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  Event details belong to their publishers. Contains information from CalDi
 scovery\, which is made available under the ODbL 1.0.
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BEGIN:VEVENT
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DTSTART:20260918T110000Z
DTEND:20260919T020000Z
DTSTAMP:20260917T062304Z
UID:150015-21907838@events.umich.edu
CATEGORIES:arts
DESCRIPTION:August 24 - October 18\, 2026\nExhibition Reception: October 1
 \, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major 
 milestone: Second Year Studio (SYS). It’s a course where\, per the sylla
 bus\, students \\"develop the capacity to work independently by identifyin
 g\, exploring\, and pursuing a single independent project that involves mu
 ltiple iterations.\\" Each student takes their own path\, encountering que
 stions that can shape the direction of their creative practice. At the end
  of the semester\, students formally report on their experience in a prese
 ntation called the Sophomore Review and receive direct feedback from a pan
 el of Stamps faculty members. \n\nInstalled throughout the Art & Architect
 ure Building\, the Second Year Studio Exhibition showcases the art and des
 ign work created in this pivotal course by our rising third-year and trans
 fer students\, and invites first-year students and other newcomers to expl
 ore both the building and the creative possibilities ahead. The show featu
 res 50 students who have volunteered to participate\, yet it honors every 
 Stamps major who reaches the SYS milestone. \n\nThe works in this year’s
  exhibition engage a wide range of questions and concerns. Students invest
 igate memory\, identity\, materiality\, ecology\, technology\, labor\, soc
 ial relationships\, and the built environment through equally diverse form
 al approaches. While these subjects recur across the exhibition\, what sta
 nds out most is not a dominant thematic direction\, but a shared commitmen
 t to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions
  Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists 
 and Designers\n\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\
 nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah 
 Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadle
 lzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\n
 Abigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\
 n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nO
 onagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\
 n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\
 nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\n
 Anupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophi
 e Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie S
 mith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wan
 g\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya
LAST-MODIFIED:20260917T062304Z
LOCATION:Off Campus Location
URL:https://events.umich.edu/event/150015?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Neoliberal Loops Gallery Exhibit - Rozsa Art Galleries
DTSTART:20260918T120000Z
DTEND:20260919T000000Z
DTSTAMP:20260829T003450Z
UID:tag:localist.com\,2008:EventInstance_53454485320133
CATEGORIES:arts,free
DESCRIPTION:MICHIGAN TECH ART SERIES EVENT\n\nNeoliberal Loops is a body o
 f work created by Emma C. Johnson that explores neoliberalism\, postfemini
 sm\, economic precarity\, and how our understanding of these phenomena are
  mediated through visual culture. Her work is concerned with mundane and i
 diosyncratic details that are telling of a larger picture of the world. Sh
 e works primarily in painting\, printmaking\, photography\, video\, sound\
 , and text. Whatever medium the idea demands is what determines the materi
 ality of the finished work. \n\nThe Neoliberal Loops project features thre
 e related works on the theme of financial crisis. This includes music/soun
 d and digital video\, photography\, text on a moving LED lights screen\, a
 nd letterpress on paper. This exhibition is an opportunity to reflect on c
 apitalism\, representation\, and feminism\, and grapple with this material
  in a visceral way. Emma invites viewers to reflect on neoliberalism\, whi
 ch often seems as natural as the air we breathe. This opens up a dialog ab
 out how representations of neoliberalism shapes our understanding of it an
 d how we might approach our understanding of it and other possibilities fo
 r living differently. This project brings Emma's writing\, art\, music\, a
 nd theoretical background together when these areas are typically compartm
 entalized.\n\nThis exhibition was also an opportunity for Emma to receive 
 guidance from Michigan Technological University’s Math and Music Lab (MM
 L) co-directors Robert Schnieder and Michael Maxwell. Combining math\, vis
 ual and performing arts\, and the humanities opens up possibilities. Emma'
 s time at MTU was a unique opportunity to combine disciplines to culminate
  in an interdisciplinary project.\n\nThings to know\n\nEXHIBIT DATES | Sep
 tember 18-November 6\, 2026\nRECEPTION | Friday\, September 18\, 2026 | 5-
 7 p.m. See Details.\nADMISSION| Free and open to the public\n\nCONTENT GUI
 DANCE | This event uses LED and LCD displays that may include moving image
 s or flashing lights.\n\nPlan your visit with information about parking\, 
 accessibility\, and more. \n\nRozsa Art Galleries are open 8 a.m.-8 p.m. M
 -F and 1-8 p.m. on Saturdays. Closed during academic recesses. Contact the
  Rozsa Box Office for more information.\n\n Thank you to Sponsors\n\nSuppo
