEGORIES:community,drink,food DESCRIPTION:History and Indigenous\, Race\, and Ethnic Studies invites our graduate students\, faculty\, and staff to a welcome back barbecue!\n\nSp end an evening with History and Indigenous\, Race\, and Ethnic Studies. Ta lk with old friends\, meet new colleagues\, and enjoy fine food and drinks . \n\nAll HIST and IRES graduate students\, faculty\, and staff are invite d. Families warmly welcomed. LAST-MODIFIED:20260827T002907Z LOCATION:Wayne Morris Family Farm Picnic Shelter URL:https://calendar.uoregon.edu/event/hist-and-ires-welcome-back-barbecue X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261002 DTEND;VALUE=DATE:20261003 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075984270 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261002 DTEND;VALUE=DATE:20261003 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663057299 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Master of Accounting Alumni Panel DTSTART:20261002T003000Z DTEND:20261002T013000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53603868703875 CATEGORIES:education DESCRIPTION:Join a panel of Master of Accounting (MAcc) alumni to hear abo ut their experiences in the program and how the program has benefited them post-graduation. This is your chance to ask questions about the program a nd its real-world applications ahead of the early decision application dea dline of October 15\, 2026.\n\nYou'll also have an opportunity to ask the team questions. The next MAcc application deadline is October 15\, 2026. T his is the final deadline to start the MAcc in winter or spring 2027\, and the early decision deadline to start the MAcc in fall 2027. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/master-of-accounting-alumni-panel-1 00126 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Chris Mothersole\, DMA\, and Oasis Ensemble Live DTSTART:20261002T023000Z DTEND:20261002T043000Z DTSTAMP:20260904T003255Z UID:tag:localist.com\,2008:EventInstance_53877852624707 CATEGORIES:music DESCRIPTION:Join Chris Mothersole\, UO doctor of musical arts student and electroacoustic clarinetist\, and classical trio Oasis Ensemble for a dyna mic evening of chamber music and genre-bending original works combining cl arinet and bass clarinet with guitar effect pedals.\n\nChris Mothersole\n\ n“His performances for the past few years have been standing-room only e vents [...] His incorporation of electronic pedal effects with performance on the clarinet has opened up a new set of possibilities that borrow from the visceral and energetic sound world of the electric guitar.”\n\n“V ibrant and confident–a true treat for the listener.”\n\n—Internation al Clarinet Association\n\nA conservatory-trained clarinetist with a love of rock and vintage video games\, Mothersole is a classical crossover arti st and composer based in Eugene. Praised for his “pure\, yet colorful to ne and amazing technical facility”\, Mothersole’s work is at the foref ront of clarinet performance with guitar pedal effects in classical music. His music is inspired by video game soundtracks old and new\, blending th e expressive versatility of the clarinet with the tonal palette of the ele ctric guitar to create sounds rarely explored in the genre. This evening c elebrates the release of his debut solo album as a performer-composer\, “Press Start”. A passion project four years in the making\, this groun dbreaking concept album combines classical composition techniques with the rhythmic gestures and harmonic language of video game music\, answering t he “What If?” of the possibilities of using pedal effects with classic al wind instruments.\n\nOasis Ensemble\n\nOasis Ensemble is a unique flute –cello–piano trio comprised of highly accomplished and passionate cham ber musicians\, performing classic masterpieces\, and exploring innovative programming with visionary living composers. \n\nDawn Weiss was the princ ipal flutist of the Oregon Symphony for 25 years prior to founding the Oas is Ensemble\, receiving high critical acclaim throughout her career. Celli st Austin Bennett was a member of the Eppes String Quartet and has perform ed with the Tallahassee Symphony and the Eugene Symphony. Tung Nguyen is a n award-winning pianist\, chamber musician and solo recording artist on th e Naxos label.\n\nFounded originally as a flute and cello duo in 2022\, in 2023 we expanded into a trio with piano to give us a wider range of music al options\, focusing on well-known masterpieces\, hidden gems\, superb qu ality arrangements\, and exceptional compositions fresh off the press. Our carefully curated programming showcases a beautiful and diverse range of colors\, dynamics\, textures and emotive potential that is unique to our c ombination of instruments. To augment our music library\, we do extensive research\, encourage composers to write for us\, and arrange works origina lly composed for other instrumentation.\n\nTo continue the process of enla rging the pool of excellent flute\, cello and piano pieces\, in April 2025 we established our first "Oasis Ensemble Call for Scores" competition\, w hich drew a remarkable response from 85 composers representing 23 countrie s. The award-winning composition was "Soundtrack to an Imaginary Video Gam e" by Meadow Bridgham\, which will be featured in our fall 2026 concerts. Many of the submissions were so compelling that we have begun including th em in our programs. \n\nWe hope to be able to continue commissioning new w orks and to establish future composition events to encourage seasoned comp osers as well as talented young composers to write for us. We are actively seeking funding for this endeavor. Since our inception\, we have performe d over 65 works\, including 23 world or West Coast premieres. Our recent p roject with Cascadia Composers (the Pacific Northwest chapter of the Natio nal Association of Composers/USA) featured us in "River of No Return" on t heir 2025–26 Marquee Series: a five-concert tour across Western Oregon\, with programs drawn entirely from the work of living composers. \n\nAs ad vocates for bringing chamber music to Oregonians where they live\, we offe r concerts in multiple cities across western and central Oregon. We perfor m for audiences inside and outside the concert hall by partnering with sch ools\, universities\, libraries\, retirement centers\, and cultural organi zations and offering educational workshops and interactive performances. W e are committed to expanding cultural awareness and knowledge of the beaut y of live and recorded classical chamber music through accessible\, engagi ng\, and meaningful musical experiences. Oasis Ensemble is a designated 50 1(c)(3) non-profit organization. LAST-MODIFIED:20260904T003255Z LOCATION:Art House URL:https://calendar.uoregon.edu/event/chris-mothersole-dma-oasis-ensemble -live-at-the-art-house-theater X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261002T140000Z DTEND:20261003T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434693774 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261002T170000Z DTEND:20261003T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594100126 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free First Friday at the Museum DTSTART:20261002T170000Z DTEND:20261003T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51506914253049 CATEGORIES:arts DESCRIPTION:The Museum of Natural and Cultural History offers free admissi on on the first Friday of the month. Investigate Oregon's amazing fossils and ecosystems\, and delve into its cultural history—from the First Amer icans at Paisley Caves to the dynamic cultures of today's Tribes. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/free-first-friday-at-the-museum X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261002T170000Z DTEND:20261003T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574697514 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261002T170000Z DTEND:20261003T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309899342 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261002T170000Z DTEND:20261003T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474358540 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261002T180000Z DTEND:20261003T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374115580 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261002T180000Z DTEND:20261003T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816162119 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261002T180000Z DTEND:20261003T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689488482 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:UO South/Southwest Asia and North Africa (SSWANA) Center Open Hous e DTSTART:20261002T190000Z DTEND:20261002T210000Z DTSTAMP:20260904T003255Z UID:tag:localist.com\,2008:EventInstance_53791513092974 CATEGORIES:community DESCRIPTION:We invite you to the South/Southwest Asian and North African ( SSWANA) Center's Open House! Learn about our space\, resources\, and SSWAN A community while sipping on some chai and connecting with SSWANA team mem bers and fellow students looking for community. We hope to see you there! LAST-MODIFIED:20260904T003255Z LOCATION:Erb Memorial Union (EMU)\, 211 URL:https://calendar.uoregon.edu/event/uo-south-south-west-asia-north-afri ca-sswana-center-open-house-9730 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261003 DTEND;VALUE=DATE:20261004 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075985295 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261003 DTEND;VALUE=DATE:20261004 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663057300 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:It’s A 2000’s Party DTSTART:20261003T040000Z DTEND:20261003T065900Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53851600721589 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nExperience a nos talgic blast from the past at “It’s A 2000s Party\,” coming to Eugen e on October 2nd. This electrifying event celebrates the iconic 2000s era\ , featuring the decade’s biggest hits across pop\, hip-hop\, and rock ge nres. Embrace the Y2K fashion and culture as you dance the night away to t unes from Britney Spears\, Eminem\, and more. Don’t miss this chance to relive the unforgettable 2000s vibes in a night filled with music\, style\ , and nostalgia. Get your tickets now for an unforgettable journey back to the early 2000s! LAST-MODIFIED:20260831T183211Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/dvbbs X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261003T150000Z DTEND:20261004T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434693775 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261003T170000Z DTEND:20261004T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594101151 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261003T170000Z DTEND:20261004T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574697515 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261003T170000Z DTEND:20261004T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309900367 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261003T170000Z DTEND:20261004T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474358541 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261003T180000Z DTEND:20261004T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374116605 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261003T180000Z DTEND:20261004T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816163144 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261003T180000Z DTEND:20261004T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689488483 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261004 DTEND;VALUE=DATE:20261005 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075986320 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261004 DTEND;VALUE=DATE:20261005 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663058325 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261004T170000Z DTEND:20261005T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594101152 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261004T170000Z DTEND:20261005T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574699564 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261004T170000Z DTEND:20261004T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010337970 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261004T170000Z DTEND:20261005T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309901392 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261004T170000Z DTEND:20261005T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474359566 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261004T170000Z DTEND:20261005T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434694800 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261004T180000Z DTEND:20261005T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374116606 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261004T180000Z DTEND:20261005T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816163145 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261004T180000Z DTEND:20261005T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689490532 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261005 DTEND;VALUE=DATE:20261006 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075987345 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261005 DTEND;VALUE=DATE:20261006 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663059350 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Feng E DTSTART:20261005T023000Z DTEND:20261005T033000Z DTSTAMP:20260815T062801Z UID:tag:localist.com\,2008:EventInstance_53700979301706 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nTeenage Taiwanes e phenomenon Feng E first stunned the world at just ten years old when his breathtaking ukulele performance of Tommy Emmanuel’s version of Classic al Gas went viral. Seemingly overnight\, the prodigy found himself on The Ellen DeGeneres Show—twice—then captivating audiences on both Asia’s Got Talent and America’s Got Talent. LAST-MODIFIED:20260815T062801Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/feng-e-2276 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261005T140000Z DTEND:20261006T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434695825 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261005T180000Z DTEND:20261006T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374117631 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261005T180000Z DTEND:20261006T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816164170 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261005T180000Z DTEND:20261006T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689491557 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261005T190000Z DTEND:20261005T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913756034 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261006 DTEND;VALUE=DATE:20261007 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075988370 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261006 DTEND;VALUE=DATE:20261007 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663060375 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20261006T010000Z DTEND:20261006T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817948364 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261006T140000Z DTEND:20261007T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434696850 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261006T180000Z DTEND:20261007T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374118656 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261006T180000Z DTEND:20261007T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816165195 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Part-time Job & Work-Study Fair DTSTART:20261006T180000Z DTEND:20261006T220000Z DTSTAMP:20260820T003007Z UID:tag:localist.com\,2008:EventInstance_53561409485024 CATEGORIES:community DESCRIPTION:Looking for a part-time job or want to learn more about work-s tudy opportunities? Stop by the Part-Time Job & Work-Study Fair\, Tuesday\ , October 6 from 11:00 a.m. to 3:00 p.m. in the EMU Ballroom to meet dozen s of local and on-campus employers ready to hire today! Bring your resume and apply on the spot\, or just look around and learn more about the great ways you can get work experience and build career readiness skills during your time at the UO. \n\nFYI: Work-Study is a specific type of part-time job available to students based on financial need. If a job says it requir es Work-Study\, you must have accepted an award on Duckweb. To learn more about the program and how to find your award\, check out https://career.uo regon.edu/jobs-and-internships/work-study\n\nThere will still be LOTS of j obs at this event that do not require work-study in order to apply--someth ing for everyone!\n\nRegister in Handshake to keep up to date on which emp loyers are coming to the fair and what jobs you can be applying for! LAST-MODIFIED:20260820T003007Z LOCATION:Erb Memorial Union (EMU)\, Ballroom URL:https://calendar.uoregon.edu/event/part-time-job-work-study-fair-9562 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261006T180000Z DTEND:20261007T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689491558 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20261006T190000Z DTEND:20261006T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043922450 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:UO Commute Planning and Support: Drop-in Sessions DTSTART:20261006T190000Z DTEND:20261006T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53481935251070 CATEGORIES:education DESCRIPTION:Get personalized UO commute planning help at a drop-in session on Zoom! Talk with Rachel Glaeser (UO Transportation Services) about your commute options to the Eugene campus. Learn about the many options beyond driving alone to campus. Find out how active and sustainable commute mode s can save you money\, reduce stress\, and lower your carbon footprint.\n\ nDrop-in sessions are open to any UO employee and student. Sessions will b e held on Zoom every Tuesday at noon from September 15 to October 13. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/uo-commute-planning-support-drop-in -session X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261007 DTEND;VALUE=DATE:20261008 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075990419 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261007 DTEND;VALUE=DATE:20261008 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663060376 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:MS in Management Alumni Panel DTSTART:20261007T003000Z DTEND:20261007T013000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53603922369477 CATEGORIES:education DESCRIPTION:Join a panel of Master of Science in Management (MSM) alumni t o hear about their experiences in the program and how the program has bene fited them post-graduation. This is your chance to ask questions about the program and its real-world applications ahead of the early decision appli cation deadline of November 15\, 2026. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/ms-management-alumni-panel-100626 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:We Hold These Truths: 250 Years of the American Experiment at Home and Abroad DTSTART:20261007T010000Z DTEND:20261007T023000Z DTSTAMP:20260827T002907Z UID:tag:localist.com\,2008:EventInstance_53798569992314 CATEGORIES:civic,education DESCRIPTION:As the United States marks the 250th anniversary of its foundi ng\, this symposium returns to the bold universal promise of 1776—the cl aim that “all men are created equal” and endowed with “unalienable r ights.” Cast at once as the rights of citizens of a new republic and as the rights of all of humankind\, they also coexisted with a deep contradic tion: the subjugation of Native Americans\, enslaved people\, and women. T he principles at the heart of the U.S. founding launched a politics of rig hts whose origins and reverberations were transnational\, even as access t o them remained sharply unequal in practice.\n\n“We Hold These Truths: 2 50 Years of the American Experiment at Home and Abroad” brings together a Pulitzer Prize–winning journalist and leading scholars of citizenship\ , political development\, race\, gender\, immigration\, and civil rights t o reflect on this legacy. The panel will explore how America’s founding ideals have shaped struggles for inclusion at home and abroad\, and how th ose ideals have been stretched\, reinterpreted\, and at times betrayed acr oss two and a half centuries.\n\nRefreshments will be available at 5:45pm. \n\nPanelists:\n\nNick Kristoff - New York Times\n\nMegan Ming Francis - U niversity of Washington\n\nPeter Spiro - Temple University\n\nCarol Nacken off - Swarthmore University\n\nModerator:\n\nDan Tichenor - UO Knight Chai r\n\n \n\nPresented by the Schnitzer School of Global Studies and Language s and the Wayne Morse Center for Law and Politics.\n\nFree and open to the public. No registration required.\n\nThis event will be livestreamed and recorded. Join HERE LAST-MODIFIED:20260827T002907Z LOCATION:Ford Alumni Center\, Lee Barlow Giustina Ballroom (109) URL:https://calendar.uoregon.edu/event/we-hold-these-truths-250-years-of-t he-american-experiment-at-home-and-abroad X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261007T140000Z DTEND:20261008T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434697875 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261007T170000Z DTEND:20261008T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594102177 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261007T170000Z DTEND:20261008T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574700589 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261007T170000Z DTEND:20261008T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309902417 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261007T170000Z DTEND:20261008T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474359567 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261007T180000Z DTEND:20261008T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374119681 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261007T180000Z DTEND:20261008T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816165196 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261007T180000Z DTEND:20261008T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689492583 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Master of Accounting Application Masterclass DTSTART:20261007T183000Z DTEND:20261007T190000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53603971050213 CATEGORIES:education DESCRIPTION:Join admission representatives to learn more about the 10-mont h Master of Accounting (MAcc) program. This session offers a unique opport unity to learn about the MAcc program\, admission requirements\, and the a pplication process. \n\nYou'll also have an opportunity to ask the team qu estions before the MAcc early decision deadline on October 15\, 2026. This is the final deadline to start the MAcc in winter or spring 2027\, and th e early decision deadline to start the MAcc in fall 2027. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/master-of-accounting-application-ma sterclass-100726 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261007T190000Z DTEND:20261007T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913758083 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Vanpool Info Session DTSTART:20261007T190000Z DTEND:20261007T200000Z DTSTAMP:20260904T003255Z UID:tag:localist.com\,2008:EventInstance_53879608405515 CATEGORIES:education DESCRIPTION:Are you curious about the benefits of vanpooling?\n\nPlease jo in UO Transportation Services and Lane Transit District in Teams for a vir tual vanpool info session.\n\nLearn about the program from transportation specialists who will answer all your questions. LTD’s Employer Program p rovides a subsidy of up to $675 per month to each vanpool.\n\nVanpool is a great alternative to solo driving for many reasons:\n\nSave money on the expense of your commute.Put less wear and tear on your personal vehicle.En joy the company of others while you travel.Relax while you ride\, instead of always having to drive.For more information on vanpooling\, please visi t our website at www.ltd.org/vanpool.\n\nTo register for the info session (you may need to click the link twice):\n\nhttps://forms.cloud.microsoft/r /uESJeWthEq LAST-MODIFIED:20260904T003255Z URL:https://calendar.uoregon.edu/event/vanpool-info-session X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Creative Writing Reading Series Presents: Melissa Range DTSTART:20261007T233000Z DTEND:20261008T003000Z DTSTAMP:20260902T063250Z UID:tag:localist.com\,2008:EventInstance_53861848746988 CATEGORIES:literary DESCRIPTION:The Creative Writing Program invites you to a poetry reading w ith Melissa Range.\n\nMelissa Range is the author of Printer’s Fist\, wi nner of the 2025 Vanderbilt Literary Prize (Vanderbilt University Press\, 2026)\, as well as Scriptorium (Beacon Press\, 2016) and Horse and Rider ( Texas Tech University Press\, 2010). Range is the recipient of awards and fellowships from the National Endowment for the Arts\, the Rona Jaffe Foun dation\, the American Antiquarian Society\, the Fine Arts Work Center in P rovincetown\, and MacDowell. Originally from East Tennessee\, she teaches creative writing and American literature at Lawrence University in Wiscons in. \n\nFree and open to the public. \n\nFor more information about the Cr eative Writing Reading Series\, please visit https://humanities.uoregon.ed u/creative-writing/reading-series LAST-MODIFIED:20260902T063250Z LOCATION:Knight Library\, Browsing Room URL:https://calendar.uoregon.edu/event/creative-writing-reading-series-pre sents-melissa-range X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261008 DTEND;VALUE=DATE:20261009 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075991444 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261008 DTEND;VALUE=DATE:20261009 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663061401 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trivia in the EMU DTSTART:20261008T010000Z DTEND:20261008T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499018008522 CATEGORIES:community DESCRIPTION:🎉 Get ready for tons of fun and a chance to show off your b rainpower. Grab a friend (or three) and join the competition—every round your team wins scores each member $5! Are you up for the challenge?\n\nBr ing a team or come and join a new team.\n\nCan't stay for all 4 rounds\, n o problem. stop in for 1\, 2\, 3 or 4 rounds\, your choice!\n\nFREE- Every Wednesday in the EMU LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/trivia-in-the-emu-4043 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bumpin Uglies DTSTART:20261008T030000Z DTEND:20261008T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53046934835182 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nBumpin Uglies\, proudly hailing from Annapolis\, Maryland\, have cultivated a dedicated fa n base through relentless touring\, powerful songwriting\, and an unwaveri ng DIY ethos. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/bumpin-uglies X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261008T140000Z DTEND:20261009T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434698900 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Veteran and Military Affiliated Center (VMAC) Open House DTSTART:20261008T160000Z DTEND:20261008T190000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53800343587256 CATEGORIES:community DESCRIPTION:Come check out the Veteran and Military Affiliated Center (VMA C) during our open house. Enjoy breakfast treats while learning about reso urces\, events\, and how to connect with the military connected community in the VMAC. LAST-MODIFIED:20260826T003027Z LOCATION:Erb Memorial Union (EMU)\, Ground Floor\, 015 URL:https://calendar.uoregon.edu/event/veteran-military-affiliated-center- vmac-open-house X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261008T170000Z DTEND:20261009T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594103202 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261008T170000Z DTEND:20261009T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574701614 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Discover the Master of Science in Finance DTSTART:20261008T170000Z DTEND:20261008T173000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53603989133844 CATEGORIES:education DESCRIPTION:Join the Lundquist admissions team to learn more about the 10- month Master of Science in Finance (MSF) program. This program is open to students from all undergraduate majors. This session offers a unique oppor tunity to ask questions and get a head start prior to the fall 2027 early decision deadline on November 15\, 2026. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/discover-the-master-of-science-in-f inance-100826 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261008T170000Z DTEND:20261009T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402256775 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261008T170000Z DTEND:20261009T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474360592 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261008T180000Z DTEND:20261009T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374120706 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261008T180000Z DTEND:20261009T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816166221 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261008T180000Z DTEND:20261009T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689493608 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:IntroPUPtion: Peace Corps and Pups DTSTART:20261008T210000Z DTEND:20261008T230000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53674585953413 CATEGORIES:community DESCRIPTION:Come hang out with therapy dogs from F.E.T.C.H. and your on-ca mpus Peace Corps recruiter!\n\nThe start of a new school year can be stres sful\, so take a moment to stop by and learn about all the places your deg ree can take you with the Peace Corps and pet a dog. LAST-MODIFIED:20260812T002714Z LOCATION:Willie and Donald Tykeson Hall\, Lawn between Tykeson and Clark H onors College URL:https://calendar.uoregon.edu/event/intropuption-peace-corps-and-pups X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261009 DTEND;VALUE=DATE:20261010 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075992469 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261009 DTEND;VALUE=DATE:20261010 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663062426 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Mike Dawes DTSTART:20261009T030000Z DTEND:20261009T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53046947691018 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nMike Dawes is an English guitarist known for composing\, arranging\, and performing multip le parts simultaneously on a single guitar. He is regarded as one of the w orld’s most creative modern fingerstyle guitarists\, with a repertoire s panning original viral videos and popular arrangements\, alongside mainstr eam chart success performing with Justin Hayward of The Moody Blues. Dawes was named ‘Best Acoustic Guitarist in the World’ two years in a row ( 2017 & 2018) by Total Guitar Magazine & MusicRadar reader polls\, with num erous 2nd place rankings in the preceding years. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/mike-dawes-5725 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261009T140000Z DTEND:20261010T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434699925 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261009T170000Z DTEND:20261010T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594103203 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261009T170000Z DTEND:20261010T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574702639 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261009T170000Z DTEND:20261010T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309903442 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261009T170000Z DTEND:20261010T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474360593 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261009T180000Z DTEND:20261010T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374120707 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261009T180000Z DTEND:20261010T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816167246 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261009T180000Z DTEND:20261010T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689494633 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon Executive MBA On-Campus Info Session with Classroom Experie nce DTSTART:20261009T233000Z DTEND:20261010T030000Z DTSTAMP:20260829T003340Z UID:tag:localist.com\,2008:EventInstance_53685943506066 CATEGORIES:education DESCRIPTION:See if the Oregon Executive MBA is right for you\, at an in-pe rson info session on the UO Portland campus.\n\nIf you're like most people \, you're wondering what it will be like to get back in the classroom. Thi s in-person session is your opportunity to see for yourself—by joining c urrent students for a class session.\n\nDuring your time on the UO Portlan d campus\, you'll:\n\nHear from recent graduates.See how the program's twi ce-a-month schedule works for busy people.Get more program details.Sit in on a class.Meet other experienced professionals—who are earning their MB As right now. SIGN UP: https://uobiz.co/oemba-info-100926 LAST-MODIFIED:20260829T003340Z LOCATION:UO Portland Library and Learning Center\, Lobby URL:https://calendar.uoregon.edu/event/in-person-info-session-and-classroo m-visit-100926 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261010 DTEND;VALUE=DATE:20261011 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075993494 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261010 DTEND;VALUE=DATE:20261011 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663063451 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Menzingers with Hot Water Music DTSTART:20261010T020000Z DTEND:20261010T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53046961356686 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nThe Menzingers a re an American punk rock band from Scranton\, Pennsylvania\, formed in 200 6.\n\nHot Water Music is an American punk rock band formed in October 1994 and based in Gainesville\, Florida. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/the-menzingers-with-hot-water-music X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261010T150000Z DTEND:20261011T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434699926 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261010T170000Z DTEND:20261011T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594104228 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261010T170000Z DTEND:20261011T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574703664 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261010T170000Z DTEND:20261011T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309904467 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261010T170000Z DTEND:20261011T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474361618 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261010T180000Z DTEND:20261011T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374121732 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261010T180000Z DTEND:20261011T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816167247 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261010T180000Z DTEND:20261011T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689495658 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261011 DTEND;VALUE=DATE:20261012 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075994519 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261011 DTEND;VALUE=DATE:20261012 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663063452 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Live Dead & Brothers DTSTART:20261011T030000Z DTEND:20261011T040000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53249769621615 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nPrepare to embar k on a mesmerizing journey through the golden era of psychedelic blues and the seeds of the ‘jam band’ scene as Live Dead and Brothers takes the stage. Comprised of actual and legacy members from the extended Grateful Dead and Allman Brothers families\, this exceptional ensemble is set to re vive the timeless magic of the late 1960s and early 1970s\, bringing fans an experience like no other. LAST-MODIFIED:20260826T003027Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/live-dead-brothers X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261011T170000Z DTEND:20261012T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594105253 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261011T170000Z DTEND:20261012T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574703665 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261011T170000Z DTEND:20261011T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010338995 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261011T170000Z DTEND:20261012T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309905492 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261011T170000Z DTEND:20261012T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474362643 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261011T170000Z DTEND:20261012T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434701975 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261011T180000Z DTEND:20261012T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374122757 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261011T180000Z DTEND:20261012T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816170320 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261011T180000Z DTEND:20261012T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689496683 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:"Reflections" with Simone Dinnerstein DTSTART:20261011T220000Z DTEND:20261011T230000Z DTSTAMP:20260813T002753Z UID:tag:localist.com\,2008:EventInstance_53684538782928 CATEGORIES:music DESCRIPTION:Grammy-nominated pianist Simone Dinnerstein returns to Chamber Music at Beall with a “colorful and idiosyncratic” (The New York Time s) concert shaped by musical interconnection.