BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//CalDiscovery//caldiscovery//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
DESCRIPTION:Discovered and maintained by CalDiscovery (https://caldiscover
 y.com). Event details belong to their publishers. Contains information fro
 m CalDiscovery\, which is made available under the ODbL 1.0.
SOURCE:https://caldiscovery.com/atlanta-ga/src-9980.ics
X-PUBLISHED-TTL:PT1H
X-WR-CALDESC:Discovered and maintained by CalDiscovery (https://caldiscove
 ry.com). Event details belong to their publishers. Contains information fr
 om CalDiscovery\, which is made available under the ODbL 1.0.
X-WR-CALNAME:CalDiscovery - atlanta-ga
BEGIN:VEVENT
SUMMARY:Call for Entry: Storytelling 2026
DTSTART:20260830T040000Z
DTEND:20260924T035900Z
DTSTAMP:20260831T010235Z
UID:591@atlantaphotographygroup.org
CATEGORIES:literary
DESCRIPTION:[vc_row height="auto"][vc_column][/vc_column][/vc_row][vc_row 
 height="auto" disable_element="yes"][vc_column][vc_column_text]APG Announc
 es Special Guest for Atlanta Celebrates Photography\, Henry Horenstein\nTh
 e Atlanta Photography Group is excited to announce that our special guest 
 for Atlanta Celebrates Photography (ACP) this year will be world-renowned 
 photographer\, author\, and educator Henry Horenstein.  He will also be t
 he juror of our next call for entries\, which will celebrate street and do
 cumentary photography. Mr. Horenstein will attend the juror/ artist talk a
 t the APG Gallery in September and will also be here for a book signing\, 
 artist talk around his decades of work and a screening of his multi-awardi
 ng winning film\, Blitto Underground.  We will be releasing more details 
 shortly.[/vc_column_text][/vc_column][/vc_row][vc_row height="auto" disabl
 e_element="yes"][vc_column][us_separator][us_carousel post_type="attachmen
 t" images="32458\,32450\,32451\,32452\,32453\,32454\,32455\,32456\,32457" 
 orderby="post__in" items_layout="gallery_default" items_gap=".5rem" img_si
 ze="shop_catalog" items_ratio="1x1" carousel_arrows="1" carousel_arrows_st
 yle="7" columns="6"][/vc_column][/vc_row][vc_row height="auto"][vc_column]
 [vc_column_text]\nStorytelling 2026:\nDocumentary and Street Photography\n
 \n\nThe Atlanta Photography Group is excited to announce our next call for
  entry\, Storytelling 2026\, which celebrates street and documentary phot
 ography of all styles with images that reflect a strong narrative. We are 
 looking for images which are a combination of candid depictions of everyda
 y life\, shadows of the city streets\, the abandonment of a country road\,
  subtle moments of joy\, humor\, love\, fear or anxiety. Think of work lik
 e that created by Diane Arbus\, Bruce Davidson\, Robert Frank\, Josef Koud
 leka\, Helen Levitt\, Baldwin Lee\, Roy DeCarava\, Mary Ellen Mark\, Daido
  Moriyama\, Lee Friedlander\, Lisette Model\, Gordon Parks\, and Harry Cal
 lahan.\n\nWe are excited to have Karen Marshall\, Chair of The Documentary
  Practice and Visual Journalism Program for the International Center of Ph
 otography as our esteemed juror.\n\n\n[/vc_column_text][us_separator size=
 "small"][vc_column_text]\nKaren Marshall\nChair of The Documentary Practic
 e and Visual Journalism Program\nInternational Center for Photography\nNew
  York photographer Karen Marshall documents social issues. By focusing on 
 the psychological lives of her subjects\, she has worked on a series of vi
 sual stories that contemplate familial relationships and convey ideas abou
 t people and place within the cultural landscape.\n\nHer seminal project\,
  Between Girls\, articulates the coming of age of a group of urban middle 
 class teenagers\, following them from high school into adulthood 30 years 
 later.\n\nThe book of Between Girls was published by Kehrer Verlag in 2021
 .\n\nIn her documentary journey Marshall also has witnessed the struggling
  identity of a group of Navajo Indians and the demise of their earth-based
  culture in Caretakers of the Earth: Navajo Resistance and Relocation. She
  often directs her camera at family life\, including her Pennsylvania Dutc
 h in-laws’ clan in a series titled Pennsylvania In-Laws. In Still\, Stan
 ding\, a series begun in 2013\, she explores the Polish landscape that her
  grandparents left behind when they emigrated to the United States in the 
 early 1920's.\n\nMarshall is the recipient of artist fellowships and spons
 orships through the New York Foundation for the Arts\, as well as grants a
 nd support from private foundations. Her photographs have been exhibited i
 n the United States\, the Philippines\, British Columbia\, Israel\, Colomb
 ia\, and China\, and are part of several collections\, including the Femin
 ist Artbase at The Brooklyn Museum.\n\nHer images have appeared in publica
 tions in the United States\, Europe\, and Asia such as The Washington Post
 \, CNN\, ID Vice\, Buzzfeed\, Konbini Arts\, Juxtapoz\, Photobook Journal\
 , L'Oeil de la Photographie\, NPR Picture Show\, Blind Magazine\, Vanity F
 air\, GUP Magazine among others.\n\nHer work as a freelance photographer s
 pans many genres. Marshall’s distinctive style captures meaningful momen
 ts within a narrative frame. She has photographed for editorial\, corporat
 e\, non-profit\, and advertising clients for more than twenty-five years i
 n Europe\, South Africa\, Asia\, and Latin America. Marshall is an expert 
 at visual storytelling with a thriving consulting business assisting photo
 graphers\, foundations\, and small companies in the creation of visual nar
 ratives.\n\nMarshall is the Chair of the fulltime Documentary Practice and
  Visual Journalism Program at The International Center of Photography wher
 e she has been on the faculty for more than 20 years. She is an Associate 
 Professor (Adjunct) at New York University\, mentors MFA candidates at the
  Maine Media Workshops\, and teaches independent workshops in the United S