 rt for this 2026/27 Michigan Tech Music Series event is sponsored in part 
 by:\n and the Michigan Tech Visual and Performing Arts Circle of Supporter
 s at mtu.edu/rozsa/donors\n\n About the Artist\n\n \n\nEmma C. Johnson's w
 ork explores mundane and idiosyncratic details that reflect society. She f
 ocuses on media\, aesthetics\, (post)feminism\, and neoliberalism. \n\nShe
  works primarily in painting\, printmaking\, photography\, video\, sound\,
  and text\, and has exhibited her artwork internationally. \n\nJohnson hol
 ds a BFA from the Minneapolis College of Art and Design\, a BA in English 
 from the University of Minnesota–Twin Cities\, an MA in history from Cen
 tral Michigan University\, and an MS\, with additional graduate work towar
 d a Ph.D.\, in the Rhetoric\, Theory\, and Culture program at Michigan Tec
 hnological University. Johnson also spent a year at Rutgers University–N
 ew Brunswick\, and semesters at Parsons Paris School of Art and Design and
 \, on an Erasmus+ grant\, at Friedrich-Schiller-Universität Jena in Germa
 ny. \n \n\n \n\n\nAbout the Presenter\n\n \n\nProfessional exhibitions in 
 the Rozsa Art Galleries. Student showcases. Artist Talks with Studio Here 
 Now. Cross-campus collaborations. The Michigan Tech Art Series offers dyna
 mic programming that supports Michigan Tech students and our wider communi
 ty.\n\nPart of the annual Rozsa Season\, the Michigan Tech Art\, Music\, a
 nd Theatre Series are presented by the Visual and Performing Arts Departme
 nt. Through these series\, students from across campus\, community members
 \, and faculty create art that connects us to the world. With majors in au
 dio production and technology\, sound design\, theatre and entertainment t
 echnology\, and nine minors\, the department fosters creativity\, self-mot
 ivation\, and the development of practical and artistic skills. Everyone i
 s welcome\, and there's something for everyone.\n\nView all Michigan Tech 
 Art Series Events.\n\n Related Events\n\nNeoliberal Loops - Rozsa Art Gall
 eries\nSeptember 18-November 6\, 2026\nReception | Friday\, September 18\,
  2026 | 5-7 p.m.\n\nWhimsy and Wonder: Fall Student Art Showcase - Rozsa A
 rt Galleries\nDecember 4-8\, 2026\nReception | Friday\, December 4\, 2026 
 | 5-7 p.m.\n\nArtwork by Kenyon Hanson and Lindsey Heiden - Rozsa Art Gall
 eries\nJanuary 29-March 27\, 2027\nReception | Friday\, January 29\, 2027 
 | 5-7 p.m.\n\nKaleidoscope Dreams: Spring Student Art Showcase - Rozsa Art
  Galleries\nApril 16-20\, 2027\nReception | Friday\, April 16\, 2027 | 5-7
  p.m.\n\nExplore upcoming Rozsa Events.\n\n Plan Your Visit to the Rozsa\n
 \nRozsa Box Office InformationAccessibility Services  Find a Digital Progr
 amPlan your Parking​ \n\nGet Involved\n\nVolunteer to UsherDonate to Sup
 port the RozsaMeet Our DonorsGet Updates via Email \n\nView All Upcoming E
 vents\n\n Personal Responsibility Statement\nNot all productions may appea
 l to or be appropriate for every person or for all ages. The Rozsa Center 
 provides content guidance to alert audience members to common potentially 
 sensitive or distressing material. Guests are encouraged to familiarize th
 emselves with each event in order to make informed decisions prior to atte
 nding an event.\n\nViews Expressed Statement\nThe views\, information\, th
 oughts\, or opinions expressed in this program or event are those of the i
 ndividuals involved and do not necessarily represent the policies of the R
 ozsa Center or Michigan Technological University. Effective Date: 2025/26.
LAST-MODIFIED:20260829T003450Z
LOCATION:Rozsa Center for the Performing Arts\, Rozsa Art Galleries
URL:https://events.mtu.edu/event/neoliberal-loops-rozsa-art-galleries?utm_
 source=caldiscovery&utm_medium=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Michigan Tech Events Calendar Calendar
X-SOURCE-URL:https://events.mtu.edu/event/hockey_game_watch_-_ann_arbor_mi
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DTSTART:20260918T120000Z
DTEND:20260918T210000Z
DTSTAMP:20260917T062304Z
UID:149978-21907715@events.umich.edu
CATEGORIES:arts
DESCRIPTION:There are nearly one million refugees currently living in Pola
 nd. While the vast majority arrived from Ukraine\, Poland has also welcome
 d forcibly displaced people from Central Asia\, Latin America\, Africa\, a
 nd the Middle East. While refugees may be different\, they all search for 
 a place that reminds them of home.\nIn *This Is The Place*\, a project sup
 ported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees t
 o show what\, in Poland\, reminds them of their home. These portraits and 
 the personalized confessions her subjects handwrote in their native langua
 ges tell poignant stories about safety and hope.\nAnna Liminowicz is an aw
 ard-winning photographer and reportage journalist based in Warsaw\, Poland
 . A frequent contributor to the *The New York Times*\, *The Guardian*\, *T
 he Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel
 * and UNHCR\, Liminowicz divides her time  between assignments and long-te
 rm personal projects\, mainly focusing on social issues like identity and 
 loss\, and what uplifts her subjects. She has covered the war in Ukraine a
 nd Ukrainian refugees in Poland since the start of Russia's full-scale inv
 asion\, and received the 2022 Grand Press Photo Award for her project “T
 oo Precious to Leave Behind”.\n\nIf there is anything we can do to make 
 this event accessible to you\, please contact us. Please be aware that adv
 ance notice is necessary as some accommodations may require more time for 
 the university to arrange.
