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DESCRIPTION:Edinburgh: literary\, Thursday (Thu Sep 24\, Europe/London). R
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 load. Discovered and maintained by CalDiscovery (https://caldiscovery.com)
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X-WR-CALDESC:Edinburgh: literary\, Thursday (Thu Sep 24\, Europe/London). 
 Rolling: the window moves forward every day\, so subscribe rather than dow
 nload. Discovered and maintained by CalDiscovery (https://caldiscovery.com
 ). Event details belong to their publishers. Contains information from Cal
 Discovery\, which is made available under the ODbL 1.0.
X-WR-CALNAME:Edinburgh · literary · Thursday · CalDiscovery
BEGIN:VEVENT
SUMMARY:Book Launch: A Home in Space: Selected Concrete\, Visual and Sound
  Poetry of Edwin Morgan
DTSTART:20260924T173000Z
DTEND:20260924T190000Z
DTSTAMP:20260829T215631Z
UID:10003164-1790274600-1790280000@www.fruitmarket.co.uk
CATEGORIES:literary
DESCRIPTION:24.09.26. 6.30–8pm \nAn evening to discover and celebrate th
 e incredible body of visual and sound poetry by Edwin Morgan\, much of whi
 ch is rarely seen and will now be available in this significant new volume
  from Reaktion Books. This new selection reveals Edwin Morgan’s groundbr
 eaking multimedia poetics beyond his celebrated lyric voice. With editors 
 Greg Thomas and Julie Johnstone\, poets Iona Lee and Dan Power\, and Morga
 n’s publisher\, bibliographer and friend\, Hamish Whyte. \nEdwin Morgan 
 is best remembered as Scotland’s foremost national poet\, a bold\, lyric
  voice who shaped conversations around queerness\, politics and post-war l
 ife. But Morgan was also a restless experimenter working far beyond tradit
 ional verse. This book brings together\, for the first time\, the full ran
 ge of his visual and sound poetry – from vibrant poster poems and surrea
 list collages to concrete poetry\, cut-ups and sonic permutations. It reve
 als Morgan as a major figure in twentieth-century multimedia art\, linking
  language\, image and sound in surprising and timely ways. Attuned to ques
 tions of identity\, ecology and empire\, Morgan’s work remains as urgent
  and inventive as ever – a celebration of poetic form at its most expans
 ive and alive. \n–––––––––––––––––––
 ––––––––––––––––––––––––
 ––––––––––––––––––––––––
 –––––––––––––– \nGreg Thomas is a writer\, cri
 tic\, poet and artist based in Glasgow\, Scotland. He is the author of Bor
 der Blurs: Concrete Poetry in England and Scotland (2019) and has written 
 extensively on visual and concrete poetries\, text art and multimedia art.
  \nJulie Johnstone is an artist\, curator\, editor and publisher based in 
 Edinburgh\, Scotland. She works primarily in the artists’ book form and 
 her bookworks are in numerous national collections. She was previously Hea
 d Librarian at the Scottish Poetry Library and established and curated the
  Edwin Morgan Archive held there. www.juliejohnstone.com \nHamish Whyte wa
 s born in 1947 near Glasgow where he lived before moving to Edinburgh in 2
 004. A former librarian and Honorary Research Fellow in Scottish Literatur
 e at the University of Glasgow. Shoestring Press has published five collec
 tions\, the latest being A Spell of Watching: New & Selected Poems (2024
 ). HappenStance published a memoir\, Morgan and Me\, in 2020 and he edit
 ed Edwin Morgan: Centenary Selected Poems (2020) for Carcanet Press. For
  many years he was Edwin Morgan’s Scottish publisher\, at the award-winn
 ing Mariscat Press. He has also compiled a bibliography of Morgan’s work
 . \nIona Lee is a writer from Edinburgh whose work encompasses poetry\, mu
 sic\, visual art\, and live performance. She has read her work in venues a
 nd on festival stages all over the UK and Europe\, from Shetland to Cornwa
 ll\, Paris to Berlin\, dive bars to the Royal Albert Hall. Her debut colle
 ction\, Anamnesis (Polygon\, 2023) won the Somerset Maugham Award\, and in
  2024 she published What I Love About A Cloud Is Its Unpredictability (Tri
 ckhouse Press)  ̶  a collection of visual and concrete poetry created t
 hrough interactions with the geolocation software what3words. Iona’s wor
 k is concerned with themes of magic\, media\, art and artifice\, memory an
 d other hauntings. \nDan Power was shortlisted for the Edwin Morgan Poetry
  Award in 2024. His poems appear in Poetry London\, Poetry Ireland Review
 \, Gutter\, Magma\, Wet Grain\, and more. Dan is the founding editor of Tr