 tates\, China\, Germany\, Italy\, and Columbia. Marshall holds an MFA in N
 ew Media (Transart Institute/Donau Universitat Krems\, Austria).[/vc_colum
 n_text][vc_column_text]\nInternational Center for Photography\nThe Interna
 tional Center of Photography is the world’s leading institution dedicate
 d to photography and visual culture. Cornell Capa founded ICP in 1974 to c
 hampion “concerned photography”—socially and politically minded imag
 es that can educate and change the world. Through their exhibitions\, educ
 ation programs\, community outreach\, and public programs\, ICP offers an 
 open forum for dialogue about the power of the image.\n\nWebsite: https://
 www.icp.org[/vc_column_text][us_separator size="small"][vc_column_text]\nE
 NTRY INFORMATION\nCFE Submissions:  August 30–September 23\, 2026\nAll 
 dates and times are Eastern Time (ET)\nAll submissions must be made by Sep
 tember 23\, 2026\, Midnight\n\nEarly Submissions – August 30 – Septemb
 er 7\, 2026:\n2 works: $30\, 4 works: $45\, 6 works: $55\, 8 works: $70\nR
 egular Submissions – September 8 – 20\, 2026:\n2 images: $40\, 4 image
 s: $60\, 6 images: $70\, 8 images: $85\nLate Submissions – September 21 
 – 23\, 2026:\n2 images: $50\, 4 images: $70\, 6 images: $80\, 8 images: 
 $95\nStudent Submissions:\n2 images: $30\, 4 images: $45\, 6 images: $55\,
  8 images: $70\nSelected work can be up to 32” on the longest side. Whit
 e or Black frame. White or Black mats only. Must have wire on back for han
 ging.\n\nImages which have been shown in either the Main or Maloof Galleri
 es within the last 3 years are not eligible. This does not include Push Pi
 n or Airport.\n\nDeadline For Entries: September 23\, 2026\, Midnight\nNot
 ification of Accepted Work: On or about September 30\, 2026\nDelivery of W
 ork: October 30\, 2026 at 4pm ET – No work will be accepted after this d
 ate.\nShow Dates: November 3 – December 4\, 2026\nReception & Juror Tal
 k: TBD\nPick-Up: Works must be picked up within 10 days after the exhibiti
 on closes. Please provide return label if you аre shipping your work.\n\n
 Open to APG members – Join or Renew Now!\n\nFILE PREPARATION\n\n 	The j
 uror will be selecting the images from all entries.\n 	Export images as .j
 pg. Resize to 2100 px on the longest side.\n 	Rename files to the titles o
 f each work exactly as you wish it to appear (example: My Great Photo.jpg)
  Your name will be automatically prepended to the file upon upload.\n 	Cre
 ate a text file with your Personal Info (name\, email\, phone\, website/so
 cial media)\, Artist Statement (500 words max)\, Bio (250 words max)\, and
  Image list (in this order: Title\, Year piece was created\, Print/Image S
 ize (H x W)\, estimated Framed Size (H x W) Medium (archival pigment print
 \, inkjet print\, silver gelatin\, cyanotype\, etc.)\, and save this file 
 as a Word doc or PDF.\n 	Once you have paid the Entry Fee\, you will recei
 ve an email with a link to upload your files\n\nIn order to submit your wo
 rk you must be a current APG member. Join or Renew Now!\n\nAll entries mu
 st be completed ONLINE. Do NOT email any image files\n\n 	Complete Online 
 Registration & Payment\n 	The link to upload your files will be sent to yo
 u in your payment confirmation email. You will receive two emails after yo
 u pay. One will have the upload link. If you don't receive two emails\, ch
 eck your spam folder.\n 	Once you get this link\, you must be logged into 
 the website in order to successfully upload your work.\n 	Upload Files to 
 the Dropbox link found in the payment confirmation.\n 	If you have any que
 stions or need assistance\, please contact - gallery@AtlantaPhotographyGro
 up.org\n\n[/vc_column_text][/vc_column][/vc_row][vc_row width="1" height="
 auto" disable_element="yes"][vc_column][us_separator size="small"][vc_colu
 mn_text]\nEarly Submissions - June 1 - June 30\, 2022\n[/vc_column_text][/
 vc_column][/vc_row][vc_row width="full" height="auto" conditions_operator=
 "never"][vc_column][us_separator size="small"][vc_column_text]\nREGISTRATI
 ON CLOSED\n[/vc_column_text][/vc_column][/vc_row][vc_row width="full" heig
 ht="auto"][vc_column][us_btn label="Submit Your Work" link="%7B%22url%22:%
 22https:%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for-entry-storytel
 ling-2026%2F%22\,%22title%22:%22Tell%20Me%20A%20Story%20-%20Late%22%7D" hi
 de_with_empty_link="1" align="center"][us_separator size="small"][/vc_colu
 mn][/vc_row][vc_row width="1" height="auto" disable_element="yes"][vc_colu
 mn][vc_column_text]\nStudent Submissions - June 1 - August 15\, 2022\n[/vc
 _column_text][us_separator size="small"][/vc_column][/vc_row][vc_row width
 ="full" height="auto" disable_element="yes"][vc_column width="1/4"][us_btn
  label="Student Submission - 2 for $30" link="%7B%22url%22:%22https:%2F%2F
 atlantaphotographygroup.org%2Fshop%2Fcall-for-entry-storytelling-2023-2-im
 ages%2F%22\,%22title%22:%22Student%20Submission%202%20for%2030%22%7D" hide
 _with_empty_link="1" align="center"][us_separator size="huge"][/vc_column]
 [vc_column width="1/4"][us_btn label="Student Submission - 4 for $45" link
 ="%7B%22url%22:%22https:%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-fo
 r-entry-storytelling-2023-4-images%2F%22\,%22title%22:%22Student%20Submiss
 ion%204%20for%2045%22%7D" hide_with_empty_link="1" align="center"][us_sepa
 rator size="huge"][/vc_column][vc_column width="1/4"][us_btn label="Studen
 t Submission - 6 for $55" link="%7B%22url%22:%22https:%2F%2Fatlantaphotogr
 aphygroup.org%2Fshop%2Fcall-for-entry-storytelling-2023-6-images%2F%22\,%2
 2title%22:%22Student%20Submission%206%20for%2055%22%7D" hide_with_empty_li
 nk="1" align="center"][us_separator size="huge"][/vc_column][vc_column wid
 th="1/4"][us_btn label="Student Submission - 8 for $70" link="%7B%22url%22
 :%22https:%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for-entry-storyt
 elling-2023-8-images%2F%22\,%22title%22:%22Student%20Submission%208%20for%