LAST-MODIFIED:20260917T062304Z
LOCATION:Weiser Hall - Room 547
URL:https://events.umich.edu/event/149978?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditi
 ons\, and the Women Who Made Them
DTSTART:20260918T120000Z
DTEND:20260919T030000Z
DTSTAMP:20260917T062304Z
UID:150290-21908796@events.umich.edu
CATEGORIES:arts
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arb
 or Town” map by exploring the colorful history\, campus traditions\, and
  detailed artistry that made it possible. Created by Jessie Horton Koessle
 r (Class of 1901) to help fund the Michigan League building for women\, th
 is celebrated map provides a fascinating view into 1920s campus life and t
 he women who shaped it. Through three distinct exhibit sections\, journey 
 from the campus history that led to the map’s creation to a broader look
  at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\
 , pick up a scavenger hunt at the Clark Library desk that will inspire you
  to notice whimsical details in the maps discussed. Return your scavenger 
 hunt at the desk for a small prize\, while supplies last.\n\nJoin the cura
 tors — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library
  — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where t
 hey will share the research that went into creating the exhibit.
LAST-MODIFIED:20260917T062304Z
LOCATION:Hatcher Graduate Library - Clark Library\, 2nd Floor
URL:https://events.umich.edu/event/150290?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix
  Lembersky
DTSTART:20260918T120000Z
DTEND:20260918T210000Z
DTSTAMP:20260917T062304Z
UID:149975-21907479@events.umich.edu
CATEGORIES:arts
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage desi
 gner\, teacher\, and leader of artistic groups. He began his career within
  the Soviet Avant-Garde in Ukraine before studying realist painting in Len
 ingrad (now Saint Petersburg). Throughout his life he worked across realis
 t and modernist styles that fell outside of Soviet-mandated Socialist Real
 ism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known a
 rtistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. F
 or political reasons\, these paintings\, along with his later nonconformis
 t work\, were barred from exhibition in the Soviet Union.\n\nHaving witnes
 sed two world wars\, the 1917 revolution\, and political terror\, Lembersk
 y reflected on these experiences with candor while imbuing his work with h
 ope and optimism. He was drawn to vulnerable\, neglected\, and marginalize
 d people: children\, the elderly\, ethnic minorities\, and industrial work
 ers subjected to harsh labor and dangerous conditions. Regardless of their
  circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\
 , and admiration.  \n\n“For my father\, honesty and integrity meant more
  than anything else. Art was an expression of freedom\, individuality\, an
 d personalized creativity\, without which it ceased to be art.”\n— Gal
 ina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddau
 ghter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWo
 rks on loan from the private collection of Yelena Lembersky.\n\nContact we
 isercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can
  do to make this event accessible to you\, please contact us at weisercent
 er@umich.edu. Please be aware that advance notice is necessary as some acc
 ommodations may require more time for the university to arrange.
LAST-MODIFIED:20260917T062304Z
LOCATION:Weiser Hall - Room 1010
URL:https://events.umich.edu/event/149975?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Poster Invasion
DTSTART:20260918T130000Z
DTEND:20260918T210000Z
DTSTAMP:20260904T183444Z
UID:tag:localist.com\,2008:EventInstance_53883254393867
CATEGORIES:arts
DESCRIPTION:Join Poster Invasion in collaboration with MUB Board and find 
 some new and cool posters for your dorm room! Find us in the MUB Superior 
 Room from 9am-5pm\, all week!
LAST-MODIFIED:20260904T183444Z
LOCATION:MUB Superior Room
URL:https://events.mtu.edu/event/poster-invasion?utm_source=caldiscovery&u
 tm_medium=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Michigan Tech Events Calendar Calendar
X-SOURCE-URL:https://events.mtu.edu/event/hockey_game_watch_-_ann_arbor_mi
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:Art Exhibit: Hands on Fire
DTSTART:20260918T130000Z
DTEND:20260918T203000Z
DTSTAMP:20260917T062304Z
UID:152223-21913376@events.umich.edu
CATEGORIES:arts
DESCRIPTION:Jim Cogswell: Hands on Fire\n\n**August 31 to October 9\, 2026
 **\n**Public Reception: Friday\, September 18\, 4:30 to 6:30 pm**\n\nJim C
 ogswell’s Hands on Fire is a solo exhibition of mixed media drawings at 
 the Residential College Gallery at the University of Michigan in Ann Arbor
 . The exhibition features sixty works on paper completed between 2024 and 
 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cac
 oyannis’ cinematic adaptations of three tragedies by Euripides dealing w
 ith the Trojan War and its aftermath: Electra (1962)\, The Trojan Women (1
 971)\, and Iphigenia (1977). The work is in close conversation with Vinyl 
 Euripides (2022)\, Cogswell’s adhesive vinyl installation on three floor
 s of the Michael Cacoyannis Foundation in Athens\, Greece\, which also res
 ponded to the cinematic trilogy. By following Cacoyannis’ adaptations\, 
 Cogswell builds on a cross-cultural history of restaging these tragedies t
 o examine the human suffering caused by war\, imperial overreach\, and abu
 se of power\; and the dehumanizing consequences of revenge as a course of 
 justice.\n\nWithin each drawing multiple scenes from the three narratives 
 are overlaid within single frames\, suggesting the unseen entanglements th
 at bind these ancient stories into such a persistent vision of our human p
 osition.\n\nThe grid of paintings encircling the gallery proposes a linear
  narrative but delivers instead a sequence that loops and turns on itself\
 , a stuck frame that stutters until bursting in flames. The grid also evok
 es the net that is a central feature of the series--the web of fate and ci
 rcumstance that governs each of our lives\, that determines who we are and
  what is possible for us at any given moment in history.\n\nThe drawings a
 re also characterized by a repeated motif of hands as consuming flames. Ha
 nds have unlimited expressive and narrative potential. They testify to the
  centrality of making in the development of human cognition. They are remi
 nders of the constructed world and the laborers responsible for bringing i
 t into being. We use hands as a form of communication to shape and express
  our inner states. Hands teach us to feel and to reason\, to count and to 
 indicate. They give us agency\, as creators but also as destroyers. They g
 ive form to our willingness to act in the world\, in greed or compassion.\
 n\n---\n\n**This exhibition is made possible with funding from the Stamps 
 School of Art & Design and the University of Michigan Office of Research.*
 *\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the D
 epartment of Classical Studies\, College of Literature\, Science\, and the
  Arts at the University of Michigan\, for their ongoing support for my res
 earch and the dissemination of this project.