\n\nRameau Gavotte et six dou bles\nLasser Twelve Variations on Chorale by J.S. Bach\nJ.S. Bach Fifteen Sinfonias\nJarrett Encore from Tokyo\n\nArtists\, dates\, times\, prices\, and locations subject to change. LAST-MODIFIED:20260813T002753Z LOCATION:Beall Concert Hall URL:https://calendar.uoregon.edu/event/reflections-with-simone-dinnerstein X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261012 DTEND;VALUE=DATE:20261013 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075995544 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261012 DTEND;VALUE=DATE:20261013 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663064477 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261012T140000Z DTEND:20261013T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434701976 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261012T180000Z DTEND:20261013T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374123782 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261012T180000Z DTEND:20261013T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816170321 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261012T180000Z DTEND:20261013T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689497708 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261012T190000Z DTEND:20261012T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913759108 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261013 DTEND;VALUE=DATE:20261014 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075996569 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261013 DTEND;VALUE=DATE:20261014 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663065502 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20261013T010000Z DTEND:20261013T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817949389 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261013T140000Z DTEND:20261014T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434703001 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261013T180000Z DTEND:20261014T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374123783 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261013T180000Z DTEND:20261014T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816171346 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261013T180000Z DTEND:20261014T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689498733 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20261013T190000Z DTEND:20261013T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043922451 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:UO Commute Planning and Support: Drop-in Sessions DTSTART:20261013T190000Z DTEND:20261013T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53481935252095 CATEGORIES:education DESCRIPTION:Get personalized UO commute planning help at a drop-in session on Zoom! Talk with Rachel Glaeser (UO Transportation Services) about your commute options to the Eugene campus. Learn about the many options beyond driving alone to campus. Find out how active and sustainable commute mode s can save you money\, reduce stress\, and lower your carbon footprint.\n\ nDrop-in sessions are open to any UO employee and student. Sessions will b e held on Zoom every Tuesday at noon from September 15 to October 13. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/uo-commute-planning-support-drop-in -session X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Writer and Poet Saeed Jones DTSTART:20261013T230000Z DTEND:20261014T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53020680169062 CATEGORIES:literary DESCRIPTION:The Oregon Humanities Center presents its 2026-27 endowed lect ureship series centered on the theme of Reading. \n\nWe are used to thin king about reading in relation to writing\, musical scores\, performances\ , and works of cinema and art. But as social animals\, we read more broadl y. We read the signs. We read the landscape. We read each others’ faces and body language. We “read the room.” \n\nOur speakers will consider how people observe\, look for patterns\, try to discern meaning. How does reading shape humanity\, individually and collectively? What might taking an extended\, intentional look at this activity—our constant reading— reveal? Using approaches honed by their disciplines\, our invited speakers will help us think about reading from a variety of directions. \n\nSaeed Jones is the author of the memoir How We Fight for Our Lives (Simon and Sc huster)\, winner of the 2019 Kirkus Prize for Nonfiction and the poetry co llection Prelude to Bruise (Coffee House Books)\, winner for the 2015 PEN/ Joyce Osterweil Award for Poetry. His poetry and essays have appeared in t he New Yorker\, New York Times\, Oxford American and GQ among other public ations. His most recent book Alive at the End of the World (Coffee House P ress) won the 2023 Anisfield-Wolf Book Award for Poetry.\n\nSaeed Jones wa s the 2024-2025 artist-in-residence in the Media\, Health and Medicine pro gram at Harvard Medical School. His next book Home Out There\, a memoir\, is forthcoming from Washington Square Press. He cohosts the podcast Vibe C heck with Sam Sanders and Zach Stafford. LAST-MODIFIED:20260730T015158Z LOCATION:TBD URL:https://calendar.uoregon.edu/event/writer-and-poet-saeed-jones X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261014 DTEND;VALUE=DATE:20261015 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075998618 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261014 DTEND;VALUE=DATE:20261015 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663066527 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Discover the Oregon MBA DTSTART:20261014T000000Z DTEND:20261014T004500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604004537116 CATEGORIES:education DESCRIPTION:Curious about what sets the Oregon MBA apart? Join the Lundqui st admissions team to learn about the unique features and benefits of the two-year program. Get insights into the curriculum\, faculty\, and opportu nities that make the Oregon MBA a standout choice. Don’t miss this chanc e to explore how the Oregon MBA can transform your career! \n\nThe next Or egon MBA application deadline is November 15\, 2026. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/discover-the-oregon-mba-101326 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Reception for Exhibit- Building Community: Exploring Eugene’s Mu rals DTSTART:20261014T003000Z DTEND:20261014T013000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807799178966 CATEGORIES:arts DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. \n \nCheckout the Ducks in Downtown section\, a display of photos from you\, out in town seeing the wonderful art.\n\nfree refreshments\, open to all\n \nInformation on submitting a photo. Send in a photo with a Eugene mural t o be a part of the exhibit and a chance to win a prize pack! Email a selfi e of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissio ns will be accepted starting September 15. Prizes drawing will be Friday o f week 5 and week 10. To have your picture displayed in the gallery exhibi t\, you must sign a model release form. more information on our instagram https://www.instagram.com/uomcmillangallery/ or email us. Only photos on d isplay at the date of the drawing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligi ble to be entered into the raffle. \n\nCalendar entry image of mural by AI KO (Japan/USA) Reflection LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/reception-for-exhibit-building-comm unity-exploring-eugenes-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Sound Lounge: Open Mic Night DTSTART:20261014T013000Z DTEND:20261014T043000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53508600724075 CATEGORIES:music DESCRIPTION:Calling all vocalists\, musicians\, and performers! Get ready to share your creativity and captivate the crowd at our Open Mic Night. It 's your time to shine! ✨ Don't miss out on this opportunity to express y ourself through music!\n\nAs always\, our events are FREE for UO students. \n\nSign up forms will be available on our Instagram account seven days p rior to the event. https://www.instagram.com/uo.sab/\n\nDates:October 13 a nd December 3 LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Taylor Lounge URL:https://calendar.uoregon.edu/event/sound-lounge-open-mic-night-9790 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261014T140000Z DTEND:20261015T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434704026 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261014T170000Z DTEND:20261015T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594106278 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261014T170000Z DTEND:20261015T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574704690 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261014T170000Z DTEND:20261015T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309905493 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261014T170000Z DTEND:20261015T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474362644 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261014T180000Z DTEND:20261015T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374124808 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261014T180000Z DTEND:20261015T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816171347 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261014T180000Z DTEND:20261015T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689499758 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261014T190000Z DTEND:20261014T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913760133 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261015 DTEND;VALUE=DATE:20261016 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933075999643 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261015 DTEND;VALUE=DATE:20261016 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663067552 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trivia in the EMU DTSTART:20261015T010000Z DTEND:20261015T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499018011595 CATEGORIES:community DESCRIPTION:🎉 Get ready for tons of fun and a chance to show off your b rainpower. Grab a friend (or three) and join the competition—every round your team wins scores each member $5! Are you up for the challenge?\n\nBr ing a team or come and join a new team.\n\nCan't stay for all 4 rounds\, n o problem. stop in for 1\, 2\, 3 or 4 rounds\, your choice!\n\nFREE- Every Wednesday in the EMU LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/trivia-in-the-emu-4043 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261015T140000Z DTEND:20261016T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434705051 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261015T170000Z DTEND:20261016T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594106279 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261015T170000Z DTEND:20261016T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574705715 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261015T170000Z DTEND:20261016T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402257800 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261015T170000Z DTEND:20261016T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474363669 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261015T180000Z DTEND:20261016T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374125833 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261015T180000Z DTEND:20261016T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816172372 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261015T180000Z DTEND:20261016T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689500783 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Peace Corps Application Workshop DTSTART:20261015T213000Z DTEND:20261015T233000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53550437307980 CATEGORIES:education DESCRIPTION:Join your on-campus recruiter and fellow students interested i n Peace Corps to get your application ready.\n\nThis workshop will cover t he application process\, including how to strengthen your resume and motiv ation statement. LAST-MODIFIED:20260730T015158Z LOCATION:Willie and Donald Tykeson Hall\, 50P - University Career Center c onference room URL:https://calendar.uoregon.edu/event/peace-corps-application-workshop X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeremiah Public Lecture: "Finding Sustainable Transitions in Decli ning Japanese Municipalities" DTSTART:20261015T230000Z DTEND:20261016T002000Z DTSTAMP:20260827T002907Z UID:tag:localist.com\,2008:EventInstance_53807926582644 CATEGORIES:education DESCRIPTION:Guest speaker: Fernando Ortiz-Moya\, Assistant Professor\, Was eda Institute for Advanced Study\, Waseda University\, Japan\n\nJapan is s hrinking. How are its cities and towns responding?\n\nTraditionally\, Japa nese local governments\, encouraged by national policy\, have sought to ha lt or reverse their decline by luring urban migrants\, increasing birth ra tes\, attracting businesses\, and curbing outmigration. This obsession wit h growth threatens to exhaust already limited resources\, closing windows of opportunity for managing a soft landing.\n\nEventually\, continuous shr inkage will force local governments to abandon growth-focused planning and redesign their communities: they must learn to shrink gracefully. Some mu nicipalities are already charting this different course. This presentation argues that shrinking municipalities must break free from pro-growth stra tegies\, embracing more sustainable approaches. These cities are putting s ocio-environmental concerns at the centre of their strategies\, identifyin g new ways to transition successfully into smaller\, sustainable communiti es.\n\nEvent sponsors: School of Planning\, Public Policy and Management\, Department of Geography\, Ecological Design Center\, Center for Asian and Pacific Studies\, Japan Society for the Promotion of Science Kakenhi Gran t. LAST-MODIFIED:20260827T002907Z LOCATION:Knight Library\, DREAM Lab 122 URL:https://calendar.uoregon.edu/event/jeremiah-public-lecture-finding-sus tainable-transitions-in-declining-japanese-municipalities X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261016 DTEND;VALUE=DATE:20261017 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076000668 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Fall Career Readiness Week (Oct 16-23) DTSTART;VALUE=DATE:20261016 DTEND;VALUE=DATE:20261017 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53561672271259 CATEGORIES:education DESCRIPTION:Find daily ways to engage your career curiosity with workshops \, local industry tours\, alumni panels & networking ("connect") events\, and the Fall Career & Internship Expo (10/22)\, that will help you develop skills and connections on the road to career readiness.\n\nFor a full lis t of workshops\, career tours\, networking events\, resume reviews\, alumn i panels\, and more\, visit career.uoregon.edu/events or register for even ts in Handshake. Why wait?! Stop by the University Career Center in Tykeso n Hall-Garden Level ASAP to get drop-in resume reviews and other career gu idance to make the most of your Career Readiness Week!\n\nThe University C areer Center offers a special thanks to our Fall 2026 Career Readiness Wee k sponsor Enterprise Mobility.\n\nFULL SCHEDULE coming soon! LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/F26CRW X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261016 DTEND;VALUE=DATE:20261017 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663068577 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:BizCareers in Finance and Real Estate DTSTART:20261016T010000Z DTEND:20261016T030000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53569825720373 CATEGORIES:education DESCRIPTION:Meet multiple employers eager to hire interns and college grad s in one evening. Ask direct questions\, learn tips and insights on how to improve your application and stand out\, and make an in-person impression for your next steps or the near future! Spots are limited so early regist ration is encouraged.\n\nBizCareers in Finance and Real Estate is a unique recruiting event facilitated by the Lundquist College of Business\, not a career fair\, but focused industry hiring and insights. If you are ready to apply and land your summer internship or post-grad role—or to make an impression and learn what it will take in the following year—be sure to attend!\n\nThis is a recruiting event. Use this as a chance to explore ho w your interests align with each company's roles\, culture\, and career pa ths. Come prepared with research on each company\, an updated resume\, and clear talking points about your interests and skills. Attend a preparator y session\, meet with an advisor\, or visit drop-in advising in Lillis 155 .\n\nAttending companies are limited to 8 to 10 who are actively hiring fo r internships or college grad roles for the 2026–2027 cycle. Many compan ies are offering multiple openings or cohort-style hiring\, meaning strong chances for placement. Round robin format rotations through up to 8 sessi ons with small groups of 20 to 25 students will allow for focused time wit h hiring teams. Each session may also include an informative talk\, meet a nd greet\, or question and answer session depending on the company.\n\nBe sure to attend the follow-up opportunity the next morning (October 16) at BizCareers Breakfast\, an open networking session from 9:00–10:00 a.m. i n the atrium of the Lillis Business Complex to continue building relations hips with recruiters from the event. Demonstrate your interest\, commitmen t\, and initiative!\n\nCompanies in attendance to be announced—check bac k in September! LAST-MODIFIED:20260804T003138Z LOCATION:Lillis Business Complex\, Atrium URL:https://calendar.uoregon.edu/event/bizcareers-in-finance-and-real-esta te X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:It’s A 2000’s Party DTSTART:20261016T030000Z DTEND:20261016T040000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53294465410253 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nExperience a nos talgic blast from the past at “It’s A 2000s Party\,” coming to Eugen e on October 2nd. This electrifying event celebrates the iconic 2000s era\ , featuring the decade’s biggest hits across pop\, hip-hop\, and rock ge nres. Embrace the Y2K fashion and culture as you dance the night away to t unes from Britney Spears\, Eminem\, and more. Don’t miss this chance to relive the unforgettable 2000s vibes in a night filled with music\, style\ , and nostalgia. Get your tickets now for an unforgettable journey back to the early 2000s! LAST-MODIFIED:20260831T183211Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/dvbbs X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261016T140000Z DTEND:20261017T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434705052 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Discover the MS in Management DTSTART:20261016T160000Z DTEND:20261016T164500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604103101900 CATEGORIES:education DESCRIPTION:Join the Lundquist admissions team to learn about the 10-month Master of Science in Management (MSM) program. This program is open to st udents from all undergraduate majors\, and specifically designed for non-b usiness majors. This session offers a unique opportunity to learn about th e MSM program\, admission requirements\, and the application process. Leav e prepared for the early decision deadline on November 15\, 2026. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/discover-the-ms-management-101626 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261016T170000Z DTEND:20261017T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594107304 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261016T170000Z DTEND:20261017T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574706740 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261016T170000Z DTEND:20261017T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309906518 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261016T170000Z DTEND:20261017T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474363670 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261016T180000Z DTEND:20261017T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374126858 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261016T180000Z DTEND:20261017T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816173397 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261016T180000Z DTEND:20261017T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689501808 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261017 DTEND;VALUE=DATE:20261018 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076001693 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261017 DTEND;VALUE=DATE:20261018 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663069602 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Cherry Poppin’ Daddies DTSTART:20261017T030000Z DTEND:20261017T040000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53249779762169 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nIn the past few years Cherry Poppin’ Daddies have become the kind of band that you would want to book if you were throwing a soiree at the Gatsby mansion. Penning elegant\, lush\, pitch perfect arrangements of much of the great American songbook\, from Cole Porter to Frank Sinatra\, the Daddies have surprised many- likely familiar with them from the early 90’s- whose limited expo sure to the band undoubtedly consists of an image of spray painted vans ca reening across the US as an iconoclastic\, misfit part of an already margi nalized punk/ska scene. LAST-MODIFIED:20260831T183211Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/hazlett X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261017T150000Z DTEND:20261018T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434706077 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261017T170000Z DTEND:20261018T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594108329 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261017T170000Z DTEND:20261018T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574707765 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261017T170000Z DTEND:20261018T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309907543 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261017T170000Z DTEND:20261018T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474364695 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261017T180000Z DTEND:20261018T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374126859 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261017T180000Z DTEND:20261018T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816173398 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261017T180000Z DTEND:20261018T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689502833 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261018 DTEND;VALUE=DATE:20261019 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076002718 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261018 DTEND;VALUE=DATE:20261019 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663070627 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261018T170000Z DTEND:20261019T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594108330 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261018T170000Z DTEND:20261019T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574708790 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261018T170000Z DTEND:20261018T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010341044 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261018T170000Z DTEND:20261019T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309908568 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261018T170000Z DTEND:20261019T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474364696 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261018T170000Z DTEND:20261019T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434707102 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261018T180000Z DTEND:20261019T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374127884 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261018T180000Z DTEND:20261019T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816174423 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261018T180000Z DTEND:20261019T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689503858 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261019 DTEND;VALUE=DATE:20261020 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076003743 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Fall Career Readiness Week (Oct 16-23) DTSTART;VALUE=DATE:20261019 DTEND;VALUE=DATE:20261020 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53561672271260 CATEGORIES:education DESCRIPTION:Find daily ways to engage your career curiosity with workshops \, local industry tours\, alumni panels & networking ("connect") events\, and the Fall Career & Internship Expo (10/22)\, that will help you develop skills and connections on the road to career readiness.\n\nFor a full lis t of workshops\, career tours\, networking events\, resume reviews\, alumn i panels\, and more\, visit career.uoregon.edu/events or register for even ts in Handshake. Why wait?! Stop by the University Career Center in Tykeso n Hall-Garden Level ASAP to get drop-in resume reviews and other career gu idance to make the most of your Career Readiness Week!\n\nThe University C areer Center offers a special thanks to our Fall 2026 Career Readiness Wee k sponsor Enterprise Mobility.\n\nFULL SCHEDULE coming soon! LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/F26CRW X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261019 DTEND;VALUE=DATE:20261020 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663071652 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Blasting Company plays Over the Garden Wall DTSTART:20261019T030000Z DTEND:20261019T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53249786964272 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nIt’s not very well-worn\, but the Nashville street band to composer pipeline has certain ly been a distinctive\, if tempered\, fairy-tale arc for Joshua Kaufman an d Justin Rubenstein\, the brothers at the helm of The Blasting Company. Fo r years\, curiosity and circumstance guided them through the streets of th e US and Europe as they accumulated a blend of American folk and Eastern E uropean influences\, grand orchestral tendencies\, and inescapably modern sensibilities\, eventually landing them in Los Angeles\, where they found a home for most of it in the world of film and television. Their first and perhaps most notable venture into scoring was for the critically-acclaime d animated miniseries\, Over the Garden Wall\, which has become a seasonal staple for a growing fanbase worldwide whenever fall – or its equatoria l approximate – is in the air. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/blasting-company-plays-over-the-gar den-wall X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261019T140000Z DTEND:20261020T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434708127 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261019T180000Z DTEND:20261020T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374128909 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261019T180000Z DTEND:20261020T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816175448 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261019T180000Z DTEND:20261020T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689504883 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261019T190000Z DTEND:20261019T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913761158 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261020 DTEND;VALUE=DATE:20261021 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076005792 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Fall Career Readiness Week (Oct 16-23) DTSTART;VALUE=DATE:20261020 DTEND;VALUE=DATE:20261021 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53561672272285 CATEGORIES:education DESCRIPTION:Find daily ways to engage your career curiosity with workshops \, local industry tours\, alumni panels & networking ("connect") events\, and the Fall Career & Internship Expo (10/22)\, that will help you develop skills and connections on the road to career readiness.\n\nFor a full lis t of workshops\, career tours\, networking events\, resume reviews\, alumn i panels\, and more\, visit career.uoregon.edu/events or register for even ts in Handshake. Why wait?! Stop by the University Career Center in Tykeso n Hall-Garden Level ASAP to get drop-in resume reviews and other career gu idance to make the most of your Career Readiness Week!\n\nThe University C areer Center offers a special thanks to our Fall 2026 Career Readiness Wee k sponsor Enterprise Mobility.\n\nFULL SCHEDULE coming soon! LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/F26CRW X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261020 DTEND;VALUE=DATE:20261021 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663072677 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20261020T010000Z DTEND:20261020T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817949390 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261020T140000Z DTEND:20261021T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434709152 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261020T180000Z DTEND:20261021T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374128910 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261020T180000Z DTEND:20261021T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816175449 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261020T180000Z DTEND:20261021T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689505908 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20261020T190000Z DTEND:20261020T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043923476 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261021 DTEND;VALUE=DATE:20261022 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076006817 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Fall Career Readiness Week (Oct 16-23) DTSTART;VALUE=DATE:20261021 DTEND;VALUE=DATE:20261022 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53561672272286 CATEGORIES:education DESCRIPTION:Find daily ways to engage your career curiosity with workshops \, local industry tours\, alumni panels & networking ("connect") events\, and the Fall Career & Internship Expo (10/22)\, that will help you develop skills and connections on the road to career readiness.\n\nFor a full lis t of workshops\, career tours\, networking events\, resume reviews\, alumn i panels\, and more\, visit career.uoregon.edu/events or register for even ts in Handshake. Why wait?! Stop by the University Career Center in Tykeso n Hall-Garden Level ASAP to get drop-in resume reviews and other career gu idance to make the most of your Career Readiness Week!\n\nThe University C areer Center offers a special thanks to our Fall 2026 Career Readiness Wee k sponsor Enterprise Mobility.\n\nFULL SCHEDULE coming soon! LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/F26CRW X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261021 DTEND;VALUE=DATE:20261022 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663072678 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Kota The Friend DTSTART:20261021T030000Z DTEND:20261021T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53418380057207 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nBrooklyn rapper Kota the Friend bucks trends\, favoring musically rich instrumentals and v ivid\, sometimes surreal wordplay over the interchangeable trap styles of many of his peers. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/kota-the-friend X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261021T140000Z DTEND:20261022T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434710177 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261021T170000Z DTEND:20261022T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594109355 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261021T170000Z DTEND:20261022T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574709815 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Peace Corps Coffee Chat DTSTART:20261021T170000Z DTEND:20261021T190000Z DTSTAMP:20260818T183133Z UID:tag:localist.com\,2008:EventInstance_53736328171585 CATEGORIES:community DESCRIPTION:Peace Corps helps you prepare you for what’s next\, whatever that is. Come meet your on-campus recruiter and intercultural experiences and Career Readiness Coordinator and ask any questions you have about the Peace Corps and the global service minor. LAST-MODIFIED:20260818T183133Z LOCATION:Willie and Donald Tykeson Hall\, Tykeson Commons URL:https://calendar.uoregon.edu/event/peace-corps-coffee-chat X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261021T170000Z DTEND:20261022T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309909593 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261021T170000Z DTEND:20261022T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474365721 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261021T180000Z DTEND:20261022T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374129935 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261021T180000Z DTEND:20261022T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816176474 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261021T180000Z DTEND:20261022T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689506933 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261021T190000Z DTEND:20261021T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913762183 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261022 DTEND;VALUE=DATE:20261023 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076008866 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Fall Career Readiness Week (Oct 16-23) DTSTART;VALUE=DATE:20261022 DTEND;VALUE=DATE:20261023 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53561672273311 CATEGORIES:education DESCRIPTION:Find daily ways to engage your career curiosity with workshops \, local industry tours\, alumni panels & networking ("connect") events\, and the Fall Career & Internship Expo (10/22)\, that will help you develop skills and connections on the road to career readiness.\n\nFor a full lis t of workshops\, career tours\, networking events\, resume reviews\, alumn i panels\, and more\, visit career.uoregon.edu/events or register for even ts in Handshake. Why wait?! Stop by the University Career Center in Tykeso n Hall-Garden Level ASAP to get drop-in resume reviews and other career gu idance to make the most of your Career Readiness Week!\n\nThe University C areer Center offers a special thanks to our Fall 2026 Career Readiness Wee k sponsor Enterprise Mobility.\n\nFULL SCHEDULE coming soon! LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/F26CRW X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261022 DTEND;VALUE=DATE:20261023 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663073703 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trivia in the EMU DTSTART:20261022T010000Z DTEND:20261022T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499018013644 CATEGORIES:community DESCRIPTION:🎉 Get ready for tons of fun and a chance to show off your b rainpower. Grab a friend (or three) and join the competition—every round your team wins scores each member $5! Are you up for the challenge?\n\nBr ing a team or come and join a new team.\n\nCan't stay for all 4 rounds\, n o problem. stop in for 1\, 2\, 3 or 4 rounds\, your choice!\n\nFREE- Every Wednesday in the EMU LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/trivia-in-the-emu-4043 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Diggin’ Dirt DTSTART:20261022T030000Z DTEND:20261022T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53294470208237 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nFrom behind the redwood curtain of Humboldt County\, California\, the seven piece funk-sou l band Diggin Dirt has carved out a niche as a live party not to be missed . Shoveling their own path\, Diggin Dirt has seen sustained growth over th e past few years\, with multiple national tours and festival stops at Jam Cruise\, High Sierra\, Hulaween\, Same Same but Different\, Live Oak\, Cas cade Equinox\, Joshua Tree Music Festival and many more. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/diggin-dirt-4151 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261022T140000Z DTEND:20261023T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434711202 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261022T170000Z DTEND:20261023T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594110380 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261022T170000Z DTEND:20261023T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574710840 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261022T170000Z DTEND:20261023T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402258825 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261022T170000Z DTEND:20261023T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474366746 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261022T180000Z DTEND:20261023T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374130960 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261022T180000Z DTEND:20261023T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816177499 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261022T180000Z DTEND:20261023T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689506934 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Fall Career & Internship Expo DTSTART:20261022T190000Z DTEND:20261022T230000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53561611515345 CATEGORIES:education,market DESCRIPTION:Why YOU should come to this Expo...\n\nYou're curious about yo ur future. Explore different career paths and job roles across industries. EXPOse yourself to unique career pathways that can use your career readin ess skills and passions to make an impact in the world.You want to make co nnections. These organizations LOVE to hire Ducks and want to help you fin d your career fit. You might even meet UO alumni recruiting for them at th e expo. Ask a recruiter what career readiness skills you can be building n ow to make you a top candidate in the present or future (and add them to y our Linkedin network for future connections!).You want to find a job\, int ernship\, year of service\, volunteer opportunity\, and more! If you're ac tively job searching\, have your resume ready to hand out and a short and sweet synopsis about yourself and your professional interests ready to go! If you're just exploring options\, collect contact info\, do some additio nal research\, and do an informational interview to learn more before you apply.You want to build your confidence! Practice asking questions of empl oyers AND sharing about who you are and what you're passionate about. Eve ry expo you attend and each time you approach a recruiter\, you get more a nd more comfortable presenting yourself in a professional manner.WHO'S COM ING? Find your career fit with over 70+ employers comprised of private ind ustry\; public\, educational\, and non-profit organizations\; local govern ment\, the federal government\, law enforcement\, and military--ALL on cam pus and excited to share more with you about their organization and early career talent opportunities. Open to students from ALL majors\, classifica tions\, and identities. Every expo looks a little different so come each t erm to keep exploring and expanding your career opportunities!\n\nWHAT NEX T? Register for the Expo on Handshake today to learn about all the compani es coming\, and positions of interest you can be researching. We'll also s end you tips and advice for how to make the most of the expo\, including C areer Readiness Week workshops like our Resume Extravaganza so you can hav e a great resume to hand to potential employers!\n\nThe University Career Center thanks Enterprise Mobility for sponsoring all our Fall Career Re adiness Week events and workshops! Special thanks to our Expo Sponsors: CO MING SOON\n\nFor a full list of Fall Career Readiness Week (October 16-23) events and workshops\, check out http://career.uoregon.edu/events LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Ballroom URL:https://calendar.uoregon.edu/event/fall-career-internship-expo-7241 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261023 DTEND;VALUE=DATE:20261024 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076010915 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Fall Career Readiness Week (Oct 16-23) DTSTART;VALUE=DATE:20261023 DTEND;VALUE=DATE:20261024 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53561672273312 CATEGORIES:education DESCRIPTION:Find daily ways to engage your career curiosity with workshops \, local industry tours\, alumni panels & networking ("connect") events\, and the Fall Career & Internship Expo (10/22)\, that will help you develop skills and connections on the road to career readiness.