 2070%22%7D" hide_with_empty_link="1" align="center"][us_separator size="hu
 ge"][/vc_column][/vc_row]
LAST-MODIFIED:20260831T010235Z
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlan
 ta\, GA\, 30324\, United States
URL:https://atlantaphotographygroup.org/events/call-for-entry-storytelling
 -2026/
X-SOURCE-NAME:Atlanta Photography Group
X-SOURCE-URL:https://atlantaphotographygroup.org
END:VEVENT
BEGIN:VEVENT
SUMMARY:Call for Entry: Portrait 2026
DTSTART:20260830T040000Z
DTEND:20260924T034500Z
DTSTAMP:20260831T010235Z
UID:592@atlantaphotographygroup.org
CATEGORIES:arts
DESCRIPTION:[vc_row width="full" height="auto" disable_element="yes"][vc_c
 olumn][vc_column_text css="%7B%22default%22:%7B%22color%22:%22%23f00c4d%22
 %7D%7D"]\nSUBMISSIONS WILL OPEN ON MONDAY\, MAY 1\, 2023\nPlease check bac
 k!\n[/vc_column_text][/vc_column][/vc_row][vc_row width="full" height="aut
 o" disable_element="yes"][vc_column][vc_column_text css="%7B%22default%22:
 %7B%22color%22:%22%23ed0c0c%22%7D%7D"]\nSUBMISSIONS CLOSE TONIGHT - Monday
 \, January 2\, 2023 at 10PM.\n\n[/vc_column_text][/vc_column][/vc_row][vc_
 row width="full" height="auto" disable_element="yes"][vc_column][vc_column
 _text css="%7B%22default%22:%7B%22color%22:%22%23ed0c0c%22%7D%7D"]\nSubmis
 sions Closed Monday\, June 5\, 2023 at 10PM.\n \n[/vc_column_text][/vc_co
 lumn][/vc_row][vc_row width="full" height="auto" content_placement="middle
 "][vc_column][vc_column_text css="%7B%22default%22:%7B%22margin-bottom%22:
 %22-150%22%7D%7D"]\n\n\nPortrait 2026\nJuror:\nAlan K. Avery\nPresident an
 d Owner of Alan Avery Art Company\n\n\n[/vc_column_text][/vc_column][/vc_r
 ow][vc_row width="full" height="auto"][vc_column][us_separator size="small
 "][vc_column_text]\n\n\n\n\nWe invite photographers from around the world 
 to submit their most compelling and thought-provoking works for our upcomi
 ng exhibition\, Portrait 2026. This exhibition seeks to celebrate the time
 less art of portraiture and the profound stories that can be conveyed thro
 ugh the human figure. We are looking for images which explore the intrica
 te and intimate connections that bind us as human beings. Through the lens
  of portraiture\, this exhibition aims to unveil the unique narratives tha
 t are etched onto each individual's face and body. The human form\, whethe
 r presented in its unadorned simplicity or adorned with personal symbolism
 \, serves as a canvas for emotions\, experiences\, and stories that transc
 end cultural boundaries.\n\nThemes include but are not limited to:\n\n 	Id
 entity and self-expression\n 	Emotion and psychology\n 	Cultural diversity
 \n 	Narrative portraiture\n\nAPG is thrilled to have Alan K. Avery\, Presi
 dent and Owner of Alan Avery Art Company as our esteemed juror.\n\nUp to
  24 Works will be selected. Selected work can be up to 24” on the longes
 t side. White or Black frame. White or Black mats only. Must have wire on 
 back for hanging.\n\n\n\n[/vc_column_text][us_separator size="small"][vc_c
 olumn_text]\nAlan K. Avery\nPresident and Owner\nAlan Avery Art Company\nA
 lan Avery is the President and Owner of Alan Avery Art Company.\nThe galle
 ry opened in 1981 in a downtown warehouse on Trinity Avenue\, formerly kno
 wn as Trinity Gallery. In 1991\, the gallery moved to the Buckhead distric
 t of Atlanta where it has been located for 42 years.​\nAlan Avery Art Co
 mpany\, now the oldest sustained art gallery in Atlanta\, represents works
  by exciting and technically proficient emerging\, mid-career\, and intern
 ationally established artists including: Robert Rauschenberg\, Jim Dine\, 
 Andy Warhol\, Chuck Close\, Roy Lichtenstein\, Caio Fonseca\, Donald Sulta
 n\, Helen Frankenthaler\, Louise Nevelson\, Kara Walker\, Fabiola Jean -Lo
 uis\, Margaret Bowland\, the Estate of Thomas Hart Benton and the Estate o
 f Romare Bearden.\n[/vc_column_text][vc_column_text conditions_operator="n
 ever"]\nFraction Magazine\nFraction Magazine is an online venue dedicated 
 to showcasing thoughtful photographic projects from a global community. Th
 ey believe that photography\, as a perpetually growing set of practices\, 
 continues to present a unique medium through which individuals engage with
  the world by making visible their positions and concerns\, their pleasure
 s and sorrows. From their inception\, their monthly issues have provided a
  venue for perspectives and bodies of work from artists from a wide range 
 of cultural and ethnic backgrounds\, gender and sexual expressions\, relig
 ious beliefs\, socioeconomic statuses\, and geographical locations. Fracti
 on is committed to being anti-racist and to broadening the historically na
 rrow and privileged perspectives that have long dominated photographic dis
 course through layers of institutional filters. They pledge to share their
  platform with and provide ongoing collaborative opportunities for BIPOC\,
  LGBTQ+\, and Womxn artists\, curators and writers\, and those bringing pe
 rspectives that are under-represented in photography. They are committed t
 o exploring photography with our growing community\, as a means to underst
 anding\, and through understanding\, compassion\, and advocacy.\n\nWebsite
 : https://www.fractionmagazine.com[/vc_column_text][us_separator size="sma
 ll"][/vc_column][/vc_row][vc_row width="full" height="auto"][vc_column][vc
 _column_text]\nENTRY INFORMATION\nCFE Submissions:  August 30–September
  23\, 2026\nAll dates and times are Eastern Time (ET)\nAll submissions mus
 t be made by September 23\, 2026\, Midnight\n\nEarly Submissions – Augus
 t 30 – September 7\, 2026:\n2 works: $30\, 4 works: $45\, 6 works: $55\,
  8 works: $70\nRegular Submissions – September 8 – 20\, 2026:\n2 image
 s: $40\, 4 images: $60\, 6 images: $70\, 8 images: $85\nLate Submissions 
 – September 21 – 23\, 2026:\n2 images: $50\, 4 images: $70\, 6 images:
  $80\, 8 images: $95\nStudent Submissions:\n2 images: $30\, 4 images: $45\