LAST-MODIFIED:20260917T062304Z
LOCATION:East Quadrangle - RC Art Gallery
URL:https://events.umich.edu/event/152223?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:Ballad for Rodney
DTSTART:20260918T130000Z
DTEND:20260918T210000Z
DTSTAMP:20260917T062304Z
UID:150287-21908781@events.umich.edu
CATEGORIES:arts
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyt
 e’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcomin
 g solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Q
 uiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneo
 usly as painting and sculpture\, inviting the viewer to physically engage 
 with the surface\, passing through to another layer underneath. \n\nAbout 
 the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdiscip
 linary artist who employs drawing\, installation\, and sculpture to create
  conceptual work exploring interstitial subjectivity through an engagement
  with both intimate and public archives\, as well as Black spatiality and 
 forms of resistance. He received his MFA from the University of Michigan. 
 In 2022\, he joined the UCLA School of the Arts and Architecture as an ass
 istant professor.\n\n\nWhyte’s work has been exhibited nationally and in
 ternationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Conte
 mporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The D
 rawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Cent
 re Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica
 \, Kingston\, Jamaica\, among others. His work is in public museum collect
 ions including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art
 \, Chicago\, IL\; International African American Museum\, Charlotte\, NC\;
  MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Mu
 seum Miami\, among others. Whyte lives and works between Montego Bay\, Jam
 aica and Los Angeles\, CA.
LAST-MODIFIED:20260917T062304Z
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room
 \, #1022
URL:https://events.umich.edu/event/150287?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:Breakfast\, Luncheon\, and Dinner: Dining Out in the 19
 10s\, 1920s\, and 1930s
DTSTART:20260918T130000Z
DTEND:20260918T203000Z
DTSTAMP:20260917T062304Z
UID:152203-21913235@events.umich.edu
CATEGORIES:arts
DESCRIPTION:Enjoy a buffet selection of early twentieth century menus from
  the Janice Bluestein Longone Culinary Archive. Visit the Special Collecti
 ons Research Center on the 6th floor of the Hatcher Library\, Monday-Frida
 y\, 9:00am-4:30pm.
LAST-MODIFIED:20260917T062304Z
LOCATION:Hatcher Graduate Library - Special Collections\, 6th floor
URL:https://events.umich.edu/event/152203?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:The People’s Bicentennial
DTSTART:20260918T130000Z
DTEND:20260919T000000Z
DTSTAMP:20260917T062304Z
UID:147925-21902544@events.umich.edu
CATEGORIES:arts
DESCRIPTION:This selection of original artifacts documents the work of the
  Peoples Bicentennial Commission (PBC)\, which challenged the official\, c
 orporate-sponsored commemoration of the 1976 bicentennial. This year we ce
 lebrate the 250th anniversary of the signing of the Declaration of Indepen
 dence.\n\nItems on display are from the Joseph A. Labadie Collection\, whi
 ch documents social protest movements and radical history.\n\nHOURS\nSunda
 y 2-8pm\nMonday-Thursday 9am-8pm\nFriday 9am-4pm\nSaturday 11am-5pm
LAST-MODIFIED:20260917T062304Z
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room (1st floo
 r)
URL:https://events.umich.edu/event/147925?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DTSTART:20260918T150000Z
DTEND:20260918T210000Z
DTSTAMP:20260917T062304Z
UID:138033-21881331@events.umich.edu
CATEGORIES:arts
DESCRIPTION:From September 2025 through December 2026\, Stamps Gallery is 
 partnering in a curatorial collaboration with two Southeast Michigan-based
 \, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, dire
 cted by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA
  ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed b
 y Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artist
 s annually for exhibitions\, performances\, and events\, fostering experim
 ental work and building community. For this project\, Byrne\, Clegg\, and 
 Narula have been commissioned to reimagine the pillars on Division Street 
 that flank the gallery. In response\, they’ve curated six artists to cre
 ate new work for the pillars over three cycles:\n\nPhase 1 (September 12 -
  December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna
  (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA 
 ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) 
 artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3
  \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated b
 y CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\
 n\nAbhishek Narula\, Compressions \nCompressions is an installation compri
 sed of 416 industrial-grade zip ties\, cinched around the entry pillar of 
 the Stamps Gallery. The pillar measures roughly 110 inches in circumferenc
 e\, requiring two ties per row to wrap around it\, resulting in 208 rows. 
 The humble zip tie\, typically used to hang and bind other material\, is r
 elegated to its functional properties rendering it unprepossessing and eas
 ily dismissed. The zip tie in this installation\, instead serves as an obj
 ect of aesthetic possibility\, pulling it out of its usual background role
  to become the work itself. The resulting composition is a proposal to dwe
 ll\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an
  artist\, designer\, and educator who works across sculpture\, installatio
 n\, sound\, and video. His practice takes the form of interventions\, work
 ing with what is already present. He reorients and disrupts objects and si
 tes in order to open up formal possibilities and poetic experiences within
  the familiar. He is influenced by physical and digital infrastructural sy
 stems that sustain modern life and culture. His work treats this ambience 
 itself as raw material for aesthetic inquiry\, exploring themes of labor\,
  precarity\, temporality and the sublime. Narula earned his MFA in Studio 
 Art from the University of Michigan Stamps School of Art & Design and his 
 MS/BS in Electrical Engineering from the Georgia Institute of Technology. 
