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DESCRIPTION:Discovered and maintained by CalDiscovery (https://caldiscover
 y.com). Event details belong to their publishers. Contains information fro
 m CalDiscovery\, which is made available under the ODbL 1.0.
SOURCE:https://caldiscovery.com/duluth-mn/film.ics
X-PUBLISHED-TTL:PT1H
X-WR-CALDESC:Discovered and maintained by CalDiscovery (https://caldiscove
 ry.com). Event details belong to their publishers. Contains information fr
 om CalDiscovery\, which is made available under the ODbL 1.0.
X-WR-CALNAME:CalDiscovery - duluth-mn (film)
BEGIN:VEVENT
SUMMARY:Art\, Life\, & Death: 3 Films by The Archers
DTSTART:20261107T010000Z
DTEND:20261107T033000Z
DTSTAMP:20260825T181627Z
UID:http://uid.trumba.com/event/205753100
CATEGORIES:film
DESCRIPTION:Summary: The Red Shoes (1948) (2h 16m) Moira Shearer stars as 
 Vicky Page in this masterful update to the Hans Christian Andersen story.I
 s this event open to the public?: YesCost: Free AdmissionContact: Nathan C
 arrollContact Email: ncarroll@css.eduStudent Calendar Type: All CampusesMo
 ira Shearer stars as Vicky Page in this masterful update to the Hans Chris
 tian Andersen story. Page\, an aspiring ballerina\, is torn between comple
 te artistic dedication to her craft and the desire for romance and a norma
 l life.‘The Archers’ was a unique filmmaking partnership formed by Bri
 tish film director Michael Powell and Emeric Pressburger\, a Hungarian wri
 ter who fled Nazi Germany and emigrated to England. Powell worked through 
 the 1920s learning his craft by way of creating a series of short ‘quota
  quickies\,’ before being matched up with Pressburger by legendary film 
 producer Alexander Korda. From the mid-1930s through the mid-1950s the two
  were inseparable as a creative team\, creating their own production compa
 ny\, The Archers\, and collaborating on some of Britain’s most renowned 
 films of the period. Along with a regular troupe of actors\, DP Jack Cardi
 ff\, Production Designer Alfred Junge\, and Art Director Hein Heckroth\, T
 he Archers’ cinema embraced fantasy\, subjectivity\, and artificiality a
 s ironic means to create what Powell termed ‘Total Cinema\,’ a concept
  born in the search for artistic truth. Often bathed in 3-Strip Technicolo
 r and staged with sublime effects\, their regularly astonishing films of t
 his period include the three chosen for the CSS Film Festival.
LAST-MODIFIED:20260825T181627Z
LOCATION:Burns Wellness Center 249
X-SOURCE-NAME:Arts + Ideas
X-SOURCE-URL:https://www.trumba.com/events-calendar/mn/duluth/performing-a
 rts-and-lectures
END:VEVENT
BEGIN:VEVENT
SUMMARY:Art\, Life\, & Death: 3 Films by The Archers
DTSTART:20261107T190000Z
DTEND:20261107T220000Z
DTSTAMP:20260825T181627Z
UID:http://uid.trumba.com/event/205753569
CATEGORIES:film
DESCRIPTION:Summary: The Life and Death of Colonel Blimp (1943) (2h 44m) I
 ntroduced by: Kevin Quarmby\, Ph.D. (CSS English Faculty)Is this event ope
 n to the public?: YesCost: Free AdmissionContact: Nathan CarrollContact Em
 ail: ncarroll@css.eduStudent Calendar Type: All CampusesClive Candy (Roger
  Livesey)\, an infamous caricature of Winston Churchill\, is given a ficti
 onal biopic in this moving tale of indelible friendship between an English
  officer and his German adversary (Anton Walbrook). Deborah Kerr notably p
 lays three roles.‘The Archers’ was a unique filmmaking partnership for
 med by British film director Michael Powell and Emeric Pressburger\, a Hun
 garian writer who fled Nazi Germany and emigrated to England. Powell worke
 d through the 1920s learning his craft by way of creating a series of shor
 t ‘quota quickies\,’ before being matched up with Pressburger by legen
 dary film producer Alexander Korda. From the mid-1930s through the mid-195
 0s the two were inseparable as a creative team\, creating their own produc
 tion company\, The Archers\, and collaborating on some of Britain’s most
  renowned films of the period. Along with a regular troupe of actors\, DP 
 Jack Cardiff\, Production Designer Alfred Junge\, and Art Director Hein He
 ckroth\, The Archers’ cinema embraced fantasy\, subjectivity\, and artif
 iciality as ironic means to create what Powell termed ‘Total Cinema\,’
  a concept born in the search for artistic truth. Often bathed in 3-Strip 
 Technicolor and staged with sublime effects\, their regularly astonishing 
 films of this period include the three chosen for the CSS Film Festival.