 , 6 images: $55\, 8 images: $70\nSelected work can be up to 24” on the l
 ongest side. White or Black frame. White or Black mats only. Must have wir
 e on back for hanging.\n\nImages which have been shown in either the Main 
 or Maloof Galleries within the last 3 years are not eligible. This does no
 t include Push Pin or Airport.\n\nDeadline For Entries: September 23\, 202
 6\, Midnight\nNotification of Accepted Work: On or about September 30\, 20
 26\nDelivery of Work: October 30\, 2026 at 4pm ET – No work will be acce
 pted after this date.\nShow Dates: November 3 – December 4\, 2026\nRecep
 tion & Juror Talk: TBD\nPick-Up: Works must be picked up within 10 days a
 fter the exhibition closes. Please provide return label if you аre shippi
 ng your work.\n\nOpen to APG members – Join or Renew Now!\n\nFILE PREPA
 RATION\n\n 	The juror will be selecting the images from all entries.\n 	Ex
 port images as .jpg. Resize to 2100 px on the longest side.\n 	Rename file
 s to the titles of each work exactly as you wish it to appear (example: My
  Great Photo.jpg) Your name will be automatically prepended to the file up
 on upload.\n 	Create a text file with your Personal Info (name\, email\, p
 hone\, website/social media)\, Artist Statement (500 words max)\, Bio (250
  words max)\, and Image list (in this order: Title\, Year piece was create
 d\, Print/Image Size (H x W)\, estimated Framed Size (H x W) Medium (archi
 val pigment print\, inkjet print\, silver gelatin\, cyanotype\, etc.)\, an
 d save this file as a Word doc or PDF.\n 	Once you have paid the Entry Fee
 \, you will receive an email with a link to upload your files\n\nIn order 
 to submit your work you must be a current APG member. Join or Renew Now!\
 n\nAll entries must be completed ONLINE. Do NOT email any image files\n\n 
 	Complete Online Registration & Payment\n 	The link to upload your files w
 ill be sent to you in your payment confirmation email. You will receive tw
 o emails after you pay. One will have the upload link. If you don't receiv
 e two emails\, check your spam folder.\n 	Once you get this link\, you mus
 t be logged into the website in order to successfully upload your work.\n 
 	Upload Files to the Dropbox link found in the payment confirmation.\n 	If
  you have any questions or need assistance\, please contact - gallery@Atla
 ntaPhotographyGroup.org\n\n[/vc_column_text][us_separator size="small"][/v
 c_column][/vc_row][vc_row width="full" height="auto"][vc_column][us_btn la
 bel="SUBMIT YOUR WORK" link="%7B%22url%22:%22https:%2F%2Fatlantaphotograph
 ygroup.org%2Fshop%2Fcall-for-entry-portrait-2026%2F%22\,%22title%22:%22Sub
 mit%20Your%20Work%22%7D" hide_with_empty_link="1" align="center"][/vc_colu
 mn][/vc_row][vc_row width="full" height="auto" disable_element="yes"][vc_c
 olumn][us_btn label="Submit 2\, 4\, 6 or 8 Images" link="%7B%22url%22:%22h
 ttps:%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for-entry-portrait-20
 24%2F%22%7D" align="center"][/vc_column][/vc_row][vc_row width="full" heig
 ht="auto" disable_element="yes"][vc_column width="1/4"][us_btn label="STUD
 ENT REGISTRATION - 2 IMAGES" link="%7B%22url%22:%22https:%2F%2Fatlantaphot
 ographygroup.org%2Fshop%2Fcall-for-entry-identity-2023-2-images%2F%22%7D" 
 align="center"][/vc_column][vc_column width="1/4"][us_btn label="STUDENT R
 EGISTRATION - 4 IMAGES" link="%7B%22url%22:%22https:%2F%2Fatlantaphotograp
 hygroup.org%2Fshop%2Fcall-for-entry-identity-2023-4-images%2F%22%7D" align
 ="center"][/vc_column][vc_column width="1/4"][us_btn label="STUDENT REGIST
 RATION - 6 IMAGES" link="%7B%22url%22:%22https:%2F%2Fatlantaphotographygro
 up.org%2Fshop%2Fcall-for-entry-identity-2023-6-images%2F%22%7D" align="cen
 ter"][/vc_column][vc_column width="1/4"][us_btn label="STUDENT REGISTRATIO
 N - 8 IMAGES" link="%7B%22url%22:%22https:%2F%2Fatlantaphotographygroup.or
 g%2Fshop%2Fcall-for-entry-identity-2023-8-images%2F%22%7D" align="center"]
 [/vc_column][/vc_row][vc_row width="full" height="auto" conditions_operato
 r="never"][vc_column][vc_column_text]\nRegistrations Closed\n[/vc_column_t
 ext][/vc_column][/vc_row][vc_row width="full" height="auto" disable_elemen
 t="yes"][vc_column][vc_column_text]\nStudent Submissions - May 1 - June 1\
 , 2023\n[/vc_column_text][/vc_column][/vc_row][vc_row width="full" height=
 "auto" disable_element="yes"][vc_column][vc_column_text]\nSubmissions will
  open on August 19\, 2023\n[/vc_column_text][us_separator size="small"][/v
 c_column][/vc_row][vc_row height="auto"][vc_column][us_separator size="sma
 ll"][/vc_column][/vc_row]
LAST-MODIFIED:20260831T010235Z
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlan
 ta\, GA\, 30324\, United States
URL:https://atlantaphotographygroup.org/events/call-for-entry-portrait-202
 6/
X-SOURCE-NAME:Atlanta Photography Group
X-SOURCE-URL:https://atlantaphotographygroup.org
END:VEVENT
BEGIN:VEVENT
SUMMARY:Workshop - Developing Black and White Film & Introduction to the D
 arkroom
DTSTART:20260919T130000Z
DTEND:20260920T190000Z
DTSTAMP:20260824T010959Z
UID:590@atlantaphotographygroup.org
CATEGORIES:arts,education,film
DESCRIPTION:[vc_row height="auto" full_height="1"][vc_column][vc_column_te
 xt]\n\nDeveloping Black & White Film & Introduction to the Darkroom\nA 2-d
 ay workshop - take 1 day or both - your choice!\nSaturday: Developing Blac
 k & White Film - Chip Standifer - 9am-3pm\nSunday: Intro to the Darkroom -
  Quintavious Oliver - 10am-3pm\n\nAt the APG Gallery and Darkroom\n\nDevel
 oping Black and White Film is a hands-on\, one-day workshop designed for p
 hotographers who want a clear\, practical introduction to analog film deve
 lopment. Taught by artist Chip Standifer\, this course demystifies the dar
 kroom process and gives participants the confidence to develop black and w
 hite film on their own.\n\nThe workshop is structured as three hours in th
 e morning and two hours in the afternoon\, with a break for lunch. In the 