\n\nFor a full lis t of workshops\, career tours\, networking events\, resume reviews\, alumn i panels\, and more\, visit career.uoregon.edu/events or register for even ts in Handshake. Why wait?! Stop by the University Career Center in Tykeso n Hall-Garden Level ASAP to get drop-in resume reviews and other career gu idance to make the most of your Career Readiness Week!\n\nThe University C areer Center offers a special thanks to our Fall 2026 Career Readiness Wee k sponsor Enterprise Mobility.\n\nFULL SCHEDULE coming soon! LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/F26CRW X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261023 DTEND;VALUE=DATE:20261024 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663074728 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:BizCareers in Marketing\, Sales\, and Analytics DTSTART:20261023T010000Z DTEND:20261023T030000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53569843667983 CATEGORIES:education DESCRIPTION:Meet multiple employers eager to hire interns and college grad s in one evening. Ask direct questions\, learn tips and insights on how to improve your application and stand out\, and make an in-person impression for your next steps or the near future! Spots are limited so early regist ration is encouraged.\n\nBizCareers in Marketing\, Sales\, and Analytics i s a unique recruiting event facilitated by the Lundquist College of Busine ss\, not a career fair\, but focused industry hiring and insights. If you are ready to apply and land your summer internship or post-grad role—or to make an impression and learn what it will take in the following year— be sure to attend!\n\nThis is a recruiting event. Use this as a chance to explore how your interests align with each company's roles\, culture\, and career paths. Come prepared with research on each company\, an updated re sume\, and clear talking points about your interests and skills. Attend a preparatory session\, meet with an advisor\, or visit drop-in advising in Lillis 155.\n\nAttending companies are limited to 8 to 10 who are actively hiring for internships or college grad roles for the 2026–2027 cycle. M any companies are offering multiple openings or cohort-style hiring\, mean ing strong chances for placement. Round robin format rotations through up to 8 sessions with small groups of 20 to 25 students will allow for focuse d time with hiring teams. Each session may also include an informative tal k\, meet and greet\, or question and answer session depending on the compa ny.\n\nBe sure to attend the follow-up opportunity the next morning (Octob er 23) at BizCareers Breakfast\, an open networking session from 9:00–10 :00 a.m. in the atrium of the Lillis Business Complex to continue building relationships with recruiters from the event. Demonstrate your interest\, commitment\, and initiative!\n\nCompanies in attendance to be announced —check back in September! LAST-MODIFIED:20260804T003138Z LOCATION:Lillis Business Complex\, Atrium URL:https://calendar.uoregon.edu/event/bizcareers-in-marketing-sales-analy tics X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Stinkfoot Orchestra DTSTART:20261023T030000Z DTEND:20261023T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53418373897923 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nA 14-piece Tribu te to Frank Zappa featuring Zappa alum\, Napoleon Murphy Brock Eugene\, OR — The Stinkfoot Orchestra returns to Eugene on October 22nd with a show at WOW Hall. Based out of the San Francisco Bay Area\, this critically ac claimed ensemble which includes a six-piece horn section\, tuned percussio n\, and five vocalists has spent the last few years building a loyal follo wing up and down the West Coast – earning a reputation as one of the mos t dynamic and entertaining Zappa tribute acts touring today. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/stinkfoot-orchestra X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261023T140000Z DTEND:20261024T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434711203 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261023T170000Z DTEND:20261024T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594111405 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261023T170000Z DTEND:20261024T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574711865 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261023T170000Z DTEND:20261024T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309910618 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261023T170000Z DTEND:20261024T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474366747 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261023T180000Z DTEND:20261024T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374130961 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261023T180000Z DTEND:20261024T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816178524 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261023T180000Z DTEND:20261024T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689508983 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Lundquist College Graduate Programs Virtual Preview Day DTSTART:20261023T190000Z DTEND:20261023T203000Z DTSTAMP:20260829T003340Z UID:tag:localist.com\,2008:EventInstance_53604124234202 CATEGORIES:education DESCRIPTION:Join this virtual event to learn more about the Lundquist Coll ege of Business graduate programs at our main campus in Eugene.\n\nProgram s Featured:\n\nThe Oregon MBAMaster of AccountingMaster of Science in Fina nceMaster of Science in ManagementHear from members of the Lundquist Gradu ate Admissions Team\, Graduate Student Experience\, Mohr Career Services\, and faculty\, staff\, and current students from each of the program! Don ’t miss your chance to find the right graduate program for you! LAST-MODIFIED:20260829T003340Z URL:https://calendar.uoregon.edu/event/lundquist-college-grad-virtual-prev iew-day-eugene X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261024 DTEND;VALUE=DATE:20261025 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076012964 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261024 DTEND;VALUE=DATE:20261025 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663075753 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Cherry Poppin’ Daddies DTSTART:20261024T030000Z DTEND:20261024T063000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53851612198800 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nIn the past few years Cherry Poppin’ Daddies have become the kind of band that you would want to book if you were throwing a soiree at the Gatsby mansion. Penning elegant\, lush\, pitch perfect arrangements of much of the great American songbook\, from Cole Porter to Frank Sinatra\, the Daddies have surprised many- likely familiar with them from the early 90’s- whose limited expo sure to the band undoubtedly consists of an image of spray painted vans ca reening across the US as an iconoclastic\, misfit part of an already margi nalized punk/ska scene. LAST-MODIFIED:20260831T183211Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/hazlett X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261024T150000Z DTEND:20261025T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434712228 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261024T170000Z DTEND:20261025T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594112430 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261024T170000Z DTEND:20261025T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574712890 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261024T170000Z DTEND:20261025T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309911643 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261024T170000Z DTEND:20261025T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474367772 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261024T180000Z DTEND:20261025T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374131986 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261024T180000Z DTEND:20261025T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816178525 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261024T180000Z DTEND:20261025T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689508984 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261025 DTEND;VALUE=DATE:20261026 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076013989 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261025 DTEND;VALUE=DATE:20261026 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663076778 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tom Hamilton Band DTSTART:20261025T030000Z DTEND:20261025T040000Z DTSTAMP:20260815T062801Z UID:tag:localist.com\,2008:EventInstance_53700985229952 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nTom Hamilton has made a career of pushing rock n’ roll boundaries. Since 2000\, Hamilton has fronted a cadre of bands\, including Brothers Past\, American Babies and Ghost Light. He also sings and plays lead guitar in the juggernaut con temporary Grateful Dead cover band\, Joe Russo’s Almost Dead. LAST-MODIFIED:20260815T062801Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/tom-hamilton-band X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261025T170000Z DTEND:20261026T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594112431 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261025T170000Z DTEND:20261026T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574713915 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261025T170000Z DTEND:20261025T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010341045 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261025T170000Z DTEND:20261026T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309912668 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261025T170000Z DTEND:20261026T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474368797 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261025T170000Z DTEND:20261026T040000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434713253 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261025T180000Z DTEND:20261026T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374133011 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261025T180000Z DTEND:20261026T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816179550 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261025T180000Z DTEND:20261026T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689510009 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261026 DTEND;VALUE=DATE:20261027 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076016038 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261026 DTEND;VALUE=DATE:20261027 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663077803 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Slow Pulp DTSTART:20261026T030000Z DTEND:20261026T040000Z DTSTAMP:20260815T062801Z UID:tag:localist.com\,2008:EventInstance_53700993863149 CATEGORIES:theater DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nOn Sunday\, Octo ber 25th the Community Center for the Performing Arts is pleased to presen t Slow Pulp at the WOW Hall. With support from Snuggle. LAST-MODIFIED:20260815T062801Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/slow-pulp X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261026T140000Z DTEND:20261027T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434715302 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261026T180000Z DTEND:20261027T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374134036 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261026T180000Z DTEND:20261027T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816179551 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261026T180000Z DTEND:20261027T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689511034 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261026T190000Z DTEND:20261026T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913763208 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:CHC Applying to Law School Info Session DTSTART:20261026T230000Z DTEND:20261027T000000Z DTSTAMP:20260904T003255Z UID:tag:localist.com\,2008:EventInstance_53878142308269 CATEGORIES:education DESCRIPTION:Professor Michael Moffitt (CHC faculty fellow) has been a law professor for more than twenty years\, was dean of the law school for six years\, and has read more than five thousand law school applications. Clar k Honors College students are invited to this info session with Prof. Moff itt to explore the possibilities law school offers and the paths toward su ccess in the law school admissions process! LAST-MODIFIED:20260904T003255Z LOCATION:Chapman Hall\, 302 URL:https://calendar.uoregon.edu/event/chc-applying-to-law-school-info-ses sion-1899 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261027 DTEND;VALUE=DATE:20261028 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076017063 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261027 DTEND;VALUE=DATE:20261028 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663078828 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20261027T010000Z DTEND:20261027T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817950415 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261027T140000Z DTEND:20261028T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434715303 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261027T180000Z DTEND:20261028T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374134037 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261027T180000Z DTEND:20261028T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816180576 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261027T180000Z DTEND:20261028T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689512059 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20261027T190000Z DTEND:20261027T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043923477 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261028 DTEND;VALUE=DATE:20261029 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076018088 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261028 DTEND;VALUE=DATE:20261029 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663079853 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Lundquist Graduate Programs: Empowering International Students DTSTART:20261028T003000Z DTEND:20261028T013000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604146492353 CATEGORIES:education DESCRIPTION:Applying to graduate programs as an international student can feel overwhelming\, but you don't have to navigate the process alone. At t he Lundquist College of Business\, we are committed to supporting and empo wering you every step of the way\, from preparing your application to acce ssing resources once you're admitted.\n\nJoin this session to:\n\nGain cla rity on specific application requirements for international studentsExplor e funding opportunities designed to support your academic journeyLearn abo ut the wide range of resources offered by International Student and Schola r Services (ISSS)Hear directly from Becky Crabtree\, Director of Internati onal Student Services\, and her team\, who will share insights and answer your questions to help you succeed.\n\nThis info session covers the follow ing programs:\n\nThe Oregon MBAMaster of AccountingMaster of Science in Fi nanceMaster of Science in ManagementMaster of Science in Sports Product Ma nagement LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/lundquist-graduate-programs-empower ing-international-students-102726 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261028T140000Z DTEND:20261029T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434716328 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261028T170000Z DTEND:20261029T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594113456 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261028T170000Z DTEND:20261029T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574714940 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261028T170000Z DTEND:20261029T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309913693 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261028T170000Z DTEND:20261029T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474368798 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261028T180000Z DTEND:20261029T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374135062 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261028T180000Z DTEND:20261029T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816181601 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261028T180000Z DTEND:20261029T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689513084 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261028T190000Z DTEND:20261028T194500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913763209 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261029 DTEND;VALUE=DATE:20261030 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076019113 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261029 DTEND;VALUE=DATE:20261030 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663081902 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trivia in the EMU DTSTART:20261029T010000Z DTEND:20261029T023000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499018015693 CATEGORIES:community DESCRIPTION:🎉 Get ready for tons of fun and a chance to show off your b rainpower. Grab a friend (or three) and join the competition—every round your team wins scores each member $5! Are you up for the challenge?\n\nBr ing a team or come and join a new team.\n\nCan't stay for all 4 rounds\, n o problem. stop in for 1\, 2\, 3 or 4 rounds\, your choice!\n\nFREE- Every Wednesday in the EMU LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/trivia-in-the-emu-4043 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Steely Dead DTSTART:20261029T030000Z DTEND:20261029T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53418366870564 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nHailing from the vibrant music scene of Denver\, Colorado\, Steely Dead is a national tour ing band that has satisfied the curiosity of music lovers with their uniqu e blend of Grateful Dead and Steely Dan. Comprised of four exceptionally t alented musicians – Dave Abear on guitar\, Matt Abear on bass\, Chris Sh eldon on drums\, and Dylan Teifer on keys – Steely Dead has gained a ded icated following with their electrifying performances and soulful interpre tations of classic tunes. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/steely-dead-3801 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261029T140000Z DTEND:20261030T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434717353 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261029T170000Z DTEND:20261030T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594114481 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261029T170000Z DTEND:20261030T030000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574715965 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261029T170000Z DTEND:20261030T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402259850 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261029T170000Z DTEND:20261030T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474369823 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261029T180000Z DTEND:20261030T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374136087 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261029T180000Z DTEND:20261030T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816181602 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261029T180000Z DTEND:20261030T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689514109 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261030 DTEND;VALUE=DATE:20261031 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076020138 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261030 DTEND;VALUE=DATE:20261031 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663082927 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261030T140000Z DTEND:20261031T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434718378 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Family Weekend Check-In DTSTART:20261030T160000Z DTEND:20261031T000000Z DTSTAMP:20260902T063250Z UID:tag:localist.com\,2008:EventInstance_53862114690782 CATEGORIES:community DESCRIPTION:Check-in is your first stop to pick up your event credentials\ , which grant access to campus museums and the Student Recreation Center. LAST-MODIFIED:20260902T063250Z LOCATION:Erb Memorial Union (EMU)\, Crater Lake North URL:https://calendar.uoregon.edu/event/family-weekend-check-in X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261030T170000Z DTEND:20261031T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594114482 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261030T170000Z DTEND:20261031T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574716990 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Duck into Class: Tracking Wildfire in Real Time DTSTART:20261030T170000Z DTEND:20261030T180000Z DTSTAMP:20260814T062706Z UID:tag:localist.com\,2008:EventInstance_53694722607157 CATEGORIES:education DESCRIPTION:Nick Maggio\, Associate Director for the UO's Oregon Hazards L ab\, presents an inside look at the innovative wildfire detection camera n etwork that uses real-time monitoring and advanced technology to help dete ct\, track\, and respond to wildfires across Oregon and the western United States. LAST-MODIFIED:20260814T062706Z LOCATION:Straub Hall\, 156 URL:https://calendar.uoregon.edu/event/duck-into-class-tracking-wildfire-i n-real-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261030T170000Z DTEND:20261031T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309913694 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261030T170000Z DTEND:20261031T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474369824 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261030T180000Z DTEND:20261031T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374137112 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261030T180000Z DTEND:20261031T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816182627 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trick or Treat in the EMU: Hosted by Student Activities Board DTSTART:20261030T180000Z DTEND:20261030T220000Z DTSTAMP:20260815T062801Z UID:tag:localist.com\,2008:EventInstance_53577059361089 CATEGORIES:community,holiday DESCRIPTION:Tick or treat time - costumes encouraged but not required!\n\n Join us for a fun time in exploring the EMU while you visit different cent ers for treats. Bring a friend or three!\n\nGet a list of participating pr ograms and offices by the EMU O Desk.\n\nFollow @uo.sab to stay updated wi th the marathon lineup. We hope to see you there! LAST-MODIFIED:20260815T062801Z LOCATION:Erb Memorial Union (EMU)\, everywhere\, list of participating loc ations available near the O desk URL:https://calendar.uoregon.edu/event/trick-or-treat-in-the-emu-hosted-by -student-activities-board-1618 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:UO Law School Fair DTSTART:20261030T180000Z DTEND:20261030T210000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53016152042839 CATEGORIES:education DESCRIPTION:The UO Law School Fair connects around 50 law schools from thr oughout the country with hundreds of interested\, prospective law students from the University of Oregon. Admissions representatives from several to p law schools will be in attendance and ready to describe the many aspects of their schools\, discuss admissions criteria\, and answer your question s. LAST-MODIFIED:20260804T003138Z LOCATION:William W. Knight Law Center\, Commons\, Courtyard URL:https://calendar.uoregon.edu/event/uo-law-school-fair-2981 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261030T180000Z DTEND:20261031T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689515134 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Run\, Walk and Roll with The Duck 5k DTSTART:20261030T183000Z DTEND:20261030T200000Z DTSTAMP:20260815T062801Z UID:tag:localist.com\,2008:EventInstance_53701086532325 CATEGORIES:sports DESCRIPTION:Free for students\, faculty\, staff\, alumni\, and community m embers! The 5k run\, walk\, and roll begins at noon starting at Riverfront Field (south side of the Autzen footbridge). \n\nPre-registration is enco uraged. Race day registration will close at 11:45 a.m.\n\nParticipant chec k-in starts at 11:00 a.m. \n\nThe first ~250 5k registered participants th at show up will get free swag. \n\nPlease leave your personal belongings a nd valuables in a secure location away from the event. LAST-MODIFIED:20260815T062801Z LOCATION:Riverfront Field URL:https://calendar.uoregon.edu/event/run-walk-and-roll-with-the-duck-5k- 4619 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Duck into Class: The Sound of Change and the Legacy of Motown DTSTART:20261030T200000Z DTEND:20261030T210000Z DTSTAMP:20260814T062706Z UID:tag:localist.com\,2008:EventInstance_53694743587937 CATEGORIES:music DESCRIPTION:Sean Peterson\, assistant teaching professor of popular music\ , explores the music and history of Motown Records and how legendary artis ts like The Supremes and Stevie Wonder helped transform American music\, b reak down racial barriers\, and shape generations of popular culture. LAST-MODIFIED:20260814T062706Z LOCATION:Straub Hall\, 156 URL:https://calendar.uoregon.edu/event/duck-into-class-the-sound-of-change -and-the-legacy-of-motown X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Duck Family DIY DTSTART:20261030T210000Z DTEND:20261030T221500Z DTSTAMP:20260815T062801Z UID:tag:localist.com\,2008:EventInstance_53700825621692 CATEGORIES:arts DESCRIPTION:Participants will be able to explore their creative side using a variety of craft kits. While supplies last. LAST-MODIFIED:20260815T062801Z LOCATION:Erb Memorial Union (EMU)\, Gumwood URL:https://calendar.uoregon.edu/event/duck-family-diy X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Homecoming Pep Rally DTSTART:20261030T223000Z DTEND:20261030T231500Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53552567395755 CATEGORIES:community DESCRIPTION:Where Spirit Meets Tradition! Kick off Homecoming Weekend with the Oregon Marching Band\, Cheer\, the Duck\, sponsored food booths\, fun games\, prizes and giveaways\, and unforgettable Duck spirit as we celebr ate our traditions and send our teams off to victory. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, EMU Green URL:https://calendar.uoregon.edu/event/homecoming-pep-rally-2427 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261031 DTEND;VALUE=DATE:20261101 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076021163 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261031 DTEND;VALUE=DATE:20261101 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663083952 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261031T150000Z DTEND:20261101T060000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434719403 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261031T170000Z DTEND:20261101T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594115507 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261031T170000Z DTEND:20261101T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574718015 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261031T170000Z DTEND:20261101T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309914719 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261031T170000Z DTEND:20261101T000000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474370849 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261031T180000Z DTEND:20261101T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374137113 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261031T180000Z DTEND:20261101T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816183652 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261031T180000Z DTEND:20261101T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689516159 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261101 DTEND;VALUE=DATE:20261102 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076023212 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261101 DTEND;VALUE=DATE:20261102 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663084977 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261101T180000Z DTEND:20261102T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594116532 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261101T180000Z DTEND:20261102T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574719040 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261101T180000Z DTEND:20261101T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010342070 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261101T180000Z DTEND:20261102T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309915744 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261101T180000Z DTEND:20261102T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474370850 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261101T180000Z DTEND:20261102T050000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434720428 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261101T190000Z DTEND:20261102T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374138138 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261101T190000Z DTEND:20261102T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816183653 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261101T190000Z DTEND:20261102T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689517184 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261102 DTEND;VALUE=DATE:20261103 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076024237 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261102 DTEND;VALUE=DATE:20261103 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663086002 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261102T150000Z DTEND:20261103T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434720429 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261102T190000Z DTEND:20261103T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374139163 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261102T190000Z DTEND:20261103T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816184678 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261102T190000Z DTEND:20261103T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689518209 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261102T200000Z DTEND:20261102T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913764234 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261103 DTEND;VALUE=DATE:20261104 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076025262 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261103 DTEND;VALUE=DATE:20261104 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663087027 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20261103T020000Z DTEND:20261103T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817950416 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261103T150000Z DTEND:20261104T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434721454 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261103T190000Z DTEND:20261104T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374139164 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261103T190000Z DTEND:20261104T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816185703 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261103T190000Z DTEND:20261104T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689519234 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20261103T200000Z DTEND:20261103T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043924502 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261104 DTEND;VALUE=DATE:20261105 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076026287 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261104 DTEND;VALUE=DATE:20261105 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663088052 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Mystery Skulls & Fox Stevenson DTSTART:20261104T040000Z DTEND:20261104T070000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53851620858508 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nMystery Skulls i s the genre-blurring project of singer\, songwriter and producer Luis Dubu c\, fusing electronic music\, dance\, neo-soul and vintage disco into a so und built equally for headphones and packed dance floors.\n\nWith a knack for writing the soundtrack to your next adventure\, Stanley Stevenson-Byrn e\, better known as Fox Stevenson\, sits somewhere between club-centric mu sic producer and heartfelt singer-songwriter. LAST-MODIFIED:20260831T183211Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/mystery-skulls-fox-stevenson X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261104T150000Z DTEND:20261105T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434722479 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261104T180000Z DTEND:20261105T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594117557 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261104T180000Z DTEND:20261105T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574720065 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261104T180000Z DTEND:20261105T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309916769 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261104T180000Z DTEND:20261105T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474371875 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261104T190000Z DTEND:20261105T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374140189 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261104T190000Z DTEND:20261105T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816185704 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261104T190000Z DTEND:20261105T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689521283 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261104T200000Z DTEND:20261104T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913765259 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261105 DTEND;VALUE=DATE:20261106 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076028336 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261105 DTEND;VALUE=DATE:20261106 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663088053 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon MBA Application Masterclass DTSTART:20261105T010000Z DTEND:20261105T014500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604341526231 CATEGORIES:education DESCRIPTION:Join our 45-minute webinar for insider tips on applying to the Oregon MBA before the first application deadline for fall 2027 on Novembe r 15!\n\nOur admissions team will guide you through the application proces s\, covering requirements\, statement of purpose\, and recommendations. Di scover how to showcase your strengths and stand out as a competitive appli cant and take the first step towards your MBA journey! LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/oregon-mba-app-masterclass-110426 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trivia in the EMU DTSTART:20261105T020000Z DTEND:20261105T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499018017742 CATEGORIES:community DESCRIPTION:🎉 Get ready for tons of fun and a chance to show off your b rainpower. Grab a friend (or three) and join the competition—every round your team wins scores each member $5! Are you up for the challenge?\n\nBr ing a team or come and join a new team.\n\nCan't stay for all 4 rounds\, n o problem. stop in for 1\, 2\, 3 or 4 rounds\, your choice!\n\nFREE- Every Wednesday in the EMU LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/trivia-in-the-emu-4043 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261105T150000Z DTEND:20261106T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434722480 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261105T180000Z DTEND:20261106T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594117558 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261105T180000Z DTEND:20261106T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574721090 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Peace Corps Application Workshop DTSTART:20261105T180000Z DTEND:20261105T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53550475566281 CATEGORIES:education DESCRIPTION:Join your on-campus recruiter and fellow students interested i n Peace Corps to get your application ready.\n\nThis workshop will cover t he application process\, including how to strengthen your resume and motiv ation statement. LAST-MODIFIED:20260730T015158Z LOCATION:Willie and Donald Tykeson Hall\, 50P - University Career Center c onference room URL:https://calendar.uoregon.edu/event/peace-corps-application-workshop-70 85 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261105T180000Z DTEND:20261106T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402260875 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261105T180000Z DTEND:20261106T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474372900 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261105T190000Z DTEND:20261106T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374141214 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261105T190000Z DTEND:20261106T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816186729 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261105T190000Z DTEND:20261106T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689521284 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261106 DTEND;VALUE=DATE:20261107 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076029361 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261106 DTEND;VALUE=DATE:20261107 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663089078 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Mdou Moctar DTSTART:20261106T040000Z DTEND:20261106T070000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53851627536269 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nSince the late 2 000s\, Tuareg guitarist Mdou Moctar has explored new approached to the Wes t African desert blues first popularized by bands like Tinariwen and Tarti t. His songs include acoustic odes to his arid homeland\, but also psych-r ock odysseys supercharged with galloping rhythms and rock-star techniques. Moctar was born in the mid-’80s in Tchintabaraden\, Niger. LAST-MODIFIED:20260831T183211Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/mdou-moctar X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261106T150000Z DTEND:20261107T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434723505 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261106T180000Z DTEND:20261107T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594119607 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free First Friday at the Museum DTSTART:20261106T180000Z DTEND:20261107T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51506914254074 CATEGORIES:arts DESCRIPTION:The Museum of Natural and Cultural History offers free admissi on on the first Friday of the month. Investigate Oregon's amazing fossils and ecosystems\, and delve into its cultural history—from the First Amer icans at Paisley Caves to the dynamic cultures of today's Tribes. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/free-first-friday-at-the-museum X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261106T180000Z DTEND:20261107T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574722115 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261106T180000Z DTEND:20261107T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309917794 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261106T180000Z DTEND:20261107T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474372901 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261106T190000Z DTEND:20261107T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374142239 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261106T190000Z DTEND:20261107T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816186730 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261106T190000Z DTEND:20261107T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689522309 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261107 DTEND;VALUE=DATE:20261108 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076030386 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261107 DTEND;VALUE=DATE:20261108 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663090103 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261107T160000Z DTEND:20261108T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434724530 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261107T180000Z DTEND:20261108T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594120632 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261107T180000Z DTEND:20261108T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574722116 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261107T180000Z DTEND:20261108T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309918819 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261107T180000Z DTEND:20261108T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474373926 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:On-Campus Info Session with Classroom Experience DTSTART:20261107T183000Z DTEND:20261107T213000Z DTSTAMP:20260813T183035Z UID:tag:localist.com\,2008:EventInstance_53686181517798 CATEGORIES:education DESCRIPTION:See if the Oregon Executive MBA is right for you\, at an in-pe rson info session on the UO Portland campus.\n\nIf you're like most people \, you're wondering what it will be like to get back in the classroom. Thi s in-person session is your opportunity to see for yourself—by joining c urrent students for a class session.\n\nDuring your time on the UO Portlan d campus\, you'll:\n\nHear from recent graduates.See how the program's twi ce-a-month schedule works for busy people.Get more program details.Sit in on a class.Meet other experienced professionals—who are earning their MB As right now! SIGN UP: https://uobiz.co/oemba-info-110726 LAST-MODIFIED:20260813T183035Z LOCATION:UO Portland Library and Learning Center\, Lobby URL:https://calendar.uoregon.edu/event/in-person-info-session-and-classroo m-visit-110726 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261107T190000Z DTEND:20261108T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374143264 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261107T190000Z DTEND:20261108T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816187755 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261107T190000Z DTEND:20261108T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689523334 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261108 DTEND;VALUE=DATE:20261109 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076031411 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261108 DTEND;VALUE=DATE:20261109 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663090104 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261108T180000Z DTEND:20261109T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594120633 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261108T180000Z DTEND:20261109T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574723141 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261108T180000Z DTEND:20261108T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010343095 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261108T180000Z DTEND:20261109T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309919844 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261108T180000Z DTEND:20261109T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474374951 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261108T180000Z DTEND:20261109T050000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434725555 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261108T190000Z DTEND:20261109T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374143265 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261108T190000Z DTEND:20261109T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816188780 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261108T190000Z DTEND:20261109T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689524359 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261109 DTEND;VALUE=DATE:20261110 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076033460 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261109 DTEND;VALUE=DATE:20261110 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663091129 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261109T150000Z DTEND:20261110T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434726580 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261109T190000Z DTEND:20261110T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374144290 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261109T190000Z DTEND:20261110T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816188781 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261109T190000Z DTEND:20261110T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689525384 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261109T200000Z DTEND:20261109T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913766284 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261110 DTEND;VALUE=DATE:20261111 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076034485 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261110 DTEND;VALUE=DATE:20261111 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663092154 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:MS in Management Application Masterclass DTSTART:20261110T000000Z DTEND:20261110T004500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604383611820 CATEGORIES:education DESCRIPTION:Join our 45-minute webinar for insider tips on applying to the University of Oregon's Master of Science in Management (MSM) before the f irst application deadline for fall 2027 on November 15!\n\nOur admissions team will guide you through the application process\, covering requirement s\, statement of purpose\, and recommendations\, answering any questions y ou may have along the way.\n\nDiscover how to showcase your strengths and stand out as a competitive applicant and take the first step towards your MS in Management journey! LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/ms-in-management-application-master class-110926 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20261110T020000Z DTEND:20261110T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817951441 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261110T150000Z DTEND:20261111T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434727605 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Graduate School Fair 2026 DTSTART:20261110T190000Z DTEND:20261110T220000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53561736800037 CATEGORIES:education DESCRIPTION:Should you go to grad school? Going to graduate school is a BI G life decision! You can gain specialized knowledge\, research\, connectio ns\, and expertise in your chosen field\, which can lead to better career opportunities and increased earning potential. However\, it's essential to carefully consider your goals\, commitment\, and financial situation befo re deciding to pursue further education. Coming to this event is a great f irst step!\n\nExplore your interest in pursuing an advanced degree at the Graduate School Fair! (11/10 from 11am-2pm in the EMU Ballrooms)\n\nThis e vent offers a valuable opportunity for you to learn about various graduate programs (both at the UO and other top universities!) and the benefits th ey provide to prepare you for a career in research\, academia\, or special ized industry roles. Talk to recruiters about the application process and financial aid\, or ask them about career outcomes for students who pursue advanced degrees--this is your opportunity to explore and learn!\n\nWhethe r you're still exploring career paths or ready to apply for the coming yea r\, the fair is open to students at any stage of your academic journey.\n\ nHighlights of the fair:\n\nRepresentatives from graduate programs across the United States (including the University of Oregon)\, offering a divers e range of degree programs and academic disciplines including:Architecture & DesignBusiness ManagementChild Behavioral HealthEducationEnvironmental StudiesHealth SciencesHumanities & ArtsLaw & Legal StudiesMedia & Communic ationsPublic Affairs & PolicySTEMSocial Sciencesand more!Mini-Workshops fe aturing career readiness coaches\, who will demystify the application proc ess\, writing your purpose statement\, and provide tips for maximizing you r experience at the fair.Don't miss this chance to expand your horizons an d discover the possibilities that await you in the world of higher educati on!\n\nRegister on Handshake today to learn about all the schools coming a nd get tips and advice for how to make the most of the fair.\n\nFor more i nformation\, visit the Unviersity Career Center in Tykeson-Garden Level to learn more about how the UCC supports students applying to grad school th rough career coaching and document reviews! LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Ballroom URL:https://calendar.uoregon.edu/event/graduate-school-fair-2026 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261110T190000Z DTEND:20261111T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374145315 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261110T190000Z DTEND:20261111T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816189806 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261110T190000Z DTEND:20261111T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689526409 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20261110T200000Z DTEND:20261110T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043924503 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261111 DTEND;VALUE=DATE:20261112 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076035510 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261111 DTEND;VALUE=DATE:20261112 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663093179 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Veterans in Business: Opportunities and Insights at the Lundquist College of Business DTSTART:20261111T010000Z DTEND:20261111T020000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604433455509 CATEGORIES:education DESCRIPTION:In honor of Veterans Day\, join the Lundquist College of Busin ess Graduate Admissions Team for a special event highlighting the experien ces of our veteran community.\n\nHear from current students\, University o f Oregon VA representatives\, and Lundquist alumni who have served in the military.\n\nThis event is designed to provide valuable information and su pport to veterans admitted to\, applying to\, or interested in our program s. Connect with our veteran network and discover the unique opportunities available to you in our Lundquist Graduate Programs!\n\nThis info session covers the following programs:\n\nThe Oregon MBAOregon Executive MBAMaster of AccountingMaster of Science in FinanceMaster of Science in ManagementM aster of Science in Sports Product Management LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/veterans-in-business-111026 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261111T180000Z DTEND:20261112T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594121658 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261111T180000Z DTEND:20261112T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574724166 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261111T180000Z DTEND:20261112T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309920869 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261111T180000Z DTEND:20261112T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474374952 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261111T190000Z DTEND:20261112T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374146340 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261111T190000Z DTEND:20261112T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816190831 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261111T190000Z DTEND:20261112T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689527434 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261111T200000Z DTEND:20261111T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913767309 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261112 DTEND;VALUE=DATE:20261113 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076036535 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261112 DTEND;VALUE=DATE:20261113 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663093180 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trivia in the EMU DTSTART:20261112T020000Z DTEND:20261112T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499018018767 CATEGORIES:community DESCRIPTION:🎉 Get ready for tons of fun and a chance to show off your b rainpower. Grab a friend (or three) and join the competition—every round your team wins scores each member $5! Are you up for the challenge?\n\nBr ing a team or come and join a new team.\n\nCan't stay for all 4 rounds\, n o problem. stop in for 1\, 2\, 3 or 4 rounds\, your choice!\n\nFREE- Every Wednesday in the EMU LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/trivia-in-the-emu-4043 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261112T150000Z DTEND:20261113T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434727606 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261112T180000Z DTEND:20261113T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594122683 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261112T180000Z DTEND:20261113T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574725191 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261112T180000Z DTEND:20261113T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402261900 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261112T180000Z DTEND:20261113T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474375977 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261112T190000Z DTEND:20261113T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374147365 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261112T190000Z DTEND:20261113T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816190832 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261112T190000Z DTEND:20261113T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689528459 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261113 DTEND;VALUE=DATE:20261114 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076037560 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261113 DTEND;VALUE=DATE:20261114 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663094205 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:MS in Finance Application Masterclass DTSTART:20261113T000000Z DTEND:20261113T003000Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604455135659 CATEGORIES:education DESCRIPTION:Join admission representatives to learn more about the 10-mont h Master of Science in Finance (MSF) program.\n\nThis session offers a un ique opportunity to learn about the MSF program\, admission requirements\, and the application process prior to the November 15 early decision deadl ine. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/ms-finance-app-masterclass-111226 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261113T150000Z DTEND:20261114T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434728631 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261113T180000Z DTEND:20261114T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594123708 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261113T180000Z DTEND:20261114T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574726216 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261113T180000Z DTEND:20261114T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309921894 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261113T180000Z DTEND:20261114T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474375978 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261113T190000Z DTEND:20261114T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374148390 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261113T190000Z DTEND:20261114T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816191857 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Inside the Master of Accounting: Summer Internships DTSTART:20261113T190000Z DTEND:20261113T194500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604490018848 CATEGORIES:education DESCRIPTION:Curious what a summer internship in accounting actually looks like?\n\nJoin us for a candid conversation with current Master of Accounti ng (MAcc) students about their experiences this summer. They'll share when they applied\, where they interned\, what their day-to-day looked like\, and what's next now that it's wrapped up.\n\nYou'll also have an opportuni ty to ask the admissions team questions before the next MAcc deadline on J anuary 15\, 2027. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/inside-the-mac-summer-internships-1 11326 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261113T190000Z DTEND:20261114T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689529484 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261114 DTEND;VALUE=DATE:20261115 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076039609 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261114 DTEND;VALUE=DATE:20261115 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663095230 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261114T160000Z DTEND:20261115T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434729656 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261114T180000Z DTEND:20261115T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594124733 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261114T180000Z DTEND:20261115T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574727241 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261114T180000Z DTEND:20261115T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309922919 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261114T180000Z DTEND:20261115T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474377003 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261114T190000Z DTEND:20261115T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374149415 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261114T190000Z DTEND:20261115T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816192882 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261114T190000Z DTEND:20261115T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689530509 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261115 DTEND;VALUE=DATE:20261116 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076040634 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261115 DTEND;VALUE=DATE:20261116 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663096255 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261115T180000Z DTEND:20261116T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594125758 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261115T180000Z DTEND:20261116T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574728266 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261115T180000Z DTEND:20261115T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010344120 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261115T180000Z DTEND:20261116T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309923944 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261115T180000Z DTEND:20261116T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474377004 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261115T180000Z DTEND:20261116T050000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434730681 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261115T190000Z DTEND:20261116T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374149416 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261115T190000Z DTEND:20261116T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816192883 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261115T190000Z DTEND:20261116T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689531534 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:"Bach Reinventions" with Canadian Brass DTSTART:20261115T230000Z DTEND:20261116T000000Z DTSTAMP:20260813T002753Z UID:tag:localist.com\,2008:EventInstance_53684553462149 CATEGORIES:music DESCRIPTION:Bach has never sounded quite like this! The legendary Canadian Brass—one of the world’s most celebrated brass quintets\, with multip le Grammy nominations and decades of redefining classical performance—pu ts its unmistakable stamp on Bach’s greatest hits with dazzling virtuosi ty\, infectious humor\, and brilliant arrangements. Whether you’re a Bac h devotee or just here for the brass\, expect an evening that’s equal pa rts masterclass and musical mischief.\n\nJ.S. Bach (arr. Mills) Toccata an d Fugue in D Minor\nJ.S. Bach (arr. Burgstaller) Concerto in D Major (afte r Vivaldi)\nJ.S. Bach (arr. Dedrick) Fantasies on Notebook for Anna Magdal ena Bach\nJ.S. Bach (arr. Mills) Canon in D Major\nJ.S. Bach (arr. Various ) Brandenburg!\nJ.S. Bach (arr. Mills) 'Little' Fugue in G Minor\nJ.S. Bac h (arr. Burgstaller) 'Italian Concerto'\nJ.S. Bach (arr. Frackenpohl) Flut e Sonata in E-Flat Major\nJ.S. Bach (arr. Frackenpohl) Selections from 'Go ldberg Variations'\nJ.S. Bach (arr. Rickerard/Burgstaller) Brilliant Bach Overtures\nJ.S. Bach (arr. Henderson) Well Tampered Bach\n\nArtists\, date s\, times\, prices\, and locations subject to change. LAST-MODIFIED:20260813T002753Z LOCATION:Beall Concert Hall URL:https://calendar.uoregon.edu/event/bach-reinventions-with-canadian-bra ss X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261116 DTEND;VALUE=DATE:20261117 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076041659 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261116 DTEND;VALUE=DATE:20261117 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663096256 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261116T150000Z DTEND:20261117T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434731706 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261116T190000Z DTEND:20261117T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374150441 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261116T190000Z DTEND:20261117T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816193908 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261116T190000Z DTEND:20261117T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689532559 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261116T200000Z DTEND:20261116T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913768334 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261117 DTEND;VALUE=DATE:20261118 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076042684 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261117 DTEND;VALUE=DATE:20261118 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663097281 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20261117T020000Z DTEND:20261117T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817951442 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261117T150000Z DTEND:20261118T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434731707 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261117T190000Z DTEND:20261118T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374151466 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261117T190000Z DTEND:20261118T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816194933 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261117T190000Z DTEND:20261118T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689533584 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20261117T200000Z DTEND:20261117T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043925528 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261118 DTEND;VALUE=DATE:20261119 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076043709 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261118 DTEND;VALUE=DATE:20261119 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663098306 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Lundquist College of Business: 3+1 Scholars Preview DTSTART:20261118T000000Z DTEND:20261118T004500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604524618447 CATEGORIES:education DESCRIPTION:Make the most of your college experience as a 3+1 Scholar! If you have 25+ credits of IB\, AP\, or other college ready credits\, you can complete your undergraduate degree in 3 years and qualify to be a 3+1 Sch olar and earn one of our business specialized masters in your 4th year.\n\ nAttend to learn more about our Masters of Accounting (MAcc)\, MS in Finan ce (MSF)\, and MS in Management (MSM) 3+1 scholar programs\, the benefits of being a 3+1 scholar\, and how to prepare your application. LAST-MODIFIED:20260804T003138Z LOCATION:Justice Bean Hall\, BizArc URL:https://calendar.uoregon.edu/event/3-1-scholars-preview X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261118T150000Z DTEND:20261119T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434732732 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261118T180000Z DTEND:20261119T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594126783 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261118T180000Z DTEND:20261119T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574729291 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261118T180000Z DTEND:20261119T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309924969 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261118T180000Z DTEND:20261119T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474378029 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261118T190000Z DTEND:20261119T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374152491 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261118T190000Z DTEND:20261119T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816194934 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261118T190000Z DTEND:20261119T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689534609 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261118T200000Z DTEND:20261118T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913769359 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261119 DTEND;VALUE=DATE:20261120 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076045758 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261119 DTEND;VALUE=DATE:20261120 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663099331 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Inside the Oregon MBA: Summer Student Experience DTSTART:20261119T013000Z DTEND:20261119T021600Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604558502565 CATEGORIES:education DESCRIPTION:Join this virtual event to hear from current Oregon MBA studen ts about their transformative summer experiences! Learn about their intern ships\, training immersions\, and international experiential learning trip s\, and how these opportunities have shaped their career paths.\n\nDiscove r the real-world impact of an Oregon MBA through their stories and get ins pired for your own journey. Don’t miss this chance to connect with our s tudents and ask your questions! LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/inside-the-oregon-mba-summer-studen t-experience-111826 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trivia in the EMU DTSTART:20261119T020000Z DTEND:20261119T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499018020816 CATEGORIES:community DESCRIPTION:🎉 Get ready for tons of fun and a chance to show off your b rainpower. Grab a friend (or three) and join the competition—every round your team wins scores each member $5! Are you up for the challenge?\n\nBr ing a team or come and join a new team.\n\nCan't stay for all 4 rounds\, n o problem. stop in for 1\, 2\, 3 or 4 rounds\, your choice!\n\nFREE- Every Wednesday in the EMU LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/trivia-in-the-emu-4043 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Snuffed on Sight DTSTART:20261119T040000Z DTEND:20261119T070000Z DTSTAMP:20260831T183211Z UID:tag:localist.com\,2008:EventInstance_53851633060778 CATEGORIES:theater DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nThe Community Ce nter for the Performing Arts presents Snuffed on Sight with Foghorn the WO W Hall on Wednesday\, November 18th. With support from BOLTCUTTER and Echi nococcus. LAST-MODIFIED:20260831T183211Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/snuffed-on-sight X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261119T150000Z DTEND:20261120T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434733757 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261119T180000Z DTEND:20261120T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594127808 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261119T180000Z DTEND:20261120T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574729292 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261119T180000Z DTEND:20261120T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402262925 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261119T180000Z DTEND:20261120T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474379054 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261119T190000Z DTEND:20261120T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374152492 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261119T190000Z DTEND:20261120T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816195959 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261119T190000Z DTEND:20261120T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689535634 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261120 DTEND;VALUE=DATE:20261121 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076046783 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261120 DTEND;VALUE=DATE:20261121 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663099332 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Polyrhythmics DTSTART:20261120T040000Z DTEND:20261120T050000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53047052631474 CATEGORIES:music DESCRIPTION:ON SALE AT THE UO TICKET OFFICE IN THE EMU\n\nSeattle-based Po lyrhythmics are celebrating 16 years of sonic exploration following the re lease of their latest album\, Life from Below (2025). Since forming in 201 0\, this seven-piece powerhouse has redefined instrumental music with a so und that blends funk\, soul\, psychedelic rock\, R&B\, and Afrobeat into a kaleidoscope of rhythm and groove. Known for their dynamic live performan ces and innovative compositions\, the band has earned a reputation as one of the most captivating acts on the contemporary music scene. LAST-MODIFIED:20260730T015158Z LOCATION:WOW Hall URL:https://calendar.uoregon.edu/event/polyrhythmics X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261120T150000Z DTEND:20261121T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434734782 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261120T180000Z DTEND:20261121T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594127809 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261120T180000Z DTEND:20261121T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574730317 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261120T180000Z DTEND:20261121T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309925994 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261120T180000Z DTEND:20261121T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474379055 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261120T190000Z DTEND:20261121T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374153517 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261120T190000Z DTEND:20261121T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816196984 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261120T190000Z DTEND:20261121T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689536659 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:MS in Finance Lunch and Learn DTSTART:20261120T200000Z DTEND:20261120T210000Z DTSTAMP:20260820T183148Z UID:tag:localist.com\,2008:EventInstance_53753765350857 CATEGORIES:education DESCRIPTION:Join us to meet Department of Finance leadership and to learn more about the Master of Science in Finance (MSF) program and where it ca n take you. Enjoy lunch with us and get your chance to ask them your quest ions!\n\nThe Lundquist College of Business graduate admission team will al so be there to answer your questions whether you are an incoming student\, a 3+1 scholar\, or are looking to apply to our next cohort. LAST-MODIFIED:20260820T183148Z LOCATION:Lillis Business Complex\, 145 URL:https://calendar.uoregon.edu/event/ms-in-finance-lunch-and-learn-11062 6 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261121 DTEND;VALUE=DATE:20261122 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076047808 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261121 DTEND;VALUE=DATE:20261122 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663100357 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Peter B. Gontrum Lecture DTSTART:20261121T000000Z DTEND:20261121T013000Z DTSTAMP:20260826T003027Z UID:tag:localist.com\,2008:EventInstance_53798608030340 CATEGORIES:education DESCRIPTION:Professor Jason Groves (University of Washington) will be pres enting his talk "'We Stones': Ecologies of Memory from Paul Celan to Otobo ng Nkanga." LAST-MODIFIED:20260826T003027Z LOCATION:TBA URL:https://calendar.uoregon.edu/event/peter-b-gontrum-lecture X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261121T160000Z DTEND:20261122T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434735807 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261121T180000Z DTEND:20261122T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594128834 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261121T180000Z DTEND:20261122T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574731342 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261121T180000Z DTEND:20261122T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309925995 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261121T180000Z DTEND:20261122T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474380080 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261121T190000Z DTEND:20261122T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374154542 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261121T190000Z DTEND:20261122T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816196985 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261121T190000Z DTEND:20261122T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689537684 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261122 DTEND;VALUE=DATE:20261123 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076048833 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261122 DTEND;VALUE=DATE:20261123 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663101382 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261122T180000Z DTEND:20261123T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594129859 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261122T180000Z DTEND:20261123T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574732367 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261122T180000Z DTEND:20261122T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010345145 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261122T180000Z DTEND:20261123T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309927020 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261122T180000Z DTEND:20261123T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474380081 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261122T180000Z DTEND:20261123T050000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434736832 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261122T190000Z DTEND:20261123T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374154543 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261122T190000Z DTEND:20261123T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816198010 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261122T190000Z DTEND:20261123T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689538709 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261123 DTEND;VALUE=DATE:20261124 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076050882 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261123 DTEND;VALUE=DATE:20261124 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663101383 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261123T150000Z DTEND:20261124T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434737857 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261123T190000Z DTEND:20261124T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374155568 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261123T190000Z DTEND:20261124T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816199035 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261123T190000Z DTEND:20261124T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689539734 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261123T200000Z DTEND:20261123T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913769360 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261124 DTEND;VALUE=DATE:20261125 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076051907 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261124 DTEND;VALUE=DATE:20261125 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663102408 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20261124T020000Z DTEND:20261124T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817952467 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261124T150000Z DTEND:20261125T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434738882 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261124T190000Z DTEND:20261125T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374156593 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261124T190000Z DTEND:20261125T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816199036 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261124T190000Z DTEND:20261125T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689540759 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20261124T200000Z DTEND:20261124T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043926553 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261125 DTEND;VALUE=DATE:20261126 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076052932 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261125 DTEND;VALUE=DATE:20261126 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663103433 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261125T150000Z DTEND:20261126T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434739907 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261125T180000Z DTEND:20261126T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594130884 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261125T180000Z DTEND:20261126T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574733392 