LAST-MODIFIED:20260825T181627Z
LOCATION:Burns Wellness Center 249
X-SOURCE-NAME:Arts + Ideas
X-SOURCE-URL:https://www.trumba.com/events-calendar/mn/duluth/performing-a
 rts-and-lectures
END:VEVENT
BEGIN:VEVENT
SUMMARY:Art\, Life\, & Death: 3 Films by The Archers
DTSTART:20261108T010000Z
DTEND:20261108T030000Z
DTSTAMP:20260825T181627Z
UID:http://uid.trumba.com/event/205753571
CATEGORIES:film
DESCRIPTION:Summary: A Matter of Life and Death (1946) (1h 44m) Introduced
  by: Nathan Carroll\, Ph.D. (Film Studies Faculty)Is this event open to th
 e public?: YesCost: Free AdmissionContact: Nathan CarrollContact Email: nc
 arroll@css.eduStudent Calendar Type: All CampusesWWII RAF pilot Peter Cart
 er (David Niven) crashes\, but not before falling in love with June (Kim H
 unter)\, American radio operator. However\, it turns out Carter’s guide 
 to the ‘OtherWorld’ missed him in the dense English fog. Carter finds 
 June\, but is soon ordered to leave for the ‘Other World.’ Refusing\, 
 Carter requests a trial to stay with June. Meanwhile on Earth\, a progress
 ive doctor (Roger Livesey) believes Carter is hallucinating\, suggesting b
 rain surgery. This operation is paralleled with Carter’s heavenly trial 
 as he struggles for life\, love\, and sanity.‘The Archers’ was a uniqu
 e filmmaking partnership formed by British film director Michael Powell an
 d Emeric Pressburger\, a Hungarian writer who fled Nazi Germany and emigra
 ted to England. Powell worked through the 1920s learning his craft by way 
 of creating a series of short ‘quota quickies\,’ before being matched 
 up with Pressburger by legendary film producer Alexander Korda. From the m
 id-1930s through the mid-1950s the two were inseparable as a creative team
 \, creating their own production company\, The Archers\, and collaborating
  on some of Britain’s most renowned films of the period. Along with a re
 gular troupe of actors\, DP Jack Cardiff\, Production Designer Alfred Jung
 e\, and Art Director Hein Heckroth\, The Archers’ cinema embraced fantas
 y\, subjectivity\, and artificiality as ironic means to create what Powell
  termed ‘Total Cinema\,’ a concept born in the search for artistic tru
 th. Often bathed in 3-Strip Technicolor and staged with sublime effects\, 
 their regularly astonishing films of this period include the three chosen 
 for the CSS Film Festival.
LAST-MODIFIED:20260825T181627Z
LOCATION:Burns Wellness Center 249
X-SOURCE-NAME:Arts + Ideas
X-SOURCE-URL:https://www.trumba.com/events-calendar/mn/duluth/performing-a
 rts-and-lectures
END:VEVENT
END:VCALENDAR