 morning session\, participants will cover the fundamentals of black and wh
 ite film\, including exposure considerations\, film types\, chemistry\, eq
 uipment\, and darkroom workflow. Chip will walk through each step of the d
 evelopment process\, explaining not just how to do it\, but why each step 
 matters.\n\nAfter lunch\, participants will put theory into practice by de
 veloping their own first roll of black and white film. The afternoon sessi
 on focuses on hands-on learning\, troubleshooting common issues\, and best
  practices for consistency and archival results. By the end of the class\,
  participants will leave with a developed roll of film and a solid underst
 anding of how to repeat the process independently.\n\nThis workshop is ide
 al for beginners with little or no darkroom experience\, as well as digita
 l photographers curious about working with film.\n\nINSTRUCTOR: Chip Stand
 ifer\n\nAs a well-travelled but odd and disconnected child\, Chip Standife
 r was always a keen observer of people\, places and situations. At the age
  of 12\, he built a pinhole camera and discovered the delights of creating
  images\, developing film\, and the magic of photographic images emerging 
 from the darkness.  Today\, when travelling the world for fast paced star
 tups\, he enjoys the meditative benefits of noticing the beauty everyone e
 lse misses as they hustle by.  His images have been juried into multiple 
 shows at the Atlanta Photography Group\, the Photographer’s Eye Collecti
 ve\, The Houston Center for Photography\, the Photo Place Gallery\, the SO
 HO Photo Gallery\, the Southeastern Center for Photography\, the Atlanta A
 irport\, The 2025 Atlanta Art Fair\, The Marietta Cobb Art Museum\,  the 
 John’s Creek Art Center\, The Fence Regional Show\, Slow Exposures\, The
  Montgomery Photo Festival\, The South By Southeast Gallery\, The Florida 
 Museum of Photographic Arts\, The Madison-Morgan Cultural Center and the B
 uckhead Library.[/vc_column_text][us_separator size="small"][vc_column_tex
 t]Introduction to the Darkroom - Learning how to see and make pictures wit
 h your camera is one thing - learning how to make your photographs real by
  printing them is another artform\, entirely. To do so by hand is often lo
 oked at as something of a meditative\, alchemical\, and spiritual practice
 . Inthis Intro To Darkroom class\, you’ll be given the tools to immortal
 ize your images on silver gelatin paper through the classical means of bla
 ck and white photographic development.\n\nStudents will explore the relati
 onship between their film and paper of choice\, various chemistry\, contra
 st filters\, and proper darkroom etiquette. This course will be a hands on
  an immersive experience for beginners and returning analogue printers ali
 ke. Once complete\, students will have a fundamental understanding of dark
 room printing concepts as well as how to see and understand print worthy i
 mages before raising their camera to expose their film.\n\nChemistry will 
 be provided.\n\nEach student should bring their own black and white negati
 ves and photosensitive paper to print with.\n\nClass will be limited to si
 x students.\n\nINSTRUCTOR: Quintavious Oliver\n\nQuintavius Oliver (b. 198
 9 Atlanta\, Ga.) is an Atlanta based fine art and documentary photographer
  who uses his engaging and intimate portraits as a means for dynamic story
 telling. Acquiring his first camera at the age of six from his grandmother
 \, he immediately began to document his ever-expanding world. By his mid-2
 0s the self-taught colorblind photographer was making waves in the photogr
 aphy community\, landing exhibitions at the Museum of Contemporary Art in 
 Atlanta and the Griffin Museum in Winchester\, MA - all while raising his 
 daughter as a full-time single father. Quintavius spent much of his early 
 career straddling the fence between his documentary-style photography in t
 he streets of Atlanta and making intimate portraits with friends\, explori
 ng sexuality\, fear\, joy\, and identity. His work would eventually expand
  to places like India and Cuba where he would explore life in the homes of
  individuals and families\, fostering a sense of global community through 
 photography. Those photographs have since been awarded 1st place in the 20
 25 International Photography Awards in Greece\, exhibitions at The Art Gal
 lery of Alberta\, Canada\, and even the permanent collections of The Museu
 m of Contemporary Art\, Houston TX and the Museum of Contemporary Art\, Ga
 . Now\, still with a camera in hand\, Quintavius has made it his mission t
 o see and photograph people honestly and wholly as he continues to create 
 a space for self-expression and vulnerability through his passion for phot
 ography.[/vc_column_text][us_separator size="small"][vc_column_text]\nWork
 shop Title – Saturday: Developing Black & White Film - Chip Standifer - 
 9am-3pm\nSunday: Intro to the Darkroom - Quintavious Oliver - 10am-3pm\nIn
 structor’s Names – Chip Standifer & Quintavious Oliver\nDate(s) – Sa
 turday\, September 19 & Sunday\, September 20\, 2026\nTime(s) – Saturday
 : 9:00am - 3:00pm / Sunday: 10:00am - 3:00pm\nLocation – In-Person at th
 e APG Gallery and Darkroom\nWorkshop Fee – Saturday $45 member / $65 non
 -members\nSunday $175 member / $195 non-members\nPurchase both Saturday an
 d Sunday $185 member / $205 non-members\nMaximum of 6 students for each cl
 ass\n[/vc_column_text][us_separator size="small"][us_btn label="REGISTER" 
 link="%7B%22url%22:%22https:%2F%2Fatlantaphotographygroup.org%2Fshop%2Fwor
 kshop-developing-black-and-white-film-introduction-to-the-darkroom%2F%22\,
 %22title%22:%22Workshop:%20Cultivate%20New%20Audiences%20and%20Disseminate
 %20Your%20Work%22%7D" hide_with_empty_link="1" align="center"][us_separato
 r size="small"][/vc_column][/vc_row]
LAST-MODIFIED:20260824T010959Z
URL:https://atlantaphotographygroup.org/events/workshop-developing-black-a