 His work has been exhibited at national and international venues such as t
 he Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Spe
 culum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFar
 m\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Ar
 t Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, Interna
 tional Symposium of Electronic Arts (ISEA)\, among others. He is a Robotic
 s Systems Designer and Lecturer in the Robotics Department at the Universi
 ty of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\
 nEqually To Be Loved is an image / object scaled to and installed upon the
  courtyard pillar of Stamps Gallery. The image is of a spontaneous sculptu
 re made in 2017 during the first day of an artist residency at the Recolog
 y San Francisco A.I.R. Program. The sculpture was constructed in a storage
  container studio using 14 discrete objects that were in his studio upon e
 ntry. For Byrne\, this work embodies the energy and spirit of a studio at 
 the start of a particularly fecund period of making. This work speaks to t
 he artist’s interest in embodied experience of space\, archival and site
  responsiveness\, as well as his ongoing engagement with found materials. 
 Byrne considers this project to be a far-flung sequel to his MFA thesis ex
 hibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equall
 y To Be Loved is the second line of the Buddhist mantra from which both ti
 tles are derived.\n\nNathan Byrne is an artist / educator / curator curren
 tly based in Detroit\, MI. Through spatial and archive responsive projects
 \, he reimagines\, and explores within frameworks such as language\, the p
 assage of time\, and contemplation. Intrigued by the potential of conveyin
 g phenomenal\, transformative\, and emotive states through materiality\, p
 rocess\, and placement\, he negotiates the pliability of the viewer’s en
 counters with objects and environments. Byrne holds an MFA in Art from the
  University of Michigan Stamps School of Art & Design and a BA in Studio A
 rt and Art History from San Francisco State University. He has been a Lect
 urer at Stamps School of Art & Design since the Fall of 2022. His work is 
 exhibited widely nationally and he is a recipient of the VSC Fellowship at
  Vermont Studio Center. He has been awarded numerous artist residencies in
 cluding Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Pr
 airie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. 
 Website / Instagram
LAST-MODIFIED:20260917T062304Z
LOCATION:Off Campus Location
URL:https://events.umich.edu/event/138033?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:“Nature Lab”: U-M Museum of Natural History
DTSTART:20260918T150000Z
DTEND:20260918T190000Z
DTSTAMP:20260918T010401Z
UID:10003524-1789729200-1789743600@annarborobserver.com
CATEGORIES:arts
DESCRIPTION:Every Tues.–Sun. All age 6 & up invited into the museum’s 
 labs to use scientific tools and museum specimens. The newest program lets
  participants try out simulated snake senses (sight\, hearing\, and smell)
  to experience the world as if they were a snake. No live snakes. 11 a.m.
 –3 p.m.\, 1105 North University. Free. (734) 764–0478\, ummnh.org.
LAST-MODIFIED:20260918T010401Z
URL:https://annarborobserver.com/event/nature-lab-u-m-museum-of-natural-hi
 story-27/2026-09-18/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=a
 nn-arbor-mi
X-SOURCE-NAME:Ann Arbor Observer
X-SOURCE-URL:https://annarborobserver.com/guide/u-m-football-schedule
END:VEVENT
BEGIN:VEVENT
SUMMARY:Collections Wing Tour
DTSTART:20260918T153000Z
DTEND:20260918T170000Z
DTSTAMP:20260910T180139Z
UID:11921@cranbrookartmuseum.org
CATEGORIES:arts
DESCRIPTION:Come see a selection of the 8\,500+ items in Cranbrook’s ext
 ensive collection in our state-of-the-art storage facility.\n\nHave you ev
 er wondered where all of the artwork lives when it’s not on display? Or 
 thought about how it is moved from place to place? Our Collections Wing op
 ened in late 2011\, making Cranbrook one of the first museums in the world
  to allow public access to its storage facilities.\n\nRESERVE A COLLECTION
 S WING TOUR\n\nCollections Wing Tours start promptly at:\n\n 	1:00pm on Fr
 idays\n 	11:30am and 1:30pm Saturdays\n\nMore details about Collections Wi
 ng Tours at Cranbrook Art Museum.
LAST-MODIFIED:20260910T180139Z
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave\, Box 801\, Bloomfield 
 Hills\, MI\, 48303\, United States
URL:https://cranbrookartmuseum.org/events/collections-wing-tour-10-2026-09
 -18/?utm_source=caldiscovery&utm_medium=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Contemporary Art Museum In Detroit
X-SOURCE-URL:https://cranbrookartmuseum.org
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:“Who Counts? A History of Voting in America”
DTSTART:20260918T160000Z
DTEND:20260918T200000Z
DTSTAMP:20260917T062304Z
UID:152024-21912636@events.umich.edu
CATEGORIES:arts
DESCRIPTION:Changes over the course of the nineteenth century in how Ameri
 cans voted\, from voice vote to public ballot box to private voting booth\
 , also saw changes in the material culture that surrounded voting. Ballots
  and ballot boxes\, campaign pins and ribbons\, blank lists and pre-printe
 d party tickets\, lanterns and banners–the creative forces of the Americ
 an print industry filled the country’s cities and small towns with the e
 phemera of electioneering.\n\nAs you look at the items in this exhibit\, t
 hink about what they tell us about how Americans in the past felt about vo
 ting\, and about how voting felt. How did Election Days feel when they wer
 e full of parades and music and public drinking? What was it like to vote 
 when everyone around you knew who you voted for? And\, most of all\, who c
 ounted as a voter\, and who did the counting?\n\nOn view September 11-Dece
 mber 22\, weekdays from 12-4 pm.