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261125T180000Z DTEND:20261126T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309928045 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261125T180000Z DTEND:20261126T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474381106 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261125T190000Z DTEND:20261126T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374156594 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261125T190000Z DTEND:20261126T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816200061 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261125T190000Z DTEND:20261126T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689540760 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261125T200000Z DTEND:20261125T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913770385 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261126 DTEND;VALUE=DATE:20261127 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076053957 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261126 DTEND;VALUE=DATE:20261127 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663104458 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261126T180000Z DTEND:20261127T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594131909 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261126T180000Z DTEND:20261127T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574734417 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261126T180000Z DTEND:20261127T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402263950 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261126T180000Z DTEND:20261127T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474381107 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261126T190000Z DTEND:20261127T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374157619 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261126T190000Z DTEND:20261127T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816201086 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261126T190000Z DTEND:20261127T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689541785 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261127 DTEND;VALUE=DATE:20261128 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076054982 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261127 DTEND;VALUE=DATE:20261128 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663104459 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261127T180000Z DTEND:20261128T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594132934 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261127T180000Z DTEND:20261128T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574735442 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261127T180000Z DTEND:20261128T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309929070 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261127T180000Z DTEND:20261128T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474382132 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261127T190000Z DTEND:20261128T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374158644 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261127T190000Z DTEND:20261128T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816201087 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261127T190000Z DTEND:20261128T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689542810 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261128 DTEND;VALUE=DATE:20261129 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076057031 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261128 DTEND;VALUE=DATE:20261129 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663105484 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261128T180000Z DTEND:20261129T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594133959 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261128T180000Z DTEND:20261129T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574735443 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261128T180000Z DTEND:20261129T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309930095 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261128T180000Z DTEND:20261129T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474383157 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261128T190000Z DTEND:20261129T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374159669 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261128T190000Z DTEND:20261129T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816202112 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261128T190000Z DTEND:20261129T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689543835 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261129 DTEND;VALUE=DATE:20261130 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076058056 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261129 DTEND;VALUE=DATE:20261130 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663106509 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261129T180000Z DTEND:20261130T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594133960 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261129T180000Z DTEND:20261130T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574736468 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261129T180000Z DTEND:20261129T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010345146 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261129T180000Z DTEND:20261130T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309931120 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261129T180000Z DTEND:20261130T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474383158 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261129T190000Z DTEND:20261130T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374160694 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261129T190000Z DTEND:20261130T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816203137 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261129T190000Z DTEND:20261130T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689544860 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261129T200000Z DTEND:20261130T050000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434740932 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261130 DTEND;VALUE=DATE:20261201 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076059081 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261130 DTEND;VALUE=DATE:20261201 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663107534 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261130T150000Z DTEND:20261201T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434740933 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261130T190000Z DTEND:20261201T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374160695 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261130T190000Z DTEND:20261201T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816203138 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261130T190000Z DTEND:20261201T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689545885 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261130T200000Z DTEND:20261130T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913771410 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261201 DTEND;VALUE=DATE:20261202 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076061130 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261201 DTEND;VALUE=DATE:20261202 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663108559 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Bingo DTSTART:20261201T020000Z DTEND:20261201T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53498817952468 CATEGORIES:gaming DESCRIPTION:Join the fun at Bingo Night! Mark your calendars for an evenin g of prizes\, and good company. Whether you're a bingo pro or a newcomer\, everyone's invited. Win $5 in duck bucks and learn about different events happening on campus.\n\n \n\nDon’t know how to play bingo? Our team of student leaders can help. \n\nAs always\, our events are FREE for UO stude nts\, bring your ID card. Don’t miss out on this fun-filled event! \n\nE ach Monday throughout the term\, from 6:00 p.m. – 7:30 p.m.\n\nnear the EMU O Desk. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/bingo-649 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261201T150000Z DTEND:20261202T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434741958 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261201T190000Z DTEND:20261202T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374161720 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261201T190000Z DTEND:20261202T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816204163 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261201T190000Z DTEND:20261202T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689546910 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Tuesday Treats DTSTART:20261201T200000Z DTEND:20261201T210000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499043926554 CATEGORIES:food DESCRIPTION:Satisfy your sweet tooth every Tuesday at the University of Or egon's "Tuesday Treats" featuring different flavors of cookies. Join us fo r a tasty break that'll sweeten your Tuesday.\n\n\nAs always\, our events are FREE for UO students with UOID.\n\n \n*Dietary substitutions for glut en and vegan diets will be available. LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/tuesday-treats-4005 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261202 DTEND;VALUE=DATE:20261203 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076062155 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261202 DTEND;VALUE=DATE:20261203 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663109584 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261202T150000Z DTEND:20261203T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434742983 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261202T180000Z DTEND:20261203T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594134985 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261202T180000Z DTEND:20261203T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574737493 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261202T180000Z DTEND:20261203T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309932145 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261202T180000Z DTEND:20261203T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474384183 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261202T190000Z DTEND:20261203T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374162745 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261202T190000Z DTEND:20261203T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816205188 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261202T190000Z DTEND:20261203T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689547935 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free Pilates-Yoga Fusion for Faculty/Staff/Grad Students DTSTART:20261202T200000Z DTEND:20261202T204500Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53791913771411 CATEGORIES:wellness DESCRIPTION:In this free class\, Pilates-based exercises are paired with a yoga practice to enhance muscular strength/endurance\, flexibility\, and balance while centering mind-body connection and reducing stress. No exper ience necessary! All faculty/staff/graduate students are welcome!\n\nRegis ter online for each class. Please email Sarah Ebert\, Assistant Director f or Mind-Body and Fitness\, with questions: sarahe@uoregon.edu LAST-MODIFIED:20260825T003017Z LOCATION:Gerlinger Hall\, 220 - Woodruff Gymnasium URL:https://calendar.uoregon.edu/event/free-pilates-yoga-fusion-for-facult ystaffgrad-students X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261203 DTEND;VALUE=DATE:20261204 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076063180 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261203 DTEND;VALUE=DATE:20261204 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663110609 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Choose Your Winning Strategy: Sports Product Management or Sports Business DTSTART:20261203T000000Z DTEND:20261203T004500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604567825961 CATEGORIES:education DESCRIPTION:Are you ready to launch your career in the Sports Business ind ustry? Curious about the differences between our Sports Product Management master's program and the Oregon MBA with a Sports Business specialization \, and which one fits your goals best?\n\nJoin us for this virtual event f eaturing insights from our admissions team and current students from both programs. You'll learn about:\n\nProgram structure and curriculum highligh tsCareer outcomes and industry connectionsWhat makes each path uniqueThis is your opportunity to explore your options and find the perfect fit for y our future in sports business. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/choose-your-winning-strategy-spm-or -mba-sports-business-120226 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Trivia in the EMU DTSTART:20261203T020000Z DTEND:20261203T033000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53499018021841 CATEGORIES:community DESCRIPTION:🎉 Get ready for tons of fun and a chance to show off your b rainpower. Grab a friend (or three) and join the competition—every round your team wins scores each member $5! Are you up for the challenge?\n\nBr ing a team or come and join a new team.\n\nCan't stay for all 4 rounds\, n o problem. stop in for 1\, 2\, 3 or 4 rounds\, your choice!\n\nFREE- Every Wednesday in the EMU LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, O Desk URL:https://calendar.uoregon.edu/event/trivia-in-the-emu-4043 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Building Community: Exploring Eugene’s Murals DTSTART:20261203T150000Z DTEND:20261204T070000Z DTSTAMP:20260903T183445Z UID:tag:localist.com\,2008:EventInstance_53807434744008 CATEGORIES:arts,community DESCRIPTION:Celebrate the murals of Eugene with this exhibit featuring the City of Eugene's 20x21EUG Mural Project and Urban Canvas murals. The purp ose of the exhibit is to create opportunities for UO students to learn abo ut and engage with the city of Eugene and the greater Eugene community. ht tps://www.eugene-or.gov/4636/Murals\n\nThe Ducks in Downtown section will of the display will be photos from you\, out in town seeing the wonderful art.\n\nSend in a photo with a Eugene mural to be a part of the exhibit an d a chance to win a prize pack! Email a selfie of you with a Eugene mural to mcmillangallery@uoregon.edu. The submissions will be accepted starting September 15. Prizes drawing will be Friday of week 5 and week 10. To have your picture displayed in the gallery exhibit\, you must sign a model rel ease form. more information on our instagram https://www.instagram.com/uom cmillangallery/ or email us. Only photos on display at the date of the dra wing will be entered into the raffle. All are welcome to submit photos for the gallery\, but only UO students are eligible to be entered into the ra ffle. \n\nReception October 13 5:30 p.m. to 6:30 p.m. free refreshments\, open to all\n\nCalendar entry image of mural by AIKO (Japan/USA) Reflectio n LAST-MODIFIED:20260903T183445Z LOCATION:Erb Memorial Union (EMU)\, Adell McMillan Gallery URL:https://calendar.uoregon.edu/event/building-community-exploring-eugene s-murals X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261203T180000Z DTEND:20261204T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594136010 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261203T180000Z DTEND:20261204T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574738518 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261203T180000Z DTEND:20261204T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402264975 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261203T180000Z DTEND:20261204T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474384184 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261203T190000Z DTEND:20261204T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374163770 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261203T190000Z DTEND:20261204T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816205189 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261203T190000Z DTEND:20261204T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689548960 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Study Kit Giveaway DTSTART:20261203T200000Z DTEND:20261203T210000Z DTSTAMP:20260731T183026Z UID:tag:localist.com\,2008:EventInstance_53576977652631 CATEGORIES:education DESCRIPTION:Finals are coming...get some study kit supplies and some snack s to help make it through. Kits include sticky notes\, pen\, highlighter\, snack\, cocoa packet\, and more.\n\nAs always\, our events are FREE for U O students with UOID. LAST-MODIFIED:20260731T183026Z LOCATION:Erb Memorial Union (EMU)\, near the O Desk URL:https://calendar.uoregon.edu/event/study-kit-giveaway-435 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261204 DTEND;VALUE=DATE:20261205 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076065229 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261204 DTEND;VALUE=DATE:20261205 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663111634 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Sound Lounge: Open Mic Night DTSTART:20261204T023000Z DTEND:20261204T053000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53508600725100 CATEGORIES:music DESCRIPTION:Calling all vocalists\, musicians\, and performers! Get ready to share your creativity and captivate the crowd at our Open Mic Night. It 's your time to shine! ✨ Don't miss out on this opportunity to express y ourself through music!\n\nAs always\, our events are FREE for UO students. \n\nSign up forms will be available on our Instagram account seven days p rior to the event. https://www.instagram.com/uo.sab/\n\nDates:October 13 a nd December 3 LAST-MODIFIED:20260730T015158Z LOCATION:Erb Memorial Union (EMU)\, Taylor Lounge URL:https://calendar.uoregon.edu/event/sound-lounge-open-mic-night-9790 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261204T180000Z DTEND:20261205T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594137035 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free First Friday at the Museum DTSTART:20261204T180000Z DTEND:20261205T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51506914255099 CATEGORIES:arts DESCRIPTION:The Museum of Natural and Cultural History offers free admissi on on the first Friday of the month. Investigate Oregon's amazing fossils and ecosystems\, and delve into its cultural history—from the First Amer icans at Paisley Caves to the dynamic cultures of today's Tribes. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/free-first-friday-at-the-museum X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261204T180000Z DTEND:20261205T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574739543 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261204T180000Z DTEND:20261205T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309933170 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261204T180000Z DTEND:20261205T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474385209 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261204T190000Z DTEND:20261205T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374164795 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261204T190000Z DTEND:20261205T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816206214 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261204T190000Z DTEND:20261205T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689549985 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261205 DTEND;VALUE=DATE:20261206 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076066254 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261205 DTEND;VALUE=DATE:20261206 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663112659 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261205T180000Z DTEND:20261206T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594137036 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261205T180000Z DTEND:20261206T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574740568 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261205T180000Z DTEND:20261206T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309933171 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261205T180000Z DTEND:20261206T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474385210 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261205T190000Z DTEND:20261206T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374164796 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261205T190000Z DTEND:20261206T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816206215 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261205T190000Z DTEND:20261206T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689551010 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Collecting America: Recent Acquisitions DTSTART;VALUE=DATE:20261206 DTEND;VALUE=DATE:20261207 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52933076067279 CATEGORIES:arts DESCRIPTION:For nearly a century\, the Jordan Schnitzer Museum of Art has provided students\, faculty\, and the broader community opportunities to c onnect with works of art across time periods and cultures. Initially found ed in 1933 as an Asian art museum with the generous donation of Gertrude B ass Warner’s collection of over 3\,700 works of art\, the museum’s col lecting interests have since broadened to artworks from around the world t hat provide even more opportunities for cross-cultural and curricular conn ections. JSMA began collecting American and regional art in the 1960s\, an d now stewards work by artists from the United States\, Mesoamerica\, cont emporary Mexico\, Cuba\, Puerto Rico\, and other areas of the Caribbean an d across the Americas. With our recent acquisitions\, the museum aims to r eflect the voices and experiences of diverse audiences and the new and evo lving ideas\, insights\, and conversations presented by artists in work th at both shapes and responds to culture.\n\nCollecting America: Recent Acqu isitions presents a selection of artworks from the museum’s permanent co llection that demonstrate our commitment to understandings of American art informed by perspectives from local\, national\, and internationally reco gnized artists. Through various materials and practices\, the featured art ists demonstrate the great diversity of art made in or in response to the United States of America. These works invite viewers to participate in con versations on identity\, place\, politics\, and other issues facing our wo rld today.\n\nThis exhibition is organized by JSMA executive director Oliv ia Miller and curators Katie Loney\, Danielle Knapp\, and Thom Sempere\, w ith graduate student interns Aidyn Dervaes (MA candidate\, History of Art and Architecture)\, Parisa Garazhian (MFA candidate\, Studio Art)\, and Lo rna Isaacson (MA candidate\, History of Art and Architecture). LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Harold and Arlene Schnitz er Gallery URL:https://calendar.uoregon.edu/event/collecting-america-recent-acquisiti ons X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261206 DTEND;VALUE=DATE:20261207 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663113684 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261206T180000Z DTEND:20261207T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594138061 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261206T180000Z DTEND:20261207T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574741593 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261206T180000Z DTEND:20261206T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010346171 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261206T180000Z DTEND:20261207T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309934196 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261206T180000Z DTEND:20261207T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474386235 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261206T190000Z DTEND:20261207T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374165821 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261206T190000Z DTEND:20261207T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816207240 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261206T190000Z DTEND:20261207T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689552035 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261207 DTEND;VALUE=DATE:20261208 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663114709 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261207T190000Z DTEND:20261208T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374166846 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261207T190000Z DTEND:20261208T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816208265 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261207T190000Z DTEND:20261208T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689553060 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261208 DTEND;VALUE=DATE:20261209 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663115734 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261208T190000Z DTEND:20261209T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374166847 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261208T190000Z DTEND:20261209T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816208266 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261208T190000Z DTEND:20261209T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689554085 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261209 DTEND;VALUE=DATE:20261210 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663117783 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Discover the Oregon MBA DTSTART:20261209T010000Z DTEND:20261209T014500Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604585933512 CATEGORIES:education DESCRIPTION:Curious about what sets the Oregon MBA apart? Join the Lundqui st admissions team to learn about the unique features and benefits of the two-year program. Get insights into the curriculum\, faculty\, and opportu nities that make the Oregon MBA a standout choice. Don’t miss this chanc e to explore how the Oregon MBA can transform your career! \n\nThe next Or egon MBA application deadline is January 15\, 2026. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/discover-the-oregon-mba-120826 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261209T180000Z DTEND:20261210T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594139086 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261209T180000Z DTEND:20261210T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574741594 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261209T180000Z DTEND:20261210T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309935221 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261209T180000Z DTEND:20261210T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474386236 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261209T190000Z DTEND:20261210T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374167872 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261209T190000Z DTEND:20261210T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816209291 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261209T190000Z DTEND:20261210T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689555110 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261210 DTEND;VALUE=DATE:20261211 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663118808 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261210T180000Z DTEND:20261211T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594139087 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261210T180000Z DTEND:20261211T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574742619 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261210T180000Z DTEND:20261211T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402267024 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261210T180000Z DTEND:20261211T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474387261 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261210T190000Z DTEND:20261211T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374168897 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261210T190000Z DTEND:20261211T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816210316 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261210T190000Z DTEND:20261211T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689556135 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261211 DTEND;VALUE=DATE:20261212 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663119833 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261211T180000Z DTEND:20261212T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594140112 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261211T180000Z DTEND:20261212T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574743644 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261211T180000Z DTEND:20261212T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309936246 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261211T180000Z DTEND:20261212T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474387262 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261211T190000Z DTEND:20261212T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374169922 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261211T190000Z DTEND:20261212T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816210317 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261211T190000Z DTEND:20261212T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689557160 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261212 DTEND;VALUE=DATE:20261213 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663121882 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261212T180000Z DTEND:20261213T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594141137 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261212T180000Z DTEND:20261213T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574744669 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261212T180000Z DTEND:20261213T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309937271 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261212T180000Z DTEND:20261213T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474388287 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261212T190000Z DTEND:20261213T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374170947 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261212T190000Z DTEND:20261213T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816211342 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261212T190000Z DTEND:20261213T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689558185 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:On-Campus Preview Day DTSTART:20261212T190000Z DTEND:20261212T210000Z DTSTAMP:20260825T003017Z UID:tag:localist.com\,2008:EventInstance_53789862859441 CATEGORIES:education DESCRIPTION:See for yourself what it's like to be a student at the Univers ity of Oregon's Portland-based MBA for experienced professionals.\n\nSign up for a special preview day session. (It's only offered a few times a yea r!)\n\nYou'll get to participate in a one-hour business law session taught by faculty member Holly Grace—just as if you were already a student in the program. (Holly's a practicing lawyer and she also earned her MBA with us.)\n\nYou'll also be able to\n\nConnect with future and prospective stu dents while you enjoy a catered lunch.Get your questions answered.Experien ce the Oregon Executive MBA's home on the beautiful UO Portland campus.Pre view days take place just two or three times each year. Sign up today for this convenient opportunity to take your seat in the Oregon Executive MBA classroom.\n\nSIGN UP: https://uobiz.co/oemba-preview-121226 LAST-MODIFIED:20260825T003017Z LOCATION:UO Portland Library and Learning Center URL:https://calendar.uoregon.edu/event/on-campus-preview-day-121226 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261213 DTEND;VALUE=DATE:20261214 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663122907 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261213T180000Z DTEND:20261214T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594141138 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261213T180000Z DTEND:20261214T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574745694 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261213T180000Z DTEND:20261213T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010347196 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261213T180000Z DTEND:20261214T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309938296 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261213T180000Z DTEND:20261214T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474388288 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261213T190000Z DTEND:20261214T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374171972 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261213T190000Z DTEND:20261214T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816212367 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261213T190000Z DTEND:20261214T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689559210 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261214 DTEND;VALUE=DATE:20261215 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663123932 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261214T190000Z DTEND:20261215T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374171973 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261214T190000Z DTEND:20261215T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816212368 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261214T190000Z DTEND:20261215T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689560235 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261215 DTEND;VALUE=DATE:20261216 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663125981 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261215T190000Z DTEND:20261216T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374172998 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261215T190000Z DTEND:20261216T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816213393 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261215T190000Z DTEND:20261216T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689561260 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261216 DTEND;VALUE=DATE:20261217 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663127006 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261216T180000Z DTEND:20261217T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594142163 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261216T180000Z DTEND:20261217T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574746719 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261216T180000Z DTEND:20261217T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309939321 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261216T180000Z DTEND:20261217T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474389313 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261216T190000Z DTEND:20261217T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374174023 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261216T190000Z DTEND:20261217T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816214418 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261216T190000Z DTEND:20261217T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689562285 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261217 DTEND;VALUE=DATE:20261218 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663128031 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261217T180000Z DTEND:20261218T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594143188 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261217T180000Z DTEND:20261218T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574747744 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261217T180000Z DTEND:20261218T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402268049 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261217T180000Z DTEND:20261218T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474389314 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261217T190000Z DTEND:20261218T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374174024 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261217T190000Z DTEND:20261218T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816214419 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261217T190000Z DTEND:20261218T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689563310 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261218 DTEND;VALUE=DATE:20261219 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663130080 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261218T180000Z DTEND:20261219T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594144213 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261218T180000Z DTEND:20261219T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574747745 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261218T180000Z DTEND:20261219T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309940346 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261218T180000Z DTEND:20261219T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474390339 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261218T190000Z DTEND:20261219T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374175049 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261218T190000Z DTEND:20261219T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816215444 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261218T190000Z DTEND:20261219T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689564335 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261219 DTEND;VALUE=DATE:20261220 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663131105 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261219T180000Z DTEND:20261220T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594144214 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261219T180000Z DTEND:20261220T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574748770 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261219T180000Z DTEND:20261220T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309941371 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261219T180000Z DTEND:20261220T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474391364 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261219T190000Z DTEND:20261220T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374176074 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261219T190000Z DTEND:20261220T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816216469 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261219T190000Z DTEND:20261220T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689565360 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261220 DTEND;VALUE=DATE:20261221 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663132130 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261220T180000Z DTEND:20261221T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594145239 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261220T180000Z