 nd-white-film-introduction-to-the-darkroom/
X-SOURCE-NAME:Atlanta Photography Group
X-SOURCE-URL:https://atlantaphotographygroup.org
END:VEVENT
BEGIN:VEVENT
SUMMARY:Photography Gear Swap & Sell
DTSTART:20260926T140000Z
DTEND:20260926T200000Z
DTSTAMP:20260812T191601Z
UID:585@atlantaphotographygroup.org
CATEGORIES:market
DESCRIPTION:[vc_row height="auto" disable_element="yes"][vc_column][/vc_co
 lumn][vc_column][vc_column_text css="%7B%22default%22:%7B%22color%22:%22%2
 3e02222%22%7D%7D"]SUBMISSIONS ARE CLOSED\, BUT REGISTRATION FOR THE LISTEN
  & LEARN OPTION ARE OPEN THROUGH WEDNESDAY\,  NOVEMBER 9\, 2022 AT 10PM.[
 /vc_column_text][us_separator size="small"][/vc_column][/vc_row][vc_row he
 ight="auto" disable_element="yes"][vc_column][/vc_column][vc_column][vc_co
 lumn_text css="%7B%22default%22:%7B%22color%22:%22%23e02222%22\,%22margin-
 bottom%22:%22-30px%22%7D%7D"]\nProject Review Slots are SOLD OUT\n[/vc_col
 umn_text][us_separator size="small"][/vc_column][/vc_row][vc_row width="fu
 ll" height="auto"][vc_column][/vc_column][vc_column][vc_column_text]\n\n[/
 vc_column_text][us_separator][vc_column_text]\nTime to clear out that came
 ra bag and find something new-to-you! Join us at the Atlanta Photography G
 roup for a gear swap and sell — bring any camera gear you'd like to trad
 e or sell\, and browse what other local photographers are letting go of.\n
 Lenses\, bodies\, bags\, tripods\, film — you name it.\n🗓️ Saturday
 \, September 26\n🕙 10am – 4pm\n📍 APG Gallery at Ansley Mall — 15
 44 Piedmont Ave NE\, Ste. 107\, Atlanta\, GA\nFree and open to the public 
 — come find your next favorite piece of gear!\n[/vc_column_text][/vc_col
 umn][/vc_row][vc_row width="full" height="auto" disable_element="yes"][vc_
 column][vc_column_text]\n\n\nModerator’s Bio\nBeth Lilly is a photograph
 ic artist whose work explores the formation of personal and cultural ident
 ities and the role choice\, chance and circumstance play in that ongoing e
 volution. Lilly earned an MFA in Photography from Georgia State University
  and an A.B.J. in Telecommunication Arts from the University of Georgia. H
 er work resides in the permanent collections of the High Museum\, the New 
 Mexico Museum of Art\, The Ogden Museum of Southern Art\, MOCA GA\, the Zu
 ckerman Museum and many other institutional and private collections. Her c
 ritically acclaimed performance/interactive project “The Oracle @ WiFi
 ” was published by Kehrer Verlag and other projects have been featured i
 n monographs ‘Noplaceness: Art in a Post-Urban Landscape’ and ‘Earth
  Now: American Landscape Photographers and the Environment’. Her work ha
 s been reproduced and reviewed in such publications as Blind Magazine\, F-
 Stop Magazine\, Lensculture\, Art Papers\, Papermag\, Burnaway\, The Bitte
 r Southerner\, Atlanta Magazine and ArtsATL. Select exhibitions include Ne
 w Mexico Museum of Art\, The High Museum of Art\, Spalding Nix Fine Art\, 
 the SE Center for Photography\, Whitespace Gallery\, the Atlanta Contempor
 ary Art Center\, and the Center for Fine Art Photography. In addition to h
 er personal work\, she teaches\, curates\, and serves on the Board of the 
 Atlanta Photography Group.\n\n\nModerator's Website – www.bethlilly.com
 \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row width="full" height="a
 uto"][vc_column][vc_column_text]\nEvent: Photography Gear Swap & Sell\nSat
 urday\, September2627\, 2026\, 10am-4pm ET\nLocation: In-Person - At the A
 PG Gallery\n[/vc_column_text][us_separator size="small"][/vc_column][/vc_r
 ow][vc_row height="auto" disable_element="yes"][vc_column][vc_column_text]
 \nREGISTER AS PRESENTER\nYOU DO NOT NEED TO REGISTER IF YOU ARE JUST OBSER
 VING\n[/vc_column_text][/vc_column][/vc_row][vc_row height="auto" disable_
 element="yes"][vc_column][us_btn label="December 21\, 2024 Presenter Regis
 tration" link="%7B%22url%22:%22https:%2F%2Fatlantaphotographygroup.org%2Fs
 hop%2Fcritique-in-person-critique-group-moderated-by-beth-lilly%2F%22\,%22
 title%22:%22Critique%20-%20December%206\,%202023%22%7D" hide_with_empty_li
 nk="1" align="center"][/vc_column][/vc_row][vc_row disable_element="yes"][
 vc_column][vc_column_text css="%7B%22default%22:%7B%22color%22:%22%23b00e1
 c%22%7D%7D"]\nRegistrations will open at 6pm on January 17\, 2023. Please 
 check back.\n[/vc_column_text][/vc_column][/vc_row]
LAST-MODIFIED:20260812T191601Z
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlan
 ta\, GA\, 30324\, United States
URL:https://atlantaphotographygroup.org/events/photography-gear-swap-sell/
X-SOURCE-NAME:Atlanta Photography Group
X-SOURCE-URL:https://atlantaphotographygroup.org
END:VEVENT
BEGIN:VEVENT
SUMMARY:Photo Book Saturday
DTSTART:20260926T140000Z
DTEND:20260926T160000Z
DTSTAMP:20260824T010959Z
UID:387@atlantaphotographygroup.org
CATEGORIES:arts
DESCRIPTION:[vc_row height="auto" disable_element="yes"][vc_column][/vc_co
 lumn][vc_column][vc_column_text css="%7B%22default%22:%7B%22color%22:%22%2
 3e02222%22%7D%7D"]SUBMISSIONS ARE CLOSED\, BUT REGISTRATION FOR THE LISTEN
  & LEARN OPTION ARE OPEN THROUGH WEDNESDAY\,  NOVEMBER 9\, 2022 AT 10PM.[
 /vc_column_text][us_separator size="small"][/vc_column][/vc_row][vc_row he
 ight="auto" disable_element="yes"][vc_column][/vc_column][vc_column][vc_co
 lumn_text css="%7B%22default%22:%7B%22color%22:%22%23e02222%22\,%22margin-
 bottom%22:%22-30px%22%7D%7D"]\nProject Review Slots are SOLD OUT\n[/vc_col
 umn_text][us_separator size="small"][/vc_column][/vc_row][vc_row width="fu
 ll" height="auto"][vc_column][/vc_column][vc_column][vc_column_text]\n\n[/
 vc_column_text][us_separator][vc_column_text]\n\nWith all the photo books 
 out today it is impossible to see them all\, much less own them.  Join AP
 G members on the 4th Saturday of each month for Photo Book Saturday at the
  gallery.  Bring your favorite book to show fellow members\, or just come
  along to see what your fellow members find stimulating\, inspiring\, or i