LAST-MODIFIED:20260917T062304Z
LOCATION:William Clements Library
URL:https://events.umich.edu/event/152024?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DTSTART:20260918T160000Z
DTEND:20260918T210000Z
DTSTAMP:20260917T062304Z
UID:149541-21906599@events.umich.edu
CATEGORIES:arts
DESCRIPTION:Curated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall
  2026 semester with an ambitious mid-career survey of interdisciplinary ar
 tist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from 
 Bennington College and earned an MFA from the University of Michigan. He i
 s currently a faculty member at the School of the Arts and Architecture\, 
 UCLA.\n\nThis exhibition brings together two central concerns that animate
  Whyte’s artistic practice: the archive\, both personal and public\, as 
 a site of disturbance\; and migration as a lived experience of refuge\, re
 fusal\, and reinvention. In Whyte’s work\, the archive is never static o
 r neutral. Rather\, it is a contested space where official histories encou
 nter memory\, inheritance\, and the fragments of stories carried across ge
 nerations. His practice moves within this charged interstitial terrain\, b
 etween what has been recorded and what has been remembered\, between insti
 tutional knowledge and embodied experience. Whyte invites the viewer to co
 nsider the fluidity of geographic borders and layered cultural identities 
 that have persisted despite societal unrest caused by racial and socio-eco
 nomic hierarchies across generations. In an era of intensified border poli
 tics and renewed debates over national identity\, Whyte’s work offers a 
 timely meditation on memory\, movement\, and belonging.\n\nPresented with 
 support from the U-M Institute for Humanities\, the U-M LSA Center for Lat
 in American and Caribbean Studies\, and the U-M Library.
LAST-MODIFIED:20260917T062304Z
LOCATION:Off Campus Location
URL:https://events.umich.edu/event/149541?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visua
 l Truths and the Legacy of Korea's 5·18 Democratization Movement - A Phot
 ographic Archive of the May 1980 People’s Uprising in Korea
DTSTART:20260918T160000Z
DTEND:20260918T220000Z
DTSTAMP:20260917T062304Z
UID:150763-21910123@events.umich.edu
CATEGORIES:arts
DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\
 nFor parking information\, please visit this link: https://www.dc.umich.ed
 u/about-the-dc/maps-floor-plans-hours/#parking\n\nExhibition Opening Event
 : \n- When: Friday\, September 18\, 5 pm to 6 pm\n- Where: Duderstadt Cent
 er Gallery\n- Open to the public\n- Description: Please join us for the op
 ening of this photo exhibition. The event will feature remarks by the orga
 nizers\, the exhibition curators\, one of the featured photojournalists\, 
 and a former Peace Corps volunteer who has stood in solidarity with the pe
 ople of Gwangju since 1980. Light refreshments are provided. \n\n*Exhibiti
 on Description*\nThis photo exhibition features 90 curated images from the
  UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 demo
 cratization uprising in Gwangju\, South Korea\, the collection captures th
 e shift from peaceful student protests to military violence and unified ci
 tizen resistance\, carried out under a complete blackout as civilians and 
 photojournalists risked their lives to photograph atrocities and smuggle f
 ilm past cordons. Beyond serving as historical artifacts\, these preserved
  visual truths offer a living blueprint for popular resilience against aut
 horitarianism\, transforming local trauma into a universal defense of huma
 n rights. Displaying these records at Michigan bridges 1980 Gwangju with o
 ur present moment\, inviting viewers to engage past resistance in the ongo
 ing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exh
 ibit will be composed of a visual narrative comprised of six chronological
  sections and two additional special sections:\n\n1. Protest (May 5–16\,
  1980): \nFollowing the collapse of Park Chung-hee’s military dictatorsh
 ip in October\, 1979\, Gwangju students and citizens held peaceful rallies
  for campus autonomy and the end of martial law. Photos from this era show
  orderly marches and hopeful faces\, capturing a society on the brink of c
 hange before the structural contradictions shifted toward state-led violen
 ce. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led 
 by Chun Doo-hwan extended martial law to the entire country on May 17. Stu
 dents at Chonnam National University protested against the new junta gover
 nment’s decision. State violence escalated as paratroopers\, who were de
 ployed to Gwangju\, engaged student protesters. Streets became scenes of b
 rutal beatings and kidnappings. Beyond documenting victims\, the images on
  display in this section serve as primary historical evidence and legal pr
 oof of the military's methods and the sudden transformation of citizens in
 to targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movemen
 t shifted into a popular struggle. Vehicles lined up in Gwangju’s main t
 horoughfare\, Geumnam-ro. This massive vehicle parade symbolized the peopl
 e becoming active subjects of resistance. The military was given the order
  to use live ammunition against civilians. In reaction\, the city became a
  space of voluntary mobilization and citizens emerged as historical politi
 cal actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and c
 ut off from communications\, Gwangju established an autonomous system of s
 elf-governance. Photos in this section testify to the efforts made to esta
 blish a sense of order based on solidarity—sharing food and donating blo
 od—rather than chaos. The formation of this \\"Daedong (Great Unity) Com
 munity\\" and the visual documentation thereof serve as foundations of dem
 ocracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was
  crushed by a dawn military operation. While the armed resistance ended\, 
 the resulting photographs of the aftermath reveal the stark reality of the
  massacre. These images became the catalyst for future truth-seeking movem
 ents and the pursuit of historical justice in South Korea. \n\n6. Mourning