 ickhouse Press\, a publisher specialising in visual poetry\, and holds a P
 hD in Creative Writing from Lancaster University. His film poems have been
  exhibited at the Off-Page Vispo exhibition in 2025\, Beaconsfield Gallery
  in London\, and at StAnza: Scotland’s International Poetry Festival. Da
 n can be found on Instagram @therealdanpower\, or at danpower.xyz. \nAdva
 nced reviews: \nEdwin Morgan’s is the kind of poetry I want. A Home in 
 Space is a multiverse chock full of concrete word-patterning\, sound-ups a
 nd cut-ups\, galaxies and constellations\, collages\, overlays\, typograph
 ic arrays\, acoustic riffs\, lettrist elations and noncesensical confabula
 tions\, graphic designs\, ur-computer inventions\, and iconoclastic ads an
 d icons. Greg Thomas and Julie Johnstone’s detailed\, historically infor
 mative\, and discerning introduction sets the stage for Morgan’s verbo-v
 isual-vocal – patalexical! polychromatic! – lollapalooza of a book.\nC
 harles Bernstein\, Donald T. Regan Professor Emeritus of English and Compa
 rative Literature\, University of Pennsylvania \nThis eagerly awaited stud
 y is a veritable triumph. Greg Thomas’s fine introduction ranges seamles
 sly over the intricate details of Morgan’s multifaceted career as a poet
 . The decision to reproduce many of the poetic texts in the versions that 
 Morgan himself devised enhances the book’s historical importance.\nSteph
 en Bann\, Emeritus Professor of History of Art\, University of Bristol\, a
 nd editor of Concrete Poetry: An International Anthology (1967) \nA Home i
 n Space is a fantastic presentation of the extensive work of the Scottish 
 visual/concrete poet Edwin Morgan. Greg Thomas and Julie Johnstone have cr
 eated an artfully curated volume that showcases the many dimensions of Mor
 gan’s practice – from his early scrapbooks through his explorations of
  typewriter\, graphic\, visual poetics in various media. Thomas’s initia
 l essay situates Morgan’s work in the context of twentieth-century liter
 ary activity\, making the case once and for all that visual poetry was a c
 entral – rather than marginal – component of modern aesthetics. For th
 ose unfamiliar with the poet\, this is a terrific introduction and\, for t
 hose already fans\, the book is an opportunity to appreciate the range and
  variety of Morgan’s thought and expression. So much of his work is scat
 tered and distributed in different venues and repositories and circulated 
 in niche networks that the sheer effort of locating\, selecting and collat
 ing this collection is admirable. It’s such a pleasure to see the combin
 ation of solid research and beautifully designed publication honouring Mor
 gan’s creative spirit.\nJohanna Drucker\, author of Affluvia: The Toxic 
 Off-Gassing of Affluent Culture (2025) and Inventing the Alphabet (2022) \
 nThis is a marvellous book\, revealing for the first time the full range o
 f generous wit with which Edwin Morgan wrote radical new poetries. Here\, 
 indeed\, are oodles of thrillingly self-estranging technical experiment an
 d much avant-garde mischief.\nDrew Milne\, Judith E. Wilson Professor of P
 oetics\, University of Cambridge\, and author of In Darkest Capital: Colle
 cted Poems
LAST-MODIFIED:20260829T215631Z
URL:https://www.fruitmarket.co.uk/event/book-launch-of-a-home-in-space/?ut
 m_source=caldiscovery&utm_medium=ics&utm_campaign=edinburgh-scotland
X-SOURCE-NAME:Fruitmarket
X-SOURCE-URL:https://www.fruitmarket.co.uk/
END:VEVENT
BEGIN:VEVENT
SUMMARY:Open Book Creative Writing
DTSTART:20260924T180000Z
DTEND:20260924T200000Z
DTSTAMP:20260911T003152Z
UID:10001462-1790276400-1790283600@lgbthealth.org.uk
CATEGORIES:literary
DESCRIPTION:Delivered in partnership with Open Book Reading\, we’ll be 
 reading stories and poems aloud and using them to create our own writing i
 n a gentle\, guided session with Lead Reader\, Jess Orr. \n  \nNo experie
 nce required! Just a willingness to have a go in a safe and affirmative se
 tting. \n  \nFirst time? Find out what to expect from a session on this 
 guide.
LAST-MODIFIED:20260911T003152Z
LOCATION:LGBT Health and Wellbeing (Edinburgh)\, 4 Duncan Place\, Edinburg
 h\, EH6 8HW\, United Kingdom
URL:https://lgbthealth.org.uk/event/open-book-creative-writing/2026-09-24/
 ?utm_source=caldiscovery&utm_medium=ics&utm_campaign=edinburgh-scotland
X-SOURCE-NAME:LGBT Health and Wellbeing
X-SOURCE-URL:https://lgbthealth.org.uk/
END:VEVENT
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