 nnovative in the world of photography today.  Connect\, catch up\, and sh
 are with your community.\n\n\n[/vc_column_text][/vc_column][/vc_row][vc_ro
 w width="full" height="auto" disable_element="yes"][vc_column][vc_column_t
 ext]\n\n\nModerator’s Bio\nBeth Lilly is a photographic artist whose wor
 k explores the formation of personal and cultural identities and the role 
 choice\, chance and circumstance play in that ongoing evolution. Lilly ear
 ned an MFA in Photography from Georgia State University and an A.B.J. in T
 elecommunication Arts from the University of Georgia. Her work resides in 
 the permanent collections of the High Museum\, the New Mexico Museum of Ar
 t\, The Ogden Museum of Southern Art\, MOCA GA\, the Zuckerman Museum and 
 many other institutional and private collections. Her critically acclaimed
  performance/interactive project “The Oracle @ WiFi” was published by 
 Kehrer Verlag and other projects have been featured in monographs ‘Nopla
 ceness: Art in a Post-Urban Landscape’ and ‘Earth Now: American Landsc
 ape Photographers and the Environment’. Her work has been reproduced and
  reviewed in such publications as Blind Magazine\, F-Stop Magazine\, Lensc
 ulture\, Art Papers\, Papermag\, Burnaway\, The Bitter Southerner\, Atlant
 a Magazine and ArtsATL. Select exhibitions include New Mexico Museum of Ar
 t\, The High Museum of Art\, Spalding Nix Fine Art\, the SE Center for Pho
 tography\, Whitespace Gallery\, the Atlanta Contemporary Art Center\, and 
 the Center for Fine Art Photography. In addition to her personal work\, sh
 e teaches\, curates\, and serves on the Board of the Atlanta Photography G
 roup.\n\n\nModerator's Website – www.bethlilly.com\n\n\n[/vc_column_tex
 t][/vc_column][/vc_row][vc_row width="full" height="auto"][vc_column][vc_c
 olumn_text]Event:                                      
  Fourth Saturday of Each Month\, 10:00am-noon EST\nLocation:         
                         In-Person - At the APG Gallery[/vc_col
 umn_text][us_separator size="small"][/vc_column][/vc_row][vc_row height="a
 uto" disable_element="yes"][vc_column][vc_column_text]\nREGISTER AS PRESEN
 TER\nYOU DO NOT NEED TO REGISTER IF YOU ARE JUST OBSERVING\n[/vc_column_te
 xt][/vc_column][/vc_row][vc_row height="auto" disable_element="yes"][vc_co
 lumn][us_btn label="December 21\, 2024 Presenter Registration" link="%7B%2
 2url%22:%22https:%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcritique-in-pe
 rson-critique-group-moderated-by-beth-lilly%2F%22\,%22title%22:%22Critique
 %20-%20December%206\,%202023%22%7D" hide_with_empty_link="1" align="center
 "][/vc_column][/vc_row][vc_row disable_element="yes"][vc_column][vc_column
 _text css="%7B%22default%22:%7B%22color%22:%22%23b00e1c%22%7D%7D"]\nRegist
 rations will open at 6pm on January 17\, 2023. Please check back.\n[/vc_co
 lumn_text][/vc_column][/vc_row]
LAST-MODIFIED:20260824T010959Z
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlan
 ta\, GA\, 30324\, United States
URL:https://atlantaphotographygroup.org/events/photo-book-saturday/
X-SOURCE-NAME:Atlanta Photography Group
X-SOURCE-URL:https://atlantaphotographygroup.org
END:VEVENT
BEGIN:VEVENT
SUMMARY:Critiques: Critique Classique moderated by Beth Lilly
DTSTART:20261018T180000Z
DTEND:20261018T203000Z
DTSTAMP:20260729T170245Z
UID:384@atlantaphotographygroup.org
CATEGORIES:arts
DESCRIPTION:[vc_row height="auto" disable_element="yes"][vc_column][/vc_co
 lumn][vc_column][vc_column_text css="%7B%22default%22:%7B%22color%22:%22%2
 3e02222%22%7D%7D"]SUBMISSIONS ARE CLOSED\, BUT REGISTRATION FOR THE LISTEN
  & LEARN OPTION ARE OPEN THROUGH WEDNESDAY\,  NOVEMBER 9\, 2022 AT 10PM.[
 /vc_column_text][us_separator size="small"][/vc_column][/vc_row][vc_row he
 ight="auto" disable_element="yes"][vc_column][/vc_column][vc_column][vc_co
 lumn_text css="%7B%22default%22:%7B%22margin-bottom%22:%22-30px%22%7D%7D"]
 \nBarbara Griffin is the guest moderator for July 2025.\n[/vc_column_text]
 [us_separator size="small"][/vc_column][/vc_row][vc_row width="full" heigh
 t="auto"][vc_column][/vc_column][vc_column][vc_column_text]\n\n[/vc_column
 _text][us_separator][vc_column_text]APG’s longest running program\, now 
 referred to as Critique Classique\, is held in person at the gallery on th
 e 3rd Sunday of each month from 2-4:30pm (with a short 10-15 minute break 
 in the middle).[/vc_column_text][vc_column_text]\n\nWhy Participate in Cri
 tique?\nAPG believes that critique plays a crucial role in an artist's gro
 wth and development. As part of our mission to support photographic artist
 s\, we feel it is important to offer a variety of options so that each art
 ist can find the group that is the best fit for them.  Not certain of the
  value?  Consider this:\n\n 	Feedback and Improvement: Constructive criti
 cism provides valuable insights that help artists see their work from diff
 erent perspectives. It highlights areas that need improvement and offers s
 uggestions for growth\, ultimately enhancing their skills and artistic vis
 ion.\n 	Learning and Development: Critique exposes artists to diverse view
 points and approaches\, allowing them to learn new techniques\, styles\, a
 nd concepts. Engaging with feedback fosters continuous learning and develo
 pment in their artistic journey.\n 	Self-reflection: Evaluative feedback p
 rompts artists to reflect on their own work critically. It encourages intr
 ospection\, enabling artists to understand their strengths and weaknesses 
 better\, leading to more refined artistry.\n 	Building Resilience: Dealing
  with critique develops resilience and the ability to handle rejection or 
 differing opinions. It strengthens an artist's confidence and prepares the
 m to face challenges in their career\, fostering growth both professionall
 y and personally.\n 	Community and Networking: Engaging in critique sessio
 ns or receiving feedback from fellow artists fosters a sense of community.