 : \nScenes of coffins\, portraits\, and silent vigils represent a collecti
 ve ethical gaze. During this period\, mourning was more than a display of 
 grief\; it was a communal act used to redefine the city’s identity and e
 stablish new moral standards for justice.\n\n7. Special Section A: The Pho
 tographers\nThis special section highlights the domestic and international
  photographers who documented the uprising. This includes Korean journalis
 ts alongside US journalists Robin Moyer and Norman Thorpe\, French corresp
 ondents Patrick Chauvel and François Lochon\, and German cinematographer 
 Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a 
 moral commitment to record and a historical duty to ensure remembrance. Ra
 ther than viewing these photos solely as evidence\, the exhibition reinter
 prets them through a lens of photographic history—examining their contex
 t\, distribution\, and how they transformed raw records into social truth 
 and collective memory.\n\n8. Special Section B: The Peace Corps: Americans
  Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 19
 80\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolin
 ger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing 
 instead to assist the wounded\, aid foreign journalists\, and ultimately e
 xpose the truth to the world. Those pivotal ten days reshaped their lives 
 into lifelong commitments to human rights\, inspiring decades of memoirs\,
  academic writings\, and testimonies. Through photographs\, video footage\
 , and personal records\, this section traces their journey from eyewitness
 es to active defenders of human dignity\, inviting us to reflect on what i
 t truly means to take a stand in the face of another’s suffering. \n\nTw
 o additional events programmed in conjunction with this photo exhibition\n
 1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and t
 he Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ 
 \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advanceme
 nt of Democracy in Korea and the Students at the Frontline\nhttps://myumi.
 ch/rwdwn \n\nContent Warning: This exhibition contains historical photogra
 phs documenting the 1980 Gwangju Democratization Movement\, including grap
 hic depictions of violence\, state military suppression\, injuries\, and g
 rief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the
  May 18 Archives\, Center for Democracy & Civic Empowerment\, Department o
 f Political Science\, Center for Emerging Democracies\, Donia Human Rights
  Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything w
 e can do to make this event accessible to you\, please contact us. Please 
 be aware that advance notice is necessary as some accommodations may requi
 re more time for the university to arrange.*
LAST-MODIFIED:20260917T062304Z
LOCATION:Duderstadt Center
URL:https://events.umich.edu/event/150763?utm_source=caldiscovery&utm_medi
 um=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Sporting Event
X-SOURCE-URL:https://events.umich.edu/list
END:VEVENT
BEGIN:VEVENT
SUMMARY:U-M Museum of Natural History Planetarium & Dome Theater
DTSTART:20260918T160000Z
DTEND:20260918T200000Z
DTSTAMP:20260918T010401Z
UID:10003425-1789732800-1789747200@annarborobserver.com
CATEGORIES:arts
DESCRIPTION:Every Fri.–Sun. Three different audiovisual planetarium show
 s suitable for all ages. T. Rex (noon) describes the iconic dinosaur’s s
 cientific and cinematic history (includes scenes of dinosaur violence)\; T
 he Sky Tonight (1 & 3 p.m.) explores the current night sky\, with tips on 
 how to find the cardinal directions\, constellations\, and planets on your
  own\; and Tales of the Maya Skies (2 p.m.) immerses viewers in the wonder
 s of Mayan science\, examining how Mayan scholars developed a sophisticate
 d understanding of astronomy\, architecture\, and mathematics. Noon\, 1\, 
 2\, & 3 p.m.\, 1105 North University. $9 at the gift shop. Limited capacit
 y. (734) 764–0480\, ummnh.org.
LAST-MODIFIED:20260918T010401Z
URL:https://annarborobserver.com/event/u-m-museum-of-natural-history-plane
 tarium-dome-theater-27/2026-09-18/?utm_source=caldiscovery&utm_medium=ics&
 utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Ann Arbor Observer
X-SOURCE-URL:https://annarborobserver.com/guide/u-m-football-schedule
END:VEVENT
BEGIN:VEVENT
SUMMARY:Reception for Neoliberal Loops - Rozsa Art Galleries
DTSTART:20260918T210000Z
DTEND:20260918T230000Z
DTSTAMP:20260916T183756Z
UID:tag:localist.com\,2008:EventInstance_53454430501325
CATEGORIES:arts,free
DESCRIPTION:MICHIGAN TECH ART SERIES EVENT\n\nNeoliberal Loops is a body o
 f work created by Emma C. Johnson that explores neoliberalism\, postfemini
 sm\, economic precarity\, and how our understanding of these phenomena are
  mediated through visual culture. Her work is concerned with mundane and i
 diosyncratic details that are telling of a larger picture of the world. Sh
 e works primarily in painting\, printmaking\, photography\, video\, sound\
 , and text. Whatever medium the idea demands is what determines the materi
 ality of the finished work. \n\nThe Neoliberal Loops project features thre
 e related works on the theme of financial crisis. This includes music/soun
 d and digital video\, photography\, text on a moving LED lights screen\, a
 nd letterpress on paper. This exhibition is an opportunity to reflect on c
 apitalism\, representation\, and feminism\, and grapple with this material
  in a visceral way. Emma invites viewers to reflect on neoliberalism\, whi
 ch often seems as natural as the air we breathe. This opens up a dialog ab
 out how representations of neoliberalism shapes our understanding of it an
 d how we might approach our understanding of it and other possibilities fo
 r living differently. This project brings Emma's writing\, art\, music\, a
 nd theoretical background together when these areas are typically compartm
 entalized.\n\nThis exhibition was also an opportunity for Emma to receive 
 guidance from Michigan Technological University’s Math and Music Lab (MM
 L) co-directors Robert Schnieder and Michael Maxwell. Combining math\, vis
 ual and performing arts\, and the humanities opens up possibilities. Emma'