DTEND:20261221T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574749795 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261220T180000Z DTEND:20261220T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010348221 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261220T180000Z DTEND:20261221T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309942396 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261220T180000Z DTEND:20261221T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474391365 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261220T190000Z DTEND:20261221T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374177099 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261220T190000Z DTEND:20261221T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816216470 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261220T190000Z DTEND:20261221T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689566385 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261221 DTEND;VALUE=DATE:20261222 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663133155 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261221T190000Z DTEND:20261222T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374177100 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261221T190000Z DTEND:20261222T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816217495 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261221T190000Z DTEND:20261222T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689567410 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261222 DTEND;VALUE=DATE:20261223 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663134180 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261222T190000Z DTEND:20261223T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374178125 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261222T190000Z DTEND:20261223T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816217496 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261222T190000Z DTEND:20261223T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689568435 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261223 DTEND;VALUE=DATE:20261224 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663135205 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261223T180000Z DTEND:20261224T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594146264 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261223T180000Z DTEND:20261224T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574750820 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261223T180000Z DTEND:20261224T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309943421 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261223T180000Z DTEND:20261224T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474392390 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261223T190000Z DTEND:20261224T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374179150 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261223T190000Z DTEND:20261224T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816218521 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261223T190000Z DTEND:20261224T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689569460 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261224 DTEND;VALUE=DATE:20261225 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663137254 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261224T180000Z DTEND:20261225T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594146265 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261224T180000Z DTEND:20261225T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574751845 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261224T180000Z DTEND:20261225T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402269074 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261224T180000Z DTEND:20261225T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474392391 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261224T190000Z DTEND:20261225T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374180175 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261224T190000Z DTEND:20261225T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816219546 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261224T190000Z DTEND:20261225T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689570485 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261225 DTEND;VALUE=DATE:20261226 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663137255 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261225T180000Z DTEND:20261226T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594147290 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261225T180000Z DTEND:20261226T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574752870 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261225T180000Z DTEND:20261226T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309944446 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261225T180000Z DTEND:20261226T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474393416 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261225T190000Z DTEND:20261226T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374181200 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261225T190000Z DTEND:20261226T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816219547 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261225T190000Z DTEND:20261226T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689571510 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261226 DTEND;VALUE=DATE:20261227 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663138280 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261226T180000Z DTEND:20261227T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594148315 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261226T180000Z DTEND:20261227T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574753895 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261226T180000Z DTEND:20261227T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309945471 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261226T180000Z DTEND:20261227T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474393417 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261226T190000Z DTEND:20261227T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374181201 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261226T190000Z DTEND:20261227T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816220572 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261226T190000Z DTEND:20261227T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689572535 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261227 DTEND;VALUE=DATE:20261228 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663139305 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261227T180000Z DTEND:20261228T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594148316 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261227T180000Z DTEND:20261228T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574754920 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20261227T180000Z DTEND:20261227T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010349246 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261227T180000Z DTEND:20261228T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309946496 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261227T180000Z DTEND:20261228T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474394442 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261227T190000Z DTEND:20261228T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374182226 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261227T190000Z DTEND:20261228T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816221597 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261227T190000Z DTEND:20261228T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689573560 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261228 DTEND;VALUE=DATE:20261229 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663140330 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261228T190000Z DTEND:20261229T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374183251 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261228T190000Z DTEND:20261229T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816221598 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261228T190000Z DTEND:20261229T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689574585 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261229 DTEND;VALUE=DATE:20261230 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663142379 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261229T190000Z DTEND:20261230T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374184276 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261229T190000Z DTEND:20261230T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816222623 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261229T190000Z DTEND:20261230T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689575610 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261230 DTEND;VALUE=DATE:20261231 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663143404 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261230T180000Z DTEND:20261231T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594149341 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261230T180000Z DTEND:20261231T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574755945 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261230T180000Z DTEND:20261231T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309947521 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261230T180000Z DTEND:20261231T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474394443 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261230T190000Z DTEND:20261231T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374185301 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261230T190000Z DTEND:20261231T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816223648 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261230T190000Z DTEND:20261231T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689576635 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20261231 DTEND;VALUE=DATE:20270101 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663144429 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Explore Oregon DTSTART:20261231T180000Z DTEND:20270101T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339594150366 CATEGORIES:education DESCRIPTION:Experience the dynamic forces that shape Oregon’s landscapes \, climate\, and ecosystems. Meet giant salmon\, Ice Age sloths\, and othe r amazing animals from across the millennia. Meet giant salmon\, Ice Age s loths\, and other amazing animals from across the millennia. Through inter active displays and rare specimens\, you’ll go deep into Oregon’s past and join a conversation about our collective future.\n\nIncluded with reg ular admission\; free for MNCH members and UO ID card holders. Show your O regon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/explore-oregon X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Oregon — Where Past is Present DTSTART:20261231T180000Z DTEND:20270101T040000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52339574756970 CATEGORIES:arts DESCRIPTION:Delve into Oregon’s story\, from the archaeology of the Firs t Americans to the dynamic cultures of today’s Tribes. Combining interac tive displays with world-class anthropological collections\, Oregon—Wher e Past is Present shares 14\,000 years of Oregon stories\, and invites you to tell your own. Explore the galleries\, try your hand at ancient weavin g styles\, test your skills as an archaeologist\, and much more\n\nInclude d with regular admission\; free for MNCH members and UO ID card holders. S how your Oregon Trail or other EBT card for an admission discount. LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/oregon-where-past-is-present X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20261231T180000Z DTEND:20270101T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402270099 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20261231T180000Z DTEND:20270101T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474395468 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20261231T190000Z DTEND:20270101T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374185302 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20261231T190000Z DTEND:20270101T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816223649 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20261231T190000Z DTEND:20270101T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689577660 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270101 DTEND;VALUE=DATE:20270102 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663145454 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270101T180000Z DTEND:20270102T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309948546 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Buzz about Bees DTSTART:20270101T180000Z DTEND:20270102T010000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763474395469 CATEGORIES:education DESCRIPTION:Have you heard the buzz? Bees are powerful pollinators essenti al to a healthy ecosystem. Come discover the vast variety of Oregon’s be es and learn about bee behavior with up-close photographs and hands-on act ivities.\n\nIncluded with regular admission\; free for MNCH members and UO ID card holders. Show your Oregon Trail or other EBT card for an admissio n discount. LAST-MODIFIED:20260822T003218Z URL:https://calendar.uoregon.edu/event/the-buzz-about-bees X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270101T190000Z DTEND:20270102T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374186327 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270101T190000Z DTEND:20270102T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816224674 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270101T190000Z DTEND:20270102T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689578685 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270102 DTEND;VALUE=DATE:20270103 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663146479 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270102T180000Z DTEND:20270103T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309949571 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270102T190000Z DTEND:20270103T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374187352 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270102T190000Z DTEND:20270103T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816225699 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270102T190000Z DTEND:20270103T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689579710 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270103 DTEND;VALUE=DATE:20270104 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663147504 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270103T180000Z DTEND:20270103T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010349247 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270103T180000Z DTEND:20270104T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309950596 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270103T190000Z DTEND:20270104T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374187353 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270103T190000Z DTEND:20270104T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816225700 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270103T190000Z DTEND:20270104T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689580735 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270104 DTEND;VALUE=DATE:20270105 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663148529 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270104T190000Z DTEND:20270105T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374188378 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270104T190000Z DTEND:20270105T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816226725 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270104T190000Z DTEND:20270105T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689580736 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270105 DTEND;VALUE=DATE:20270106 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663148530 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270105T190000Z DTEND:20270106T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374189403 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270105T190000Z DTEND:20270106T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816227750 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270105T190000Z DTEND:20270106T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689581761 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270106 DTEND;VALUE=DATE:20270107 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663149555 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270106T180000Z DTEND:20270107T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309951621 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270106T190000Z DTEND:20270107T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374190428 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270106T190000Z DTEND:20270107T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816227751 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270106T190000Z DTEND:20270107T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689582786 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270107 DTEND;VALUE=DATE:20270108 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663150580 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270107T180000Z DTEND:20270108T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402271124 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270107T190000Z DTEND:20270108T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374191453 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270107T190000Z DTEND:20270108T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816228776 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270107T190000Z DTEND:20270108T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689583811 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270108 DTEND;VALUE=DATE:20270109 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663151605 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270108T180000Z DTEND:20270109T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309952646 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270108T190000Z DTEND:20270109T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374192478 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270108T190000Z DTEND:20270109T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816229801 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270108T190000Z DTEND:20270109T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689584836 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270109 DTEND;VALUE=DATE:20270110 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663152630 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270109T180000Z DTEND:20270110T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309953671 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270109T190000Z DTEND:20270110T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374193503 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270109T190000Z DTEND:20270110T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816230826 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270109T190000Z DTEND:20270110T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689586885 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270110 DTEND;VALUE=DATE:20270111 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663153655 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:"Myths & Mortals" with James Gilchrist and Jocelyn Freeman DTSTART:20270110T033000Z DTEND:20270110T043000Z DTSTAMP:20260904T003255Z UID:tag:localist.com\,2008:EventInstance_53684592043374 CATEGORIES:music DESCRIPTION:Step into the world of Clara Schumann with a captivating recit al inspired by her extraordinary life and career. Acclaimed tenor James Gi lchrist\, celebrated for his expressive artistry and acclaimed interpretat ions of Bach and Britten\, joins award-winning pianist Jocelyn Freeman for an evening of gorgeous music Clara herself championed on her legendary co ncert tours. The program’s second half takes an inventive turn\, reimagi ning Robert Schumann’s Fantasiestücke\, Op. 12 through a sequence of so ngs that traces its dramatic structure and emotional journey. Featuring mu sic by Schubert\, Mendelssohn\, Rebecca Clarke\, and more. Presented in co llaboration with Cascade Song Festival.\n\nJ.S. Bach "Nun mögt ihr stolze n Feinde schrecken"\nSchubert Der Wanderer an den Mond\nC. Schumann Lorele i\nR. Schumann Belsatzar\nR. Schumann Der Nussbaum\nR. Schumann Venetianis ches Lied No. 1: "Leis' rudern hier"\nMendelssohn Venetian Gondolier Song\ nLehmann "Ah\, moon of my delight\, that knows no wane"\nHazrati Commissio n\nC. Schumann Die stille Lotusblume\nClarke The Seal Man\nSchubert Auf de m Wasser zu singen\nR. Schumann Des Abends\nSchubert Im Abendrot\nMendelss ohn Andres Maienlied 'Hexenlied'\nDecker Warum willst du and're Fragen\nSc hubert Der Einsame\nR. Schumann Loreley\nSchubert Die Forelle\nR. Schumann Geisternähe\nR. Schumann Zum Schluss\n\nArtists\, dates\, times\, prices \, and locations subject to change. LAST-MODIFIED:20260904T003255Z LOCATION:Beall Concert Hall URL:https://calendar.uoregon.edu/event/myths-mortals-with-james-gilchrist- and-jocelyn-freeman X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270110T180000Z DTEND:20270110T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010350272 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270110T180000Z DTEND:20270111T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309954696 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270110T190000Z DTEND:20270111T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374193504 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270110T190000Z DTEND:20270111T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816230827 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270110T190000Z DTEND:20270111T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689587910 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270111 DTEND;VALUE=DATE:20270112 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663153656 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270111T190000Z DTEND:20270112T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374194529 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270111T190000Z DTEND:20270112T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816231852 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270111T190000Z DTEND:20270112T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689588935 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270112 DTEND;VALUE=DATE:20270113 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663154681 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270112T190000Z DTEND:20270113T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374195554 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270112T190000Z DTEND:20270113T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816232877 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270112T190000Z DTEND:20270113T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689589960 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270113 DTEND;VALUE=DATE:20270114 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663155706 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270113T180000Z DTEND:20270114T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309955721 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270113T190000Z DTEND:20270114T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374196579 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270113T190000Z DTEND:20270114T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816232878 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270113T190000Z DTEND:20270114T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689589961 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270114 DTEND;VALUE=DATE:20270115 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663156731 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270114T180000Z DTEND:20270115T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402272149 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270114T190000Z DTEND:20270115T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374197604 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270114T190000Z DTEND:20270115T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816233903 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270114T190000Z DTEND:20270115T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689590986 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270115 DTEND;VALUE=DATE:20270116 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663156732 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270115T180000Z DTEND:20270116T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309956746 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270115T190000Z DTEND:20270116T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374197605 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270115T190000Z DTEND:20270116T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816233904 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270115T190000Z DTEND:20270116T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689592011 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270116 DTEND;VALUE=DATE:20270117 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663157757 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270116T180000Z DTEND:20270117T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309957771 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270116T190000Z DTEND:20270117T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374198630 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270116T190000Z DTEND:20270117T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816234929 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270116T190000Z DTEND:20270117T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689593036 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270117 DTEND;VALUE=DATE:20270118 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663158782 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270117T180000Z DTEND:20270117T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010351297 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270117T180000Z DTEND:20270118T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309957772 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270117T190000Z DTEND:20270118T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374199655 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270117T190000Z DTEND:20270118T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816235954 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270117T190000Z DTEND:20270118T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689594061 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270118 DTEND;VALUE=DATE:20270119 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663159807 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270118T190000Z DTEND:20270119T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374200680 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270118T190000Z DTEND:20270119T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816235955 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270118T190000Z DTEND:20270119T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689595086 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270119 DTEND;VALUE=DATE:20270120 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663159808 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270119T190000Z DTEND:20270120T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374200681 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270119T190000Z DTEND:20270120T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816236980 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270119T190000Z DTEND:20270120T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689596111 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270120 DTEND;VALUE=DATE:20270121 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663160833 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270120T180000Z DTEND:20270121T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309958797 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270120T190000Z DTEND:20270121T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374201706 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270120T190000Z DTEND:20270121T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816238005 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270120T190000Z DTEND:20270121T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689597136 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270121 DTEND;VALUE=DATE:20270122 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663161858 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270121T180000Z DTEND:20270122T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402273174 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270121T190000Z DTEND:20270122T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374202731 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270121T190000Z DTEND:20270122T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816239030 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270121T190000Z DTEND:20270122T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689598161 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270122 DTEND;VALUE=DATE:20270123 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663162883 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270122T180000Z DTEND:20270123T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309959822 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270122T190000Z DTEND:20270123T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374202732 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270122T190000Z DTEND:20270123T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816239031 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270122T190000Z DTEND:20270123T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689599186 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270123 DTEND;VALUE=DATE:20270124 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663162884 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270123T180000Z DTEND:20270124T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309960847 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270123T190000Z DTEND:20270124T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374203757 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270123T190000Z DTEND:20270124T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816240056 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270123T190000Z DTEND:20270124T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689600211 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270124 DTEND;VALUE=DATE:20270125 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663163909 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270124T180000Z DTEND:20270124T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010352322 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270124T180000Z DTEND:20270125T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309961872 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270124T190000Z DTEND:20270125T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374204782 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270124T190000Z DTEND:20270125T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816241081 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270124T190000Z DTEND:20270125T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689601236 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270125 DTEND;VALUE=DATE:20270126 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663164934 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270125T190000Z DTEND:20270126T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374205807 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270125T190000Z DTEND:20270126T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816241082 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270125T190000Z DTEND:20270126T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689601237 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270126 DTEND;VALUE=DATE:20270127 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663165959 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270126T190000Z DTEND:20270127T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374205808 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270126T190000Z DTEND:20270127T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816242107 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270126T190000Z DTEND:20270127T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689602262 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270127 DTEND;VALUE=DATE:20270128 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663165960 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270127T180000Z DTEND:20270128T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309962897 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270127T190000Z DTEND:20270128T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374206833 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270127T190000Z DTEND:20270128T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816243132 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270127T190000Z DTEND:20270128T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689603287 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270128 DTEND;VALUE=DATE:20270129 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663166985 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270128T180000Z DTEND:20270129T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402274199 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270128T190000Z DTEND:20270129T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374207858 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270128T190000Z DTEND:20270129T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816243133 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270128T190000Z DTEND:20270129T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689604312 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270129 DTEND;VALUE=DATE:20270130 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663168010 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270129T180000Z DTEND:20270130T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309963922 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270129T190000Z DTEND:20270130T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374208883 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270129T190000Z DTEND:20270130T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816244158 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270129T190000Z DTEND:20270130T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689605337 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270130 DTEND;VALUE=DATE:20270131 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663169035 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270130T180000Z DTEND:20270131T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309964947 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270130T190000Z DTEND:20270131T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374208884 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270130T190000Z DTEND:20270131T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816245183 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270130T190000Z DTEND:20270131T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689606362 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270131 DTEND;VALUE=DATE:20270201 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663170060 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270131T180000Z DTEND:20270131T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010353347 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270131T180000Z DTEND:20270201T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309964948 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270131T190000Z DTEND:20270201T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374209909 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270131T190000Z DTEND:20270201T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816245184 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270131T190000Z DTEND:20270201T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689607387 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270201 DTEND;VALUE=DATE:20270202 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663170061 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:3+1 Scholar Application Opens DTSTART;VALUE=DATE:20270201 DTEND;VALUE=DATE:20270202 DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604532442410 CATEGORIES:education DESCRIPTION:Earn a bachelor's degree in three years and a masters degree i n your fourth year as a 3+1 Scholar.\nDesigned for high-achieving incoming freshmen with college-ready credits\, the Lundquist College of Business o ffers three 3+1 Scholar programs.\n\n3+1 Scholar Options:\n\n3+1 Accountin g: Earn a Master of Accounting Degree and get the credits you need to sit for the CPA exam.3+1 Finance: Earn a Master of Science in Finance Degree a nd accelerate your career path as a financial analyst.3+1 Management: Earn a Master of Science in Management Degree and and acquire essential busine ss and management skills to launch your career in any field. Fill out the 3+1 Scholars Application\n\nWho Are These for?\n\nThrough an evaluation of college AP (advanced placement) and IB (international baccalaureate) cred its\, students can be fast-tracked for admission to the Lundquist College of Business so they can complete their undergraduate degree in three years \, with the fourth year used to complete one of our master's programs.\n\n How to Qualify\n\nEnter the University of Oregon with more than 25 credit hours of AP\, IB\, or transfer credit.Apply to become a 3+1 Scholar in acc ounting\, finance\, or management February 1-15 during winter term of your first year.Advantages\n\nGet fast-tracked for admission to the Lundquist College of Business one full year before their contemporariesComplete your undergraduate degree in three years and earn a master's degree in year fo ur.Stand out to employers with the skills\, experience\, and degree to adv ance quickly down your career path. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/3-1-scholar-app-open-2026 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270201T190000Z DTEND:20270202T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374210934 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270201T190000Z DTEND:20270202T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816246209 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270201T190000Z DTEND:20270202T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689608412 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270202 DTEND;VALUE=DATE:20270203 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663172110 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270202T190000Z DTEND:20270203T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374211959 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270202T190000Z DTEND:20270203T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816247234 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270202T190000Z DTEND:20270203T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689609437 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270203 DTEND;VALUE=DATE:20270204 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663173135 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270203T180000Z DTEND:20270204T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309965973 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270203T190000Z DTEND:20270204T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374211960 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270203T190000Z DTEND:20270204T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816247235 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270203T190000Z DTEND:20270204T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689610462 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270204 DTEND;VALUE=DATE:20270205 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663174160 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270204T180000Z DTEND:20270205T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402275224 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270204T190000Z DTEND:20270205T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374212985 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270204T190000Z DTEND:20270205T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816248260 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270204T190000Z DTEND:20270205T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689611487 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270205 DTEND;VALUE=DATE:20270206 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663176209 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free First Friday at the Museum DTSTART:20270205T180000Z DTEND:20270206T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51506914256124 CATEGORIES:arts DESCRIPTION:The Museum of Natural and Cultural History offers free admissi on on the first Friday of the month. Investigate Oregon's amazing fossils and ecosystems\, and delve into its cultural history—from the First Amer icans at Paisley Caves to the dynamic cultures of today's Tribes. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/free-first-friday-at-the-museum X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270205T180000Z DTEND:20270206T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309966998 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270205T190000Z DTEND:20270206T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374214010 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270205T190000Z DTEND:20270206T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816249285 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270205T190000Z DTEND:20270206T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689612512 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270206 DTEND;VALUE=DATE:20270207 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663177234 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270206T180000Z DTEND:20270207T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309968023 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270206T190000Z DTEND:20270207T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374215035 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270206T190000Z DTEND:20270207T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816249286 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270206T190000Z DTEND:20270207T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689613537 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270207 DTEND;VALUE=DATE:20270208 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663179283 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270207T180000Z DTEND:20270207T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010353348 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270207T180000Z DTEND:20270208T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309969048 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270207T190000Z DTEND:20270208T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374215036 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270207T190000Z DTEND:20270208T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816250311 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270207T190000Z DTEND:20270208T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689614562 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270208 DTEND;VALUE=DATE:20270209 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663180308 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270208T190000Z DTEND:20270209T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374216061 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270208T190000Z DTEND:20270209T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816251336 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270208T190000Z DTEND:20270209T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689614563 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270209 DTEND;VALUE=DATE:20270210 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663181333 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270209T190000Z DTEND:20270210T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374217086 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270209T190000Z DTEND:20270210T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816251337 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270209T190000Z DTEND:20270210T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689615588 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270210 DTEND;VALUE=DATE:20270211 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663182358 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270210T180000Z DTEND:20270211T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309970073 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270210T190000Z DTEND:20270211T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374218111 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270210T190000Z DTEND:20270211T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816252362 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270210T190000Z DTEND:20270211T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689616613 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270211 DTEND;VALUE=DATE:20270212 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663184407 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270211T180000Z DTEND:20270212T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402276249 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270211T190000Z DTEND:20270212T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374218112 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270211T190000Z DTEND:20270212T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816253387 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270211T190000Z DTEND:20270212T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689617638 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270212 DTEND;VALUE=DATE:20270213 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663185432 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270212T180000Z DTEND:20270213T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309971098 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270212T190000Z DTEND:20270213T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374219137 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270212T190000Z DTEND:20270213T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816254412 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270212T190000Z DTEND:20270213T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689618663 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270213 DTEND;VALUE=DATE:20270214 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663186457 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270213T180000Z DTEND:20270214T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309972123 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270213T190000Z DTEND:20270214T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374220162 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270213T190000Z DTEND:20270214T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816254413 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270213T190000Z DTEND:20270214T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689619688 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270214 DTEND;VALUE=DATE:20270215 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663188506 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270214T180000Z DTEND:20270214T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010354373 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270214T180000Z DTEND:20270215T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309972124 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270214T190000Z DTEND:20270215T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374221187 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270214T190000Z DTEND:20270215T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816255438 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270214T190000Z DTEND:20270215T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689620713 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270215 DTEND;VALUE=DATE:20270216 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663189531 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270215T190000Z DTEND:20270216T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374222212 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270215T190000Z DTEND:20270216T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816256463 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270215T190000Z DTEND:20270216T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689621738 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270216 DTEND;VALUE=DATE:20270217 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663190556 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:3+1 Scholar Application Closes DTSTART:20270216T075900Z DTEND:20270216T085900Z DTSTAMP:20260804T003138Z UID:tag:localist.com\,2008:EventInstance_53604535593863 CATEGORIES:education DESCRIPTION:Earn a bachelor's degree in three years and a masters degree i n your fourth year as a 3+1 Scholar.\nDesigned for high-achieving incoming freshmen with college-ready credits\, the Lundquist College of Business o ffers three 3+1 Scholar programs.\n\n3+1 Scholar Options:\n\n3+1 Accountin g: Earn a Master of Accounting Degree and get the credits you need to sit for the CPA exam.3+1 Finance: Earn a Master of Science in Finance Degree a nd accelerate your career path as a financial analyst.3+1 Management: Earn a Master of Science in Management Degree and and acquire essential busine ss and management skills to launch your career in any field. Fill out the 3+1 Scholars Application\n\nWho Are These for?\n\nThrough an evaluation of college AP (advanced placement) and IB (international baccalaureate) cred its\, students can be fast-tracked for admission to the Lundquist College of Business so they can complete their undergraduate degree in three years \, with the fourth year used to complete one of our master's programs.\n\n How to Qualify\n\nEnter the University of Oregon with more than 25 credit hours of AP\, IB\, or transfer credit.Apply to become a 3+1 Scholar in acc ounting\, finance\, or management February 1-15 during winter term of your first year.Advantages\n\nGet fast-tracked for admission to the Lundquist College of Business one full year before their contemporariesComplete your undergraduate degree in three years and earn a master's degree in year fo ur.Stand out to employers with the skills\, experience\, and degree to adv ance quickly down your career path. LAST-MODIFIED:20260804T003138Z URL:https://calendar.uoregon.edu/event/3-1-scholar-application-closes-2026 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270216T190000Z DTEND:20270217T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374222213 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270216T190000Z DTEND:20270217T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816257488 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270216T190000Z DTEND:20270217T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689622763 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270217 DTEND;VALUE=DATE:20270218 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663191581 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270217T180000Z DTEND:20270218T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309973149 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270217T190000Z DTEND:20270218T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374223238 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270217T190000Z DTEND:20270218T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816257489 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270217T190000Z DTEND:20270218T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689623788 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270218 DTEND;VALUE=DATE:20270219 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663193630 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270218T180000Z DTEND:20270219T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402277274 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270218T190000Z DTEND:20270219T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374224263 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270218T190000Z DTEND:20270219T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816258514 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270218T190000Z DTEND:20270219T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689624813 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270219 DTEND;VALUE=DATE:20270220 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663194655 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270219T180000Z DTEND:20270220T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309974174 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270219T190000Z DTEND:20270220T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374225288 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270219T190000Z DTEND:20270220T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816259539 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270219T190000Z DTEND:20270220T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689625838 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270220 DTEND;VALUE=DATE:20270221 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663195680 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270220T180000Z DTEND:20270221T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309975199 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270220T190000Z DTEND:20270221T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374225289 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270220T190000Z DTEND:20270221T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816260564 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270220T190000Z DTEND:20270221T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689626863 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270221 DTEND;VALUE=DATE:20270222 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663196705 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270221T180000Z DTEND:20270221T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010355398 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270221T180000Z DTEND:20270222T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309976224 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270221T190000Z DTEND:20270222T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374226314 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270221T190000Z DTEND:20270222T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816260565 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270221T190000Z DTEND:20270222T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689627888 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270222 DTEND;VALUE=DATE:20270223 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663197730 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270222T190000Z DTEND:20270223T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374227339 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270222T190000Z DTEND:20270223T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816261590 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270222T190000Z DTEND:20270223T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689628913 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270223 DTEND;VALUE=DATE:20270224 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663198755 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270223T190000Z DTEND:20270224T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374228364 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270223T190000Z DTEND:20270224T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816262615 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270223T190000Z DTEND:20270224T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689629938 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270224 DTEND;VALUE=DATE:20270225 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663199780 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270224T180000Z DTEND:20270225T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309977249 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270224T190000Z DTEND:20270225T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374229389 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270224T190000Z DTEND:20270225T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816263640 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270224T190000Z DTEND:20270225T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689629939 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270225 DTEND;VALUE=DATE:20270226 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663200805 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270225T180000Z DTEND:20270226T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402279323 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270225T190000Z DTEND:20270226T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374230414 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270225T190000Z DTEND:20270226T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816263641 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270225T190000Z DTEND:20270226T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689630964 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270226 DTEND;VALUE=DATE:20270227 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663201830 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270226T180000Z DTEND:20270227T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309978274 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270226T190000Z DTEND:20270227T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374231439 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270226T190000Z DTEND:20270227T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816264666 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270226T190000Z DTEND:20270227T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689631989 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270227 DTEND;VALUE=DATE:20270228 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663202855 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270227T180000Z DTEND:20270228T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309979299 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270227T190000Z DTEND:20270228T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374231440 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270227T190000Z DTEND:20270228T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816265691 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270227T190000Z DTEND:20270228T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689633014 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270228 DTEND;VALUE=DATE:20270301 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663203880 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270228T180000Z DTEND:20270228T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010356423 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270228T180000Z DTEND:20270301T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309980324 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270228T190000Z DTEND:20270301T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374232465 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270228T190000Z DTEND:20270301T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816266716 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270228T190000Z DTEND:20270301T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689634039 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270301 DTEND;VALUE=DATE:20270302 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663204905 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270301T190000Z DTEND:20270302T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374233490 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270301T190000Z DTEND:20270302T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816267741 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270301T190000Z DTEND:20270302T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689635064 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270302 DTEND;VALUE=DATE:20270303 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663205930 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270302T190000Z DTEND:20270303T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374233491 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270302T190000Z DTEND:20270303T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816267742 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270302T190000Z DTEND:20270303T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689636089 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270303 DTEND;VALUE=DATE:20270304 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663206955 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270303T180000Z DTEND:20270304T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309981349 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270303T190000Z DTEND:20270304T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374234516 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270303T190000Z DTEND:20270304T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816268767 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270303T190000Z DTEND:20270304T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689637114 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270304 DTEND;VALUE=DATE:20270305 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663207980 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270304T180000Z DTEND:20270305T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402280348 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270304T190000Z DTEND:20270305T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374235541 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270304T190000Z DTEND:20270305T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816269792 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270304T190000Z DTEND:20270305T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689638139 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270305 DTEND;VALUE=DATE:20270306 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663209005 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free First Friday at the Museum DTSTART:20270305T180000Z DTEND:20270306T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51506914256125 CATEGORIES:arts DESCRIPTION:The Museum of Natural and Cultural History offers free admissi on on the first Friday of the month. Investigate Oregon's amazing fossils and ecosystems\, and delve into its cultural history—from the First Amer icans at Paisley Caves to the dynamic cultures of today's Tribes. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/free-first-friday-at-the-museum X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270305T180000Z DTEND:20270306T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309981350 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270305T190000Z DTEND:20270306T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374236566 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270305T190000Z DTEND:20270306T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816270817 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270305T190000Z DTEND:20270306T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689639164 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270306 DTEND;VALUE=DATE:20270307 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663210030 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270306T180000Z DTEND:20270307T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309982375 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270306T190000Z DTEND:20270307T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374236567 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270306T190000Z DTEND:20270307T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816270818 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270306T190000Z DTEND:20270307T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689640189 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270307 DTEND;VALUE=DATE:20270308 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663211055 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270307T180000Z DTEND:20270307T200000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010357448 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270307T180000Z DTEND:20270308T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309983400 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270307T190000Z DTEND:20270308T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374237592 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Jeffrey Gibson: They Teach Love DTSTART:20270307T190000Z DTEND:20270308T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056816271843 CATEGORIES:arts DESCRIPTION:Jeffrey Gibson: They Teach Love presents a survey of 20 artwor ks by Jeffrey Gibson (American\, b. 1972)\, one of today’s foremost cont emporary artists\, curated exclusively from the collections of Jordan D. S chnitzer and his family foundation. Gibson\, who is of Mississippi Choctaw and Cherokee heritage\, combines aspects of Indigenous art and culture wi th modernist traditions\, navigating and disrupting the expectations place d upon Native artists working within the contemporary art world. By unitin g sculpture\, paintings\, prints\, and video with elk hides\, tipi poles\, wool blankets\, beadwork\, and fringe\, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags\, flags\, banners\, and illuminated signs) to art objects th at vibrate with spiritual power\, carrying his belief that objects\, and p eople alike\, have the potential for radical transformation.\n\nThe exhibi tion’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery\, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-b ased projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Worki ng and learning together may aid in decolonizing minds and institutions\, revealing a future we wish to inhabit. In 2024\, Gibson was selected as th e first Indigenous artist to represent the US Pavilion with a solo present ation at the Venice Biennale\, further demonstrating how his vibrant and p owerful voice continues to broaden the view of American art history\, cont emporary times\, and our future.\n\nJeffrey Gibson: They Teach Love – Fr om the Collections of Jordan D. Schnitzer and His Family Foundation was cu rated by Ryan Hardesty\, Executive Director and Curator of Exhibitions and Collections\, Jordan Schnitzer Museum of Art\, Washington State Universit y\, for its originating institution in 2023. Its presentation for the UO ’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp\, McCo sh Curator. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Coeta and Donald Barker C hanging Exhibitions Gallery URL:https://calendar.uoregon.edu/event/jeffrey-gibson-they-teach-love X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270307T190000Z DTEND:20270308T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689641214 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Viano Quartet with Nina Bernat DTSTART:20270307T230000Z DTEND:20270308T000000Z DTSTAMP:20260813T002753Z UID:tag:localist.com\,2008:EventInstance_53684623041409 CATEGORIES:music DESCRIPTION:Acclaimed bassist Nina Bernat joins the dynamic Viano Quartet – all five winners of the prestigious Avery Fisher Career Grant – for an afternoon of string quartets and quintets. Their program features two C hamber Music Northwest-commissioned works written especially for them by c omposers Alistair Coleman and Kian Ravaei\, as well as the soaring melodie s and Czech-inspired rhythms in Dvořák’s second string quintet (with t he added power and depth of Bernat’s double bass!). Presented in collabo ration with Chamber Music Northwest.\n\nRavaei The Little Things\nColeman Ghost Art Canticles\nDvořák String Quintet No. 2 LAST-MODIFIED:20260813T002753Z LOCATION:Beall Concert Hall URL:https://calendar.uoregon.edu/event/viano-quartet-with-nina-bernat X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270308 DTEND;VALUE=DATE:20270309 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663212080 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270308T190000Z DTEND:20270309T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374238617 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270308T190000Z DTEND:20270309T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689642239 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270309 DTEND;VALUE=DATE:20270310 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663213105 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270309T190000Z DTEND:20270310T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374239642 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270309T190000Z DTEND:20270310T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689642240 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270310 DTEND;VALUE=DATE:20270311 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663214130 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270310T180000Z DTEND:20270311T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309984425 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270310T190000Z DTEND:20270311T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374239643 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270310T190000Z DTEND:20270311T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689643265 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270311 DTEND;VALUE=DATE:20270312 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663214131 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270311T180000Z DTEND:20270312T040000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402281373 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270311T190000Z DTEND:20270312T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374240668 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270311T190000Z DTEND:20270312T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689644290 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270312 DTEND;VALUE=DATE:20270313 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663215156 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270312T180000Z DTEND:20270313T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309985450 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270312T190000Z DTEND:20270313T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374241693 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270312T190000Z DTEND:20270313T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689645315 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270313 DTEND;VALUE=DATE:20270314 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663216181 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270313T180000Z DTEND:20270314T010000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309986475 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270313T190000Z DTEND:20270314T010000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374241694 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270313T190000Z DTEND:20270314T010000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689646340 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270314 DTEND;VALUE=DATE:20270315 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663216182 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270314T170000Z DTEND:20270314T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010357449 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270314T170000Z DTEND:20270315T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309987500 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270314T180000Z DTEND:20270315T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374242719 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270314T180000Z DTEND:20270315T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689647365 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270315 DTEND;VALUE=DATE:20270316 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663217207 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270315T180000Z DTEND:20270316T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374243744 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270315T180000Z DTEND:20270316T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689648390 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270316 DTEND;VALUE=DATE:20270317 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663218232 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270316T180000Z DTEND:20270317T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374244769 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270316T180000Z DTEND:20270317T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689649415 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270317 DTEND;VALUE=DATE:20270318 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663219257 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270317T170000Z DTEND:20270318T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309988525 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270317T180000Z DTEND:20270318T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374244770 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270317T180000Z DTEND:20270318T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689650440 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270318 DTEND;VALUE=DATE:20270319 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663219258 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270318T170000Z DTEND:20270319T030000Z DTSTAMP:20260822T003218Z UID:tag:localist.com\,2008:EventInstance_53763402282398 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260822T003218Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270318T180000Z DTEND:20270319T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374245795 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270318T180000Z DTEND:20270319T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689651465 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270319 DTEND;VALUE=DATE:20270320 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663220283 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270319T170000Z DTEND:20270320T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309988526 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270319T180000Z DTEND:20270320T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374246820 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270319T180000Z DTEND:20270320T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689652490 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270320 DTEND;VALUE=DATE:20270321 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663221308 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:America at 250: Before\, Between\, Beyond DTSTART:20270320T170000Z DTEND:20270321T000000Z DTSTAMP:20260821T182937Z UID:tag:localist.com\,2008:EventInstance_53763309989551 CATEGORIES:arts DESCRIPTION:America’s history is the story of all of us. As the United S tates commemorates 250 years since the signing of the Declaration of Indep endence\, come explore how our collections help preserve the diverse histo ries of this place. Featuring rarely seen items from our collection\, Amer ica at 250 invites you to reflect on where we have been\, who we are\, and what America might yet become. \nPicture is a drinking glass with basket cover\, made by Emma Adams (Tillamook/Clatsop)\, 1890s. LAST-MODIFIED:20260821T182937Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/america-at-250-before-between-beyon d X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270320T180000Z DTEND:20270321T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374247845 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270320T180000Z DTEND:20270321T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689653515 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270321 DTEND;VALUE=DATE:20270322 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663221309 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270321T170000Z DTEND:20270321T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010358474 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270321T180000Z DTEND:20270322T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374247846 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270321T180000Z DTEND:20270322T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689654540 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270322 DTEND;VALUE=DATE:20270323 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663222334 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270322T180000Z DTEND:20270323T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374248871 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270322T180000Z DTEND:20270323T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689655565 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270323 DTEND;VALUE=DATE:20270324 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663223359 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270323T180000Z DTEND:20270324T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374249896 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270323T180000Z DTEND:20270324T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689656590 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270324 DTEND;VALUE=DATE:20270325 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663224384 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270324T180000Z DTEND:20270325T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374250921 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270324T180000Z DTEND:20270325T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689657615 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270325 DTEND;VALUE=DATE:20270326 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663225409 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270325T180000Z DTEND:20270326T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374250922 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270325T180000Z DTEND:20270326T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689658640 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270326 DTEND;VALUE=DATE:20270327 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663226434 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270326T180000Z DTEND:20270327T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374251947 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270326T180000Z DTEND:20270327T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689659665 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270327 DTEND;VALUE=DATE:20270328 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663227459 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270327T180000Z DTEND:20270328T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374252972 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270327T180000Z DTEND:20270328T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689660690 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270328 DTEND;VALUE=DATE:20270329 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663228484 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270328T170000Z DTEND:20270328T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010359499 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270328T180000Z DTEND:20270329T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374252973 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270328T180000Z DTEND:20270329T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689661715 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270329 DTEND;VALUE=DATE:20270330 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663229509 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270329T180000Z DTEND:20270330T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374253998 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270329T180000Z DTEND:20270330T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689662740 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270330 DTEND;VALUE=DATE:20270331 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663230534 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270330T180000Z DTEND:20270331T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374255023 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270330T180000Z DTEND:20270331T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689663765 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270331 DTEND;VALUE=DATE:20270401 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663231559 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270331T180000Z DTEND:20270401T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374256048 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270331T180000Z DTEND:20270401T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689664790 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270401 DTEND;VALUE=DATE:20270402 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663232584 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270401T180000Z DTEND:20270402T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374256049 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270401T180000Z DTEND:20270402T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689665815 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270402 DTEND;VALUE=DATE:20270403 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663233609 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free First Friday at the Museum DTSTART:20270402T170000Z DTEND:20270403T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51506914257150 CATEGORIES:arts DESCRIPTION:The Museum of Natural and Cultural History offers free admissi on on the first Friday of the month. Investigate Oregon's amazing fossils and ecosystems\, and delve into its cultural history—from the First Amer icans at Paisley Caves to the dynamic cultures of today's Tribes. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/free-first-friday-at-the-museum X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270402T180000Z DTEND:20270403T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374257074 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270402T180000Z DTEND:20270403T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689665816 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270403 DTEND;VALUE=DATE:20270404 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663234634 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270403T180000Z DTEND:20270404T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374258099 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270403T180000Z DTEND:20270404T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689666841 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270404 DTEND;VALUE=DATE:20270405 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663235659 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270404T170000Z DTEND:20270404T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010360524 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270404T180000Z DTEND:20270405T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374258100 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270404T180000Z DTEND:20270405T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689668890 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270405 DTEND;VALUE=DATE:20270406 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663236684 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270405T180000Z DTEND:20270406T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374259125 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270405T180000Z DTEND:20270406T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689669915 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270406 DTEND;VALUE=DATE:20270407 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663237709 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270406T180000Z DTEND:20270407T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374260150 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270406T180000Z DTEND:20270407T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689670940 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270407 DTEND;VALUE=DATE:20270408 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663238734 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270407T180000Z DTEND:20270408T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374261175 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270407T180000Z DTEND:20270408T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689671965 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270408 DTEND;VALUE=DATE:20270409 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663239759 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270408T180000Z DTEND:20270409T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374261176 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270408T180000Z DTEND:20270409T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689672990 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270409 DTEND;VALUE=DATE:20270410 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663240784 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270409T180000Z DTEND:20270410T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374262201 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270409T180000Z DTEND:20270410T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689674015 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270410 DTEND;VALUE=DATE:20270411 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663241809 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270410T180000Z DTEND:20270411T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374263226 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270410T180000Z DTEND:20270411T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689675040 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Navigating Through Centuries: From Ancient to Global Contemporary in Korean Art DTSTART;VALUE=DATE:20270411 DTEND;VALUE=DATE:20270412 DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_52773663242834 CATEGORIES:arts DESCRIPTION:Navigating Through Centuries surveys the complex trajectory of art in Korea\, which was significantly impacted by socio-political upheav al and cultural developments from the fifth century to the present. The ex hibition is comprised of six chronological thematic sections — from the power and religion of the Three Kingdoms period (57 BCE–668 CE)\, to the refined aristocratic ideals of the Goryeo (918–1392) and Confucian gove rnance of the Joseon (1392–1910) dynasties\, through vestiges of traditi on after the Korean War (1950–1953)\, experimental practices during the modern era\, and globalization of contemporary art. Each section examines how aesthetic practices respond to the evolving philosophies\, ideologies\ , critical events\, and issues of a specific historical period.\n\n The exhibition begins with materials from the Three Kingdoms period in which are embedded political/religious authority and communal rituals\, laying t he foundation for Korean cultural memory. The Goryeo dynasty section highl ights the refined aesthetics and Buddhist motifs that reflect aristocratic ideals and literati culture\, while also indicating Korea’s participati on in East Asian cultural exchange. The Joseon section showcases art that embodies the Confucian literati values that fundamentally shaped the moral order\, governance\, and cultural life of the period.\n\n The modern a nd contemporary sections focus on twentieth-century art\, which has contin ually questioned\, responded to\, and been shaped by the last tumultuous c entury of Korean history. The first postwar section features art that port rays the remnants of indigenous culture in the aftermath of the Korean War . The next section presents experimental works by artists who challenged t he canon of art by blurring boundaries of cultures\, genres\, and mediums. The final section showcases global contemporary art by diasporic creators \, many of whom have played central roles in integrating Korean art into t he international mainstream.\n\n Navigating Through Centuries narrates the conflicted yet intertwined relationships between art and culture\, ind ividuals and communities\, and socio-politics and history\, inviting audie nces to consider the broad history of Korea through the lens of art. The e xhibition was curated by Soojin Jeong\, 2023–2026 Post-Graduate Curatori al Fellow in East Asian Art\, as well as Heejung Chang\, 2025–2026 JSMA/ Korea Foundation Global Challengers Museum Intern. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art URL:https://calendar.uoregon.edu/event/navigating-through-centuries-from-a ncient-to-global-contemporary-in-korean-art X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270411T170000Z DTEND:20270411T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010360525 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270411T180000Z DTEND:20270412T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374263227 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo J imenez Underwood DTSTART:20270411T180000Z DTEND:20270412T000000Z DTSTAMP:20260812T002714Z UID:tag:localist.com\,2008:EventInstance_53675689676065 CATEGORIES:arts DESCRIPTION:The exhibition Leading the Camino: Latinx Art by Juan de Dios Mora and Consuelo Jimenez Underwood\, features prints and textiles by Mora and Jimenez Underwood that question borders and embrace living in the “ borderlands.” Mora adopts figuration and humor to resist homogenization and contest political rhetoric that criminalizes immigrants. He employs Sp anglish and popular motifs such as piñatas\, luchadores masks\, and Mesoa merican iconography to reflect his lived experiences and connect cultures across time and space. In his print Leading the Camino Maya and Aztec symb ols are juxtaposed with tacos and technology exemplifying Gloria Anzaldúa ’s notion of the borderlands or sites where a variety of traditions\, la nguages\, and ways of being come into contact\, overlapping and interactin g\, to nourish and inform each other. Jimenez Underwood embraces textiles to similarly cross borders and honor her hybrid identity as Chicana\, Mexi cana\, Americana\, Indigenous\, woman\, and artist. Her artworks bridge ar t and craft to examine geo-political barriers and weave together bodies an d traditions from past and present.\n\nThe exhibition is curated by Adrian a Miramontes Olivas\, Curator of Academic Programs and Latin American and Caribbean Art. LAST-MODIFIED:20260812T002714Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/leading-the-camino-latinx-art-by-ju an-de-dios-mora-and-consuelo-jimenez-underwood X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:"Wild" with Lorelei Ensemble DTSTART:20270411T220000Z DTEND:20270411T230000Z DTSTAMP:20260813T002753Z UID:tag:localist.com\,2008:EventInstance_53684648036396 CATEGORIES:music DESCRIPTION:Experience the fearless artistry of Grammy-nominated Lorelei E nsemble in a groundbreaking program featuring four world premieres by visi onary women composers. Blending magical realism\, the provocative prose of Virginia Woolf\, natural soundscapes\, and cutting-edge technology\, thes e works explore freedom and the untamed spirit within us all. Renowned for its radiant sound (The New York Times)\, Lorelei Ensemble delivers an unf orgettable performance that pushes the limits of the human voice.\n\nBalch Songs and Interludes\nNegrón (ritual: postcathexis)\nSnider We Split Ope n\nPamela Z sauvage\nTallon broad band\n\nArtists\, dates\, times\, prices \, and locations subject to change. LAST-MODIFIED:20260813T002753Z LOCATION:Beall Concert Hall URL:https://calendar.uoregon.edu/event/wild-with-lorelei-ensemble X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270412T180000Z DTEND:20270413T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374264252 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270413T180000Z DTEND:20270414T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374265277 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270414T180000Z DTEND:20270415T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374266302 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270415T180000Z DTEND:20270416T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374267327 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270416T180000Z DTEND:20270417T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374268352 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270417T180000Z DTEND:20270418T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374269377 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270418T170000Z DTEND:20270418T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010361550 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270418T180000Z DTEND:20270419T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374270402 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270419T180000Z DTEND:20270420T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374271427 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270420T180000Z DTEND:20270421T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374273476 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270421T180000Z DTEND:20270422T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374274501 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270422T180000Z DTEND:20270423T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374276550 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270423T180000Z DTEND:20270424T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374277575 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270424T180000Z DTEND:20270425T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374278600 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270425T170000Z DTEND:20270425T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010362575 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270425T180000Z DTEND:20270426T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374281673 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270426T180000Z DTEND:20270427T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374282698 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270427T180000Z DTEND:20270428T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374283723 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270428T180000Z DTEND:20270429T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374285772 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270429T180000Z DTEND:20270430T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374286797 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270430T180000Z DTEND:20270501T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374287822 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270501T180000Z DTEND:20270502T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374288847 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270502T170000Z DTEND:20270502T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010363600 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270502T180000Z DTEND:20270503T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374289872 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270503T180000Z DTEND:20270504T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374291921 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270504T180000Z DTEND:20270505T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374292946 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270505T180000Z DTEND:20270506T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374293971 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270506T180000Z DTEND:20270507T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374294996 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free First Friday at the Museum DTSTART:20270507T170000Z DTEND:20270508T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51506914258175 CATEGORIES:arts DESCRIPTION:The Museum of Natural and Cultural History offers free admissi on on the first Friday of the month. Investigate Oregon's amazing fossils and ecosystems\, and delve into its cultural history—from the First Amer icans at Paisley Caves to the dynamic cultures of today's Tribes. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/free-first-friday-at-the-museum X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270507T180000Z DTEND:20270508T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374296021 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270508T180000Z DTEND:20270509T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374296022 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270509T170000Z DTEND:20270509T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010364625 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270509T180000Z DTEND:20270510T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374297047 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270510T180000Z DTEND:20270511T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374298072 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270511T180000Z DTEND:20270512T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374299097 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270512T180000Z DTEND:20270513T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374299098 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270513T180000Z DTEND:20270514T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374300123 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270514T180000Z DTEND:20270515T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374301148 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270515T180000Z DTEND:20270516T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374302173 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270516T170000Z DTEND:20270516T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010365650 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270516T180000Z DTEND:20270517T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374303198 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270517T180000Z DTEND:20270518T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374303199 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270518T180000Z DTEND:20270519T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374304224 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270519T180000Z DTEND:20270520T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374305249 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270520T180000Z DTEND:20270521T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374306274 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270521T180000Z DTEND:20270522T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374306275 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270522T180000Z DTEND:20270523T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374307300 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270523T170000Z DTEND:20270523T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010368723 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270523T180000Z DTEND:20270524T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374308325 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Soovin Kim: Bach’s Tremendous Technique and Style\, Part 2 DTSTART:20270523T220000Z DTEND:20270523T230000Z DTSTAMP:20260813T002753Z UID:tag:localist.com\,2008:EventInstance_53684658170795 CATEGORIES:music DESCRIPTION:After captivating CMB audiences with Part 1 in 2025\, acclaime d violinist Soovin Kim returns to complete his extraordinary journey throu gh Bach’s music for solo violin. This intimate recital showcases the bre athtaking artistry\, technical brilliance\, and profound expression that h ave made Bach’s sonatas and partitas enduring pillars of the violin repe rtoire. Don’t miss the thrilling conclusion to a musical journey years i n the making. Presented in collaboration with Chamber Music Northwest.\n\n J.S. Bach Violin Sonata No. 1\nJ.S. Bach Violin Partita No. 1\nJ.S. Bach V iolin Sonata No. 3\n\nArtists\, dates\, times\, prices\, and locations sub ject to change. LAST-MODIFIED:20260813T002753Z LOCATION:Beall Concert Hall URL:https://calendar.uoregon.edu/event/soovin-kim-bachs-tremendous-techniq ue-and-style-part-2 X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270524T180000Z DTEND:20270525T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374309350 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270525T180000Z DTEND:20270526T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374309351 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270526T180000Z DTEND:20270527T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374310376 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270527T180000Z DTEND:20270528T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374311401 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270528T180000Z DTEND:20270529T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374311402 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270529T180000Z DTEND:20270530T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374312427 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270530T170000Z DTEND:20270530T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010370772 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270530T180000Z DTEND:20270531T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374313452 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270531T180000Z DTEND:20270601T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374314477 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270601T180000Z DTEND:20270602T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374314478 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270602T180000Z DTEND:20270603T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374315503 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270603T180000Z DTEND:20270604T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374316528 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free First Friday at the Museum DTSTART:20270604T170000Z DTEND:20270605T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_51506914259200 CATEGORIES:arts DESCRIPTION:The Museum of Natural and Cultural History offers free admissi on on the first Friday of the month. Investigate Oregon's amazing fossils and ecosystems\, and delve into its cultural history—from the First Amer icans at Paisley Caves to the dynamic cultures of today's Tribes. LAST-MODIFIED:20260730T015158Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/free-first-friday-at-the-museum X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270604T180000Z DTEND:20270605T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374316529 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270605T180000Z DTEND:20270606T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374317554 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270606T170000Z DTEND:20270606T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010372821 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270606T180000Z DTEND:20270607T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374318579 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270607T180000Z DTEND:20270608T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374319604 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270608T180000Z DTEND:20270609T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374319605 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270609T180000Z DTEND:20270610T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374320630 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270610T180000Z DTEND:20270611T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374321655 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270611T180000Z DTEND:20270612T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374322680 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270612T180000Z DTEND:20270613T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374322681 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270613T170000Z DTEND:20270613T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010375894 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270613T180000Z DTEND:20270614T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374323706 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270614T180000Z DTEND:20270615T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374324731 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270615T180000Z DTEND:20270616T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374325756 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270616T180000Z DTEND:20270617T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374325757 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270617T180000Z DTEND:20270618T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374327806 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270618T180000Z DTEND:20270619T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374328831 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270619T180000Z DTEND:20270620T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374329856 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270620T170000Z DTEND:20270620T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010376919 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270620T180000Z DTEND:20270621T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374329857 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270621T180000Z DTEND:20270622T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374330882 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270622T180000Z DTEND:20270623T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374331907 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270623T180000Z DTEND:20270624T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374332932 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270624T180000Z DTEND:20270625T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374333957 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270625T180000Z DTEND:20270626T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374334982 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270626T180000Z DTEND:20270627T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374334983 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:The Sunday Morning Hangover with Reverend Marc Time DTSTART:20270627T170000Z DTEND:20270627T190000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53233010378968 CATEGORIES:music DESCRIPTION:Join us ever Sunday morning at 10am for The Sunday Morning Han gover with the Reverend Marc Time\, playing a mix of eclectic retro\, biza rre children's music\, lounge\, humor and talk.\n\nTo see playlists from p ast shows: https://spinitron.com/KWVA/show/140943/The-Sunday-Morning-Hango ver LAST-MODIFIED:20260730T015158Z URL:https://calendar.uoregon.edu/event/kwva-the-sunday-morning-hangover-wi th-reverend-marc-time X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270627T180000Z DTEND:20270628T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374336008 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270628T180000Z DTEND:20270629T000000Z DTSTAMP:20260730T015158Z UID:tag:localist.com\,2008:EventInstance_53056374337033 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T015158Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270629T180000Z DTEND:20270630T000000Z DTSTAMP:20260730T122655Z UID:tag:localist.com\,2008:EventInstance_53056374337034 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260730T122655Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270630T180000Z DTEND:20270701T000000Z DTSTAMP:20260801T122914Z UID:tag:localist.com\,2008:EventInstance_53056374338059 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260801T122914Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270701T180000Z DTEND:20270702T000000Z DTSTAMP:20260802T122826Z UID:tag:localist.com\,2008:EventInstance_53056374339084 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260802T122826Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:Free First Friday at the Museum DTSTART:20270702T170000Z DTEND:20270703T000000Z DTSTAMP:20260803T122924Z UID:tag:localist.com\,2008:EventInstance_51506914260225 CATEGORIES:arts DESCRIPTION:The Museum of Natural and Cultural History offers free admissi on on the first Friday of the month. Investigate Oregon's amazing fossils and ecosystems\, and delve into its cultural history—from the First Amer icans at Paisley Caves to the dynamic cultures of today's Tribes. LAST-MODIFIED:20260803T122924Z LOCATION:Museum of Natural and Cultural History URL:https://calendar.uoregon.edu/event/free-first-friday-at-the-museum X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270702T180000Z DTEND:20270703T000000Z DTSTAMP:20260803T122924Z UID:tag:localist.com\,2008:EventInstance_53056374340109 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260803T122924Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270703T180000Z DTEND:20270704T000000Z DTSTAMP:20260804T183315Z UID:tag:localist.com\,2008:EventInstance_53056374341134 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260804T183315Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270704T180000Z DTEND:20270705T000000Z DTSTAMP:20260805T122949Z UID:tag:localist.com\,2008:EventInstance_53056374341135 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260805T122949Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270705T180000Z DTEND:20270706T000000Z DTSTAMP:20260806T122946Z UID:tag:localist.com\,2008:EventInstance_53056374342160 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260806T122946Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270706T180000Z DTEND:20270707T000000Z DTSTAMP:20260807T123214Z UID:tag:localist.com\,2008:EventInstance_53056374343185 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260807T123214Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270707T180000Z DTEND:20270708T000000Z DTSTAMP:20260809T002938Z UID:tag:localist.com\,2008:EventInstance_53056374343186 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260809T002938Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270708T180000Z DTEND:20270709T000000Z DTSTAMP:20260809T123014Z UID:tag:localist.com\,2008:EventInstance_53056374344211 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260809T123014Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270709T180000Z DTEND:20270710T000000Z DTSTAMP:20260810T122704Z UID:tag:localist.com\,2008:EventInstance_53056374345236 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260810T122704Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270710T180000Z DTEND:20270711T000000Z DTSTAMP:20260811T122654Z UID:tag:localist.com\,2008:EventInstance_53056374346261 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260811T122654Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270711T180000Z DTEND:20270712T000000Z DTSTAMP:20260813T002753Z UID:tag:localist.com\,2008:EventInstance_53056374347286 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260813T002753Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270712T180000Z DTEND:20270713T000000Z DTSTAMP:20260813T122835Z UID:tag:localist.com\,2008:EventInstance_53056374347287 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260813T122835Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270713T180000Z DTEND:20270714T000000Z DTSTAMP:20260814T122706Z UID:tag:localist.com\,2008:EventInstance_53056374348312 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260814T122706Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270714T180000Z DTEND:20270715T000000Z DTSTAMP:20260815T122632Z UID:tag:localist.com\,2008:EventInstance_53056374349337 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260815T122632Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270715T180000Z DTEND:20270716T000000Z DTSTAMP:20260816T183317Z UID:tag:localist.com\,2008:EventInstance_53056374350362 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260816T183317Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270716T180000Z DTEND:20270717T000000Z DTSTAMP:20260817T123004Z UID:tag:localist.com\,2008:EventInstance_53056374351387 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260817T123004Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270717T180000Z DTEND:20270718T000000Z DTSTAMP:20260818T123031Z UID:tag:localist.com\,2008:EventInstance_53056374351388 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260818T123031Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270718T180000Z DTEND:20270719T000000Z DTSTAMP:20260819T123011Z UID:tag:localist.com\,2008:EventInstance_53056374352413 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260819T123011Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270719T180000Z DTEND:20270720T000000Z DTSTAMP:20260820T122830Z UID:tag:localist.com\,2008:EventInstance_53056374353438 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260820T122830Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270720T180000Z DTEND:20270721T000000Z DTSTAMP:20260821T122949Z UID:tag:localist.com\,2008:EventInstance_53056374354463 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260821T122949Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270721T180000Z DTEND:20270722T000000Z DTSTAMP:20260822T122518Z UID:tag:localist.com\,2008:EventInstance_53056374354464 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260822T122518Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270722T180000Z DTEND:20270723T000000Z DTSTAMP:20260823T122729Z UID:tag:localist.com\,2008:EventInstance_53056374355489 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260823T122729Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270723T180000Z DTEND:20270724T000000Z DTSTAMP:20260824T122928Z UID:tag:localist.com\,2008:EventInstance_53056374356514 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260824T122928Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270724T180000Z DTEND:20270725T000000Z DTSTAMP:20260825T122957Z UID:tag:localist.com\,2008:EventInstance_53056374356515 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260825T122957Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270725T180000Z DTEND:20270726T000000Z DTSTAMP:20260826T122957Z UID:tag:localist.com\,2008:EventInstance_53056374357540 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260826T122957Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270726T180000Z DTEND:20270727T000000Z DTSTAMP:20260827T122809Z UID:tag:localist.com\,2008:EventInstance_53056374358565 CATEGORIES:arts,theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260827T122809Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270727T180000Z DTEND:20270728T000000Z DTSTAMP:20260829T003340Z UID:tag:localist.com\,2008:EventInstance_53056374359590 CATEGORIES:theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260829T003340Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270728T180000Z DTEND:20270729T000000Z DTSTAMP:20260829T122808Z UID:tag:localist.com\,2008:EventInstance_53056374359591 CATEGORIES:theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260829T122808Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270729T180000Z DTEND:20270730T000000Z DTSTAMP:20260831T063013Z UID:tag:localist.com\,2008:EventInstance_53056374360616 CATEGORIES:theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260831T063013Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270730T180000Z DTEND:20270731T000000Z DTSTAMP:20260831T122956Z UID:tag:localist.com\,2008:EventInstance_53056374361641 CATEGORIES:theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260831T122956Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270731T180000Z DTEND:20270801T000000Z DTSTAMP:20260901T123117Z UID:tag:localist.com\,2008:EventInstance_53056374362666 CATEGORIES:theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260901T123117Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270801T180000Z DTEND:20270802T000000Z DTSTAMP:20260902T123138Z UID:tag:localist.com\,2008:EventInstance_53056374362667 CATEGORIES:theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260902T123138Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT BEGIN:VEVENT SUMMARY:High Drama: Japanese Prints of Theater\, Heroes and History DTSTART:20270802T180000Z DTEND:20270803T000000Z DTSTAMP:20260903T123138Z UID:tag:localist.com\,2008:EventInstance_53056374363692 CATEGORIES:theater DESCRIPTION:This thematic exhibition incorporates student research from Hi story of Art and Architecture Professor Akiko Walley’s spring 2026 Japan ese print course that focused on “the dramatic\,” including dynamic pr ints of Kabuki theaters and actors\, changing expressions of human bodies\ , and dramatizations of historical events and legends. Featuring recent gi fts by Lee and Mary Jean Michels and Irwin Lavenberg\, the undergraduate a nd graduate students in the course examined woodblock prints of the 18th-2 0th centuries that showcased action and powerful emotion with compelling g raphic design. The exhibition is complemented by a selection of Japanese m odern and contemporary prints\, paintings\, textiles\, decorative arts\, a ddressing the theme of “drama\,” and includes a number of recent acqui sitions. This exhibition was coorganized by chief curator Anne Rose Kitaga wa. LAST-MODIFIED:20260903T123138Z LOCATION:Jordan Schnitzer Museum of Art (JSMA)\, Fay Boyer Preble and Virg inia Cooke Murphy Wing URL:https://calendar.uoregon.edu/event/high-drama-japanese-prints-of-theat er-heroes-and-history X-SOURCE-NAME:University of Oregon Calendar X-SOURCE-URL:https://calendar.uoregon.edu/calendar END:VEVENT END:VCALENDAR