  It creates networking opportunities\, allowing artists to connect\, colla
 borate\, and learn from each other.\n 	Audience Perspective: Understanding
  how an audience perceives their work is crucial for artists. Critique pro
 vides insights into how their art is received\, helping them communicate t
 heir ideas more effectively and connect with their audience on a deeper le
 vel.\n\n[/vc_column_text][/vc_column][/vc_row][vc_row width="full" height=
 "auto" disable_element="yes"][vc_column][vc_column_text]\n\n\n\nGuest Mode
 rator for April 2026 - Matt Haffner\nMatt Haffner is a photo-based\, mixed
  media artist who works in a variety of materials. These often include new
 spaper\, spray paint\, cardboard\, salvaged street signs\, wheat paste\, a
 nd industrial pencils combined with photographs which give his pieces a fr
 enzied\, chaotic feel and show his roots as a street artist. Large-scale s
 ite-specific installations and smaller works on paper examine the artist
 ’s memories of growing up in the urban Midwest. These personal narrative
 s are woven together with mythologies and folklore to illuminate surreal a
 nd otherworldly experiences.\nHaffner’s works are in a variety of public
  and private regional\, national\, and international collections. He has w
 on countless awards\, residencies\, and grants in support of his work\, in
 cluding a National Endowment for the Arts Project Award\, Hambidge Center 
 for the Arts and Sciences\, MOCA Georgia’s prestigious Working Artist Aw
 ard\, and a Forward Arts Foundation Award. His works additionally\, have b
 een published in a variety of books\, magazines\, web pages\, and periodic
 als.\nMatt Haffner is based in Atlanta\, Georgia and is Professor of Photo
 graphy and Video at Kennesaw State University.\n\n\n\n \n\n\n[/vc_column_
 text][/vc_column][/vc_row][vc_row width="full" height="auto"][vc_column][v
 c_column_text]\n\n\nModerator’s Bio\nBeth Lilly is a photographic artist
  whose work explores the formation of personal and cultural identities and
  the role choice\, chance and circumstance play in that ongoing evolution.
  Lilly earned an MFA in Photography from Georgia State University and an A
 .B.J. in Telecommunication Arts from the University of Georgia. Her work r
 esides in the permanent collections of the High Museum\, the New Mexico Mu
 seum of Art\, The Ogden Museum of Southern Art\, MOCA GA\, the Zuckerman M
 useum and many other institutional and private collections. Her critically
  acclaimed performance/interactive project “The Oracle @ WiFi” was pub
 lished by Kehrer Verlag and other projects have been featured in monograph
 s ‘Noplaceness: Art in a Post-Urban Landscape’ and ‘Earth Now: Ameri
 can Landscape Photographers and the Environment’. Her work has been repr
 oduced and reviewed in such publications as Blind Magazine\, F-Stop Magazi
 ne\, Lensculture\, Art Papers\, Papermag\, Burnaway\, The Bitter Southerne
 r\, Atlanta Magazine and ArtsATL. Select exhibitions include New Mexico Mu
 seum of Art\, The High Museum of Art\, Spalding Nix Fine Art\, the SE Cent
 er for Photography\, Whitespace Gallery\, the Atlanta Contemporary Art Cen
 ter\, and the Center for Fine Art Photography. In addition to her personal
  work\, she teaches\, curates\, and serves on the Board of the Atlanta Pho
 tography Group.\n\n\nModerator's Website – www.bethlilly.com\n\n\n[/vc_
 column_text][/vc_column][/vc_row][vc_row width="full" height="auto"][vc_co
 lumn][vc_column_text]\nGuidelines for APG Critique Group:\nMembership Requ
 irement: APG Critique Group is exclusively for APG members. Active members
 hip is required to participate in presenting work for critique.\nDrop-in O
 bservers: We welcome drop-in observers from the local APG community who wa
 nt to engage with the artistic process\, but are not prepared to present t
 heir own work. Drop-in observers do not need to register.\nLimited Present
 er Slots: This APG Critique Group session offers a maximum of 8 presenter 
 slots. This limitation ensures that every participant has 15 minutes to pr
 esent their work and receive feedback.\nNo Registration: People will sign-
 up to present when they arrive at the critique and are accepted on a first
 -come basis\, with a preference for people who did not present during the 
 previous month's session.\nPresentation Format: Each presenter can present
  8 images. While physical prints are preferred\, we have the capability to
  display digital work on a large viewing screen if necessary. Please ensur
 e that your digital files are properly formatted and ready for presentatio
 n.\nThe critique group is free for members.\nBy following these guidelines
 \, we aim to create a supportive and constructive environment for artistic
  growth and development within the APG community.\nNot an APG Member? –
  Join or Renew Now![/vc_column_text][us_separator size="small"][/vc_colum
 n][/vc_row][vc_row height="auto"][vc_column][vc_column_text]\nPeople will 
 sign-up to present when they arrive at the critique\nand are accepted on a
  first-come basis\, with a preference for people\nwho did not present duri
 ng the previous month's session.\n[/vc_column_text][/vc_column][/vc_row][v
 c_row height="auto" disable_element="yes"][vc_column][us_btn label="Februa
 ry 18\, 2024 Presenter Registration" link="%7B%22url%22:%22https:%2F%2Fatl
 antaphotographygroup.org%2Fshop%2Fcritique-in-person-critique-group-modera
 ted-by-beth-lilly-feb-18-2024%2F%22\,%22title%22:%22Critique%20-%20Decembe
 r%206\,%202023%22%7D" hide_with_empty_link="1" align="center"][/vc_column]
 [/vc_row][vc_row height="auto" disable_element="yes"][vc_column][vc_column
 _text]\nALL PRESENTER SLOTS ARE FILLED.\n[/vc_column_text][/vc_column][/vc
 _row][vc_row disable_element="yes"][vc_column][vc_column_text css="%7B%22d
 efault%22:%7B%22color%22:%22%23b00e1c%22%7D%7D"]\nRegistrations will open 
 at 6pm on January 17\, 2023. Please check back.\n[/vc_column_text][/vc_col
 umn][/vc_row]
LAST-MODIFIED:20260729T170245Z
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlan
 ta\, GA\, 30324\, United States
URL:https://atlantaphotographygroup.org/events/critique-in-person-critique
 -group-moderated-by-beth-lilly/
X-SOURCE-NAME:Atlanta Photography Group
X-SOURCE-URL:https://atlantaphotographygroup.org
END:VEVENT
END:VCALENDAR