 s time at MTU was a unique opportunity to combine disciplines to culminate
  in an interdisciplinary project.\n\nEnjoy refreshments and hear from Emma
  C. Johnson about her works from 5-7 p.m. on Friday\, September 18\, 2026.
  \n\nThis event is free and open to the public.\n\nThings to know\n\nEXHIB
 IT DATES | September 18-November 6\, 2026\nRECEPTION | Friday\, September 
 18\, 2026 | 5-7 p.m.\nADMISSION| Free and open to the public\n\nCONTENT GU
 IDANCE | This event uses LED and LCD displays that may include moving imag
 es or flashing lights.\n\nPlan your visit with information about parking\,
  accessibility\, and more. \n\nRozsa Art Galleries are open 8 a.m.-8 p.m. 
 M-F and 1-8 p.m. on Saturdays. Contact the Rozsa Box Office for more infor
 mation.\n\n Thank you to Sponsors\n\nSupport for this 2026/27 Michigan Tec
 h Music Series event is sponsored in part by:\n and the Michigan Tech Visu
 al and Performing Arts Circle of Supporters at mtu.edu/rozsa/donors\n\n Ab
 out the Artist\n\n \n\nEmma C. Johnson's work explores mundane and idiosyn
 cratic details that reflect society. She focuses on media\, aesthetics\, (
 post)feminism\, and neoliberalism. \n\nShe works primarily in painting\, p
 rintmaking\, photography\, video\, sound\, and text\, and has exhibited he
 r artwork internationally. \n\nJohnson holds a BFA from the Minneapolis Co
 llege of Art and Design\, a BA in English from the University of Minnesota
 –Twin Cities\, an MA in history from Central Michigan University\, and a
 n MS\, with additional graduate work toward a Ph.D.\, in the Rhetoric\, Th
 eory\, and Culture program at Michigan Technological University. Johnson a
 lso spent a year at Rutgers University–New Brunswick\, and semesters at 
 Parsons Paris School of Art and Design and\, on an Erasmus+ grant\, at Fri
 edrich-Schiller-Universität Jena in Germany. \n \n\n \n\nAbout the Presen
 ter\n\n \n\nProfessional exhibitions in the Rozsa Art Galleries. Student s
 howcases. Artist Talks with Studio Here Now. Cross-campus collaborations. 
 The Michigan Tech Art Series offers dynamic programming that supports Mich
 igan Tech students and our wider community.\n\nPart of the annual Rozsa Se
 ason\, the Michigan Tech Art\, Music\, and Theatre Series are presented by
  the Visual and Performing Arts Department. Through these series\, student
 s from across campus\, community members\, and faculty create art that con
 nects us to the world. With majors in audio production and technology\, so
 und design\, theatre and entertainment technology\, and nine minors\, the 
 department fosters creativity\, self-motivation\, and the development of p
 ractical and artistic skills. Everyone is welcome\, and there's something 
 for everyone.\n\nView all Michigan Tech Art Series Events.\n\n Related Eve
 nts\n\nNeoliberal Loops - Rozsa Art Galleries\nSeptember 18-November 6\, 2
 026\nReception | Friday\, September 18\, 2026 | 5-7 p.m.\n\nWhimsy and Won
 der: Fall Student Art Showcase - Rozsa Art Galleries\nDecember 4-8\, 2026\
 nReception | Friday\, December 4\, 2026 | 5-7 p.m.\n\nArtwork by Kenyon Ha
 nson and Lindsey Heiden - Rozsa Art Galleries\nJanuary 29-March 27\, 2027\
 nReception | Friday\, January 29\, 2027 | 5-7 p.m.\n\nKaleidoscope Dreams:
  Spring Student Art Showcase - Rozsa Art Galleries\nApril 16-20\, 2027\nRe
 ception | Friday\, April 16\, 2027 | 5-7 p.m.\n\nExplore all upcoming Rozs
 a Events.\n\n Plan Your Visit to the Rozsa\n\nRozsa Box Office Information
 Accessibility Services  Find a Digital ProgramPlan your Parking​ \n\nGet
  Involved\n\nVolunteer to UsherDonate to Support the RozsaMeet Our DonorsG
 et Updates via Email View All Upcoming Events
LAST-MODIFIED:20260916T183756Z
LOCATION:Rozsa Center for the Performing Arts\, Rozsa Art Galleries
URL:https://events.mtu.edu/event/reception-for-neoliberal-loops-rozsa-art-
 galleries?utm_source=caldiscovery&utm_medium=ics&utm_campaign=ann-arbor-mi
X-SOURCE-NAME:Michigan Tech Events Calendar Calendar
X-SOURCE-URL:https://events.mtu.edu/event/hockey_game_watch_-_ann_arbor_mi
END:VEVENT
END:VCALENDAR